Радио қабылдағыш құрылғысы

Device for receiving radio broadcasts

In radio communications, a radio receiver, also known as a receiver, a wireless, or simply a radio, is an electronic device that receives radio waves and converts the information carried by them to a usable form. It is used with an antenna. The antenna intercepts radio waves (electromagnetic waves of radio frequency) and converts them to tiny alternating currents which are applied to the receiver, and the receiver extracts the desired information. The receiver uses electronic filters to separate the desired radio frequency signal from all the other signals picked up by the antenna, an electronic amplifier to increase the power of the signal for further processing, and finally recovers the desired information through demodulation. Radio receivers are essential components of all systems that use radio. The information produced by the receiver may be in the form of sound, video (television), or digital data. A radio receiver may be a separate piece of electronic equipment, or an electronic circuit within another device. The most familiar type of radio receiver for most people is a broadcast radio receiver, which reproduces sound transmitted by radio broadcasting stations, historically the first mass market radio application. A broadcast receiver is commonly called a "radio". However radio receivers are very widely used in other areas of modern technology, in televisions, cell phones, wireless modems, radio clocks and other components of communications, remote control, and wireless networking systems.

The most familiar form of radio receiver is a broadcast receiver, often just called a radio, which receives audio programs intended for public reception transmitted by local radio stations. The sound is reproduced either by a loudspeaker in the radio or an earphone which plugs into a jack on the radio. The radio requires electric power, provided either by batteries inside the radio or a power cord which plugs into an electric outlet. All radios have a volume control to adjust the loudness of the audio, and some type of "tuning" control to select the radio station to be received.

Modulation is the process of adding information to a radio carrier wave.

Two types of modulation are used in analog radio broadcasting systems; AM and FM. In amplitude modulation (AM) the strength of the radio signal is varied by the audio signal. AM broadcasting is allowed in the AM broadcast bands which are between 148 and 283 kHz in the longwave range, and between 526 and 1706 kHz in the medium frequency (MF) range of the radio spectrum. AM broadcasting is also permitted in shortwave bands, between about 2.3 and 26 MHz, which are used for long distance international broadcasting. In frequency modulation (FM), the frequency of the radio signal is varied slightly by the audio signal. FM broadcasting is permitted in the FM broadcast bands between about 65 and 108 MHz in the very high frequency (VHF) range. The exact frequency ranges vary somewhat in different countries. FM stereo radio stations broadcast in stereophonic sound (stereo), transmitting two sound channels representing left and right microphones. A stereo receiver contains the additional circuits and parallel signal paths to reproduce the two separate channels. A monaural receiver, in contrast, only receives a single audio channel that is a combination (sum) of the left and right channels. While AM stereo transmitters and receivers exist, they have not achieved the popularity of FM stereo. Most modern radios are able to receive both AM and FM radio stations, and have a switch to select which band to receive; these are called AM/FM radios.

Digital audio broadcasting (DAB) is an advanced radio technology which debuted in some countries in 1998 that transmits audio from terrestrial radio stations as a digital signal rather than an analog signal as AM and FM do. Its advantages are that DAB has the potential to provide higher quality sound than FM (although many stations do not choose to transmit at such high quality), has greater immunity to radio noise and interference, makes better use of scarce radio spectrum bandwidth, and provides advanced user features such as electronic program guide, sports commentaries, and image slideshows. Its disadvantage is that it is incompatible with previous radios so that a new DAB receiver must be purchased. As of 2017, 38 countries offer DAB, with 2,100 stations serving listening areas containing 420 million people. The United States and Canada have chosen not to implement DAB. DAB radio stations work differently from AM or FM stations: a single DAB station transmits a wide 1,500 kHz bandwidth signal that carries from 9 to 12 channels from which the listener can choose. Broadcasters can transmit a channel at a range of different bit rates, so different channels can have different audio quality. In different countries DAB stations broadcast in either Band III (174–240 MHz) or L band (1.452–1.492 GHz).

