Спрингфилд байланысы: Мардж полицияда

"The Springfield Connection" is the twenty third episode of the sixth season of the American animated television series The Simpsons. It originally aired on the Fox network in the United States on May 7, 1995. In the episode, Marge deals with corruption and crime when she joins the Springfield police force. The episode was written by Jonathan Collier, with input from David Mirkin, and directed by Mark Kirkland. The episode's story was inspired by executive producer Mike Reiss' wife, who had debated becoming a police officer. "The Springfield Connection" drew on influences from the 1980s police drama Hill Street Blues and the 1971 film The French Connection, and includes references to McGruff the Crime Dog and the theme music to Star Wars. Reviews in The Sydney Morning Herald and DVD Movie Guide were favorable, and the authors of the book I Can't Believe It's a Bigger and Better Updated Unofficial Simpsons Guide cited Marge's police training as the highlight of the episode. Contributors to compilation works analyzing The Simpsons from philosophical and cultural perspectives have cited and discussed the episode. Marge's experiences in the episode are compared to the character Rita from the stage comedy Educating Rita by Willy Russell in a literary analysis of the play.

On their way home from an orchestra performance, Homer and Marge pass through a seedy part of town. Snake entices Homer to play his Three card Monte game and cheats him of $20. When Marge exposes the con, Snake flees. Marge chases after him and knocks him unconscious with a garbage can lid, giving her a sense of exhilaration. Finding her everyday routine dull and boring, she joins the Springfield police force. At first, Marge enjoys being a police officer, but is soon discouraged by the laziness of her fellow officers and rampant law breaking behavior of Springfield's citizens, including Homer, who illegally parks across three handicapped spaces. Marge tries to ticket him, then arrests him after he takes her police hat and taunts her. Upon his release from jail, Homer hosts an illegal poker game and stumbles across Herman running a jean counterfeiting operation in the Simpsons' garage. Marge arrives and arrests Herman and his henchmen as they are about to assault Homer. While Marge is handcuffing his minions, Herman takes Homer hostage and flees to Bart's tree house. Herman tries to escape using a pair of counterfeit jeans as a rope, but he falls to the ground when they rip. Marge knows Herman's attempted escape is doomed because of the jeans' shoddy stitching, which she recognizes from years of buying jeans for her husband and children. After Wiggum and the other officers confiscate the counterfeit jeans for their personal use, the chief informs Marge that they cannot detain Herman because the evidence has mysteriously disappeared. Upset at the corruption on the force, Marge resigns.

"The Springfield Connection" was written by Jonathan Collier and directed by Mark Kirkland. According to Collier, the inspiration for the episode was former The Simpsons executive producer Mike Reiss' wife. At one point, she had seriously decided that she wanted to become a police officer but it did not happen. The joke where the police officers laugh at Marge for a long time was pitched by David Mirkin and features a "crazy twist" at the end where Wiggum says "welcome aboard". Mirkin liked the joke so much that he repeated it again at the end of the episode. The hand puppet is a homage to McGruff the Crime Dog – the producers had wanted to use the real McGruff, but could not get permission to use the character. The original design for Marge's police uniform had Marge's hair standing up (as it normally is) with the hat on top. Director Mark Kirkland found that it made it awkward for staging in scenes, so they altered the design to have her hair pulled down. Marge appears on an episode of COPS, and McGriff the dog is a reference to McGruff the Crime Dog, a US police public relations figure. Annoyed at Marge for becoming a police officer, Homer draws a line across the floor and says he is acting "a la I Love Lucy." referenced to the television sitcom I Love Lucy from the 1950s. Homer said to Herman that Calvin Klein, Gloria Vanderbilt and Antoine Bugle Boy are victims of the counterfeit jeans ring.

In its original broadcast, "The Springfield Connection" finished 58th in ratings for the week of May 1–7, 1995, with a Nielsen rating of 7.9. It was the 4th highest rated show on the Fox network that week, following Beverly Hills, 90210, The X Files, and Melrose Place. Robin Oliver rates the episode "thumbs up" in a review in The Sydney Morning Herald, where she says of The Simpsons as a series: "this encouragingly funny show knows how to tug at the heartstrings". Warren Martyn and Adrian Wood comment on the episode in their book I Can't Believe It's a Bigger and Better Updated Unofficial Simpsons Guide: " the highlight of this episode has to be Marge's training, especially her sharpshooting on the firing range".

Kurt M. Koenigsberger analyzes Homer's comments about the Springfield Pops rendition of the Star Wars theme in Koenigsberger's piece "Commodity Culture and Its Discontents: Mr. Bennett, Bart Simpson, and the Rhetoric of Modernism" published in the compilation work Leaving Springfield: The Simpsons and the Possibility of Oppositional Culture edited by John Alberti. Mahon and Chedra note: "Comedy and parody are frequently used in the episode in order to convey the frustrations Marge is forced to deal with — whether these are based around the corruption of her colleagues, the music used on occasion which parodies former police shows, or even the scene where Marge is forced to arrest her husband." Erion and Zeccardi assert that Marge has "virtuous personality traits" which they compare to Aristotle, commenting: "Whether breaking up a counterfeit jeans ring run out of her garage in "The Springfield Connection", escaping a cult commune in "The Joy of Sect", or standing up to a Poe ssessed "Treehouse of Horror". Marge is rarely short on courage." They also note that "Marge's crime stopping vigilantism in "The Springfield Connection" and her dangerous escape from the Movementarian commune in "The Joy of Sect" demonstrate that she is genuinely brave, but not foolhardy."