Revolver (magazine)

Bi monthly rock and heavy metal magazine

Revolver is an American heavy metal music and hard rock magazine, published by Project M Group. It was originally launched under Harris Publications in the spring of 2000 by Tom Beaujour and Brad Tolinksi, who envisioned it as an American version of Mojo. After five issues, it was relaunched in late 2001 with a focus on heavy music. The magazine features both established acts and up and comers in heavy music.

Revolver was originally conceived by Tom Beaujour and Brad Tolinksi, whom both had experience working for the Harris Publications magazine Guitar World. Beaujour was hired by Tolinski as an intern at the magazine in 1993, later becoming its managing editor, before quitting on January 1, 1998, to pursue touring with a band he was in. which Idolator claimed "enacted everything Revolver wanted to [do] with much more verve." He and Tolinski later attributed a lack of direction, both editorially and with its writers, and the costs of its writers as contributing factors to the publication's initial downfall. When asked what he learnt from the failure of the original Revolver magazine by Rockcritics In 2004, Beaujor said:[Know] what your magazine is. That's important. I mean, people didn't buy it. And I made a bunch of stupid judgments and errors. But remember this. If you can't explain in five words or less what it is, forget it. And that was the problem with the original Revolver. Despite its failure, Harris Publications was reluctant to end Revolver publication; according to Tolinski, "[they said] to me, 'The name of magazine is so great, I really don’t want to kill it, but I don’t want to go broke either — any ideas?". Lacuna Coil vocalist Cristina Scabbia began writing an advice column for the magazine from 2005 onwards, something she credited to Lamb of God vocalist Randy Blythe. In March 2006, Harris sold the magazine to Future US, Inc. for US$4 million. At the point of sale, the magazine had gross profits of $500,000 from a turnover of $3.7 million. In May 2017, Revolver was bought by Project M Group LLC. In the fall of that year, the magazine underwent a brand relaunch, including a redesigned print edition and website, intended to embody the art and culture of heavy music. Originally called the Revolver Golden God Awards they went on hiatus in 2015 and came back in 2016.

From 2006 until 2017, Revolver annually published a feature/issue/calendar of the "Hottest Chicks in Hard Rock" (known as "Hottest Chicks in Metal" until 2011). Conceived by then Revolver editor in chief Tom Beaujour, the first edition of the feature (titled "The 13 Sexiest Chicks in Metal"), published in March 2006, became the second best selling issue in the magazine's history behind their March 2005 Dimebag Darrell tribute issue. as well the "Hottest Chicks in Hard Rock Tour", from 2011 until 2015. The feature was last published in Revolver April/May 2017 issue, after which it was discontinued following the magazine's acquisition by Project M Group. Because Revolver did not feature many female acts in their magazine outside of the feature (at the time), several publications and commentators perceived the feature as, and frequently criticized it for being, sexist in its portrayal of women in rock and metal. Metal Edge (2006) and Decibel (2012) produced their own one off issues covering women in metal in response to the feature. In February 2010, Angela Gossow, then vocalist of Arch Enemy and a former participant in the feature, slammed Revolver for featuring an image she did not want used in the 2010 "Hottest Chicks" feature, and called it "an embarrassment for female musicians, who actually are musicians." Revolver argued that the "Hottest Chicks" feature was empowering to women; in 2011, editor Brandon Geist responded to criticism of the feature by claiming that because the women who appeared in the feature did so voluntarily, critics were being "extremely condescending to the women involved to act as if YOU know better than they do what is right for THEM". Kim Kelly, writing for The Atlantic, criticized Geist's response as avoiding and trivialising the problem addressed by his critics.