The signal strength of radio waves decreases the farther they travel from the transmitter, so a radio station can only be received within a limited range of its transmitter. The range depends on the power of the transmitter, the sensitivity of the receiver, atmospheric and internal noise, as well as any geographical obstructions such as hills between transmitter and receiver. AM broadcast band radio waves travel as ground waves which follow the contour of the Earth, so AM radio stations can be reliably received at hundreds of miles distance. Due to their higher frequency, FM band radio signals cannot travel far beyond the visual horizon; limiting reception distance to about 40 miles (64 km), and can be blocked by hills between the transmitter and receiver. However FM radio is less susceptible to interference from radio noise (RFI, sferics, static) and has higher fidelity; better frequency response and less audio distortion, than AM. So in countries that still broadcast AM radio, serious music is typically only broadcast by FM stations, and AM stations specialize in radio news, talk radio, and sports radio. Like FM, DAB signals travel by line of sight so reception distances are limited by the visual horizon to about 30–40 miles (48–64 km).

A radio receiver is connected to an antenna which converts some of the energy from the incoming radio wave into a tiny radio frequency AC voltage which is applied to the receiver's input. An antenna typically consists of an arrangement of metal conductors. The oscillating electric and magnetic fields of the radio wave push the electrons in the antenna back and forth, creating an oscillating voltage. The antenna may be enclosed inside the receiver's case, as with the ferrite loop antennas of AM radios and the flat inverted F antenna of cell phones; attached to the outside of the receiver, as with whip antennas used on FM radios, or mounted separately and connected to the receiver by a cable, as with rooftop television antennas and satellite dishes.

Radio waves from many transmitters pass through the air simultaneously without interfering with each other and are received by the antenna. These can be separated in the receiver because they have different frequencies; that is, the radio wave from each transmitter oscillates at a different rate. To separate out the desired radio signal, the bandpass filter allows the frequency of the desired radio transmission to pass through, and blocks signals at all other frequencies. The bandpass filter consists of one or more resonant circuits (tuned circuits). The resonant circuit is connected between the antenna input and ground. When the incoming radio signal is at the resonant frequency, the resonant circuit has high impedance and the radio signal from the desired station is passed on to the following stages of the receiver. At all other frequencies the resonant circuit has low impedance, so signals at these frequencies are conducted to ground. Bandwidth and selectivity: See graphs. The information (modulation) in a radio transmission is contained in two narrow bands of frequencies called sidebands (SB) on either side of the carrier frequency (C), so the filter has to pass a band of frequencies, not just a single frequency. The band of frequencies received by the receiver is called its passband (PB), and the width of the passband in kilohertz is called the bandwidth (BW). The bandwidth of the filter must be wide enough to allow the sidebands through without distortion, but narrow enough to block any interfering transmissions on adjacent frequencies (such as S2 in the diagram). The ability of the receiver to reject unwanted radio stations near in frequency to the desired station is an important parameter called selectivity determined by the filter. In modern receivers quartz crystal, ceramic resonator, or surface acoustic wave (SAW) filters are often used which have sharper selectivity compared to networks of capacitor inductor tuned circuits. Tuning: To select a particular station the radio is "tuned" to the frequency of the desired transmitter. The radio has a dial or digital display showing the frequency it is tuned to. Tuning is adjusting the frequency of the receiver's passband to the frequency of the desired radio transmitter. Turning the tuning knob changes the resonant frequency of the tuned circuit. When the resonant frequency is equal to the radio transmitter's frequency the tuned circuit oscillates in sympathy, passing the signal on to the rest of the receiver.

