Believer: Американдық прогрессив метал тобының тарихы

American progressive metal band from Colebrook, Pennsylvania

Believer is an American technical thrash metal band from the late 1980s and early 1990s, that plays a hybrid of thrash and progressive metal. Believer is known for its innovative use of symphonic elements in thrash metal, featuring some of the earliest examples of symphonic metal. Their lyrics deal with topics of philosophy, theology and social issues. The two primary members of the band are vocalist/bassist/guitarist Kurt Bachman and drummer Joey Daub, who were joined by several others after their 1989 debut album, Extraction from Mortality. The band was jointly signed to Roadrunner Records, and the Christian label R. E. X. Music. According to Allmusic, several mainstream magazines praised the second album Sanity Obscure. The title track of Sanity Obscure was covered by Andrew Hulshult for the video game Doom as the track "On the Hunt". The band toured the US and Europe with Bolt Thrower the following year. Believer disbanded in 1994; however, in March 2005, Daub announced that he and Bachman reformed the band. On November 18, 2008, Blabbermouth. net announced Believer's signing with Metal Blade Records. The fourth album titled Gabriel was released on March 17, 2009. An unmastered version of the song "Medwton" premiered on Bam Margera's Radio Bam show on November 17, with the singles "Focused Lethality" and "Stoned" released later. The album features musicians Rocky Gray of Living Sacrifice and Deron Miller of CKY performing guest guitar solos and Howard Jones (Killswitch Engage) contributing guest vocals. The band's fifth studio album, Transhuman, was released in 2011.

Believer was formed in Colebrook, Pennsylvania in 1986 by drummer Joey Daub and vocalist guitarist Kurt Bachman. The band was joined by Howe Kraft (bass) and David Baddorf (guitar). Originally, the band was called Deceiver, and the band played covers of Iron Maiden, Saxon, and Judas Priest. The band changed the name to Believer after hearing the song of the same name off of Diary of a Madman by Ozzy Osbourne. In high school, the band leader Kurt Bachman met Scott Laird, who was studying his first year as a music instructor. When Believer was recording the title track for its first studio album, the band asked Laird to compose an orchestral intro for the song. The song "Not Even One" appeared on Roadrunner Records' compilation At Death's Door in 1990 which was composed mostly of death metal bands. Writer Jeff Wagner noted that Believer's thrash leaning sound was intense enough to hang amidst the heavier, more brutal and decidedly non Christian metal bands on the compilation. With the appearance, Believer entered the general metal scene and was subsequently signed by Roadrunner.

In 1990, Howe Kraft was replaced by Wyatt Robertson, and Believer recorded its second album titled Sanity Obscure, which is more technical than its predecessor. Believer continued its co working with Scott Laird, and incorporated more symphonic elements on the song ”Dies Irae (Day of Wrath).” Scott Laird's sister Julianne Laird Hoge was featured as a soprano on the song. Sanity Obscure also features an anti pollution song titled ”Nonpoint” (which the band nonpoint named themselves after) and an anti drug song called ”Stop the Madness”, which was released as a single with the U2 cover ”Like a Song.” Sanity Obscure was first released by R. E. X. Records to Christian market and a year later by Roadrunner Records to wider audience. The album became more popular than Believer's first album, and after the release Believer toured with the English deathgrind band Bolt Thrower and the Canadian thrash metal band Sacrifice. Joined by bands Cynic and Pestilence on the label's roster, Roadrunner Records pushed a progressive metal/thrash campaign with the three bands called "The Breed Beyond". Wyatt Robertson and David Baddorf left Believer before the band began recording its third album. Jim Winters joined as bassist and also played some guitar parts during the recording sessions. In 1993, Believer released its most technical, progressive, and ambitious album titled Dimensions. Kurt Bachman had been a guitar player in an industrial metal group called Under Midnight, which possibly influenced some industrial sound effects on Dimensions. The lyrics deal with the philosophical paradoxes and the ponderings of Sigmund Freud, Thomas J. J. Altizer, Ludwig Feuerbach and Jean Paul Sartre about the existence of God. The symphonic metal suite, ”Trilogy of Knowledge”, divided into three chapters and an intro, is a 20 minute+ epic written around the biblical story of the life of Christ and the knowledge of good and evil. ”Trilogy of Knowledge” once again featured the orchestral compositions of Scott Laird and soprano vocals by Julianne Laird Hoge. During the Dimensions tour, Scott laird played violin and viola. After Dimensions the band went on a hiatus. In 1994, Believer agreed to mutually disband. After disbanding, Bachman went to get his degree, Daub became a Semi Professional BMX biker, who endorses in Deluxx Bikes, while Winters joined acts such as Starkweather and Earth Crisis.

