Аквабатс: Америкалық рок тобының тарихы мен шығармашылығы

American rock band
the band

The Aquabats are an American rock band formed in Huntington Beach, California, in 1994. Throughout many fluctuations in the group's line up, singer the MC Bat Commander and bassist Crash McLarson have remained the band's two constant fixtures. Since 2006, the Aquabats' members also include keyboardist Jimmy the Robot, drummer Ricky Fitness and guitarist Eaglebones Falconhawk. Easily identified by their masks and matching costumes, the Aquabats are perhaps most recognized for their comedic persona in which they claim to be crime fighting superheroes. This theme serves as subject for much of the band's music and as part of their theatrical stage shows, which typically feature various stunts and fight scenes with costumed villains and monsters. Musically, the Aquabats have continuously evolved over the course of their career, starting as an eight member ska band before reinventing themselves in the early 2000s as a new wave–influenced rock quintet. The band's current musical style mixes rock and punk with elements of new wave, ska and synth pop. The Aquabats have released six studio albums, two extended plays, one compilation and one soundtrack album, among other recordings. To date, three of the Aquabats' albums have charted on the Billboard 200: 1997's The Fury of The Aquabats!, 2011's Hi Five Soup! and 2019's The Aquabats! Super Show! Television Soundtrack: Volume One. The Aquabats' sixth studio album, Kooky Spooky In Stereo, was released on August 21, 2020. From 2012 to 2014, the Aquabats also created and starred in The Aquabats! Super Show!, a live action musical action comedy television series which aired on American cable channel The Hub. The series ran for three seasons, earning a total of eight Daytime Emmy Award nominations and ultimately winning one. Following a successful Kickstarter campaign, the series was independently revived as a YouTube series from 2019 to 2021.

In the early 1990s, musicians Christian Jacobs, Chad Larson and Boyd Terry met and befriended each other while living in Brea, California. Having all been active in various local punk and alternative rock bands, the three eventually conceived the idea of forming a joke band satirizing the Orange County punk scene, which Jacobs described at the time as being overwhelmed with "testosterone, beer and people fighting". The concept was to start an unabashedly silly punk band as a complete antithesis to the genre's more aggressive and humorless bands, with the intention of performing at punk shows to poke fun at the scene. While later attending a ska show in Orange County, Jacobs was exposed to the area's burgeoning ska scene and was impressed by its ethos: as he recalled, "No one was fighting or pushing each other but having a good time". for example, the name "The Aquabats" was created to sound like a classic surf band, while a shared admiration of Devo inspired the idea of matching costumes. Jacobs simply recalled in a 2013 interview, "We wanted to combine Devo with surf music and ska". Rehearsing only once in a house Jacobs and Larson shared at the time, The Aquabats played their first show a mere week after forming at a house party in August 1994. Larson remembered this show as merely "a joke we weren't trying to be a band. We were trying to have fun". As they gradually developed a steady following and began playing shows with more regularity, the band settled into a tighter and more manageable unit consisting of around eight to nine musicians, filled out by a horn section, two guitarists and a keyboardist. It was with this type of line up that The Aquabats began recording, independently producing the demo tapes The Revenge of the Midget Punchers in 1994 and Bat Boy in 1995. Initially, The Aquabats intended to make each of their performances unique by wearing a different set of matching costumes for every concert, ranging from chef's uniforms to grass skirts and fezzes, all with an individual persona — during one show wearing chef outfits, for instance, the band hosted an actual onstage barbecue. Jacobs' brothers Parker and Tyler, a cartoonist and graphic artist, respectively, were brought in to help develop the band's cartoon influenced visual style, designing their logos and promotional material as well as playing characters in The Aquabats' stage shows and mythology. With record labels now turning their attention towards ska bands, The Aquabats were promptly signed to Goldenvoice Records and released their second album, The Fury of The Aquabats!, in October 1997 through Time Bomb Recordings. While still predominantly a ska album, The Fury showcased a more ambitious musical streak than The Return, incorporating stronger elements of punk and surf, as well as featuring instrumentals, parodies of ragtime and tango music, and a variety of unconventional instruments including sousaphones and banjos. The Aquabats spent 1997 and 1998 touring extensively behind The Fury, carrying out both supporting and headlining tours of the United States and traveling internationally as part of the 1998 Warped Tour. By this time, the band had settled into a stable touring line up of Jacobs (The Bat Commander), Larson (Crash McLarson), Terry (Catboy), drummer Travis Barker (The Baron Von Tito), guitarists Charles Gray (Ultra Kyu) and Courtney Pollock (Chainsaw, the Prince of Karate), trumpeter Adam Deibert (Prince Adam) and keyboardist/saxophonist James Briggs (Jaime the Robot, later Jimmy the Robot). This line up would last The Aquabats up until 1998, when, in the middle of a tour with pop punk trio Blink 182, Blink unexpectedly fired their drummer Scott Raynor and recruited Barker as a last minute replacement