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This is a list of string quartet composers, chronologically sorted by date of birth and then by surname. It includes only composers who have Wikipedia articles. This list is by no means complete. String quartets are written for four string instrumentsusually two violins, viola and cellounless stated otherwise.

Gregorio Allegri (1582–1652): The earliest known composition for two violins, viola and cello (although is referred to as "Duoi Violini, Alto, & Basso di Viola") is attributed to him. Scholars often refer to it as "Symphonia" or as a four part sonata. Still, it is the very first example of a composition for this organic which does not involve the use of a basso continuo, which was unusual for that time.

Alessandro Scarlatti (1660–1725): Amongst his output of chamber sonatas, he wrote a set of Sonate a quattro per due violini, violetta e violoncello senza cembalo (c. 1715–1725). Georg Philipp Telemann (1681–1767): An example is Sonata á Violino I, Violino II, Viola e Violono in A major TWV 40:200. There is an expanded version for chamber string orchestra.

Giovanni Battista Sammartini (c. 1700–1775): Wrote several quartets though as with many early works for the medium some of these could be played equally by a small string orchestra. Charles Wesley (1707–1788): 6 Quartettos, published in 1779. Franz Xaver Richter (1709–1789): Wrote seven string quartets, Op. 5 (1757).

Pietro Nardini (1722 1793): six string quartets, published around 1767. Carl Friedrich Abel (1723–1787): published in groups of six: op. 8 (1769); op. 12 (1775), op. 15 (1789). Giovanni Battista Cirri (1724 –1808): 6 String Quartets Op.13
Florian Leopold Gassmann (1729–1774): He is thought to have composed 37 string quartets, including six quartetti published c. 1768 as Op. 1 (H431–6); a set published as Op. 2 (H441–2, 435, 444–6); and a further six published posthumously in 1804 (H451–6).

Antonio Rosetti (c. 1750 – 1792): Eleven string quartets. Bartolomeo Campagnoli (1751–1827): Six string quartets. John Marsh (1752–1828): String Quartet in B major (only surviving quartet). Franz Anton Hoffmeister (1754–1812): Fifty string quartets (plus seven for violin, two violas and cello) (source: Grove online). Peter Winter (1754–1825): At least eight string quartets. Giovanni Battista Viotti (1755–1824): Fifteen string quartets. Franz Grill (1756?–1792): Nine string quartets. Wolfgang Amadeus Mozart (1756–1791): Twenty three string quartets, including the six so called Haydn Quartets (1782–1785), generally reckoned to be his best, the Hoffmeister Quartet (1786), and the Prussian Quartets (1789–1790). Joseph Martin Kraus (1756–1792): Ten string quartets. See also his Flute quintet in D major. Paul Wranitzky (1756–1808): Wrote seventy three string quartets which, at their best (the six quartets of Op. 16, the six of Op. 23), are second only to Haydn and the mature Mozart in quality. Ignace Pleyel (1757–1831): Student of Haydn, wrote 70 string quartets. Alessandro Rolla (1757–1841): Ten string quartets: three as Op. 2, three as Op. 5, and four others (source: Grove). Franz Krommer / František Kramář (1759–1831): Approximately 100 string quartets, many of which were very popular in early 19th century Vienna, and were compared positively to Beethoven's quartets.

