Рубеттер: 70-ші жылдардың британдық поп-тобы

English pop band

The Rubettes are an English pop/glam rock band put together in 1974 after the release of "Sugar Baby Love", a recording assembled of studio session musicians in 1973 by the songwriting team of Wayne Bickerton, the then head of A&R at Polydor Records, and his co songwriter, Tony Waddington after their doo wop and 1950s American pop influenced songs had been rejected by a number of existing acts. Waddington paired the group with manager John Morris, the husband of singer Clodagh Rodgers and under his guidance, the band duly emerged at the tail end of the glam rock movement, wearing trademark white suits and cloth caps on stage. and remains their best known record.

The Rubettes' first and biggest hit was "Sugar Baby Love" (1974) which was a number one in the United Kingdom, going on to sell around 500,000 copies in the UK and three million copies globally. With three more songs, "Sugar Baby Love" was recorded for Polydor in October 1973 at Lansdowne Studios in Holland Park, London, by a group of session musicians featuring the distinctive falsetto and lead vocals of Paul Da Vinci (born: Paul Leonard Prewer). However, Da Vinci did not join the others to become a member of the band put together by John Richardson, and instead pursued solo work, having signed a contract with Penny Farthing Records. "Sugar Baby Love" was their only UK No. 1 and sole US Top 40 entry. For public appearances to promote the song, initially on Top of the Pops, Alan Williams took on the role of lead singer, being the only one of the original session singers able to duplicate Da Vinci's falsetto vocals. The Rubettes then comprised Williams, Richardson, and Pete Arnesen (all three of whom had participated in the original recording) together with Tony Thorpe, Mick Clarke, and Bill Hurd. In performance, the group wore distinctive white suits and white caps which, according to Williams, "were a practical addition to the ensemble [as] we all had long hair, which didn't suit the image we'd gone for We compromised by having our hair pinned up inside the caps ". In 1976 the band abandoned glam nostalgia to enter more serious territory. In another attempt to get away from the 'doo wop' glam image, Thorpe insisted that the trademark vocal harmonies were left off of his composition, "You're the Reason Why". Gerry Shury and the band out voted him. The version with no vocal backing has been available as a bootleg recording in certain parts of Europe. In 1979, Thorpe and the band separated over musical differences. Thorpe can be heard on lead vocals on the last Still Unwinding track, "Does It Gotta Be Rock 'N' Roll". His guitar parts and backing vocals remained. After Thorpe's departure, the group's success began to dwindle.

The band reformed in 1982, with a line up consisting of Williams, Clark, Hurd, and drummer Alex Bines to exploit the German market for 1970s nostalgia. "You're the Reason Why" was played. Sitting in the High Court in London, Judge Pat Treacy ruled for Williams and said: "The defendants' conduct amounts to a misrepresentation sufficient to engage the tort of passing off. The claimants have succeeded."