to sit in for the rest of the tour. By the tour's close, the band was so impressed with Barker's performance that they invited him to join Blink 182 as a full time member, an offer which Barker accepted, amicably parting ways with The Aquabats. Barker was succeeded by Gabe Palmer (Doctor Rock), solidifying a line up which would last the remainder of the decade. With the band now finding enough success to generate both an adequate income and media visibility, Jacobs — a former child actor with ties in the entertainment industry — began to conceive the idea of adapting The Aquabats' superhero mythology into a television series. After pitching the concept to several networks, Buena Vista Television eventually agreed to help produce a short live action pilot in 1998, directed by comedian Bobcat Goldthwait. Titled simply The Aquabats!, the pilot followed the fictional misadventures of the eight band members in an intentionally campy style similar to Saturday morning cartoon shows. The pilot, which has yet to be made available for public viewing, failed to attract any network interest and was later openly disowned by the band themselves. Despite the album's underwhelming performance, Goldenvoice nevertheless granted The Aquabats a small budget for a music video, which the band instead used to film a five minute promotional video as another prospective television pilot, The Aquabats! In Color!, an action oriented series styled similarly to Japanese tokusatsu shows. Despite potential interest from the Fox Family Channel prior to their acquisition by Disney which cancelled all development deals, the pilot again failed to generate any interest, bringing The Aquabats' career to a standstill. Following the huge financial losses Goldenvoice suffered from the inaugural Coachella Valley Music and Arts Festival in 1999, the company was eventually forced to cease operations, leaving the Aquabats without a record label. After an unsuccessful search for a new label, the band eventually turned to the Internet to independently manage and promote themselves while the members resumed their day jobs to continue funding the band. Despite this fortuitous turn of events, the group were still uncertain of their future following their semi hiatus and radical shift in line up; Jacobs later admitted that the band spent the recording sessions under the belief that it could possibly be their last album. Released to a largely positive critical reception with many critics praising the band's shift in genre, Charge!! effectively revitalized The Aquabats' career as the band recommitted themselves to regular touring. Days after the album's release, The Aquabats headlined a successful 34 city tour of the United States with similarly theatrical bands The Epoxies and The Phenomenauts, followed by tours of the United Kingdom and Japan, the latter supporting Nitro Records founders The Offspring. On September 23, 2005, The Aquabats made their national television debut on the G4 program Attack of the Show, performing Charge! !s lead single, "Fashion Zombies!". While the following year would present even more lucrative touring opportunities for The Aquabats, the band's renewed success would also have its drawbacks. In May 2006, it was announced that guitarist Pollock had reluctantly departed the group after 12 years, claiming the band's increased touring activity was conflicting with his business schedule. Pollock was succeeded by former Death by Stereo member Ian Fowles (Eaglebones Falconhawk), though he would continue to contribute guitar tracks to The Aquabats' studio albums and perform with the band as a second guitarist for their southern California concerts and major festival shows. After releasing a limited print tongue in cheek "One Year Anniversary Edition" of Charge! !, The Aquabats carried out another national tour before announcing a brief hiatus in January 2007 to focus on writing their next album. During this period, Jacobs had been pursuing a career in television production with his creative partner and longtime Aquabats collaborator Scott Schultz, independently filming prospective pilots for family television shows. In 2007, Jacobs and Schultz successfully sold one of their pilots, a preschooler show called Yo Gabba Gabba!, to Viacoms Nick Jr. Channel. As a musically oriented program, Yo Gabba Gabba! featured several guest appearances by The Aquabats, appearing onscreen performing both old and new songs and starring in various sketches. The series went on to become an award winning international sensation, bringing a generous amount of media attention towards both Jacobs and The Aquabats, just enough to persuade Gabbas production company Wild Brain to help produce a new pilot again based on the band. Shot on location throughout California in early 2008, The Aquabats' third television pilot, titled The Aquabats! Super Show!, was a fully realized half hour episode featuring both live action and animated storylines starring and featuring original music by the band. The Aquabats spent the remainder of 2008 heavily promoting the Super Show! pilot through extensive viral advertising and further touring, including appearances at the 2008 San Diego Comic Con International, where the pilot was publicly debuted for fans, high profile festivals including the Bamboozle Left and Groezrock in April 2009, and opening for Blink 182 on two dates of their 2009 reunion tour. Though The Aquabats continued to be a popular touring draw, the band experienced a tumultuous period of pre production on their proposed fifth studio album lasting for nearly two years. Though a July 2007 news update announced that preliminary recording had already begun, no new material ever surfaced from these