Luigi Cherubini (1760–1842): Six string quartets (1814–1837). Jan Ladislav Dussek (1760–1812): Published three string quartets, Op. 60. Antonín Vranický / Anton Wranitzky (1761–1820): Thirty quartets. A founder of the Vienna "violin school" and major virtuoso, he was the teacher of Ignaz Schuppanzigh and leader of the Lobkowitz orchestra. Adalbert Gyrowetz / Vojtěch Matyáš Jírovec (1763–1850): Friend of Mozart, wrote at least forty two string quartets (Grove), possibly more than fifty (Hyperion CD notes). Paul Alday (c. 1763 – 1835): Three string quartets (B flat major, A major, C minor) (London & Oxford, c.1795)
Joseph Leopold Eybler (1765–1846): Friend of Mozart, a pupil of Albrechtsberger (who declared him to be the greatest musical genius in Vienna apart from Mozart) and a protégé of Joseph Haydn. Three string quartets, Op. 1, available on CD, written at the age of 22 in 1787 (published in 1794). Rodolphe Kreutzer (1766–1831): Fifteen string quartets. Samuel Wesley (1766–1837): At least one quartet (in E major, written around 1810). Bernhard Romberg (1767–1841): Eleven complete string quartets, two sets of three quartets each Op. 1 & 25, and single quartets Opp. 12, 37, 39, 59, 60. Andreas Romberg (1767–1821): Twenty nine complete string quartets: Three quartets each in Opp. 1, 2, 5, 7, 16, 30, 53, 59 and 76; a single quartet, Op. 40, and a quatuor brilliant, Op. 11. He also wrote three rondos for string quartet, Op. 34. Johannes Spech (1767–1836): Nine string quartets. Louis Emmanuel Jadin (1768–1853): Six string quartets. Józef Elsner (1769–1854): At least three string quartets.

Ludwig van Beethoven (1770–1827): Sixteen quartets widely regarded as among the finest quartets by any composer. The Große Fuge was originally composed as the last movement of Op. 130, but was subsequently published as a separate work. Peter Hänsel (1770–1831): At least ten quartets. Anton Reicha (1770–1836): At least thirty seven string quartets (14 of them newly discovered), of which the eight Vienna quartets (1801–1806) are the most important. Though largely ignored since Reicha's lifetime, they were highly influential works. Groups in Europe have begun programming Reicha's quartets, and the first modern editions and first recordings are now in the works. Georg Abraham Schneider (1770–1839): At least twelve quartets, three each in Op. 10, 20, 65 and 68. Pierre Baillot (1771–1842): Three string quartets. Antonio Casimir Cartellieri (1772–1807): Three string quartets. Joseph Wölfl (1773–1812): An Austrian student of Michael Haydn and Leopold Mozart and a rival of Beethoven composed at least 13 string quartets including three quartets Op. 4, three quartets Op. 30 and six quartets Op. 51. Pierre Rode (1774–1830): Eight string quartets. Hyacinthe Jadin (1776–1800): Twelve string quartets in four opera, Opp. 1, 2, 3, 4, all in four movements except Op. 4, No. 1. Modeled on Haydn & Mozart; pre romantic. Joseph Küffner (1776–1856): At least five string quartets (Op. 41 nos. 1–3, Op. 52, Op. 178). Johann Nepomuk Hummel (1778–1837): Three string quartets, Op. 30, No. 1 in C major; Op. 30, No. 2 in G major and Op. 30, No. 3 in E major (all c. 1808). Joachim Nicolas Eggert (1779–1813): Swedish composer who composed at least twelve string quartets including: Three quartets Op. 1 (c. 1807), three quartets Op. 2 (c. 1810) and three quartets Op. 3.

Norbert Burgmüller (1810–1836): Four string quartets: Op. 4 in D minor, Op. 7 in D minor, Op. 9 in A major, and Op. 14 in A minor. Félicien David (1810–1876): Four string quartets: One published in 1868, another three unpublished. Ferdinand David (1810–1863): One string quartet in A major, Op. 32. Robert Schumann (1810–1856): Wrote three string quartets (Op. 41), not among his better known works. Wilhelm Taubert (1811–1891): At least four string quartets (1848? to 1872?). Emilie Mayer (1812–1883): Seven string quartets (G minor Op. 14, F major, D minor, E minor, G major, B flat major, A major), of which only the G minor one was published in her lifetime. George Alexander Macfarren (1813–1887): Six string quartets. Jakob Rosenhain (1813–1894): Three string quartets (Op. 55 in G, Op. 57 in C, Op. 65 in D minor, published by Richault of Paris in 1864; his Am Abend variations for strings Op. 99 has been called in at least one source his 4th string quartet). Giuseppe Verdi (1813–1901): One string quartet, in E minor (1873). Josephine Lang (1815–1880): Menuetto [und Trio] für Streichquartett (C major); incomplete quartet in F major. All unpublished. Robert Volkmann (1815–1883): Six string quartets. Johannes Verhulst (1816–1891): Three string quartets. Salvatore Pappalardo (1817–1884): Four published quartets and several in manuscript. Niels Gade (1817–1890): One published quartet (D major, Op. 63) and suppressed quartets in F major, F minor and E minor. Antonio Bazzini (1818–1897): Six string quartets. Charles Gounod (1818–1893): At least four string quartets: D major, A major, F major, and A minor. The A minor quartet was published in 1893 as his third and received performance in Gounod's lifetime; the remaining three quartets were discovered in manuscript form in 1993. Stanisław Moniuszko (1819–1872): Two string quartets (in D minor, F major).

