Стив Хакетт: «Please Don't Touch!» альбомы туралы

the Johnny Kidd song

Please Don't Touch! is the second studio album by English guitarist and songwriter Steve Hackett. It was released in April 1978 on Charisma Records, and it is his first album released after leaving the progressive rock band Genesis in 1977. Hackett had released Voyage of the Acolyte (1975) during his time in Genesis. For his next solo release he recorded in the United States and hired various guest artists, including singers Randy Crawford, Richie Havens, and Steve Walsh, drummers Phil Ehart and Chester Thompson, bassist Tom Fowler, with Van der Graaf Generator violinist Graham Smith. Following its release, the album reached No. 38 in the United Kingdom and No. 103 in the United States. To promote the album, Hackett assembled a band and completed his first concert tour as a solo artist in 1978. A remastered edition of the album was released in 2005 on Hackett's label Camino Records with bonus tracks. A 5.1 surround mix by Steven Wilson was included on the Premonitions: The Charisma Recordings 1975–1983 in 2015.

In October 1977, news of Hackett's departure from the progressive rock band Genesis was made public. After the band's 1977 tour in support of their eighth studio album Wind & Wuthering (1976) and their first EP, Spot the Pigeon (1977), Hackett informed his band mates of his decision to leave during the mixing of the live album Seconds Out (1977). Hackett had previously released his debut solo album Voyage of the Acolyte (1975), but he grew increasingly frustrated by the collaborative process of Genesis which left many of his song ideas unreleased. At the time, Hackett was signed to Charisma Records in the UK but to Chrysalis Records in the US. He recalled that both labels had a different idea on what direction they wanted him to take and he later said, "Their opposing viewpoints coloured the album to some degree, although I think the 'European' styled tracks came more naturally to me." After recording the album, Hackett felt a great amount of pressure off his shoulders. "Racing in A" also features Steve Walsh on vocals. The song is electric for most of its duration but the last 1:15 is a classical guitar piece, which decreases in pace throughout, finishing on a relaxing note. "Kim" is named after Poor, who designed many of Hackett's album covers, including Please Don't Touch!. The track features Hackett playing a classical guitar with his brother John Hackett on flute, and was largely inspired by "Gymnopédie No 1" by Erik Satie. When writing it, Hackett had "a quiet lily pond [ a] quiet peaceful day summer feeling".

Side two consists of a suite of songs which flow into each other. It begins with "Hoping Love Will Last" with American singer Randy Crawford on vocals. It has a heavy R&B/soul influence but with some classical style guitar parts as well as atmospheric sections featuring synthesisers. Hackett recalled his Genesis band mates being particularly fond of the song. It was written as a variation on the main theme of the Wind & Wuthering track "Unquiet Slumbers for the Sleepers ". This theme was also eventually incorporated into the song "Hackett to Bits" on the 1985 album by GTR, a band featuring Hackett and Yes guitarist Steve Howe. "The Voice of Necam" features references to the "Please Don't Touch" theme before transitioning to an ambient piece of voice drones. NECAM was one of the first mixing console automation systems, developed by the mixing console's manufacturer, AMS Neve; the acronym stood for "Neve Computer Assisted Mixdown". To produce the vocal chords, Hackett sang different notes onto tracks of a multitrack tape, and then made a loop of the tape in a technique similar to that used by 10cc in the song "I'm Not in Love". Each track was fed back to a separate input on the mixing console, and the NECAM system was programmed to "play" chords and melodies by moving the console faders. Hackett later had his vocal tape loops made into a custom Mellotron tape set for use by his live keyboard player Nick Magnus. "Icarus Ascending" is also sung by Richie Havens. The lyrics are about the Greek myth of Icarus who escaped from the maze of the Minotaur with artificial wings. He came too close to the sun, though, and the wax in his wings melted so that he fell to his death.