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American animated television series (1987–1989)

Mighty Mouse: The New Adventures is an American animated television series. It is a revival of the Mighty Mouse cartoon character. Produced by Bakshi Hyde Ventures (a joint venture of animator Ralph Bakshi and producer John W. Hyde) and Terrytoons, the show aired on CBS on Saturday mornings from fall 1987 through the 1988–89 season. It was briefly rerun on Saturday mornings on Fox Kids in November and December 1992. The quality of Mighty Mouse as compared with other 1980s animated television series is considered by animation historian Jerry Beck to "foreshadow the higher quality [animation] boom coming in the next decade." It was one of the first Saturday morning cartoons on CBS to be broadcast in stereo.

The series was a commercial half hour format (22 minutes plus commercials), and each episode consisted of two self contained 11 minute cartoon segments. It differed from the earlier incarnations of Mighty Mouse in many ways. The show gave Mighty Mouse the secret identity of Mike Mouse, and a sidekick in the form of the orphan Scrappy Mouse (who knows the hero's secret identity). The cast included heroic colleagues such as Bat Bat and his sidekick Tick the Bug Wonder and the League of Super Rodents, and introduced antagonists like Petey Pate, Big Murray, Madame Marsupial and the Cow. The original Mighty Mouse villain, Oil Can Harry, made a couple of appearances. Pearl Pureheart was not always the damsel in distress and many episodes did not feature her at all. Mighty Mouse's light operatic singing was eliminated except for his trademark, "Here I come to save the day! ", which was sometimes interrupted. The tone of the show was much more irreverent than previous incarnations; the character of Bat Bat for example was a bat who dressed as Batman and drove the 'Man Mobile' a human looking car with legs instead of wheels. In another episode, Scrappy Mouse expresses concern for Mighty Mouse's whereabouts, but only because he owes Scrappy money. Unlike other American animated TV shows of the time (and even Mighty Mouse's past theatrical shorts), the show's format was loose and episodes did not follow a particular formula. Some episodes offered parodies of shows like The Honeymooners ("Mighty's Wedlock Whimsy") and the 1960s Batman series ("Night of the Bat Bat" and "Bat with a Golden Tongue"); movies like Fantastic Voyage ("Mundane Voyage"); Japanese monster films (the opening of "Mighty's Wedlock Whimsy"); and comic books ("See You in the Funny Papers"). The series sometimes lampooned other cartoons ("Don't Touch That Dial!") and specifically Alvin and the Chipmunks ("Mighty's Benefit Plan"). The series resurrected other Terrytoons characters, but acknowledged the passage of time: perennial menace Oil Can Harry returns to chase Pearl Pureheart once more ("Still Oily After All These Years"), the 1940s characters Gandy Goose and Sourpuss and the 1960s character Deputy Dawg are revived (with Gandy and Dawg frozen in time in blocks of ice) in "The Ice Goose Cometh", "Gaston Le Crayon" has a cameo ("Still Oily After All These Years") and Bakshi's own 1960s creations the Mighty Heroes appear, aged, in the episode "Heroes and Zeroes". Fellow Terrytoons characters Heckle and Jeckle also made an appearance in "Mighty's Wedlock Whimsy".

In April 1987, Bakshi set up a meeting with Judy Price, the head of CBS's Saturday morning block. Price rejected Bakshi's prepared pitches, including one featuring John Kricfalusi's Ren & Stimpy characters, but asked what else he had. He told her that he had the rights to Mighty Mouse and she agreed to purchase the series. However, Bakshi did not own the rights and did not know who did. While researching the rights, he learned that CBS had acquired the entire Terrytoons library in 1955 and forgotten about it. According to Bakshi, "I sold them a show they already owned, so they just gave me the rights for nothin'!" Kricfalusi's team wrote story outlines for 13 episodes in a week and pitched them to Price. By the next week, Kricfalusi had hired animators he knew who had been working at other studios. They ended up hiring Jeff Pidgeon, Rich Moore, Carole Holiday, Andrew Stanton and Nate Kanfer. Mighty Mouse: The New Adventures went into production in the month it was greenlighted; it was scheduled to premiere on September 19, 1987. This haste required the crew to be split into four teams, led by supervising director Kricfalusi, Fitzgerald, Steve Gordon and Bruce Woodside. Each team was given a handful of episodes and operated almost entirely independently of the others. Although the scripts required approval by CBS executives, Kricfalusi insisted that the artists add visual gags as they drew. Despite the time constraints, CBS was pleased with the way Bakshi Productions addressed the network's notes. Kricfalusi did not return for the second season and took some of the crew to work on The New Adventures of Beany and Cecil for ABC.

