La Bouche тобының "Sweet Dreams (Ola Ola E)" әні туралы

La Bouche song

"Sweet Dreams (Ola Ola E)" is a song recorded by German Eurodance duo La Bouche. It was originally released in April 1994 by RCA as the lead single from the duo's debut album of the same name (1995). In North America, the song was released in November 1995. It was written by Melanie Thornton with Robert Haynes and Mehmet Sönmez, and produced by Frank Farian, Ulli Brenner and Gerd Amir Saraf. "Sweet Dreams" received favorable reviews from music critics and was a global commercial success, reaching number one in both Italy and on the Canadian RPM Dance/Urban chart, while peaking at number 17 on the Eurochart Hot 100. In the United States, it reached number 13 on the Billboard Hot 100, number three on the Hot Dance Club Play chart and number eight on the Cash Box Top 100 Pop Singles chart, while in Australia, it also peaked at number eight.

American singer and songwriter Melanie Thornton began pursuing her dream of being a professional singer while singing in a band called Danger Zone. After two years with the band, she was looking to move on. Her sister then urged Thornton to come overseas, where the sister's family had contacts in the music industry. Thornton arrived in Germany in 1992 with $15 in her pocket and found work with some small time record producers who needed a vocalist for demo tracks. She then discovered she could make more money in studio sessions than performing live gigs. Thornton came to German producer Frank Farian's attention just accidentally. She was working as a studio session vocalist, recording "Sweet Dreams", a song she had co written. It was recorded as her fifth or sixth song, when Farian heard it. Thornton told in an interview, "I wasn't actually looking for a record deal. He (Farian) loved it and wanted to release it on his label." and is written in the key of B minor. It follows a chord progression of Bm7GA, and the vocals span from A3 to B4. The song's bridge samples American funk band Ripple's 1973 song "I Don't Know What It Is, but It Sure Is Funky".

An editor from The Atlanta Journal Constitution described "Sweet Dreams" as a "high energy hit". Michael Saunders from The Boston Globe declared it as "glorious" and "effervescent". Gil L. Robertson IV from Cash Box magazine named it a "standout track" of the Sweet Dreams album. A Los Angeles Daily News reviewer called it "energetic". Pan European magazine Music & Media remarked that the added value of this "throbbing piece of Euro dance is Melanie Thornton's massive vocals, which definitely set the track apart from most of her competition." Music & Media editor María Jímenez described it as "a high energy track with a pumped up familiar German techno sound and a little club hysteria," adding that it is "a prime candidate for crossing over." Alan Jones from Music Week declared the song as "pulsating pop/hi NRG with some refreshing bursts of guitar" and "yet another Euro invader that is sure to score here." On the 1996 UK re release, he added that its "throbbing, melodic Eurodance not too far removed from some of Snap's early work, it is hugely commercial. You have been warned." David Quantick from NME said, "Eurotrash but very nice with it. Better than Suede. No really. Well, the lyrics are, anyway." James Hamilton from Record Mirror deemed it a "routine Snap/Culture Beat type (and Eurythmics influenced) Euro hit". People magazine noted that the track "underscore buoyant vocals with dark minor key arrangements". A reviewer from Richmond Times Dispatch commented, "I am insanely jealous of the lead female vocal, Melanie Thornton. She has a wonderful, flexible voice."

"Sweet Dreams" entered the European airplay chart Border Breakers at number 19 on 25 June 1994 due to crossover airplay in Southern Europe. It peaked at number five on 3 September 1994.

"Sweet Dreams" was a major hit single in several markets across the globe. In Europe, it peaked at number one in Italy in July 1994, as well as on the European Dance Radio Chart in September 1994. In the European Dance Radio year end chart, the single also ended up as number one. It was also a top 10 hit in Austria (#3), Switzerland (#5), Spain (#6) and Germany (#8), a top 20 hit in Finland (#15), Iceland (#15), Ireland (#16) and on the Eurochart Hot 100 (#17). In the United Kingdom, "Sweet Dreams" had two runs on the UK Singles Chart, in 1994 and 1996. Its best position was at number 44 on 1 September 1996. Elsewhere, it reached number three in Israel, number five in Japan and number eight in Australia, being awarded a Gold certification by the Australian Recording Industry Association (ARIA), for sales of 35,000 copies. It was also successful in North America. In the United States, "Sweet Dreams" peaked at number 13 on the Billboard Hot 100, number three on the Hot Dance Club Play chart and number eight the Cash Box Top 100 Pop Singles chart. In Canada, the single reached number one on the RPM Dance/Urban chart in 1994, and peaked at number 28 on the RPM Top Singles chart in 1996.

Two different music videos were made for "Sweet Dreams", one for the European market and one for the North American. The North American version was directed by Zack Ove and was released at the beginning of the year, in 1996 The European version was directed by Nigel Simpkiss and features Thornton and McCray performing the song in a surrounding of candlelights, candelabrums, red curtains, a bonfire and several back up dancers. Soap bubbles appears in the air. Some scenes shows Thornton singing while lying in an iron bed with bedding in leopard and cow print. Other scenes sees her sitting in a golden chair. Throughout the video, McCray performs dancing with the other dancers. Towards the end, the duo performs in front of a fountain. It was released on August 22 and A listed on Germany's VIVA TV channel in October 1994. The video was later made available by Vevo on YouTube in 2016 and had generated more than 23 million views as of October 2023.

In 2017, American entertainment company BuzzFeed ranked "Sweet Dreams" at number 53 in their list of the "101 Greatest Dance Songs of the '90s". Matt Stopera and Brian Galindo stated that "the "hola, hola, eh" makes this a multilingual smash!" James Arena, writer of Stars of '90s Dance Pop: 29 Hitmakers Discuss Their Careers said that the song and its follow up, "Be My Lover", "are widely regarded today as indispensable classics of the decade."