Where the Hell is Matt?

Where the Hell is Matt? is an Internet phenomenon that features a video of Dancing Matt (Matt Harding) doing a dance "jig" in many different places around the world in 2005. The video garnered popularity on the video sharing site YouTube. There are now five major videos plus two outtakes and several background videos on YouTube. Matt dances alone in the first videos. In 2008 others join with him doing the dance "jig"; in 2010 he does the Diski Dance in South Africa. In 2012 he works with other dancers, sometimes using a local dance or another dance step. While working in Australia for Activision on the project All Humans Must Die, Harding claimed that: "My life had become this rhythmic migration from bubble to bubble. You wake up in your apartment bubble, you get in your car bubble, you go to your work bubble, you get in your car, and then you go to you know, whatever, the outdoor shopping plaza bubble, back in your car bubble, back in your apartment bubble. There wasn’t a lot of exposure to the outside world it’s really insulating." Quitting his job he traveled the world from 2003 to 2004, known by his friends for a particular dance, and while video recording each other in Vietnam in May 2003, his travel companions suggested he add the dance. The videos were uploaded to his website for friends and family to enjoy. After completing a second journey to Africa in 2004, Harding edited together 15 dance scenes, all with him center frame, with the background music "Sweet Lullaby" by Deep Forest. The original song uses samples from a dying Solomon Islands language which was recorded in 1971 by a French ethnomusicologist at the Solomon Islands near Papua New Guinea. The song, "Rorogwela" was sung by a young woman named Afunakwa. According to the video "Where the Hell is Afunakwa" by Matt Harding, Afunakwa died in 1998. The video was passed around by e mail and eventually became popular, with his server getting 20,000 or more hits a day as it was discovered, generally country by country due to language barriers, before the launch of major video upload sites. Harding created a second version of the video in 2006, with additional dancing scenes from subsequent travels, called "Dancing 2006". At the request of Stride, a gum brand, he accepted sponsorship of this video, since he usually travels on a limited budget. Harding states:

"I went in very wary about working with a corporate sponsor but they didn’t want to make a commercial for their gum out of it. They’ve got commercials; you can see them on TV all the time. But they’d seen what was going on on the internet – and by that time YouTube had taken off and it was becoming a big deal and a lot of companies they want to be a part of that. But it’s very very difficult, too, because as soon as a company gets in there and starts making things, we as viewers, a switch flicks in your head and you know you are watching an ad and you interpret it differently. So they said, ‘We want to help you make it, but we’re not making it.’" As well as the Youtube videos, a wide Visa advertising campaign appeared across 8 countries including in cinema advertising in 2008. As of August 2008, Harding is represented by Creative Artists Agency. His videos are viewable on YouTube, Google Video, Vimeo and his own site wherethehellismatt. com. His "Where the Hell is Matt? (2008)" video has been watched over 43,700,000 times on YouTube since 2011 and Harding's YouTube channel is ranked "#83 Most Subscribed (All Time) Directors" as of December 22, 2010. On June 20, 2012, 4 years after his third video, Harding released "Where the Hell is Matt? 2012". The video features Matt and many others dancing in 71 locations, comprising 55 countries and 11 US states. The video uses the song "Trip the Light", composed by Garry Schyman and sung by Alicia Lemke. The song was made available on iTunes, along with "Praan" and the song titled "Dance Outtakes Song" used in a video released on July 11, 2012, that features outtakes as well as locations which did not make the final video. Drawing on the practice of Culture Jams, the Situationist International movement and the practices of incorporation and excorporation, Milstein and Pulos conclude that "while some of Harding’s videos are tied to corporate sponsorship, the arc of his projects also argues for the possibility of reorienting oneself with others to keep one step ahead of incorporation – even, ironically, while actively sponsored. This sense of possibility is essential in contemporary society as even not for profit public institutions – including universities and philanthropic organizations – seek out sponsorship from multinational corporations." Backers were allowed to vote on places where they would like him to go to for his new videos and he raised $146,075 out of a $125,000 goal. Via social media, he also broadcast the places where he would be dancing and invited netizens to participate in the making of his new video. By October 2016, he had finished his global dancing tour and was finalizing the edit of the video.