During the following years both Bachman and Daub worked in sound production at their Trauma Studios in Pennsylvania for groups such as Turmoil and Living Sacrifice. Later, Bachman continued in his medical studies, while Daub kept working in the music industry. Later in the 1990s, Daub began playing drums in a female fronted progressive metal band called Fountain of Tears. In 2005, Joey Daub informed on his website joeydaub. com that he had begun writing new Believer material with Bachman. This announcement was reported widely, most notably through Blabbermouth. net, which called Believer a "much missed late 80s and early 90s technical thrash metal band." In an interview, Bachman explained that he moved closer to the studio near where Joey Daub lives. Daub was working on mixing Fountain of Tears' new album and invited Bachman to help: "We just got together and started playing and having fun," Bachman stated, "nothing serious, but the chemistry was still there and stuff started clicking. We wrote some tunes, played them for some people and then some of our friends in the industry said 'you guys should put this out, maybe there’s one or two Believer fans still out there that wouldn’t mind hearing it.'" drum tracking was completed on December 30, bass was laid down on January 28, 2008, rhythm guitar tracks were completed on February 18, and on April 7 the band announced that the album would feature "some very talented guests." Ten days later on April 17, Deron Miller of CKY announced that he will be "laying down some guest solos and/or vocals" for the forthcoming Believer album. He commented that "Believer have been one of my favorite bands for 20 years so this is really exciting for me. Check out the three records they did in the '90s All three are works of genius." On August 13, it was announced that the album would also feature guest performances by Joe Rico of the band Sacrifice, with whom Believer toured in the early 1990s, and Rocky Gray of Living Sacrifice. On November 18, 2008, Blabbermouth. net announced Believer's signing with Cesspool Recordings, an imprint of Metal Blade Records owned by Howard Jones of Killswitch Engage. In an interview with Metalsucks. net, Bachman commented that the announcement about the band's re activation had spread to the industry, and a staff member from Blabbermouth/Roadrunner Records suggested that they should contact Howard: "We got in touch with him and it turns out he is a big Believer fan. He knows more about the history of Believer than we do! It was really cool. So we flew him in to the studio, we worked with him over two days. Then he mentioned that he was starting this imprint with Brian Slagel from Metal Blade and he asked us if we wanted to be the first band on it." The fourth full length studio album titled Gabriel was released on March 17, 2009 in US and Canada, and on April 9–15 elsewhere. The album line up consists Kurt Bachman (vocals, guitar), Joey Daub (drums), Jeff King (keyboards, of Fountain of Tears fame), Kevin Leaman (guitar), and Elton Nestler (bass). Scott Laird (violin), Jim Winters (guitar) and William Keller, who played with the band previously, also contributed to the album as session musicians. An unmastered version of the song "Medwton" from the album premiered on Bam Margera's Radio Bam show on November 17. The second single "Stoned" was released on March 12. The album was mostly positively received. The band played live shows after the release.

On August 15, 2010, it was announced that Believer started recording follow up for Gabriel. Bachman stated that "once again, the tunes are quite different." Recording was completed on December 8, 2010. It was commented that "We decided to bring back some of the orchestral feel of 'Dimensions' by utilizing more layered guitars, keys and melody with different vocal arrangements. There is still the 'Believer' sound, but the musical progression continues for us." The album, Transhuman, was released in April 2011. It was recognized as more genre defying and experimental than the band's previous efforts. In more recent days, Guitarist Kevin Leaman did an interview on the As The Story Grows Podcast. When the interviewer asked if the upcoming new release will be put out on Metal Blade Records, Leaman said their deal with them was done and they are thinking of releasing it independently. In 2017, the band began to release two song releases, starting with "Home" and "888" as 1 of 5. The band released 2 of 5 and 3 of 5 later that year. However, the band stopped releasing new material that year and have been inactive since.

Believer's music includes raw distortion, time changes, technical riffs and Bachman's raspy vocals. Some ambience is created with industrial elements and occasional classical music strings. The song structures are complicated and progressive. The debut is based more on straightforward thrash while Sanity Obscure took a more technical and progressive approach. Dimensions is experimental and avant garde by its nature. The fourth album Gabriel has been described "a natural progression from Dimensions." The album features more processed voices and sound effects yet less symphonic elements than Dimensions. Bachman's vocals are notably higher than they had been previously. "Well we never wanted to be known as a Christian band for one [laughs]. It was one of these things where it got out of control. With promoting records it was one of those things where the record company was like “Hey, here’s a slant. Something different. Something new and unique. Let’s go for that”. I’ve always tried to stay away from labeling the band. For me it’s a band, it’s entertainment. We even get called death metal some times even though I don’t think we resemble anything death metal ish out there, but then again I have my own opinions on what death metal is. We just don’t want it to be one of those things where someone’s like “oh I hate thrash music, so I won’t like Believer”. You get labeled and we’re going to have to go through labels but we’re not really comfortable with any." says Bachman in an interview on MetalSucks.