Доңғалақтардың төрт кезеңі: Баскетбол және махаббат хикаясы

2000 film by Gina Prince Bythewood
In 2023, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant."

The story is divided into four quarters, each one representing a different period in the lives of the protagonists. The first quarter takes place in 1981, when Monica and Quincy are children and become friends due to their shared love for basketball. Monica proves to be an excellent player, beating Quincy in their first game of one on one. However, their friendship is threatened when Quincy knocks Monica down during a game, accidentally cutting her face. They reconcile and share their first kiss, but their relationship is complicated. The second quarter is set in 1988 when Monica and Quincy are attending Crenshaw High School. Quincy is a star basketball player, and Monica is the leader of the girls' basketball team. Quincy is popular and dates the prettiest girl in school, while Monica struggles to control her emotions on the court and harbors feelings for Quincy. However, they manage to connect romantically and make love after both being accepted at the University of Southern California. The third quarter begins when they start college, and Quincy is a promising player on the court while Monica frequently has run ins with her head coach Ellie Davis and struggles to get playing time on the women's team. Quincy struggles to deal with the media attention and discovers his father's infidelity. The pressures of their athletic and academic commitments, coupled with their deteriorating relationship, cause them to break up. The fourth quarter follows the plot to 1993, a few years before the establishment of the WNBA. Monica and Quincy are both professional basketball players. Monica plays for an International Women's Basketball Association (IWBA) team in Barcelona while Quincy is in his fifth year as a player for the Los Angeles Lakers. After visiting Quincy in the hospital following a devastating knee injury, Monica learns he is engaged to be married. She also confronts her mother, Camille, about their troubled past. Quincy recovers from his injury and his wedding draws closer, while Monica quits basketball to work at a bank. Camille encourages Monica to pursue her dreams and Quincy and Monica play a high stakes one on one game, with Quincy agreeing to call off the wedding if he loses. Although Quincy wins, he realizes he can't live without Monica and chooses her instead. The two get married and have a daughter. Monica later plays in the WNBA. In a post credits scene, Quincy and Monica's daughter is shown playing basketball at a playground.

In writing the semi autobiographical film, Prince Bythewood said her goal was "to do a black When Harry Met Sally." She has credited executive producer Spike Lee with enabling the production of the film and the opportunity to direct her own script. Gabrielle Union, who wound up playing Quincy's high school love interest, originally auditioned for the lead role of Monica. Prior to playing Monica, Sanaa Lathan had never played basketball. Unbeknownst to Prince Bythewood, stars Lathan and Omar Epps had started dating prior to the film's production. This was the second film to feature both Epps and Dennis Haysbert; prior to this, they played teammates on a fictitious version of the Cleveland Indians in the 1994 baseball movie Major League II.

Love & Basketball is the soundtrack to the film, released April 18, 2000, on Overbrook Entertainment and Interscope Records. Production for the album came from several recording artists, including Raphael Saadiq, Angie Stone, Zapp, and Steve "Silk" Hurley. In the US, the album peaked at number 45 on the Billboard 200 and number 15 on R&B/Hip Hop Albums. Stacia Proefrock of Allmusic gave the album a three of five star review, saying, "Songs like Meshell Ndegeocello's 'Fool of Me' help punctuate this story of childhood friends who love each other almost as much as they love the game of basketball. Other highlights of the soundtrack include songs from MC Lyte, Al Green, and Rufus."

On review aggregator website Rotten Tomatoes, the film holds an approval rating of 85% based on 113 reviews, with an average rating of 6.9/10. The site's critics consensus reads: "Confident directing and acting deliver an insightful look at young athletes." At Metacritic, the film has a weighted average score of 70 out of 100, based on 28 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. Film critic Lisa Schwarzbaum of Entertainment Weekly gave Love & Basketball an A− review. She enjoyed how the film portrayed women's sports in general and said, "The speed and wiliness of the game itself ensure that movies about men who shoot hoops are exciting, but the novelty of watching women bring their own physical grace to the contest is a turn on." Rachel Deahl of AllRovi gave the film 3.5 out of 5 stars. In her review she complimented Epps and Lathan on their performances, and said, "Love & Basketball serves as a somber reminder of how few films exist (much less love stories, much less ones that focus on the female perspective) about multi dimensional African American characters outside the ghetto." Film critic Desson Thomson of The Washington Post wrote, "Love and Basketball had moments of such tenderness and sophistication, complimented by such romantic dreaminess between lead performers Omar Epps and Sanaa Lathan. First time filmmaker Gina Prince Bythewood's film joins such films as The Best Man and The Wood, which look for the class, not the crass, in African American life." New York Post critic Jonathan Foreman gave the film a mixed review; he appreciated how the film "effectively conveys the excitement of basketball from a player's point of view", but opined the film is "filled with fake sounding dialogue you only find in the cheesiest TV movies." Roger Ebert, film critic for the Chicago Sun Times, wrote, "The film is not as taut as it could have been, but I prefer its emotional perception to the pumped up sports clichés I was sort of expecting. It's about the pressures of being a star athlete; the whole life, not the game highlights. I'm not sure I quite believe the final shot, though. I think the girl suits up for the sequel." Robert Wilonsky of the Dallas Observer gave the film a negative review, saying "[it] is a film built upon transitions so weak and obvious it's astonishing the entire thing doesn't collapse on itself. You want to root for it, as you would any rookie underdog, but it offers nothing to cheer for." Of the acting, he stated, "Omar Epps possesses a chiseled body and a blank stare [ ] Lathan is only slightly better, but she's stuck in a hollow role."

Love & Basketball was released in North America on April 21, 2000 to 1,237 theaters. It grossed $3,176,000 its first day and ending its North American weekend with $8,139,180, which was the second highest grossing movie of the April 21–23, 2000 weekend, only behind U 571. Love & Basketball grossed $27,459,615 in the United States, which is ninth all time for a basketball film and thirty seventh all time for a sports drama.