Введение
Премия за технические достижения – одна из трех научных и технических наград, время от времени вручаемых Академией кинематографических искусств и наук. (Две другие награды – Научно-инженерная премия и Премия Академии за выдающиеся заслуги.) Премия за технические достижения – это почетная награда, которая ежегодно присуждается лицам, чьи конкретные технические достижения внесли вклад в развитие киноиндустрии. Наградой является сертификат, в котором описывается достижение и перечисляются имена тех, кто удостоен этой награды за конкретный вклад. Эти награды обычно вручаются на торжественном ужине, проводимом за несколько недель до трансляции церемонии вручения премии "Оскар", и краткий фрагмент демонстрируется во время телевизионной трансляции "Оскара".
Film industry honor
The Technical Achievement Award is one of three Scientific and Technical Awards given from time to time by the Academy of Motion Picture Arts and Sciences. (The other two awards are the Scientific and Engineering Award and the Academy Award of Merit.) The Technical Achievement Award is an honorary award that is given annually to those whose particular technical accomplishments have contributed to the progress of the motion picture industry. The award is a certificate, which describes the achievement and lists the names of those being honored for the particular contribution. These awards are usually given at a dinner ceremony held weeks prior to the Academy Awards broadcast and a brief excerpt is shown in the Oscars telecast.
The Technical Achievement Award is one of three Scientific and Technical Awards given from time to time by the Academy of Motion Picture Arts and Sciences. (The other two awards are the Scientific and Engineering Award and the Academy Award of Merit.) The Technical Achievement Award is an honorary award that is given annually to those whose particular technical accomplishments have contributed to the progress of the motion picture industry. The award is a certificate, which describes the achievement and lists the names of those being honored for the particular contribution. These awards are usually given at a dinner ceremony held weeks prior to the Academy Awards broadcast and a brief excerpt is shown in the Oscars telecast.
Победители
См.: Категория:Победители премии «Оскар» за технические достижения. Таблицы ниже содержат список награжденных, указанный в базе данных премии «Оскар».
See :Category:Academy Award for Technical Achievement winners. The tables below show the honorees as listed in the Academy Awards database.
19301950 годы
Получатели премии за технические достижения, по годам присуждения (1930–1950)
+Technical Achievement Award recipients, by year of award (1930–1950) Year Recipient(s) Department 1930/1931 (4th) Electrical Research Products, Inc., for moving coil microphone transmitters Sound RKO Radio Pictures, Inc., for reflex type microphone concentrators Sound RCA Photophone, Inc., for ribbon microphone transmitters Sound 1931/1932 (5th) Eastman Kodak Company for its Type II B Sensitometer Laboratory 1932/1933 (6th) Fox Film Corporation, Fred Jackman and Warner Bros. Pictures, Inc., and Sidney Sanders of RKO Studios, Inc., for their development and effective use of the translucent cellulose screen in composite photography Special Photographic 1934 (7th) Columbia Pictures Corporation for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love Sound Bell and Howell Company for their development of the Bell and Howell Fully Automatic Sound and Picture Printer Laboratory 1935 (8th) Metro Goldwyn Mayer Studio for the development of anti directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company Laboratory William A. Mueller of Warner Bros. First National Studio Sound Department for his method of dubbing, in which the level of the dialogue automatically controls the level of the accompanying music and sound effects Sound Mole Richardson Company for their development of the "Solar spot" spot lamps Lighting Douglas Shearer and Metro Goldwyn Mayer Studio Sound Department for their automatic control system for cameras and sound recording machines and auxiliary stage equipment Stage Operations Electrical Research Products, Inc., for their study and development of equipment to analyze and measure flutter resulting from the travel of the film through the mechanisms used in the recording and reproduction of sound Sound Paramount Productions, Inc., for the design and construction of the Paramount transparency air turbine developing machine Laboratory Nathan Levinson, Director of Sound Recording for Warner Bros. First National Studio, for the method of intercutting variable density and variable area soundtracks to secure an increase in the effective volume range of sound recorded for motion pictures. Sound 1936 (9th) RCA Manufacturing Co., Inc., for their development of a method of recording and printing sound records utilizing a restricted spectrum (known as an ultra violet light recording) Sound Electrical Research Products, Inc., for the ERPI "Type Q" portable recording channel Sound RCA Manufacturing Co., Inc., for furnishing a practical design and specifications for a non slip printer Laboratory United Artists Studio Corp., for the development of a practical, efficient and quiet wind machine. Stage Operations 