The power of the radio waves picked up by a receiving antenna decreases with the square of its distance from the transmitting antenna. Even with the powerful transmitters used in radio broadcasting stations, if the receiver is more than a few miles from the transmitter the power intercepted by the receiver's antenna is very small, perhaps as low as picowatts or femtowatts. To increase the power of the recovered signal, an amplifier circuit uses electric power from batteries or the wall plug to increase the amplitude (voltage or current) of the signal. In most modern receivers, the electronic components which do the actual amplifying are transistors. Receivers usually have several stages of amplification: the radio signal from the bandpass filter is amplified to make it powerful enough to drive the demodulator, then the audio signal from the demodulator is amplified to make it powerful enough to operate the speaker. The degree of amplification of a radio receiver is measured by a parameter called its sensitivity, which is the minimum signal strength of a station at the antenna, measured in microvolts, necessary to receive the signal clearly, with a certain signal to noise ratio. Since it is easy to amplify a signal to any desired degree, the limit to the sensitivity of many modern receivers is not the degree of amplification but random electronic noise present in the circuit, which can drown out a weak radio signal.

In the simplest type of radio receiver, called a tuned radio frequency (TRF) receiver, the three functions above are performed consecutively: (1) the mix of radio signals from the antenna is filtered to extract the signal of the desired transmitter; (2) this oscillating voltage is sent through a radio frequency (RF) amplifier to increase its strength to a level sufficient to drive the demodulator; (3) the demodulator recovers the modulation signal (which in broadcast receivers is an audio signal, a voltage oscillating at an audio frequency rate representing the sound waves) from the modulated radio carrier wave; (4) the modulation signal is amplified further in an audio amplifier, then is applied to a loudspeaker or earphone to convert it to sound waves. Although the TRF receiver is used in a few applications, it has practical disadvantages which make it inferior to the superheterodyne receiver below, which is used in most applications. is the design used in almost all modern receivers except a few specialized applications. In the superheterodyne, the radio frequency signal from the antenna is shifted down to a lower "intermediate frequency" (IF), before it is processed. The incoming radio frequency signal from the antenna is mixed with an unmodulated signal generated by a local oscillator (LO) in the receiver. The mixing is done in a nonlinear circuit called the "mixer". The result at the output of the mixer is a heterodyne or beat frequency at the difference between these two frequencies. The process is similar to the way two musical notes at different frequencies played together produce a beat note. This lower frequency is called the intermediate frequency (IF). The IF signal also has the modulation sidebands that carry the information that was present in the original RF signal. The IF signal passes through filter and amplifier stages, The receiver can be designed to receive on either of these two frequencies; if the receiver is designed to receive on one, any other radio station or radio noise on the other frequency may pass through and interfere with the desired signal. A single tunable RF filter stage rejects the image frequency; since these are relatively far from the desired frequency, a simple filter provides adequate rejection. Rejection of interfering signals much closer in frequency to the desired signal is handled by the multiple sharply tuned stages of the intermediate frequency amplifiers, which do not need to change their tuning. The strength of the signal received from a given transmitter varies with time due to changing propagation conditions of the path through which the radio wave passes, such as multipath interference; this is called fading. Insufficient signal amplitude will cause an increase of noise in the demodulator, while excessive signal amplitude will cause amplifier stages to overload (saturate), causing distortion (clipping) of the signal. Therefore, almost all modern receivers include a feedback control system which monitors the average level of the radio signal at the detector, and adjusts the gain of the amplifiers to give the optimum signal level for demodulation. These primitive devices are more accurately described as radio wave sensors, not "receivers", as they could only detect radio waves within about 100 feet of the transmitter, and were not used for communication but instead as laboratory instruments in scientific experiments.

