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Canadian post rock band

Godspeed You! Black Emperor (sometimes abbreviated to GY!BE or Godspeed) is a Canadian post rock band that originated in Montreal, Quebec in 1994. The group releases recordings through Constellation, an independent record label also located in Montreal. After the release of their debut album, F♯ A♯ ∞, in 1997, the group toured regularly from 1998 to 2003. Their second album, 2000's Lift Your Skinny Fists Like Antennas to Heaven, received critical acclaim and has been named as one of the best albums of the decade. This was followed by 2002's Yanqui U. X. O. In 2003, the band went on hiatus in order for members to pursue other musical interests. In the intervening period, the group was occasionally rumored to have broken up, but eventually reconvened in 2010. Since reforming, they have released four more albums: 'Allelujah! Don't Bend! Ascend! (2012), which won the 2013 Polaris Music Prize; Asunder, Sweet and Other Distress (2015); Luciferian Towers (2017); and G d's Pee at State's End! (2021). The band has gained a dedicated cult following and remains very influential in the post rock genre. Their music, mainly instrumental in nature, has been noted for its contrasts between ambient soundscapes and chaotic crescendos; use of field recordings and spoken word monologues; and focus on dystopian, anarchist and anti war themes. Members of the group have formed a number of side projects, including Thee Silver Mt. Zion Memorial Orchestra & Tra La La Band, Fly Pan Am, HṚṢṬA, Esmerine, and Set Fire to Flames. One of the band's best known songs, "East Hastings", from their 1997 album F♯ A♯ ∞, was used in the 2002 film 28 Days Later. However, it does not appear on the film's soundtrack because the rights to the song could not be obtained.

Godspeed You! Black Emperor was formed in 1994 in Montreal, Quebec, by Efrim Menuck (guitar), Mike Moya (guitar), and Mauro Pezzente (bass). The band took its name from God Speed You! Black Emperor, a 1976 Japanese black and white documentary by director Mitsuo Yanagimachi, which follows the exploits of a Japanese biker gang, the Black Emperors. Thereafter, the trio performed live on a few separate occasions. Previously, the name "God Speed You Black Emperor!" had been used by Menuck on a limited cassette entitled All Lights Fucked on the Hairy Amp Drooling that had been recorded the year prior, with limited contributions by Pezzente on bass, although it would not be until 1994 that the actual band formed. The band expanded and continued to perform live. According to Menuck, joining the group was simple: "It was like if anyone knew anybody who played an instrument and seemed like an okay person, they would sort of join up." The group's number of members frequently changed during this time. Local musicians would often join the band for a handful of performances, then depart. The revolving door nature of the group's membership frequently caused it strain before the release of F♯ A♯ ∞. The band released the CD versions of its first two albums and EP on the Kranky record label, and released the LPs through Constellation Records. All editions of their subsequent studio material have been released through Constellation. In 2004, long time guitarist Roger Tellier Craig left the band on amicable terms to devote more time to Fly Pan Am. The group was once misconstrued as being a band of terrorists. After stopping at a local gas station for fuel in the town of Ardmore, Oklahoma, during their 2003 tour of the United States, the station attendant working that day believed the group of Canadians to be terrorists. She quickly passed a note to another customer asking them to call the police. When the local police appeared, the group was held until it could be questioned by the FBI. Although the police were suspicious of the band's anti government documents and some photos it had (such as those of oil rigs), they found no incriminating evidence. After background checks were run, the ensemble was released from custody and continued on its way to its next show in Saint Louis. Efrim Menuck later spoke to the crowd during their appearance in Missouri about what happened to them and speculated that their origin was a motive for being released quickly ("It's a good thing we're nice white kids from Canada"). The incident was mentioned in Michael Moore's book Dude, Where's My Country?. In 2010, the band reported it was reuniting for an All Tomorrow's Parties music event in the UK as well as further US dates. Mike Moya re joined the band for the reunion, while original cellist Norsola Johnson declined to participate. The band played a full North American and European tour in 2011, and more dates in the UK including an appearance at the ATP 'I'll Be Your Mirror' music festival in London. The following year, the band appeared at the Pitchfork Music Festival in Chicago, Coachella in California, and the All Tomorrow's Parties I'll Be Your Mirror festival in New York. Drummer Timothy Herzog began touring with the band after the departure of Bruce Cawdron. In 2013, the band won the Polaris Music Prize, but it criticized the cost of the ceremony during the time of austerity, stating, "Maybe the next celebration should happen in a cruddier hall, without the corporate banners and culture overlords." On March 31, 2015, Godspeed You! Black Emperor released its fifth album, Asunder, Sweet and Other Distress. On September 22, 2017, the group released its sixth album, Luciferian Towers. In early March 2021, the band announced its seventh album, G d's Pee at State's End! through Constellation Records. In February 2022, a copy of All Lights Fucked on the Hairy Amp Drooling was posted to 4chan's music board. The band eventually uploaded the full audio of the tape to its official Bandcamp page on February 14. On February 24, 2024, the band debuted three new untitled songs at the Knockdown Center in New York City.

Film loop projections are an important aspect of the group's live show, explained by Efrim Menuck as "[putting] the whole into context". The band is taper friendly; they allow audience members to record their live performances, and fans often release new material before the band makes an official recording. The band toured Australia/New Zealand for the first time in February 2013, including a performance at the All Tomorrow's Parties 'I'll Be Your Mirror' festival in Melbourne on February 16. The band toured China for the first time in April 2013, giving performances in Shanghai and Beijing, and revisited China in March 2016. The band supported Nine Inch Nails on its Tension tour in October 2013, starting at the TD Garden in Boston on October 11. After a break for much of 2014 the band embarked on a busy schedule of concert and festival dates across North America, Europe and around the world during 2015 and 2016. Two new songs were previewed in many of the shows picking up the fan titles "Buildings" and "Railroads" from the projections that accompanied them. The band also lent live performances of some of their older and current tracks to a revival of the 2005 work "monumental", by Canadian dance troupe, Holy Body Tattoo during 2016.

The Guardian wrote that Godspeed You! Black Emperor "don't simply espouse anti capitalism but embody it, rejecting the selfish individualism at its core", pointing out how the band's operation as a collective challenges traditional notions of hierarchy. In a 2012 interview, Menuck said, "All music is political, right? You either make music that pleases the king and his court, or you make music for the serfs outside the walls We started making this noise together when we were young and broke. Whatever politics we had were born out of living through a time when the dominant narrative was that everything was fine." In 2014, Menuck identified himself as an anarchist, which helped influence the bands political activism as they incorporated left wing and progressive themes. For example, the liner notes to Yanqui U. X. O. describe the song "09 15 00" as "Ariel Sharon surrounded by 1,000 Israeli soldiers marching on al Haram Ash Sharif & provoking another Intifada," the back cover of that album depicts the relationships of several major record labels to the military–industrial complex. The liner notes of 'Allelujah! Don't Bend! Ascend! criticize anti environmentalist economic development and student protest suppression. Several of its songs also incorporate voice samples which express political sentiments, most notably "The Dead Flag Blues" (on F♯ A♯ ∞) and "BBF3" (on Slow Riot for New Zerø Kanada).