sessions or was ever performed live. As the band resumed touring throughout the United States and Europe, fewer updates were reported on the album's progress until all plans were abruptly ceased in April 2009, when The Aquabats were dropped from Nitro Records due to "trying economic times and a struggling musical landscape", according to Jacobs. With a glum confirmation of "no record company, no record", The Aquabats' future seemed once again shadowed in doubt. However, following a last minute distribution deal with Fearless Records, the album's release date was postponed to 2011 to provide for proper marketing and promotion, and an EP containing its first single, Radio Down!, was released in its place. Hi Five Soup!, The Aquabats' fifth full length album, was released on January 18, 2011, becoming the band's highest charting album since The Fury, debuting at number 181 on the Billboard 200 and number 5 on Top Heatseekers. In promotion of the album, the band embarked on a 21 city national tour supporting Reel Big Fish, followed by a performance at the 2011 Coachella Valley Music and Arts Festival. On March 24, 2011, it was formally announced via press release that The Aquabats! Super Show! had been acquired as a series by family cable channel The Hub, a joint venture between Hasbro and Discovery which launched in 2010 as a replacement for Discovery Kids. Created and produced by Jacobs, Schultz and Jason deVilliers, the series followed the fictionalized adventures of The Aquabats in a deliberately campy style inspired by the 1960s Batman TV series, mixing live action storylines with cartoon shorts, parody commercials and musical interludes featuring new original music and songs written and performed by the band. In October 2012, production began on the series' second season, which premiered on June 1, 2013, with a short run of five episodes. The following October, three additional episodes were filmed, though The Hub later explicitly referred to these episodes as "specials" rather than a continuation of season two. These three specials aired from December 21, 2013, to January 14, 2014. In a Huffington Post feature on the band prior to the 2014 San Diego Comic Con, Jacobs revealed that The Hub had opted not to renew The Aquabats! Super Show! for another season following extensive network rebranding by Hasbro and Discovery, effectively canceling the series. Jacobs admitted he was surprised by this turn of events, noting "Everything we heard was that the show has been a real Cinderella story for the Hub and that it was rating really well with viewers. We just assumed that we'd eventually go back into production or at least get picked up for Season 3", but ultimately concluded "it is what it is" in regard to the network's decision.

Since the 2012 premiere of The Aquabats! Super Show!, The Aquabats largely cut back on extensive touring in order to accommodate their television production schedule, once again limiting their live shows to occasional performances within the Southwestern United States. In April 2013, the band carried out a six show tour of Europe and the United Kingdom, concluding with an appearance at the Groezrock punk rock festival in Belgium. The following June, The Aquabats were once again featured on the Warped Tour, though only played eight shows in the Southwest region. Despite playing a limited portion of the tour, the band were regularly featured on the second season of Fuses Warped Roadies, a reality series documenting the road crew of the Warped Tour, where they were most notably the subject of one episode in which they incur the wrath of a stage manager for repeatedly playing over their set times. On March 17, 2014, in celebration of their 20th anniversary as a band, The Aquabats announced the first leg of their "20th Anniversary Tour" for May, their first extensive headlining United States tour in years, covering fifteen shows in nine states on the East Coast. The following July, the band carried out five more dates across California, Washington and Oregon, then announced eleven more dates covering six states across the western half of the country. Following another stretch of relative inactivity for most of 2015 and 2016, The Aquabats announced a 13 date tour of the American Midwest and East Coast in May 2017, supported by Reggie and the Full Effect, C. J. Ramone and Kepi Ghoulie, subsequently followed by a six date tour of the West Coast in October with Dog Party. Ticket options for these shows included "Super Rad Packages" with bonus exclusive merchandise, most notably a split 7" single of full length versions of the Super Show! songs "Burger Rain" and "Beat Fishin'", The Aquabats' first new studio recordings since 2011's Hi Five Soup. In mid February 2018, The Aquabats played nine dates in the United Kingdom with Army of Freshmen supporting Bowling for Soup on their "Get Happy!" tour. In celebration of the 20th anniversary of 1997's The Fury of The Aquabats!, the band worked with veteran producer and engineer Cameron Webb on a complete remaster of the album which was independently released on vinyl and CD with bonus material on April 6, 2018. The following day, The Aquabats played two sold out shows at Los Angeles' Fonda Theater where they performed The Fury of The Aquabats! in its entirety, joined by former members Pollock, Terry and Deibert. Notably, Travis Barker appeared during the evening show to play three songs as his Baron von Tito persona, marking the first time Barker had performed with the band since 1998. Three weeks later on April 28, this extended line up performed as part of Barker and John Feldmann's Back To The Beach ska festival in Huntington State Beach, where Barker again joined the band for three songs.