The first radio transmitters, used during the initial three decades of radio from 1887 to 1917, a period called the spark era, were spark gap transmitters which generated radio waves by discharging a capacitance through an electric spark. Each spark produced a transient pulse of radio waves which decreased rapidly to zero. Marconi invented little himself, but he was first to believe that radio could be a practical communication medium, and singlehandedly developed the first wireless telegraphy systems, transmitters and receivers, beginning in 1894–5,
Oliver Lodge and Alexander Popov were also experimenting with similar radio wave receiving apparatus at the same time in 1894–5, but they are not known to have transmitted Morse code during this period, The coherer was a glass tube with metal electrodes at each end, with loose metal powder between the electrodes. It initially had a high resistance. When a radio frequency voltage was applied to the electrodes, its resistance dropped and it conducted electricity. In the receiver the coherer was connected directly between the antenna and ground. In addition to the antenna, the coherer was connected in a DC circuit with a battery and relay. When the incoming radio wave reduced the resistance of the coherer, the current from the battery flowed through it, turning on the relay to ring a bell or make a mark on a paper tape in a siphon recorder. In order to restore the coherer to its previous nonconducting state to receive the next pulse of radio waves, it had to be tapped mechanically to disturb the metal particles. This was done by a "decoherer", a clapper which struck the tube, operated by an electromagnet powered by the relay. The coherer is an obscure antique device, and even today there is some uncertainty about the exact physical mechanism by which the various types worked. However it can be seen that it was essentially a bistable device, a radio wave operated switch, and so it did not have the ability to rectify the radio wave to demodulate the later amplitude modulated (AM) radio transmissions that carried sound.

The coherer's poor performance motivated a great deal of research to find better radio wave detectors, and many were invented. Some strange devices were tried; researchers experimented with using frog legs and even a human brain from a cadaver as detectors. By the first years of the 20th century, experiments in using amplitude modulation (AM) to transmit sound by radio (radiotelephony) were being made. So a second goal of detector research was to find detectors that could demodulate an AM signal, extracting the audio (sound) signal from the radio carrier wave. It was found by trial and error that this could be done by a detector that exhibited "asymmetrical conduction"; a device that conducted current in one direction but not in the other. This rectified the alternating current radio signal, removing one side of the carrier cycles, leaving a pulsing DC current whose amplitude varied with the audio modulation signal. When applied to an earphone this would reproduce the transmitted sound. Below are the detectors that saw wide use before vacuum tubes took over around 1920. All except the magnetic detector could rectify and therefore receive AM signals:

