Waterboys тобының «Жазықша жер» альбомы және Эдн О'Брайеннің романы

the novel by Edna O'Brien

A Pagan Place is the second studio album by the Waterboys, released by Ensign Records in May 1984. It was the first Waterboys record with Karl Wallinger as part of the band and also includes Roddy Lorimer's first trumpet solo for the band on the track "A Pagan Place". The album shares a title with the book A Pagan Place, written by Irish novelist Edna O'Brien. According to a post at the official Waterboys forum, Mike Scott, who chose the album name, has never read the book, and neither the album nor the title track share any other similarities with the novel.

Recording for A Pagan Place was begun before either the band's first single, "A Girl Called Johnny", or album, The Waterboys, were released. The album comprises two recording sessions. The first, in November 1982 at Redshop Studio in London, involved Mike Scott, Anthony Thistlethwaite and Kevin Wilkinson. The second session, held September 1983 at Rockfield Studio in Wales, included contributions from Wallinger, who had joined the band that year. The four, the early band's core membership, were joined by Lorimer, Tim Blanthorn, and Eddi Reader, among others, for later overdubbing of the sessions to add full instrumentation to the recordings.

The album was released in June 1984. Peter Anderson, writing in Record Collector, asserts that there was "unanimous critical acclaim". A Pagan Place was reissued in 2002 by Chrysalis Records, having been remastered. The reissue included both new tracks from the recording sessions for both A Pagan Place and from The Waterboys, along with extended versions of tracks from the original release.

A Pagan Place expanded the Waterboys' treatment of spiritual themes beyond the Christian beliefs of "December" from The Waterboys. "A Church Not Made With Hands" is an ode to a woman who "is everywhere and no place / Her church not made with hands". Both "All the Things She Gave Me" and "The Thrill is Gone" discuss the end of a romantic relationship. "Rags" and "Somebody Might Wave Back" discuss despair and optimism in loneliness. Scott's songwriting has been criticized as being overly introspective, and all four tracks contain some element of self reflection. Wallinger later chose "The Thrill Is Gone" as his favourite Waterboys track that he did not play on. "The Big Music" was released as a single, and became a descriptor of the sound of the album, the preceding debut The Waterboys and the following album This Is the Sea. Waterboys chronicler Ian Abrahams described the song as the album's defining track, with New Musical Express' Andrew Collins stating, "What a concept and what an albatross. A lilting anthem with grand cymbal slashes, soulful backing a lazy, meandering essay." For the Waterboys' gig at London's Town & Country Club in 1985, backing vocals to the song were provided by Sinéad O'Connor, marking her first UK live appearance. Usage of the term "The Big Music" spread to include other bands with a similar sound. The single included "Bury My Heart" and "The Earth Only Endures". "Bury My Heart", a reference to "Bury My Heart at Wounded Knee", is described by Anderson as "a lament to the decimated American Red Indians". and borrows main musical theme from Polyushko polye by Lev Knipper. The final track of the original release, "A Pagan Place", featuring a trumpet solo from Lorimer, is an ambiguous questioning of the process of Christianising a Pagan culture. The song "Cathy", included on the album's re issue, was originally a Nikki Sudden song. Sudden writes about an evening in 1982 when he was staying in Scott's apartment: "Late that night – around midnight – Mike recorded a lead vocal to the backing track for my song, Cathy. We did a quick mix and that was that until twenty years ago [sic] when he includes the number on the reissue of his A Pagan Place album". This 2002 reissue credits Sudden as the song's author.