On July 31, 2018, after several weeks of teasing a major band announcement, The Aquabats launched a high profile Kickstarter campaign with the goal of raising a minimum of $1.1 million to help finance an entire return season of The Aquabats! Super Show!, as well as the production and release of three albums: a new studio album, a Super Show! soundtrack and a re recorded greatest hits compilation. The campaign video featured a slew of celebrity cameos voicing support for the band, though most prominently featured actor and musician Jack Black, who was confirmed by Billboard to serve as executive producer for the series' return. Throughout 2019, The Aquabats worked resolutely to fulfill their Kickstarter funded projects. In March, the band simultaneously released The Aquabats! Super Show! Television Soundtrack: Volume One, a soundtrack compilation of songs from Super Show!s first season, and The Fury of The Aquabats! Live at The Fonda!, a live recording of a 2018 performance of The Fury of The Aquabats!, as exclusive digital downloads for Kickstarter backers. In June, preceded by the release of the single "Cobraman Theme! ", The Aquabats! Super Show! Television Soundtrack: Volume One was given a wide physical release on The Aquabats' self operated label Gloopy Records, premiering at 165 on the Billboard 200 and number one on Top Heatseekers, the band's highest placement on each chart to date. Starting September 28, 2019, The Aquabats! Super Show! was officially relaunched as a biweekly YouTube exclusive web series entitled The Aquabats! RadVentures!. "Skeleton Inside! ", the first single from The Aquabats' sixth studio album, premiered on the band's YouTube channel on October 25, 2019, though did not make mention of an album title or a tentative release date beyond "later this year". The album's official title, Kooky Spooky In Stereo, was revealed in February 2020, followed by the album's second single, the couch potato themed "Pajamazon! ", on April 10. Inspired by the ongoing COVID 19 pandemic in the United States, which necessitated mass self quarantining and social distancing, "Pajamazon!" was promoted by a music video primarily made up of self submitted videos of fans and friends of The Aquabats dancing to the song in their homes, marking The Aquabats' first music video since "Fashion Zombies!" in 2005. While Kooky Spooky In Stereo was originally scheduled for a June 20 release date, manufacturing delays resulting from the coronavirus pandemic as well as political tensions from the ongoing George Floyd protests which began in late May 2020 prompted the band to postpone the album's release; in an uncharacteristically serious public statement, The Aquabats acknowledged that "There will always be time for goofy, rowdy rock but it doesn't feel right to us to be loud and self promoting at this moment in time", encouraging open discussion about race and racism and linking to resources from the National Museum of African American History and Culture and confirming a new digital release date of August 21, 2020. On February 29, 2024, the band announced their seventh album, Finally!, for release on June 21st. The same day, they announced the return of Chainsaw The Prince of Karate and Catboy, and introduced Gorney.