Henri Vieuxtemps (1820–1881): Three string quartets (in E minor, Op. 44, in C major, Op. 51, in B, Op. 52—the latter two published posthumously). Friedrich Kiel (1821–1885): Two string quartets (Op. 53, in A minor and E) and waltzes Op.73 and Op. 78. Joachim Raff (1822–1882): Nine string quartets, the first (1850) lost/destroyed (the other eight between 1855 and 1874); the last three (all from 1874) share an opus number and were also called suites by the composer. César Franck (1822–1890): One string quartet (1889). Édouard Lalo (1823–1892): One string quartet, in E flat major (originally composed in 1855 as Op. 19 but revised in 1884 as Op. 45). Bedřich Smetana (1824–1884): Two string quartets, No. 1 in E minor From my Life; and No. 2 in D minor, with the first being the better known. Anton Bruckner (1824–1896): One string quartet (1862). Carl Reinecke (1824–1910): Five string quartets (Op. 16 in E in 1842, Op. 30 in F around 1851, Op. 132 in C around 1874, Op. 211 in D, Op. 287 in G minor). Kate Loder (1825–1904): Two string quartets (in G minor, 1846, and E minor, 1848). Edward Mollenhauer (1827–1914): United States violinist and composer born in Prussia: his best known compositions were quartets; he also wrote three operas. Woldemar Bargiel (1828–1897): Four string quartets (including No. 3, Op. 15b in A minor and No. 4, Op. 47 in D minor). Anton Rubinstein (1829–1894): Ten string quartets.

Karl Goldmark (1830–1915): Goldmark's only string quartet (String Quartet in B major, Op.8, 1860) was his breakthrough work, his first composition to receive very positive reviews in contemporary Viennese musical journals. Long neglected, it was recorded several times in the 1990s as part of a general revival of interest in Goldmark's chamber music. Peter Arnold Heise (1830–1879): Ca. 6 string quartets: No. 1 in B minor (1852? ), No. 2 in G major (1852), No. 3 in B flat major, No. 4 in C minor (1857? ), A major (1857? ), g minor (1857?). Salomon Jadassohn (1831–1902): One string quartet, in C minor, Op. 10 (1858). Ludwig Norman (1831 1885): At least five string quartets. Johann Joseph Abert (1832–1915): String Quartet in A, dedicated to Karl Eckert (1862). Alexander Borodin (1833–1887): Two string quartets: No. 1 in A (1879) and No. 2 in D (1881)
Johannes Brahms (1833–1897): Three string quartets, the first two in 1873 and the final one in 1875. Ernst Naumann (1833 1910): At least one quartet, Op. 9. Felix Otto Dessoff (1835 1892): Two string Quartets, Op. 7 and Op. 11. Felix Draeseke (1835–1913): Three string quartets between 1880 and 1895. Camille Saint Saëns (1835–1921): Two string quartets: Op. 112 (1889) and Op. 153 (1918). Józef Wieniawski (1837–1912): At least one quartet, in A minor, Op. 32. Max Bruch (1838–1920): Two string quartets, from his student days or a little after, Op. 9 in C minor (1858–59) and Op. 10 in E major (1860). Ernst Eduard Taubert (1838–1934): At least four string quartets (1877 to 1902). Josef Rheinberger (1839–1901): Two string quartets, in C minor, Op. 89 and F major, Op. 147. Friedrich Gernsheim (1839–1916): Five string quartets (No. 1 in C minor, Op. 25 (perf. 1871); No. 2 in A minor, Op. 31 (perf. 1874); No. 3 in F major, Op. 51 (1886); No. 4 in E minor, Op. 66 (perf. 1900); No. 5 in A major, Op. 83 (c. 1911)). Louise Haenel de Cronenthall (1839–1896): One quartet, Cremonese. Alice Mary Smith (1839–1884): Three string quartets (No. 1 in D major, 1862; No. 2 in A Minor, 1872; No. 3, Tubal Cain).

