Фрэнки Наклз: Хаус Музыкасының Әкесі

American DJ and record producer (1955–2014)

Francis Warren Nicholls Jr. (January 18, 1955 – March 31, 2014), known professionally as Frankie Knuckles, was an American DJ, record producer, and remixer. He played an important role in developing and popularizing house music, a genre of music that began in Chicago during the early 1980s and subsequently spread worldwide. In 1997, Knuckles won the Grammy Award for Remixer of the Year, Non Classical. Due to his importance in the development of the genre, Knuckles was often called "The Godfather of House Music".

Born in New York City, in the Bronx, Knuckles and his friend Larry Levan began frequenting discos as teenagers in 1975. While studying textile design at the FIT, Knuckles and Levan began working as DJs, playing soul, disco, and R&B at two of the most important early discos, The Continental Baths and The Gallery. Their DJing led them to the Loft and the Gallery, with Levan becoming the main DJ at the Continental Baths. Knuckles, initially hesitant about the Baths, eventually began playing there until its closure in 1976. The Continental Baths, located below the Ansonia Hotel, was an opulent gay bathhouse known for its steam rooms, swimming pool, disco, and more. Levan left in 1974, later establishing the prototype for the Paradise Garage. where his old friend, Robert Williams, was opening what became the nightclub called Warehouse. When the club opened in Chicago in 1977, he was invited to play on a regular basis. Knuckles accepted the offer and moved to Chicago in 1977, becoming the resident DJ at the Warehouse. The Warehouse, situated in Chicago's west side industrial zone, emerged as a sanctuary for the city's black and gay community, offering a haven for those seeking freedom and salvation through music. Knuckles' DJ sets at the Warehouse were transformative experiences, drawing in crowds of up to 2,000 people, primarily from the black and gay demographic. The club's intense and soulful parties became akin to a religious gathering, where the diverse attendees found unity and spiritual connection. In the late 1970s, as disco faced challenges, Knuckles sought ways to keep the genre alive in Chicago. He began experimenting with re edits of songs, extending intros and breaks, and adding new beats to rejuvenate old favorites. Around 1983, Knuckles bought his first drum machine to enhance his mixes from Derrick May, a young DJ who regularly made the trip from Detroit to see Knuckles at the Warehouse and Ron Hardy at the Music Box, both in Chicago. Chicago house artists were in high demand and having major success in the UK with this new genre of music. Knuckles also had a stint in New York, where he continued to immerse himself in producing, remixing, and recording. As house music was developing in Chicago, producer Chip E. took Knuckles under his tutelage and produced Knuckles' first recording, "You Can't Hide from Yourself". Then came more production work, including Jamie Principle's "Baby Wants to Ride", and later "Tears" with Robert Owens (of Fingers Inc.) and (Knuckles' protégé and future Def Mix associate) Satoshi Tomiie. His debut album Beyond the Mix (1991), released on Virgin Records, contained what would be considered his seminal work, "The Whistle Song", which was the first of four number ones on the US dance chart. The Def Classic mix of Lisa Stansfield's "Change", released in the same year, also featured the whistle like motif. Another track from the album, "Rain Falls", featured vocals from Lisa Michaelis. Eight thousand copies of the album had sold by 2004. Other key remixes from this time include his rework of the Electribe 101 anthem "Talking with Myself" and Alison Limerick's "Where Love Lives". When Junior Vasquez took a sabbatical from The Sound Factory in Manhattan, Knuckles took over and launched a successful run as resident DJ. He continued to work as a remixer through the 1990s and into the next decade, reworking tracks from Michael Jackson, Luther Vandross, Diana Ross, Eternal and Toni Braxton. He released several new singles, including "Keep on Movin'" and a re issue of an earlier hit "Bac N Da Day" with Definity Records. In 1995, he released his second album titled Welcome to the Real World. By 2004, 13,000 copies had sold. In 2004, Knuckles released a 13 track album of original material – his first in over a decade – titled A New Reality.

In the mid 2000s, Knuckles developed Type II diabetes. He developed osteomyelitis after breaking his foot snowboarding, and had it amputated after declining to take time off for treatment. On March 31, 2014, he died in Chicago at the age of 59 due to the complications from his diabetes.

In April 2015, a year after his death, Defected Records released a retrospective compilation, House Masters Frankie Knuckles; Knuckles had selected the track list before his death. Also, the same month, as a tribute to Knuckles, a version of his song "Baby Wants to Ride" was released by Underworld and Heller and Farley to mark the year anniversary of his death. It went straight to number one on the UK's first ever Official Vinyl Singles Chart. All proceeds went to the Frankie Knuckles Trust/Elton John AIDS Foundation. A year after his death, on April 4, 2015, an in Memoriam Essential Mix on BBC Radio 1 was played containing two previously unreleased Knuckles mixes. Knuckles was featured in the documentary films Maestro (2003), written and directed by Josell Ramos, The UnUsual Suspects: Once Upon a Time in House Music (2005), directed by Chip E. and Continental (2013) about the Continental Baths. Frankie Knuckles famously referred to house music as "disco's revenge" – a phrase that has been lauded by artists and DJs since his passing.