Over the course of their career, The Aquabats have experienced several radical evolutions in their sound and musical style. Having originally formed as a part of Orange County's burgeoning third wave ska scene, much of the band's early material was rooted in the genre. Boasting an eight piece line up featuring two lead guitarists, a keyboardist and a horn section consisting of two trumpets and a saxophone, The Aquabats' style of ska was primarily driven by brass and guitar, incorporating elements of surf rock and punk rock. In 1999, The Aquabats underwent a significant shift in style for their third studio album, The Aquabats vs. the Floating Eye of Death!, and its companion piece Myths, Legends, and Other Amazing Adventures, Vol. 2, further exploring the multi genre eclecticism which had been hinted at with The Fury. A conscious decision by the band to write more diverse material, these albums saw a near complete forfeit of the brass driven ska of their previous albums in favor of more guitar and synthesizer structured songwriting, embracing a punk rock and new wave sound greatly influenced by Devo and Oingo Boingo, two of The Aquabats' biggest inspirations. The band also began widening their genre experimentation to encompass such disparate styles as electronica, synthpop and even hip hop, elements which persist in their sound to present day. During The Aquabats' career lull in the early 2000s, several of the band's key members departed from the line up, eventually reducing the former octet down to a mere quintet of vocals, guitar, keyboards, bass, and drums. In recent years, The Aquabats have introduced an increased presence of keyboards and synthesizers into this style, with critics noting their 2011 album Hi Five Soup! as featuring more noticeable elements of synthpop and electronica.

Although the band continues to incorporate occasional elements of ska into their music, The Aquabats have since distanced themselves from their association with the ska genre after having moved away from an overtly ska based sound in the early 2000s, having since labeled themselves as simply a "rock band" in their official press biographies. In a 2012 interview, singer Christian Jacobs stated "I don't think we ever considered ourselves a ska band. We were just The Aquabats. And some of the songs we happened to play were ska", noting elsewhere, "It was never a deliberate thing [to stop playing ska], but I think it just naturally happened because there's a lot of different styles of music that we play. I've always been into bands like Ween and things like that, that can chameleon like drift from genre to genre and play whatever music they want there's no boundaries. If you set yourself up as a punk band, then you pretty much just have to play punk. Or if you're a ska band, you just play ska". Chad Larson, speaking on the same matter, explained "Having the same guitar rhythm for every song gets kind of boring even on the earlier albums that had ska rhythms we were focusing more on the 'adventure' songs than really 'ska' songs. So as we grew as musicians, we wanted to experiment with different rhythms", adding "we were never really a good ska band anyway". While many of these elements were eventually phased out of the live shows in the early 2000s, the one consistent staple of every Aquabats concert has remained the band's onstage "battles" with villains and monsters. These villains, typically played by The Aquabats' road crew, will crash the stage at one or two moments in the show and exchange humorous banter with the band before engaging each other in mock combat. These fights have ranged from short, improvised fistfights to fully choreographed stage combat utilizing breakable props, maneuvers such as flying kicks and back flips, and sometimes spreading out into the audience, with The Aquabats ultimately winning most—but not all—encounters. Audience participation is a common element of The Aquabats' stage shows. Both the band and their onstage characters regularly interact with the crowd, including initiating mass games of beach ball volleyball or spraying them with substances like Silly String and fire extinguishers. Additionally, a few of The Aquabats' enemies are known only to be "defeated" by fans by being pelted with projectiles supplied by the band, usually large quantities of plastic balls. The most common of these have included "pool floatie races", where two selected children mount inflatable rafts or pool toys and race across the venue via crowd surfing, and assisted stage diving, in which between songs the MC Bat Commander will gently throw children into a waiting audience so they may experience their "first punk rock moment". On the visual end of these performances, keeping in line with their cartoon and pop culture inspired aesthetic, The Aquabats' stage shows are accompanied by a large video screen backdrop which plays montage clips of various cartoons, movies, TV shows, and stock footage specifically edited to match each song. This screen also plays prerecorded comedy videos starring the band which introduce and close each show, as well as fake commercials for fictional Aquabats brand products which serve as impromptu "commercial breaks" between songs. These visuals, along with the band's props and costumes, are regularly changed to accommodate special seasonal performances, in particular The Aquabats' annual holiday shows.