Magnetic detector Developed by Guglielmo Marconi in 1902 from a method invented by Ernest Rutherford and used by the Marconi Co. until it adopted the Audion vacuum tube around 1912, this was a mechanical device consisting of an endless band of iron wires which passed between two pulleys turned by a windup mechanism. The iron wires passed through a coil of fine wire attached to the antenna, in a magnetic field created by two magnets. The hysteresis of the iron induced a pulse of current in a sensor coil each time a radio signal passed through the exciting coil. The magnetic detector was used on shipboard receivers due to its insensitivity to vibration. One was part of the wireless station of the RMS Titanic which was used to summon help during its famous 15 April 1912 sinking. Electrolytic detector ("liquid barretter") Invented in 1903 by Reginald Fessenden, this consisted of a thin silver plated platinum wire enclosed in a glass rod, with the tip making contact with the surface of a cup of nitric acid. The electrolytic action caused current to be conducted in only one direction. The detector was used until about 1910. Fleming, a consultant to Marconi, invented the valve as a more sensitive detector for transatlantic wireless reception. The filament was heated by a separate current through it and emitted electrons into the tube by thermionic emission, an effect which had been discovered by Thomas Edison. The radio signal was applied between the cathode and anode. When the anode was positive, a current of electrons flowed from the cathode to the anode, but when the anode was negative the electrons were repelled and no current flowed. The Fleming valve was used to a limited extent but was not popular because it was expensive, had limited filament life, and was not as sensitive as electrolytic or crystal detectors. and gave their name to the crystal radio receiver (below). One of the first semiconductor electronic devices, a crystal detector consisted of a pea sized pebble of a crystalline semiconductor mineral such as galena (lead sulfide) whose surface was touched by a fine springy metal wire mounted on an adjustable arm. This was acceptable and even necessary because the first Hertzian spark transmitters also lacked a tuned circuit. Due to the impulsive nature of the spark, the energy of the radio waves was spread over a very wide band of frequencies. To receive enough energy from this wideband signal the receiver had to have a wide bandwidth also. When more than one spark transmitter was radiating in a given area, their frequencies overlapped, so their signals interfered with each other, resulting in garbled reception. Some method was needed to allow the receiver to select which transmitter's signal to receive. Multiple wavelengths produced by a poorly tuned transmitter caused the signal to "dampen", or die down, greatly reducing the power and range of transmission. In 1892, William Crookes gave a lecture on radio in which he suggested using resonance to reduce the bandwidth of transmitters and receivers. Different transmitters could then be "tuned" to transmit on different frequencies so they did not interfere. The receiver would also have a resonant circuit (tuned circuit), and could receive a particular transmission by "tuning" its resonant circuit to the same frequency as the transmitter, analogously to tuning a musical instrument to resonance with another. This is the system used in all modern radio. Tuning was used in Hertz's original experiments and practical application of tuning showed up in the early to mid 1890s in wireless systems not specifically designed for radio communication. Nikola Tesla's March 1893 lecture demonstrating the wireless transmission of power for lighting (mainly by what he thought was ground conduction) included elements of tuning. The wireless lighting system consisted of a spark excited grounded resonant transformer with a wire antenna which transmitted power across the room to another resonant transformer tuned to the frequency of the transmitter, which lighted a Geissler tube. At the time Lodge was demonstrating the physics and optical qualities of radio waves instead of attempting to build a communication system but he would go on to develop methods (patented in 1897) of tuning radio (what he called "syntony"), including using variable inductance to tune antennas. By 1897 the advantages of tuned systems had become clear, and Marconi and the other wireless researchers had incorporated tuned circuits, consisting of capacitors and inductors connected together, into their transmitters and receivers. The antenna and ground were connected to a coil of wire, which was magnetically coupled to a second coil with a capacitor across it, which was connected to the detector. When the operator encountered an interfering signal at a nearby frequency, the secondary could be slid further out of the primary, reducing the coupling, which narrowed the bandwidth, rejecting the interfering signal. A disadvantage was that all three adjustments in the loose coupler primary tuning, secondary tuning, and coupling were interactive; changing one changed the others. So tuning in a new station was a process of successive adjustments. Selectivity became more important as spark transmitters were replaced by continuous wave transmitters which transmitted on a narrow band of frequencies, and broadcasting led to a proliferation of closely spaced radio stations crowding the radio spectrum. This allowed it to pass the sidebands of AM modulation on either side of the carrier with little distortion, unlike a single tuned circuit which attenuated the higher audio frequencies. Until recently the bandpass filters in the superheterodyne circuit used in all modern receivers were made with resonant transformers, called IF transformers.