1937 (10th) John Arnold and the Metro Goldwyn Mayer Studio Camera Department for their improvement of the semi automatic follow focus device and its application to all of the cameras used by the Metro Goldwyn Mayer Studio Photography John Livadary, Director of Sound Recording for Columbia Pictures Corporation, for the application of the bi planar light valve to motion picture sound recording Sound Thomas T. Moulton and the United Artists Studio Sound Department for the application to motion picture sound recording of volume indicators that have peak reading response and linear decibel scales Sound RCA Manufacturing Co., Inc., for the introduction of the modulated high frequency method of determining optimum photographic processing conditions for variable width soundtracks Laboratory Joseph E. Robbins and Paramount Pictures, Inc., for an exceptional application of acoustic principles to the soundproofing of gasoline generators and water pumps Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department for the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer Sound 1938 (11th) John Aalberg and the RKO Radio Studio Sound Department for the application of compression to variable area recording in motion picture production Sound Byron Haskin and the Special Effect Department of Warner Bros. Studio for pioneering the development and for the first practical application to motion picture production of the triple head background projector Special Photographic 1939 (12th) George H. Anderson of Warner Bros. Studio for an improved positive head for sun arcs Lighting John Arnold of Metro Goldwyn Mayer Studio for the M G M mobile camera crane Camera Cranes Thomas T. Moulton, Fred Albin, and the Sound Department of the Samuel Goldwyn Studio for the origination and application of the Delta DB test for sound recording in motion pictures Laboratory Farciot Edouart, Joseph E. Robbins, William Rudolph, and Paramount Pictures, Inc., for the design and construction of a quiet portable treadmill Stage Operations Emery Huse and Ralph B. Atkinson of the Eastman Kodak Company for their specifications for chemical analysis of photographic developers and fixing baths Laboratory Harold Nye of Warner Bros. Studio for a miniature incandescent spot lamp Lighting A. J. Tondreau of Warner Bros. Studio for the design and manufacture of an improved soundtrack printer Laboratory For important contributions in cooperative development of new improved Process Projection Equipment: F. R. Abbott, Haller Belt, Alan Cook, and the Bausch & Lomb Optical Company for faster projection lenses; The Mitchell Camera Company for a new type process projection head; Mole Richardson Company for a new type automatically controlled projection arc lamp; Charles Handley, David Joy and the National Carbon Company for improved and more stable high intensity carbons; Winton Hoch and the Technicolor Motion Picture Corp., for an auxiliary optical system; Don Musgrave and Selznick International Pictures, Inc., for pioneering in the use of coordinated equipment in the production, Gone with the Wind Special Photographic 1940 (13th) Warner Bros. Studio Art Department and Anton Grot for the design and perfection of the Warner Bros. water ripple and wave illusion machine. Stage Operations 1941 (14th) Ray Wilkinson and the Paramount Studio Laboratory for pioneering in the use of and for the first practical application to release printing of fine grain positive stock Film Charles Lootens and the Republic Studio Sound Department for pioneering the use of and for the first practical application to motion picture production of CLASS B push pull variable area recording Sound Wilbur Silvertooth and the Paramount Studio Engineering Department for the design and computation of a relay condenser system applicable to transparency process projection, delivering considerably more usable light Special Photographic Paramount Pictures, Inc., and 20th Century Fox Film Corp., for the development and first practical application to motion picture production of an automatic scene slating device Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department, and to Loren Ryder and the Paramount Studio Sound Department for pioneering the development of fine grain emulsions for variable density original sound recording in studio production Sound 1942 (15th) Robert Henderson and the Paramount Studio Engineering and Transparency Departments for the design and construction of adjustable light bridges and screen frames for transparency process photography Special Photographic Daniel J. Bloomberg and the Republic Studio Sound Department for the design and application to motion picture production of a device for marking action negative for pre selection purposes Laboratory 1943 (16th) Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of an inexpensive method of converting Moviolas to Class B push pull reproduction Sound Charles Galloway Clarke and the 20th Century Fox Studio Camera Department for the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography Photography Farciot Edouart and the Paramount Studio Transparency Department for an automatic electric transparency cueing timer Special Photographic Willard H. Turner and the RKO Radio Studio Sound Department for the design and construction of the phono