Hermann Goetz (1840–1876): One string quartet in B (1865–66). Pyotr Ilyich Tchaikovsky (1840–1893): Three string quartets: No. 1 in D, Op. 11 (1871); No. 2 in F, Op. 22 (1873); and No. 3 in E minor, Op. 30 (1876), of which the first is the best known, especially the Andante cantabile second movement which has been recorded many times with full string orchestra. There is also a quartet movement in B major from 1865. Johan Svendsen (1840–1911): One string quartet, his Op. 1. Antonín Dvořák (1841–1904): Fourteen string quartets, out of which number twelve, the American, is the best known. Giovanni Sgambati (1841–1914): Two string quartets, one in D minor (1864), and one in D major, his Op. 17 (1882). Elfrida Andrée (1841–1929): One string quartet in D minor and another in A major (published in 2000). Mykola Lysenko (1842–1912): One string quartet in D minor (1869). Heinrich von Herzogenberg (1843–1900): Wrote five string quartets (1876–1890). Edvard Grieg (1843–1907): Two string quartets, the second being unfinished. Ján Levoslav Bella (1843–1936): Three string quartets, in E minor (1871), C minor (1880) and B minor (1887). Georg Wilhelm Rauchenecker (1844–1906): Six string quartets. Nikolai Rimsky Korsakov (1844–1908): Better known for his orchestral suites, he also wrote three complete string quartets, two single movements and three other pieces for string quartet. Clara Kathleen Rogers (1844–1931): Two string quartets, among them String quartet in D minor, Op. 5. Gabriel Fauré (1845–1924): One string quartet, in E minor, Op. 121 (1924). Ika Peyron (1845–1922): Humoresk in g minor for string quartet and a string quartet in three movements (1897). Marie Jaëll (1846–1925): One string quartet (1875). Agnes Tyrrell (1846–1883): String Quartet in G major. Augusta Holmès (1847–1903): Minuetto for String Quartet (1867). August Klughardt (1847–1902): Two string quartets (in F, Op. 42 and in D, Op. 61). Robert Fuchs (1847–1927): Four string quartets: No. 1 in E, Op. 58 (1895); No. 2 in A minor, Op. 62 (1899); No. 3 in C, Op. 71 (1903); No. 4 in A, Op. 106 (1916) (Austrian National Library claims to have a late 5th quartet and several in manuscript predating No. 1). Alexander Mackenzie (1847–1935): One string quartet in G (1868). Hubert Parry (1848–1918): Three string quartets (unpublished during his lifetime). Wilhelm Fitzenhagen (1848–1890): One string quartet, in D minor, Op. 23 (c. 1870). Benjamin Godard (1849–1895): Three string quartets. Felicia Tuczek (1849–1905): At least one string quartet, in F minor (published in 1904).