Marconi's initial radio system had relatively poor tuning limiting its range and adding to interference. To overcome this drawback he developed a four circuit system with tuned coils in "syntony" at both the transmitters and receivers. A further clarification and re submission was rejected because it infringed on parts of two prior patents Tesla had obtained for his wireless power transmission system. Marconi's lawyers managed to get a resubmitted patent reconsidered by another examiner who initially rejected it due to a pre existing John Stone Stone tuning patent, but it was finally approved it in June 1904 based on it having a unique system of variable inductance tuning that was different from Stone who tuned by varying the length of the antenna. Other patent disputes would crop up over the years including a 1943 US Supreme Court ruling on the Marconi Company's ability to sue the US government over patent infringement during World War I. The Court rejected the Marconi Company's suit saying they could not sue for patent infringement when their own patents did not seem to have priority over the patents of Lodge, Stone, and Tesla. During the first two decades of the 20th century, as radio stations began to transmit in AM voice (radiotelephony) instead of radiotelegraphy, radio listening became a popular hobby, and the crystal was the simplest, cheapest detector. The millions of people who purchased or homemade these inexpensive reliable receivers created the mass listening audience for the first radio broadcasts, which began around 1920. By the late 1920s the crystal receiver was superseded by vacuum tube receivers and became commercially obsolete. However it continued to be used by youth and the poor until World War II. It consisted of a mineral crystal, usually galena, which was lightly touched by a fine springy wire (the "cat whisker") on an adjustable arm. The resulting crude semiconductor junction functioned as a Schottky barrier diode, conducting in only one direction. Only particular sites on the crystal surface worked as detector junctions, and the junction could be disrupted by the slightest vibration. So a usable site was found by trial and error before each use; the operator would drag the cat's whisker across the crystal until the radio began functioning. Frederick Seitz, a later semiconductor researcher, wrote:
Such variability, bordering on what seemed the mystical, plagued the early history of crystal detectors and caused many of the vacuum tube experts of a later generation to regard the art of crystal rectification as being close to disreputable. The crystal radio was unamplified and ran off the power of the radio waves received from the radio station, so it had to be listened to with earphones; it could not drive a loudspeaker. However, when used to receive broadcast stations a typical home crystal set had a more limited range of about 25 miles. In sophisticated crystal radios the "loose coupler" inductively coupled tuned circuit was used to increase the Q. However it still had poor selectivity compared to modern receivers. The radiotelegraphy signals produced by spark gap transmitters consisted of strings of damped waves repeating at an audio rate, so the "dots" and "dashes" of Morse code were audible as a tone or buzz in the receivers' earphones. However the new continuous wave radiotelegraph signals simply consisted of pulses of unmodulated carrier (sine waves). These were inaudible in the receiver headphones. To receive this new modulation type, the receiver had to produce some kind of tone during the pulses of carrier. The first crude device that did this was the tikker, invented in 1908 by Valdemar Poulsen. This was a vibrating interrupter with a capacitor at the tuner output which served as a rudimentary modulator, interrupting the carrier at an audio rate, thus producing a buzz in the earphone when the carrier was present. A similar device was the "tone wheel" invented by Rudolph Goldschmidt, a wheel spun by a motor with contacts spaced around its circumference, which made contact with a stationary brush. In 1901 Reginald Fessenden had invented a better means of accomplishing this. In his heterodyne receiver an unmodulated sine wave radio signal at a frequency fO offset from the incoming radio wave carrier fC was applied to a rectifying detector such as a crystal detector or electrolytic detector, along with the radio signal from the antenna. In the detector the two signals mixed, creating two new heterodyne (beat) frequencies at the sum fC + fO and the difference fC − fO between these frequencies. By choosing fO correctly the lower heterodyne fC − fO was in the audio frequency range, so it was audible as a tone in the earphone whenever the carrier was present. Thus the "dots" and "dashes" of Morse code were audible as musical "beeps". A major attraction of this method during this pre amplification period was that the heterodyne receiver actually amplified the signal somewhat, the detector had "mixer gain". Fessenden first used his large radio frequency alternator, After this it became the standard method of receiving CW radiotelegraphy. The heterodyne oscillator is the ancestor of the beat frequency oscillator (BFO) which is used to receive radiotelegraphy in communications receivers today. The heterodyne oscillator had to be retuned each time the receiver was tuned to a new station, but in modern superheterodyne receivers the BFO signal beats with the fixed intermediate frequency, so the beat frequency oscillator can be a fixed frequency. Armstrong later used Fessenden's heterodyne principle in his superheterodyne receiver (below). At the beginning of the 1920s the radio receiver was a forbidding high tech device, with many cryptic knobs and controls requiring technical skill to operate, housed in an unattractive black metal box, with a tinny sounding horn loudspeaker. Convenience features like large lighted dials, tone controls, pushbutton tuning, tuning indicators and automatic gain control (AGC) were added. A vacuum tube receiver required several power supplies at different voltages, which in early radios were supplied by separate batteries. By 1930 adequate rectifier tubes were developed, and the expensive batteries were replaced by a transformer power supply that worked off the house current. These parasitic oscillations mixed with the carrier of the radio signal in the detector tube, producing audible beat notes (heterodynes); annoying whistles, moans, and howls in the speaker. The oscillations were caused by feedback in the amplifiers; one major feedback path was the capacitance between the plate and grid in early triodes. It was not widely used until its amplifying ability was recognized around 1912. There was uncertainty about the operating principle of the Audion until Edwin Armstrong explained both its amplifying and demodulating functions in a 1914 paper. The grid leak detector circuit was also used in regenerative, TRF, and early superheterodyne receivers (below) until the 1930s. To give enough output power to drive a loudspeaker, 2 or 3 additional vacuum tube stages were needed for audio amplification. This made it a more sensitive detector in 1913 when he was a 23 year old college student, was used very widely until the late 1920s particularly by hobbyists who could only afford a single tube radio. Today transistor versions of the circuit are still used in a few inexpensive applications like walkie talkies. In the regenerative receiver the gain (amplification) of a vacuum tube or transistor is increased by using regeneration (positive feedback); some of the energy from the tube's output circuit is fed back into the input circuit with a feedback loop. The early vacuum tubes had very low gain (around 5). Regeneration could not only increase the gain of the tube enormously, by a factor of 15,000 or more, it also increased the Q factor of the tuned circuit, decreasing (sharpening) the bandwidth of the receiver by the same factor, improving selectivity greatly. This was usually the limiting factor on the amount of feedback that could be employed. A more serious drawback was that it could act as an inadvertent radio transmitter, producing interference (RFI) in nearby receivers. In AM reception, to get the most sensitivity the tube was operated very close to instability and could easily break into oscillation (and in CW reception did oscillate), and the resulting radio signal was radiated by its wire antenna. In nearby receivers, the regenerative's signal would beat with the signal of the station being received in the detector, creating annoying heterodynes, (beats), howls and whistles. It was used in a few shortwave receivers in the 1930s, and is used today in a few cheap high frequency applications such as walkie talkies and garage door openers. In the regenerative receiver the loop gain of the feedback loop was less than one, so the tube (or other amplifying device) did not oscillate but was close to oscillation, giving large gain. A major problem of early TRF receivers was that they were complicated to tune, because each resonant circuit had to be adjusted to the frequency of the station before the radio would work. Therefore, the knobs had to be turned simultaneously. For this reason most TRF sets had no more than three tuned RF stages. and the parasitic oscillations mixed with the radio station's carrier in the detector, producing audible heterodynes (beat notes), whistles and moans, in the speaker. was a TRF receiver with a "neutralizing" circuit added to each radio amplification stage to cancel the feedback to prevent the oscillations which caused the annoying whistles in the TRF. In the neutralizing circuit a capacitor fed a feedback current from the plate circuit to the grid circuit which was 180° out of phase with the feedback which caused the oscillation, canceling it. and rediscovered and extended to multiple tubes in 1917 by Marius Latour and William H. Priess, was a design used in some inexpensive radios of the 1920s which enjoyed a resurgence in small portable tube radios of the 1930s and again in a few of the first transistor radios in the 1950s. It is another example of an ingenious circuit invented to get the most out of a limited number of active devices. In the reflex receiver the RF signal from the tuned circuit is passed through one or more amplifying tubes or transistors, demodulated in a detector, then the resulting audio signal is passed again though the same amplifier stages for audio amplification. However, by the 1930s the "superhet" had replaced all the other receiver types above. In the superheterodyne, the "heterodyne" technique invented by Reginald Fessenden is used to shift the frequency of the radio signal down to a lower "intermediate frequency" (IF), before it is processed. Thanks to miniaturized vacuum tubes first developed in 1940, smaller portable radios appeared on the market from manufacturers such as Zenith and General Electric. First introduced in 1942, Zenith's Trans Oceanic line of portable radios were designed to provide entertainment broadcasts as well as being able to tune into weather, marine and international shortwave stations. By the 1950s, a "golden age" of tube portables included lunchbox sized tube radios like the Emerson 560, that featured molded plastic cases. So called "pocket portable" radios like the RCA BP10 had existed since the 1940s, but their actual size was compatible with only the largest of coat pockets. The development of the bipolar junction transistor in the early 1950s resulted in it being licensed to a number of electronics companies, such as Texas Instruments, who produced a limited run of transistorized radios as a sales tool. The Regency TR 1, made by the Regency Division of I. D. E. A. (Industrial Development Engineering Associates) of Indianapolis, Indiana, was launched in 1951. The era of true, shirt pocket sized portable radios followed, with manufacturers such as Sony, Zenith, RCA, DeWald, and Crosley offering various models.