cue starter Sound 1944 (17th) Linwood Dunn, Cecil Love, and ACME Tool and Manufacturing Company for the design and construction of the Acme Dunn Optical Printer Laboratory Grover Laube and the 20th Century Fox Studio Camera Department for the development of a continuous loop projection device Sound Western Electric Company for the design and construction of the 1126A Limiting Amplifier for variable density sound recording Sound Russell Brown, Ray Hinsdale, and Joseph E. Robbins for the development and production use of the Paramount floating hydraulic boat rocker Stage Operations Gordon Jennings for the design and construction of the Paramount nodal point tripod Photography Radio Corporation of America and the RKO Radio Studio Sound Department for the design and construction of the RKO reverberation chamber Sound Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi interlock selector switch Stage Operations Bernard B. Brown and John P. Livadary for the design and engineering of a separate soloist and chorus recording room Sound Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer Laboratory Paul Lerpae for the design and construction of the Paramount traveling matte projection and photographing device Special Photographic 1945 (18th) Loren L. Ryder, Charles R. Daily, and the Paramount Studio Sound Department for the design, construction, and use of the first dial controlled step by step sound channel line up and test circuit Sound Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain, and Robert C. Stevens of 20th Century Fox Studio and John G. Capstaff of Kodak Company for the 20th Century Eastman Fox film processing machine Laboratory 1946 (19th) Harlan L. Baumbach and the Paramount West Coast Laboratory for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths Laboratory Herbert E. Britt for the development and application of formulas and equipment for producing cloud and smoke effects Stage Operations Burton F. Miller and the Warner Bros. Studio Sound and Electrical Departments for the design and construction of a motion picture arc lighting generator filter Lighting Carl Faulkner of the 20th Century Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvanometer density recording Sound The Mole Richardson Company for the Type 450 super high intensity carbon arc lamp Lighting Arthur F. Blinn, Robert O. Cook, C. O. Slyfield, and the Walt Disney Studio Sound Department for the design and development of an audio finder and track viewer for checking and locating noise in soundtracks Sound Burton F. Miller and the Warner Bros Studio Sound Department for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors Sound Marty Martin and Hal Adkins of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects Stage Operations Harold Nye and the Warner Bros Studio Electrical Department for the development of the electronically controlled fire and gaslight effect Stage Operations 1947 (20th) Nathan Levinson and the Warner Bros. Studio Sound Department for the design and construction of a constant speed sound editing machine Sound Farciot Edouart, C. R. Daily, Hal Corl, H. G. Cartwright, and the Paramount Studio Transparency and Engineering Departments for the first application of a special anti solarizing glass to high intensity background and spot arc projectors Lighting Fred Ponedel of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds Special Photographic Kurt Singer and the RCA Victor Division of Radio Corporation of America for the design and development of a continuously variable band elimination filter Sound James Gibbons of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography Lighting 1948 (21st) Marty Martin, Jack Lannan, Russell Shearman, and the RKO Radio Studio Special Effects Department for the development of a new method of simulating falling snow on motion picture sets Lighting A. J. Moran and the Warner Bros. Studio Electrical Department for a method of remote control for shutters on motion picture arc lighting equipment Stage Operations 1949 (22nd) Loren L. Ryder, Bruce H. Denney, Robert J. Carr, and the Paramount Studio Sound Department for the development and application of the supersonic playback and public address system Special Photographic M. B. Paul for the first successful large area seamless translucent backgrounds Stage Operations Herbert E. Britt for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets Stage Operations André Coutant and Jacques Mathot for the design of the Eclair camerette Camera Charles R. Daily and Stephen Csillag and the Paramount Studio Engineering, Editorial, and Music Departments for a new precision method of computing variable tempo click tracks Editorial The International Projector Corporation for a simplified and self adjusting take up device for projection machines Photography Alexander Velcoff for the application to the production of the infra red photographic evaluator Projection 1950 (23rd) No award —
Год Получатель(и) Отдел