Perhaps even more so than for their music, The Aquabats are widely recognized for their eccentric superhero identity which adheres to a comprehensive mythology reflected in the band's music, stage shows and promotional material in which the members are in fact a team of musical crimefighters on a quest to save the world. Detailed in their lyrics, liner notes, website and television series, The Aquabats have developed a small but elaborate fictional universe surrounding this mythology, describing the band's fictitious history and outlandish adventures as well as conceiving an extensive roster of enemies and allies, many of whom are the subjects of specific songs and have appeared as part of The Aquabats' stage shows in mock fight scenes or comedic skits. Over the years, this mythology, and in particular the fictional backstory regarding their origins, has continually changed, evolved and occasionally been retconned to explain changes in the band's line up. The Aquabats' origin story can be separated into two distinct eras. For the first half of their career, the band maintained a consistently canonical backstory established over the course of their first two albums, alleging the band members were actually humanoid bat creatures hailing from a distant tropical island called Aquabania. According to legend, Aquabania had been invaded by the villainous Space Monster "M", forcing the surviving inhabitants to flee into the ocean where they eventually washed ashore in California and were taken in by Professor Monty Corndog, a mad scientist who used "chemicals" to give them superpowers. Donning costumes including such accessories as "radioactive rashguards", "power belts", and "anti negativity helmets", The Aquabats chose to channel their powers through music in order to "take over the world" by attracting legions of fans to aid them in combating Space Monster "M" and reclaiming their homeland, fighting the numerous villains and monsters who'd attempt to thwart their musical quest along the way. With the heavy line up changes in the early to mid 2000s which left only two of the original members remaining, The Aquabats eventually dropped the Aquabania elements out of their backstory, reestablishing themselves as a group of freelance superheroes of indeterminate origin who travel the countryside, fighting evil and "destroying boredom". This loose framework would later serve as the basis for the band's television series, The Aquabats! Super Show!, where each member's character was further developed to showcase their own individual powers and personalities, transitioning the Aquabats' mythology from a story arc to a character ensemble. While the series' first season left the band's origins intentionally vague, several episodes of the second season feature each member of The Aquabats recounting the band's history in animated flashback sequences; while one of these sequences recalls the original Aquabania mythos, each member's flashbacks directly contradict one another, leaving it unknown which could be considered officially canonical.

Fans of The Aquabats are referred to by the band as Aquacadets or the more casual "Cadets", a title which has held alternately official and unofficial status among their fanbase for most of the band's career. Throughout the late 1990s and into the mid 2000s, The Aquabats operated an official fan club known as The Aquabats Cadet Faction, selling membership packages which typically offered a variety of exclusive merchandise, access to exclusive web content, a subscription to an official newsletter written by members of the band and entrance into occasional semi private "secret shows" held at smaller venues. Most significantly, enrollment into The Aquabats Cadet Faction granted card carrying members admission into official fan conventions known as Cadet Summits, where fans could meet and interact with The Aquabats through Q&A panels, games and award shows where fans received trophies in categories including "Cadet of the Year". The Aquabats held five such Cadet Summits throughout Southern California from 1997 to 2006:

October 25, 1997, Fountain Valley: The Aquabats hosted a day for fans at Bullwinkle's Family Fun'N'Food family entertainment center, which featured the premiere screening of the "Super Rad!" music video. December 5, 1998, Pomona: the band performed an exclusive show at The Glass House concert venue alongside screenings of various videos including the only public showing of The Aquabats! 1998 television pilot. April 6, 2000, Santa Ana: advertised as "The Third Sorta Annual 1999/2000 Aquacadet Summit", The Aquabats performed an extended awards show themed concert at The Galaxy Theatre, featuring additional performances by side projects The Moon Monkeys, Digital Unicorn and Le Pigbat. January 18, 2002, Huntington Beach: The Aquabats hosted a picnic gathering on the beach, highlighted by an acoustic singalong set made up entirely of fan requests. This performance was recorded and later released as an officially sanctioned bootleg cassette in 2014. June 6, 2006, in San Diego: hosted at the Concourse Meeting Hall during San Diego Comic Con weekend, the band celebrated the 10th anniversary of The Return of The Aquabats by performing the album in its entirety with former member Prince Adam. Following the 2006 Cadet Summit, The Aquabats Cadet Faction lapsed into an extended period of complete inactivity, upon which fans independently carried on unofficial fan club operations through social media, most notably the formation of numerous splinter factions based around certain themes, shared interests or geographic location: while most of these groups were small sub sections within online fan communities such as Tumblr, some factions like "Piratebats" and "Ninjabats" cultivated a small real world presence by attending The Aquabats' concerts in accordingly themed costume attire. In 2018, The Aquabats temporarily resurrected The Aquabats Cadet Faction as part of the Bring Back The Aquabats! Kickstarter campaign, again issuing personalized ID cards and exclusive merchandise and web content. As of 2020, however, Cadet Faction packages are no longer available, and there are no current plans for a future Cadet Summit. In 2019, independent record label Related Records, who had previously released the officially sanctioned 2014 bootleg of The Aquabats' acoustic performance at the 2002 Cadet Summit, compiled and released No Singles: A 20 Year Anniversary Tribute to The Aquabats vs. The Floating Eye of Death, a fourteen track tribute album covering the entirety of the band's 1999 Floating Eye of Death album by various underground punk, electronica and experimental musicians.

