Маргарет Смит: от стендапа до Голливуда

American comedian and actress

Margaret Smith is an American six time Emmy Award winning standup comic, actress, writer, and producer. Originally from Chicago, Illinois, Smith is known for her deadpan and often acerbic delivery, reminiscent of Eve Arden. She was a writer and producer for The Ellen DeGeneres Show. Smith lives in Austin, Texas with her two sons.

The second youngest of six children, Smith was born in Chicago, Illinois in 1956 and grew up there for several years before her family relocated to Florida; there she was raised by her mother and step father. Smith has been very open about growing up in a "dysfunctional family", often using this as the basis for material in her stand up comedy.

Smith currently lives in Austin, Texas with her two sons. She has written at length about her unsuccessful attempts with in vitro fertilization for several years before turning to adoption. Smith began performing stand up during the early 1980s in New York as a result of this. Initial stage fright almost ended her career before it began, and the rock bottom of the worst comedy clubs in the city was only a preface to the struggle she'd face in standup that decade: "It was hard enough for [the audience] to accept a woman stand up," remarked Smith, to the Daily Herald in May 1999. Her biggest break came in 1984 when she was invited to perform on Late Night with David Letterman; she would eventually be invited back an additional six times. Despite these successes she was still described in papers as an "up and coming comedian" as late as 1988. Her performances into the early 1990s would be given a great deal more weight as she could at that time be billed as a nominee for Comedian of the Year from the American Comedy Awards. She has toured the comedy circuit doing live performances throughout the United States and appeared in Amsterdam, Australia, Ireland and the Queen's Theater in London. She appeared twice at Montreal's Just For Laughs Festival. Smith has produced and starred in her own independent projects, including her CD, As It Should Be. Released August 2000, it carries a liner note endorsement from Jay Leno: "The best comedians are the ones that write and perform their own material, and Margaret Smith is at the top of that list".

She played Margaret the record store owner in That '80s Show. Her television and film credits include roles in Martin Scorsese's Goodfellas, the remake of The Blob, and the Wachowskis' thriller Bound with Gina Gershon and Jennifer Tilly. She made a guest star appearance in the Pamela Anderson series, VIP. Smith tackled humor from hating her parents, to a serial divorcee sister, and even her experience in therapy. Her family would make up the bulk of her stand up routines for many years, remarking mostly on her family's lingering effect  keeping her in aforementioned therapy. Her mother would feature most frequently and is attributed by Smith the quote "If you can't say anything nice, become a comedian", advice Smith would take. Despite this, she always maintained that her comedy would not become mean spirited, ensuring that she took a stance to never "gay bash or woman bash", in her own words, and would become confrontational with her opening acts if they crossed this line.

Her first book, What Was I Thinking? How Being a Stand Up Did Nothing to Prepare Me to Become a Single Mother, was published in 2008 by Crossroad Publishing. A reviewer at Book Apex commented:
What Sedaris, Lebowitz and Dave Eggers should aspire to. Margaret Smith is a one of a kind comedian. Her off kilter worldview and dry as dust delivery is fresh and real in a world of grinning comedy clones. My favorite Margaret Smith ism goes something like "I saw my mother today. (long pause) It's okay, she didn't see me." I'm not always able to catch her on tv like I used to, so I was delighted to hear she'd written a book. The cover says the book's about becoming a mother, but you won't find overly sweet sentimentality here. Smith makes looking on the dark side into an art form. Her story is dark and horrific, and she pulls no punches when writing about violence, abuse, racism, tomatoes and her calling plan. Only Margaret Smith could make comedy of this. But she pulls it off astonishingly well—deftly balancing tragedy and humor. Ultimately, it's not a story about adopting a baby, it's a heartfelt tale of spiritual redemption. I know that doesn't sound very funny, but it really is.