Taxiride: Австралиялық рок тобының тарихы

Australian rock band

Taxiride is an Australian rock band. Formed in Melbourne by singer/songwriters Jason Singh, Tim Watson Tim Wild, and Dan Hall. Taxiride would record two consecutive number one platinum selling albums. The band have had nine top 40 singles include top five hits Get Set, Everywhere You Go and the most played song on Australian radio in 2002, Creepin’ Up Slowly. Prior to formation, the members of Taxiride—Hall, Singh, Watson and Wild—had been playing in cover bands around Melbourne. The quartet recorded an EP, which a taxi driving friend of theirs helped promote. They took their name from the experience had by passengers first hearing their music on a taxi ride. After their music was heard by an executive from record label Warner, the band signed a contract and released their debut album, Imaginate, in 1999. This was followed by 2002's Garage Mahal. Both albums were certified platinum by the Australian Recording Industry Association (ARIA). 2005's Axiomatic did not follow in the success of its predecessors. Taxiride's musical style has changed significantly over the course of their career—from a hybrid pop/pub rock sound merged with classic harmony referencing bands like Crosby, Stills, Nash & Young to a heavier sound on later works. Throughout their history, the band has had multiple lead singers and songwriters on the majority of their songs. The band continued performing live until 2008. In 2015 the four original members reformed and have been performing on the Australian festival circuit as well as public shows.

Prior to forming Taxiride, Tim Watson, Tim Wild, Jason Singh, and Dan Hall had each played in cover bands across Melbourne. Watson and Wild began writing together in 1996 in Camberwell, Melbourne, and soon joined Singh as an additional vocalist. The trio invited Hall, whom Wild first encountered busking, to join the group, and he accepted. Originally their name was to be TAXE but they quickly changed that after finding out another band had the same name. The band named themselves Taxiride because they had given some of their early work to a friend of theirs, a taxi driver, who had tested these songs on passengers. The group produced a demo at Melbourne's Secret Sound Studios, and used it to land a contract with Warner in Australia. Meanwhile, a friend of the group passed their work onto a Sire Records executive in the U. S., who signed them despite the group being unknown. Imaginate, released on 1 June 1999 in the U. S. and 18 October in Australia, reached number one on the ARIA Albums Chart, with debut single "Get Set" reaching number eight on the ARIA Singles Chart, number 41 on the New Zealand Singles Chart, and number 36 on the Hot Modern Rock Tracks chart. "Get Set" won the 1999 ARIA Award for "Breakthrough Artist Single" and was nominated for "Best Pop Release", while Imaginate was nominated for "Breakthrough Artist Album" and "Highest Selling Album" in 2000. Imaginate was certified double platinum, indicating an excess of 140,000 sales. Taxiride wrote the majority of the album in a studio, and the final product generally used songs that band members had worked on individually. Imaginate earned a mediocre reception from critics. Steve Kurutz of Allmusic gave it three stars, calling the album a "slick bid for pop radio". To promote the album, Taxiride toured Australia, America, Japan, and Europe, with the album selling well in all areas. Despite the album's success, Hall, then lead singer, left the band to work independently and with his other pet project, Airway Lanes. Hall said he was unhappy with "the pop direction the band was taking". Following Hall's departure, the band began work on their second album. Garage Mahal was released on 5 August 2002, and produced three singles: "Creepin' Up Slowly", "How I Got This Way", and "Afterglow". All three songs charted in Australia; "Creepin' Up Slowly" was the most successful at number six, also reaching number 19 in New Zealand. Much of Garage Mahal was written on the road, while touring, and as such had a different sound from the band's prior work. Most of the writing was done in two places; Mount Macedon in Victoria, and Palindrome Studio in Venice Beach, California, the home of producer Fred Maher. Mixing was done by David Way and Mike Shipley. Despite the change in sound, the band were still seen as purely a pop band—Australian Musician magazine claimed this was because they spent too much time overseas. Bernard Zuel of The Sydney Morning Herald said that the band did not hold back in their aim for American radio, calling the lyrics overly generic, and arguing the band only focused on their mainstream image.

Watson left Taxiride in 2003, and the band began work on a new album. They decided to release independently after splitting up with Warner Music, and recorded at Wild's Melbourne home for a total of 12 months. During that time, the band collaborated with vocalist Chris Bailey (The Saints lead singer) and Hall, who took time out from working with Airway Lanes. Following the release of Axiomatic, Wild and Singh began to write new songs, accompanied by Hall. The band's first acoustic album, Electrophobia, was released on 16 September 2006 on Australian record label Liberation. It features songs from the band's first three albums, all recorded in a standalone session in a Melbourne church on 26 May 2006. The production was arranged by Rob John (producer for Led Zeppelin and The Tea Party).

In 2015, Jason Singh brought the original lineup back together. In July 2017, Dan Hall elected to take a break from the group to focus on other musical projects, including South Side Rebel and Interlocker. It is yet to be confirmed if his departure is permanent.

Listen|filename=Taxiride CreepingUpSlowly 21s. ogg|title="Creepin' Up Slowly"|description=The chorus of "Creepin' Up Slowly" demonstrates what Mike Zwerin of The International Herald Tribune described as Taxiride's strength in multiple singers. On Garage Mahal, Taxiride had three active singer songwriters, with their strong opinions on musical content clashing frequently. Singh told Dan Grunebaum of Metropolis Tokyo that the arguments came about "because we were very passionate about what goes down onto tape", and so they were resolved by recognising the overall goal of the band's work.