The roots of The Aquabats are usually traced back to GOGO13, a ska band founded by Christian Jacobs' brothers Parker and Tyler while they were living in St. George, Utah, in 1993. Parker Jacobs permanently reformed GOGO13 in 2001 and continues to tour with a rotating line up of musicians which, among others, have included original Aquabats trumpeter Boyd Terry and guitarist Ben "The Brain" Bergeson. The Goodwin Club reunited in 2015 with Deibert, Pollock and McDonald returning from the original line up and continue to sporadically perform throughout Southern California, including as support for The Aquabats and GOGO13. Prior to forming The Aquabats, Christian Jacobs sang in a shoegazing duo called The Moon Men with future Aquabats and Yo Gabba Gabba! collaborator Scott Schultz, while Chad Larson was the bass guitarist for the hardcore punk band B. H. R. until their break up in 1997. In 1997, Parker Jacobs formed The Sandfleas as a side project to perform as openers at The Aquabats' shows, based on the gang of masked villains who had become a staple of The Aquabats' mythology and onstage rogues' gallery. Consisting anonymously of Parker Jacobs on vocals and a rotating line up of musicians including Christian and Tyler Jacobs, Larson and Pollock, The Sandfleas played deliberately sloppy punk rock songs which were humorously antagonistic and insulting towards their audience, intending to be the musical "bad guy" equivalent to The Aquabats' "good guys". During their time in The Aquabats, Deibert and Gray both joined the Long Beach indie pop band Bikeride in 1999 as bassist and guitarist, respectively, recording on three of the band's studio albums, all of which featured James Briggs guest contributions on saxophone and clarinet. Gray left Bikeride in 2002, though Deibert remained a member until lead singer songwriter Tony Carbone's death from cancer in 2008. Shortly before Carbone's death, The Aquabats hosted a benefit show for Carbone in Pomona, California, where Deibert joined the band onstage during their encores. From 1999 to 2010, Deibert was also active in the two man electronic project Digital Unicorn, which he had originally created as a last minute replacement for an opening band who had dropped off a tour with The Aquabats. Digital Unicorn eventually progressed into a solo endeavor, culminating in the studio album Theirs Travel Began and Loaded the Dream, which was released on Horchata Records in 2001. After leaving The Aquabats in 1996, Ben Bergeson founded the instrumental surf rock band The Moon Monkeys, playing numerous shows with The Aquabats and GOGO13 before releasing their sole studio EP So Far, Far Out! in 1999 on Horchata Records. Corey Pollock, following his own departure from The Aquabats in 2006, joined the Costa Mesa pop punk trio and longtime Aquabats tourmates Supernova in August 2008, playing with them under his Aquabat stage name of "Chainsaw" until their hiatus in January 2010. As professional musicians, current guitarist Ian Fowles and drummer Ricky Falomir have performed and recorded with many bands and musicians of note, though are best known as original members of the punk rock bands Death by Stereo and Assorted Jelly Beans, respectively. In relation to The Aquabats, Fowles was a guest bassist for Hunter Burgans Hunter Revenge and – in costume as EagleBones – Kepi Ghoulies band during both groups' tours with The Aquabats, and in 2014, became an official member of My Chemical Romance singer Gerard Ways solo band after the two had become acquainted working together on The Aquabats! Super Show!, recording and co writing on Way's 2014 debut Hesitant Alien. In June 2015, both Fowles and Falomir made up ex Ramones bassist C. J. Ramones backing band for an East Coast tour with Japanese band Shonen Knife. Ricky also toured playing drums for LA reggae band The Aggrolites in 2009. The band's original instrumental version of "Sequence Erase! ", recorded with Parry Gripp, was used as the title theme for the band's original television pilot, The Aquabats! In Color!. From 2004 to 2010, this recording was used as the theme song to the main series of Mega64, a video game themed comedy series produced by a comedy troupe of the same name. As longtime friends and associates of The Aquabats, the main cast and crew of Mega64 would later go on to produce interstitial sketches for The Aquabats! Super Show! television series.