Andres Isasi (1890–1940): Eight string quartets. Bohuslav Martinů (1890–1959): Ten string quartets of which only eight survive, Nos. 1–7 and the unnumbered Tři jezdci (1902)
Arthur Bliss (1891–1975): Four string quartets: No. 1 in A major (1914); No. 2 (1923); No. 3 in B major (1941); No. 4 (1950). Frida Kern (1891–1988): Five string quartets (Op. 8 in 1930, Op. 21 in 1934, Op. 39 in 1941, Op. 48 in 1948, Op. 72 in 1956). Sergei Prokofiev (1891–1953): Two string quartets (1930 and 1941). Dorothy Gow (1892–1982): String Quartet No. 1, Fantasy String Quartet (1932), String Quartet No. 2 (1933), String Quartet in One Movement (1947). Arthur Honegger (1892–1955): Three string quartets, in C minor (1917), D major (1936), and E major (1937). Darius Milhaud (1892–1974): Eighteen, the fourteenth and fifteenth of which may be played as an octet. Hilding Rosenberg (1892–1985): Twelve (No. 1, 1920 revised 1955 to No. 12, 1957). Germaine Tailleferre (1892–1983): One quartet (1917–19). Arthur Lourié (1892–1966): Three quartets: No. 1 (1915), No. 2 (1923) and No. 3 Suite (1924). Alois Hába (1893–1973): Sixteen quartets, employing various microtonal systems (e. g. No. 11 uses a sixth tone system; No. 12, quarter tone; No. 16, fifth tone). Rued Langgaard (1893–1952): Six numbered quartets, as well as a set of variations (BVN 71, 1914, r. 1931), the Italian Scherzo (BVN 408, 1950), the (unnumbered) String Quartet in A flat major (BVN 155, 1918), and Rosengaardsspil (Rose Garden Play; BVN 153, 1918). Paul Dessau (1894–1979): Seven string quartets (No. 1 before 1943 and published 1969?, No. 2 in 1942/43, No. 3 in 1943–1946, No. 4 Barbaraquartett (or 99 Bars for Barbara), No. 5 Quartettino (Felsenstein Quartett) in 1955, No. 6 Sieben Sätze für Streichquartett in 1974, No. 7 in 1975. Also a string quartet movement in 1957. Ernest John Moeran (1894–1950): Two string quartets (in A minor and in E major). Willem Pijper (1894–1947): Five string quartets (1914, 1920, 1923, 1928, 1946). Walter Piston (1894–1976): Five string quartets (from 1933 to 1962). Erwin Schulhoff (1894–1942): Two numbered string quartets (1924, 1925), one unnumbered quartet. (1918), plus a Divertimento, Op. 14 (1914) and a set of Five Pieces (1923). Marcelle Soulage (1894–1970): String Quartet in C minor, Op. 58 (1922). Vally Weigl (1894–1982): Andante for Strings (1945), Adagio for Strings (1951), Adagietto for Strings (To Emily) (1970). Jeanne Barbillion (1895–1992): String Quartet (1936). Henriëtte Bosmans (1895–1952): String Quartet (1927). Dinorá de Carvalho (1895–1980): Two string quartets, No. 1 (1962) and No. 2 (Mitos e Palmares, 1973/74). Paul Hindemith (1895–1963): A violist, wrote seven string quartets. Dane Rudhyar (1895–1985): Crisis and Overcoming (1978), Advent (1976). William Grant Still (1895–1978): Danzas de Panama for String Quartet (1948), Lyric String Quartette (Musical Portraits of Three Friends) (1960). Maria Bach (1896–1978): Two string quartets (1935, 1937). Fernande Decruck (1896–1954): At least three string quartets. Roberto Gerhard (1896–1970): Two string quartets (1950–1955; 1960–1962). Three earlier quartets at least are lost. Howard Hanson (1896–1981): One string quartet in one movement, his Op. 23 (1923). Roger Sessions (1896–1985): Two string quartets (1938, 1951), Canons to the memory of Stravinsky (1971). Virgil Thomson (1896–1989): Two string quartets (1931 and 1932). Henry Cowell (1897–1965): Four quartets. John Fernström (1897–1961): Eight quartets. Erich Wolfgang Korngold (1897–1957): Perhaps better known for his movie scores, his formal works include three string quartets, Op. 16 in A (1923), Op. 26 in E(1933), Op. 34 in D (1945). Francisco Mignone (1897–1986): Two, both in 1957. Benna Moe (1897–1983): One, in f minor (1934). Quincy Porter (1897–1966): Nine (No. 1 in E minor, 1922–23; No. 9, 1958). Alexandre Tansman (1897–1986): Nine (one lost, replaced by Triptych) for most of that, Fanfare review of a recording for the rest). Hanns Eisler (1898–1962): One string quartet, 1937. George Gershwin (1898–1937): One piece for string quartet, a Lullaby, 1919 or 1920. Dorothy Howell (1898–1982): Dance for String Quartet (1927), String Quartet in D Minor. Viktor Ullmann (1898–1944): Three string quartets of which two are lost. Pavel Haas (1899–1944): Three string quartets from 1920 to 1938. Hans Krása (1899–1944): One quartet (1921). Jón Leifs (1899–1968): Icelandic composer, 3 string quartets: No. 1 'Mors et vita', Op. 21, (1939); No. 2 'Vita et mors', Op. 36, (1948–1951); No. 3 'El Greco', Op. 64 (1965). (source: Grove)
Silvestre Revueltas (1899–1940): Four quartets. Herbert Griffiths (1899–1969): One string quartet in B minor (1920). Alexander Tcherepnin (1899–1977): Two quartets (1922, 1926). Randall Thompson (1899–1984): Two quartets, in D minor (about 1941 – possibly earlier, see Library of Congress listing?) and G major (1967). Stefania Turkewich (1899–1978): Two string quartets in the 1960s.