+Technical Achievement Award recipients, by year of award (1930–1950) Year Recipient(s) Department 1930/1931 (4th) Electrical Research Products, Inc., for moving coil microphone transmitters Sound RKO Radio Pictures, Inc., for reflex type microphone concentrators Sound RCA Photophone, Inc., for ribbon microphone transmitters Sound 1931/1932 (5th) Eastman Kodak Company for its Type II B Sensitometer Laboratory 1932/1933 (6th) Fox Film Corporation, Fred Jackman and Warner Bros. Pictures, Inc., and Sidney Sanders of RKO Studios, Inc., for their development and effective use of the translucent cellulose screen in composite photography Special Photographic 1934 (7th) Columbia Pictures Corporation for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love Sound Bell and Howell Company for their development of the Bell and Howell Fully Automatic Sound and Picture Printer Laboratory 1935 (8th) Metro Goldwyn Mayer Studio for the development of anti directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company Laboratory William A. Mueller of Warner Bros. First National Studio Sound Department for his method of dubbing, in which the level of the dialogue automatically controls the level of the accompanying music and sound effects Sound Mole Richardson Company for their development of the "Solar spot" spot lamps Lighting Douglas Shearer and Metro Goldwyn Mayer Studio Sound Department for their automatic control system for cameras and sound recording machines and auxiliary stage equipment Stage Operations Electrical Research Products, Inc., for their study and development of equipment to analyze and measure flutter resulting from the travel of the film through the mechanisms used in the recording and reproduction of sound Sound Paramount Productions, Inc., for the design and construction of the Paramount transparency air turbine developing machine Laboratory Nathan Levinson, Director of Sound Recording for Warner Bros. First National Studio, for the method of intercutting variable density and variable area soundtracks to secure an increase in the effective volume range of sound recorded for motion pictures. Sound 1936 (9th) RCA Manufacturing Co., Inc., for their development of a method of recording and printing sound records utilizing a restricted spectrum (known as an ultra violet light recording) Sound Electrical Research Products, Inc., for the ERPI "Type Q" portable recording channel Sound RCA Manufacturing Co., Inc., for furnishing a practical design and specifications for a non slip printer Laboratory United Artists Studio Corp., for the development of a practical, efficient and quiet wind machine. Stage Operations 1937 (10th) John Arnold and the Metro Goldwyn Mayer Studio Camera Department for their improvement of the semi automatic follow focus device and its application to all of the cameras used by the Metro Goldwyn Mayer Studio Photography John Livadary, Director of Sound Recording for Columbia Pictures Corporation, for the application of the bi planar light valve to motion picture sound recording Sound Thomas T. Moulton and the United Artists Studio Sound Department for the application to motion picture sound recording of volume indicators that have peak reading response and linear decibel scales Sound RCA Manufacturing Co., Inc., for the introduction of the modulated high frequency method of determining optimum photographic processing conditions for variable width soundtracks Laboratory Joseph E. Robbins and Paramount Pictures, Inc., for an exceptional application of acoustic principles to the soundproofing of gasoline generators and water pumps Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department for the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer Sound 1938 (11th) John Aalberg and the RKO Radio Studio Sound Department for the application of compression to variable area recording in motion picture production Sound Byron Haskin and the Special Effect Department of Warner Bros. Studio for pioneering the development and for the first practical application to motion picture production of the triple head background projector Special Photographic 1939 (12th) George H. Anderson of Warner Bros. Studio for an improved positive head for sun arcs Lighting John Arnold of Metro Goldwyn Mayer Studio for the M G M mobile camera crane Camera Cranes Thomas T. Moulton, Fred Albin, and the Sound Department of the Samuel Goldwyn Studio for the origination and application of the Delta DB test for sound recording in motion pictures Laboratory Farciot Edouart, Joseph E. Robbins, William Rudolph, and Paramount Pictures, Inc., for the design and construction of a quiet portable treadmill Stage Operations Emery Huse and Ralph B. Atkinson of the Eastman Kodak Company for their specifications for chemical analysis of photographic developers and fixing baths Laboratory Harold Nye of Warner Bros. Studio for a miniature incandescent spot lamp Lighting A. J. Tondreau of Warner Bros. Studio for the design and manufacture of an improved soundtrack printer Laboratory For important contributions in cooperative development of new improved Process Projection Equipment: F. R. Abbott, Haller Belt, Alan Cook, and the Bausch & Lomb Optical Company for faster projection lenses; The Mitchell Camera Company for a new type process projection head; Mole Richardson Company for a new type automatically controlled projection arc lamp; Charles Handley, David Joy and the National Carbon Company for improved and more stable high intensity carbons; Winton Hoch and the Technicolor Motion Picture Corp., for an auxiliary optical system; Don Musgrave and Selznick International