Stefan Grossman

Stefan Grossman (born April 16, 1945) is an American acoustic fingerstyle guitarist and singer, music producer and educator, and co founder of Kicking Mule records. He is known for his instructional videos and Vestapol line of videos and DVDs.

In 1964, Grossman and a group of friends formed the Even Dozen Jug Band. Although they only recorded one LP on the Elektra Records label (long since out of print but available at iTunes), other members were also to have successful musical careers, including David Grisman, Steve Katz (Blood, Sweat & Tears), John Sebastian (The Lovin' Spoonful), Joshua Rifkin and Maria Muldaur (then Maria D'Amato). In the early summer of 1966, there was an effort by Elektra's Paul Rothchild to put together a folk rock group (like The Mamas & the Papas) with Grossman, Taj Mahal, guitarist Steve Mann and a recently returned folk singer from Texas named Janis Joplin. They had a rehearsal in Berkeley, sometime in June (Joplin's first show with Big Brother and the Holding Company was at the Avalon Ballroom June 10, 1966, but she had been in the Bay Area for about 10 days). However, Joplin would not abandon her new band and the deal was scuttled. Subsequently, Grossman spent about three months with The Fugs and a further four months with a band called Chicago Loop. The origins of the name Kid Future date back in the 1930s where there were a number of country blues artists called Willie Brown, the best known of these, and a friend of Son House, recorded a song called "Future Blues", using an open G tuning. The song was considered very difficult to master and puzzled many experienced blues players but Grossman, when still in his teens, figured out how to play it. Given Bussard's penchant for creating noms de plume, as he did for John Fahey when recording him as Blind Thomas in the 1950s, it seems likely that the origins of the name Kid Future lie in Frederick, MD and a talented teenager who had mastered "Future Blues". Grossman also played on Pat Kilroy's Light of Day album released in 1966. In 1967, Grossman travelled to Europe, The love theme from the movie was released a single the same year.

In 1987, Grossman returned to live in the US. He toured much less – at least partly due to a painful back problem – and began to consolidate his various teaching and instructional materials under the roof of one company, Stefan Grossman's Guitar Workshop, working at first in cooperation with the Shanachie Records company. He was quick to see the potential of video as well as audio as an instructional tool– budding players could buy an instructional tape for the cost of a single 'real' lesson and have it constantly available. The material which had appeared on LPs such as How To Play Blues Guitar now became available to watch as well as hear. Nor was Grossman the only instructor – the Guitar Workshop 'faculty' included such artists as Chet Atkins, John Renbourn, Woody Mann, Ari Eisinger, John Miller, Larry Coryell, David Laibman, Ernie Hawkins and others. Grossman also began to acquire concert footage of the old blues and country artists who had been rediscovered in the 1960s and had often made TV appearances; this was the basis of Vestapol Videos, which edited and reissued this footage. It was a breakthrough for younger guitarists to be able to watch Big Bill Broonzy, Lightnin' Hopkins, Rev. Gary Davis and many others long after these players had died. Vestapol rapidly expanded to include concert footage from living artists too. Although originally issued as video tapes, almost all of this material (both instructional and concert) has in the last few years been re issued on DVD. The Guitar Workshop mails worldwide from its bases in New Jersey and Yorkshire. Much of the music which Grossman recorded on vinyl during his years in Europe has been reissued on CD, as have many of the Kicking Mule albums (although vinyl LPs remain collectable items), including a 2008 reissue of the original How To Play Blues Guitar LP from 1967, including outtakes and later recordings from subsequent editions of the album. The LP tracks are on the CD Country Blues Guitar: The Archival Recordings 1963–1971 (SGGW103) by Rory Block and Stefan Grossman. Grossman resumed touring in 2006, since and has appeared in Europe and Japan as well as the US. He is a frequent visitor to England (where he has family) and conducts well attended guitar workshops as well as giving concerts.

Grossman's principal acoustic guitar was a 1930 Martin OM 45 which he later sold. He uses Franklin guitars, made by Nick Kukich, since the 1970s and a custom Martin HJ 38 since 2008. He also owns numerous guitars from different builders, including John Greven, Tony Klassen and Ed Foley. He uses also an old Stella Jumbo 12 string guitar. In the past, he has also played a Martin OM 28, Euphonon and Prairie State guitars. He favors medium gauge strings (.013, .017, .026, .036, .046, .056) for slide, and light gauge strings (.12 – .53) for standard playing. In 2008 Grossman worked with the Martin Guitar Company to produce a replica guitar, the HJ 38 Stefan Grossman Custom Signature Edition, based on a Jumbo size.

Contemporary Fingerpicking Guitar Workshop (Almo Pubs, 1981). Fingerpicking Guitar Styles (Oak Pubs, 1991). Grossman, Stefan & Fuller, Blind Boy Stefan Grossman's early masters of American blues guitar: Blind Boy Fuller. Alfred Publishing, 1993