Anna Clyne (born 1980): Roulette (2007; for string quartet and tape), Shadow of the Words (2010; for string quartet and tape), Primula Vulgaris (2010), Breathing Statues for String Quartet (2020), Woman Holding a Balance (2020). Cheryl Frances Hoad (born 1980): My Day in Hell (2008), Invocatio (2017). Missy Mazzoli (born 1980): Harp and Altar (for string quartet and electronics, 2009), Death Valley Junction (2010), You Know Me From Here (2012), Quartet for Queen Mab (for string quartet and optional electronic delay, 2015), Enthusiasm Strategies (2019). Tyshawn Sorey (born 1980): Everything Changes, Nothing Changes (2020); For Grachan Moncur III (2023)(string quartet and percussion). Dobrinka Tabakova (born 1980): On a bench in the shade (2004), The Smile of the Flamboyant Wings (2010), Organum light (2014). Alexandra Fol (born 1981): String Quartet op. 42 D (2006), The ELGEA Quartet (2013). Helen Grime (born 1981): String Quartet No 1 (2014). Jessie Montgomery (born 1981): Strum (2006; revised 2012), Voodoo Dolls (2008), Break Away (2013), Source Code (2014). Richard Zarou (born 1981): String Quartet "Retreating From the Light" (2003). Charlotte Bray (born 1982): Ungrievable Lives (2021/22). Joey Roukens (born 1982): String Quartet No. 1 (2003), Earnest and Game (String Quartet No. 2, 2007), Visions at Sea (String Quartet No. 3, 2011) What Remains (String Quartet no. 4, 2019). Caroline Shaw (born 1982): Punctum (2009, revised 2013), Entr'acte (2011), Valencia (2012), Plan & Elevation: The Grounds of Dumbarton Oaks (2015), Blueprint (2016), First Essay: Nimrod (2016), Second Essay: Echo and Third Essay: Ruby (2018), The Evergreen (2020). Ann Cleare (born in 1983): One string quartet, moil (2010). Hannah Kendall (born 1984): Glances / I Don't Belong Here: (2019). Prach Boondiskulchok (born 1985): "Ritus" (2018). Mohammed Fairouz (born 1985): Lamentation and Satire (2008), Chorale Fantasy (2010) and The Named Angels (2012). Julia Adolphe (born 1988): Between the Accidental (2010), Veil of Leaves (2014), Star Crossed Signals (2018). Cecilia Damström (born 1988): Via Crucis, Op. 34 (2012–2014), Letters – String Quartet No. 2, Op. 61 (2018). Sky Macklay (born 1988): Many Many Cadences (2016). Freya Waley Cohen (born 1989): String Quartet (2017).