Kricfalusi described Mighty Mouse: The New Adventures as the origin of the "'Creator Driven' revolution" and that he hired artists "dissatisfied with the formula cartoons they were forced to work on at other studios" and as a "witty, satirical and wildly imaginative" series and "quite a revolution when compared to the cartoons being made everywhere else." Kricfalusi said that he supervised the development of the cartoon in all aspects except the final editing. Kricfalusi said that he restored the "old time director unit system" in which three or four directors theoretically supervise all of the creative aspects of each individual cartoon. He said that two of the directors felt "kind of" reluctant to participate as they did not "really approve" of the direction. Kricfalusi intended for the cartoon to be "like a Warner Bros. cartoon", and that the show does not have his personal humor style. He described the team as "slightly cautious" in presenting ideas to CBS's executives.

On January 5, 2010, CBS Home Entertainment (distributed by Paramount) released the complete series on three DVDs, with every installment of the Saturday morning cartoon uncut and presented in the original full screen video format. The collection includes the uncut version of "The Littlest Tramp", in which the controversial scene begins at 9:41 in the episode, but features an error in the version of "Mighty's Wedlock Whimsy" included on the set, where the penultimate live action shot of layout artist Ed Bell is substituted with an animatic version of the shot. The actual shot as aired appears in the included documentary. Among the extras are the documentary "Breaking the Mold: The Re Making of Mighty Mouse" and commentary tracks for several episodes. Also included are three original Terrytoons theatrical Mighty Mouse cartoon shorts, as taken from Paramount's vaults, which are the first ever official release of Terrytoons material on DVD.

The show's content sometimes crossed into controversial territory. In "Mighty's Wedlock Whimsy", it is hinted that peripheral male characters Gandy Goose and Sourpuss are showering together, and — in a dream sequence — that Pearl Pureheart has a child with Mighty Mouse's unhinged nemesis, the Cow. During the production of the episode "The Littlest Tramp", editor Tom Klein expressed concern that a sequence showing Mighty Mouse sniffing the remains of a crushed flower resembled cocaine use. Bakshi did not initially view the footage; he believed that Klein was overreacting, but agreed to let him cut the scene. Kricfalusi expressed disbelief over the cut, insisting that the action was harmless and that the sequence should be restored. Following Kricfalusi's advice, Bakshi told Klein to restore the scene, which had been approved by network executives and the CBS Standards and Practices department. The episode aired on October 31, 1987, initially without controversy. and stating that Wildmon had interpreted the scene out of context. "Mighty Mouse was happy after smelling the flowers because it helped him remember the little girl who sold it to him fondly. But even if you're right, their accusations become part of the air we breathe. That's why I cut the scene. I can't have children wondering if Mighty Mouse is using cocaine." On CBS's order, Klein removed the sequence from the master broadcast footage. Wildmon claimed that the edits were "a de facto admission that, indeed, Mighty Mouse was snorting cocaine".

The show was considered revolutionary at the time and, along with 1988's Who Framed Roger Rabbit, inspired a wave of animated shows that were much zanier than those that had dominated children's animation in the previous two decades. It is credited by some as the impetus for the "creator driven" animation revolution of the 1990s. The series was a springboard for many cartoonists and animators who would later become famous, among them John Kricfalusi (creator of Nickelodeon's The Ren & Stimpy Show), Bruce Timm (producer of Warner Bros. Batman: The Animated Series), Jim Reardon (writer for Warner Bros. Tiny Toon Adventures and Disney/Pixar's WALL E, and director for Fox's The Simpsons), Tom Minton (writer and producer for many Warner Bros. television cartoons, including Tiny Toons, Animaniacs, The Sylvester and Tweety Mysteries, Baby Looney Tunes and Duck Dodgers), Lynne Naylor (co founder of Spümcø, character designer for Batman: The Animated Series and storyboard artist for Cartoon Network's The Powerpuff Girls and Cow and Chicken), Rich Moore (animation director for Fox/Comedy Central's Futurama, director for The Simpsons and director of Disney's Wreck It Ralph, Zootopia and Ralph Breaks the Internet), and Andrew Stanton (director of Disney/Pixar's Finding Nemo, WALL E and Finding Dory) and others. The Loud House creator Chris Savino says the show's classic cartoon style, which contrasted with the dominant style of TV animation at the time, spurred him to become an animator. Kricfalusi supervised the production for the first season and directed eight of its 26 segments. Kent Butterworth supervised the second season, after John Kricfalusi's departure to work on the similarly short lived 1988 animated series The New Adventures of Beany and Cecil.

From 1990 to 1991, a Mighty Mouse comic book series was published by Marvel Comics. It lasted for 10 issues and took place after the Bakshi television series. Shortly after the events of Mighty Mouse: The New Adventures, Scrappy abandons Mighty and Pearl to spend all his time at the Four Fingers Video Arcade. When the Four Fingers Video Arcade closes down, Scrappy vanishes. It is revealed that Mighty Mouse's enemy, the Glove, was behind the Four Fingers Video Arcade. Mighty saves Scrappy in the end, but Scrappy is still "zapped" into playing video games. Scrappy is then sent to rehab and is back to normal a few issues later. In the 10th and final issue of the comic, Scrappy substitutes for Pearl Pureheart when she gives up her role in the comic.