Супремс тобының жетістіктері мен рекордтары

None

American girl group The Supremes have released 29 studio albums, four live albums, two soundtrack albums, 32 compilation albums, four box sets, 66 singles and three promotional singles. The Supremes are the most successful American group of all time, and the 26th greatest artist of all time on the US Billboard charts; with 12 number one songs on the Billboard Hot 100 (the fifth best total in the chart's history) and three number one albums on the Billboard 200. and the first female group to top the Billboard 200 albums chart with The Supremes A' Go Go (1966). In 2017, Billboard ranked The Supremes as the number one girl group of all time, publishing, 'although there have been many girl group smashes in the decades since the Supremes ruled the Billboard charts, no collective has yet to challenge their, for lack of a better word, supremacy.' In 2019, the UK Official Charts Company placed 7 Supremes songs—"You Can't Hurry Love" (16), "Baby Love" (23), "Stop! In the Name of Love" (56), "Where Did Our Love Go?" (59), "You Keep Me Hangin' On" (78), "Come See About Me" (94) and "Stoned Love" (99)—on The Official Top 100 Motown songs of the Millennium chart, which ranks Motown releases by their all time UK downloads and streams. In 2020, Insider. com named The Supremes "the best selling vocal group to date", after Ebony estimated The Supremes' record sales at 50 million in 1980 and Euronews reported total sales exceeding 100 million records in 2014. This would make the group one of the best selling music artists of all time. However, Motown refused to submit their books for industry audit, until the 1980s, years after the group disbanded. As such, The Supremes' first certifications include; the Anthology compilation album, which peaked at number 66 on the US Billboard 200 and the Love Supreme (1988) compilation, which peaked at number ten on the UK Albums Chart Greatest Hits (1967) is not certified by either the RIAA or BPI.

After several non charting releases, The Supremes made their first appearance on the US Hot 100 in August, 1962 with "Your Heart Belongs to Me". They released their debut album, Meet The Supremes (1962), featuring the singles, "I Want a Guy", "Buttered Popcorn" (led by Florence Ballard), "Your Heart Belongs to Me" and "Let Me Go the Right Way"; the latter being their first appearance on the US Hot R&B/Hip Hop Songs chart (then titled Hot R&B Singles). "Where Did Our Love Go" also hit number one in Canada and New Zealand; whilst "Baby Love" topped the charts in the UK, New Zealand and Singapore, and was nominated at the 7th Annual Grammy Awards for Best Rhythm & Blues Recording. The album, Where Did Our Love Go topped the US Top R&B/Hip Hop Albums chart (then titled Hot R&B LPs), and hit number two on the Billboard 200, where it spent a total of 89 weeks. Last single, "Nothing but Heartaches", was their sixth consecutive million selling single in the US, It contains the US top 10 "Love Is Like an Itching in My Heart" and their ninth US million seller and seventh number one, "You Can't Hurry Love". Their twenty first studio album, New Ways but Love Stays (1970), features "Stoned Love", which became the group's last number one on the US Billboard R&B singles chart and last top 10 on the Hot 100. Internationally, "Stoned Love" hit the top 10 in Canada, Iceland and Singapore; and was The Supremes' highest charting UK single since "I'm Gonna Make You Love Me" (with The Temptations) in 1968 and "You Can't Hurry Love" in 1966, which like "Stoned Love", peaked at number 3.

+ List of promotional singles, showing year released and album name+ A side titleB side titleYear Album"The Only Time I'm Happy" Supremes interview (non album)1965More Hits by The Supremes"Dr. Goldfoot and the Bikini Machine" "Things Are Changing" "—" denotes the single failed to chart or was not released

+ List of other albums, including shelved and cancelled albums, showing proposed release year and album name Title Year NotesThe Supremes Sing Ballads & Blues1963The Supremes Sing Ballads & Blues was assigned a catalog number (Motown 610) in late 1963 and given a projected release date. Although it was not released, several of the tracks originally recorded for it appeared on the album The Supremes Sing Country, Western and Pop in spring 1965. Live, Live, Live!A Tribute to the Girls Two tracks from the album, "You Can't Hurry Love," and "Group Introductions," were released in 2000 on a bonus disc included with certain copies of The Supremes box set. The complete show was released in 2012 on the expanded edition of the I Hear A Symphony album. The Supremes and the Motown Sound: From Broadway to Hollywood1967The Supremes and the Motown Sound: From Broadway to Hollywood was intended for release in early 1967, but no formal track listings for the album were produced despite an album worth of tracks were recorded. It is widely believed that the album would have been based around the group's then current number one single, "The Happening." Tracks for the album were recorded in Los Angeles and featured songs made popular on Broadway or in Hollywood films. Earlier vaulted material, notably from the featured recordings from the There's a Place for Us, sessions were also considered for inclusion. Live at the CopaLive at the Copa, a live recording of concerts between May 19–20, 1967 is notable as one of the last to feature Florence Ballard. The set features a rare live recording of "My Favorite Things", in addition to the number one hit "The Happening" and a medley of “Thoroughly Modern Millie,” “Second Hand Rose” and “Mame” which were previously only available on Live at London's Talk of the Town (1968), featuring Cindy Birdsong in Ballard's place. Three tracks from the album, "Somewhere," "Group Introduction" and "You're Nobody 'til Somebody Loves You," were released on the second disc of The Supremes (2000) box set. Live at the Roostertail, a live concert recorded on August 27, 1967, remains largely unreleased due to problems with the master tape. It was the first live recording to feature Cindy Birdsong. Two tracks from the album, "You Keep Me Hangin' On," and "Reflections," were released with certain limited copies of The Supremes (2000) box set, on a bonus disc titled In Person An Evening With The Supremes. Diana Ross & the Supremes Sing Disney Classics1968Diana Ross & the Supremes Sing Disney Classics was an album featuring covers of songs from films produced by Walt Disney Productions. Recordings for the album began in 1967 with Florence Ballard and continued with her replacement, Cindy Birdsong. Songs recorded for the album, have appeared on the 1986 compilation series 25th AnniversarySome Things You Never Get Used To was a 1968 album named after the single. The album was shelved when the single failed to make the impact expected. The proposed track list was: Side One: "Some Things You Never Get Used To", "Heaven Must Have Sent You", "He's My Sunny Boy", "Come On and See Me", "Can I Get a Witness" and "You've Been So Wonderful to Me". Side Two: "My Guy", "It's Not Unusual", "Just a Little Misunderstanding", "Uptight (Everything's Alright)", "What Becomes of the Brokenhearted" and "Blowin' in the Wind". "What Becomes of the Brokenhearted" on Let the Sunshine In (1969) and "Blowin' in the Wind" on Cream of the Crop (1969). The remaining unreleased tracks were later included on the compilation albums 25th Anniversary, Vol. 2 (1986) and Let the Music Play: Supreme Rarities (2008). Promises Kept1971Promises Kept, a 1971 set by the "New Supremes" produced by Clay McMurray, Bobby Taylor, Ashford & Simpson, and others. Despite a wealth of recordings, an official track list was never finalized and the Supremes were instead assigned to work on Floy Joy with Smokey Robinson as producer. Some of the Promises Kept songs appear on the 2000 Supremes box set and the 2002 70s Anthology. Thirteen other tracks from the sessions are also included in The Supremes box set This Is the Story: The '70s Albums, Vol. 1 – 1970–1973: The Jean Terrell Years. Including "Bad Weather", Stevie Wonder wrote and produced three songs for The Supremes. Lynda Laurence would later recall the group recorded six songs.