The development of integrated circuit (IC) chips in the 1970s created another revolution, allowing an entire radio receiver to be put on an IC chip. IC chips reversed the economics of radio design used with vacuum tube receivers. Since the marginal cost of adding additional amplifying devices (transistors) to the chip was essentially zero, the size and cost of the receiver was dependent not on how many active components were used, but on the passive components; inductors and capacitors, which could not be integrated easily on the chip. The current trend in receivers is to use digital circuitry on the chip to do functions that were formerly done by analog circuits which require passive components. In a digital receiver the IF signal is sampled and digitized, and the bandpass filtering and detection functions are performed by digital signal processing (DSP) on the chip. Another benefit of DSP is that the properties of the receiver; channel frequency, bandwidth, gain, etc. can be dynamically changed by software to react to changes in the environment; these systems are known as software defined radios or cognitive radio. Many of the functions performed by analog electronics can be performed by software instead. The benefit is that software is not affected by temperature, physical variables, electronic noise and manufacturing defects. Digital signal processing permits signal processing techniques that would be cumbersome, costly, or otherwise infeasible with analog methods. A digital signal is essentially a stream or sequence of numbers that relay a message through some sort of medium such as a wire. DSP hardware can tailor the bandwidth of the receiver to current reception conditions and to the type of signal. A typical analog only receiver may have a limited number of fixed bandwidths, or only one, but a DSP receiver may have 40 or more individually selectable filters. DSP is used in cell phone systems to reduce the data rate required to transmit voice. In digital radio broadcasting systems such as Digital Audio Broadcasting (DAB), the analog audio signal is digitized and compressed, typically using a modified discrete cosine transform (MDCT) audio coding format such as AAC+. "PC radios", or radios that are designed to be controlled by a standard PC are controlled by specialized PC software using a serial port connected to the radio. A "PC radio" may not have a front panel at all, and may be designed exclusively for computer control, which reduces cost. Some PC radios have the great advantage of being field upgradable by the owner. New versions of the DSP firmware can be downloaded from the manufacturer's web site and uploaded into the flash memory of the radio. The manufacturer can then in effect add new features to the radio over time, such as adding new filters, DSP noise reduction, or simply to correct bugs. A full featured radio control program allows for scanning and a host of other functions and, in particular, integration of databases in real time, like a "TV Guide" type capability. This is particularly helpful in locating all transmissions on all frequencies of a particular broadcaster, at any given time. Some control software designers have even integrated Google Earth to the shortwave databases, so it is possible to "fly" to a given transmitter site location with a click of a mouse. In many cases the user is able to see the transmitting antennas where the signal is originating from. Since the Graphical User Interface to the radio has considerable flexibility, new features can be added by the software designer. Features that can be found in advanced control software programs today include a band table, GUI controls corresponding to traditional radio controls, local time clock and a UTC clock, signal strength meter, a database for shortwave listening with lookup capability, scanning capability, or text to speech interface. The next level in integration is "software defined radio", where all filtering, modulation and signal manipulation is done in software. This may be a PC soundcard or by a dedicated piece of DSP hardware. There will be a RF front end to supply an intermediate frequency to the software defined radio. These systems can provide additional capability over "hardware" receivers. For example, they can record large swaths of the radio spectrum to a hard drive for "playback" at a later date. The same SDR that one minute is demodulating a simple AM broadcast may also be able to decode an HDTV broadcast in the next. An open source project called GNU Radio is dedicated to evolving a high performance SDR. All digital radio transmitters and receivers present the possibility of advancing the capabilities of radio.