Memoire (album)

Mémoire (French for "Memory") is the debut studio album by Japanese rock band Malice Mizer, released on July 24, 1994 by Midi:Nette. It is their only album with original vocalist Tetsu and was reissued on December 24, 1994 as Mémoire DX.

Mémoire was given a limited release of 3,000 copies on July 24, 1994 by guitarist Mana's own record label, Midi:Nette. It is their only official material released with original vocalist Tetsu, besides "Speed of Desperate" for the 1993 omnibus Brain Trash. The album was reissued on December 24 of the same year as Mémoire DX, containing an additional track and an expanded booklet. He also said the technology was still in its early stages at the time, and he had trouble getting the timing right because the MIDI signal had a slight delay. Fellow guitarist Közi revealed that they initially tried adding a bunch of different sounds, but ultimately decided that just the piano felt sad and lonely, like an Italian horror movie. Bassist Yu~ki noted that "Kioku to Sora" is the oldest song on the album, and that he had trouble with a nuanced bass phrase that Mana wanted. Mana said that its tempo and beat steadily change, and called its rhythm really interesting. He said they added classical undertones and used a pipe organ for the melody. Drummer Kami said it starts with guitar playing a 4/4 beat, and they "dared" to mix in a 3/4 beat. He called it his favorite song. Közi felt it is the album's song that best shows Malice Mizer's classical gothic sound. They did not think to add the violin until the very end of making it. Lyricist Tetsu said that when he first heard the song it reminded him of when he was 10 years old and frightened of nuclear war due to films like Forbidden Games and Barefoot Gen and his grandfather's death. He wrote its lyrics with that feeling in mind, and the song is sung from the perspective of the dead man from their songs "Sadness" and "Zenchō". Tetsu said that "Ēge Umi ni Sasagu" is about a girl on the Aegean seaside remembering a sad love from long ago. When he first heard it, Kami felt it was not like Malice Mizer at all. He said the atmospheric song was really difficult, but he now likes it a lot. Yu~ki focused less on his technique and more on adding nuances throughout. Közi called it his favorite song on the album. Wanting to try something new, Mana gave "Gogo no Sasayaki" a bossa nova rhythm. Yu~ki said it has a live acoustic feel, and that he added effects to his bass for the latter half of the song. Kami assumed bossa nova would be easy, but said it was very difficult. Közi referred to the song as the "coffee break" when listening to the album. Kami said he likes the strong chorus and aggressive vocals on "Miwaku no Rooma", and described it as very rhythmic. Közi said he had a hard time getting the sound of a real violin with his synth guitar. He described the violin part at the chorus as having a medieval European feel. Wanting "Seraph" to sound unlike any other band out there, Közi said Malice Mizer added a lot to the song, and as a result it is the thickest sounding song on the album. They used synths to thicken the sound of Közi's guitar, but there are more keyboards and piano than synths. Tetsu said that "Seraph" tells the happy ending of the same man from "Kioku to Sora", but said he planned to continue the story in later songs.