Sin City (soundtrack)

Sin City: Original Motion Picture Soundtrack is the soundtrack to the 2005 film Sin City. It features music composed by Robert Rodriguez, John Debney and Graeme Revell, performed by the Hollywood Studio Symphony, as well as the orchestral track "Sensemayá" from Mexican composer Silvestre Revueltas and the electronica piece "Absurd" by Fluke.

Because the film is based on different comic book stories (written by Frank Miller), each composer was assigned to score a different story. Revell scored the music to The Hard Goodbye (Rodriguez co scored for tracks four, six and eight); Debney scored The Big Fat Kill (Rodriguez co scored tracks eleven and twelve); Rodriguez scored That Yellow Bastard as well as the opening credits sequence and the first track in the end credits.

The song featured in the trailers and television spots was an instrumental version of the song "Cells" by The Servant and briefly appeared in the movie as a sample.

No. Song Artist(s) 1 Sin City Rodriguez 2 One Hour to Go Rodriguez 3 Goldie's Dead Revell 4 Marv Revell, Rodriguez 5 Bury the Hatchet Revell 6 Old Town Girls Revell, Rodriguez 7 The Hard Goodbye Revell 8 Cardinal Sin Revell, Rodriguez 9 Her Name is Goldie Revell 10 Dwight Debney 11 Old Town Debney, Rodriguez 12 Deadly Little Miho Debney, Rodriguez 13 Warrior Woman Debney 14 Tar Pit Debney 15 Jackie Boy's Head Debney 16 The Big Fat Kill Debney 17 Nancy Rodriguez 18 Prison Cell Rodriguez 19 Absurd Fluke 20 Kiss of Death Rodriguez 21 That Yellow Bastard Rodriguez 22 Hartigan Rodriguez 23 Sensemaya Revueltas 24 Sin City End Titles Rodriguez

Jerry McCulley of Amazon. com says, "While their largely synth driven cues tend naturally towards brooding atmospheric soundscapes, their tense electro rhythms are seasoned with bracing doses of sinewy, sensual sax and dotted with the occasional bongo flourish, details that musically evoke both a shadowy humanity and the film's genre savvy roots." Mike Brennan of SoundtrackNet gives it four stars saying, "While each composer brings a different style and feel to the film, the rough saxophone and sorrowful trumpet and vocal solos maintain a soundscape that keeps the film one entity rather than three separate stories. Behind a groundbreaking visual piece is also a unique musical journey that truly takes the listener into the world of Sin City." Christian Clemmensen of Filmtracks. com said, "Sin City is a decent score with an excellent rendering. No single element will blow you away (other than that final Debney cue), but its whole is surprisingly organic and pulpy."