Pictures, Inc., for pioneering in the use of coordinated equipment in the production, Gone with the Wind Special Photographic 1940 (13th) Warner Bros. Studio Art Department and Anton Grot for the design and perfection of the Warner Bros. water ripple and wave illusion machine. Stage Operations 1941 (14th) Ray Wilkinson and the Paramount Studio Laboratory for pioneering in the use of and for the first practical application to release printing of fine grain positive stock Film Charles Lootens and the Republic Studio Sound Department for pioneering the use of and for the first practical application to motion picture production of CLASS B push pull variable area recording Sound Wilbur Silvertooth and the Paramount Studio Engineering Department for the design and computation of a relay condenser system applicable to transparency process projection, delivering considerably more usable light Special Photographic Paramount Pictures, Inc., and 20th Century Fox Film Corp., for the development and first practical application to motion picture production of an automatic scene slating device Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department, and to Loren Ryder and the Paramount Studio Sound Department for pioneering the development of fine grain emulsions for variable density original sound recording in studio production Sound 1942 (15th) Robert Henderson and the Paramount Studio Engineering and Transparency Departments for the design and construction of adjustable light bridges and screen frames for transparency process photography Special Photographic Daniel J. Bloomberg and the Republic Studio Sound Department for the design and application to motion picture production of a device for marking action negative for pre selection purposes Laboratory 1943 (16th) Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of an inexpensive method of converting Moviolas to Class B push pull reproduction Sound Charles Galloway Clarke and the 20th Century Fox Studio Camera Department for the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography Photography Farciot Edouart and the Paramount Studio Transparency Department for an automatic electric transparency cueing timer Special Photographic Willard H. Turner and the RKO Radio Studio Sound Department for the design and construction of the phono cue starter Sound 1944 (17th) Linwood Dunn, Cecil Love, and ACME Tool and Manufacturing Company for the design and construction of the Acme Dunn Optical Printer Laboratory Grover Laube and the 20th Century Fox Studio Camera Department for the development of a continuous loop projection device Sound Western Electric Company for the design and construction of the 1126A Limiting Amplifier for variable density sound recording Sound Russell Brown, Ray Hinsdale, and Joseph E. Robbins for the development and production use of the Paramount floating hydraulic boat rocker Stage Operations Gordon Jennings for the design and construction of the Paramount nodal point tripod Photography Radio Corporation of America and the RKO Radio Studio Sound Department for the design and construction of the RKO reverberation chamber Sound Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi interlock selector switch Stage Operations Bernard B. Brown and John P. Livadary for the design and engineering of a separate soloist and chorus recording room Sound Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer Laboratory Paul Lerpae for the design and construction of the Paramount traveling matte projection and photographing device Special Photographic 1945 (18th) Loren L. Ryder, Charles R. Daily, and the Paramount Studio Sound Department for the design, construction, and use of the first dial controlled step by step sound channel line up and test circuit Sound Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain, and Robert C. Stevens of 20th Century Fox Studio and John G. Capstaff of Kodak Company for the 20th Century Eastman Fox film processing machine Laboratory 1946 (19th) Harlan L. Baumbach and the Paramount West Coast Laboratory for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths Laboratory Herbert E. Britt for the development and application of formulas and equipment for producing cloud and smoke effects Stage Operations Burton F. Miller and the Warner Bros. Studio Sound and Electrical Departments for the design and construction of a motion picture arc lighting generator filter Lighting Carl Faulkner of the 20th Century Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvanometer density recording Sound The Mole Richardson Company for the Type 450 super high intensity carbon arc lamp Lighting Arthur F. Blinn, Robert O. Cook, C. O. Slyfield, and the Walt Disney Studio Sound Department for the design and development of an audio finder and track viewer for checking and locating noise in soundtracks Sound Burton F. Miller and the Warner Bros Studio Sound Department for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors Sound Marty Martin and Hal Adkins of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects Stage Operations Harold Nye and the Warner Bros Studio Electrical Department for the development of the electronically controlled fire and gaslight effect Stage Operations 1947 (20th) Nathan Levinson and the Warner Bros. Studio Sound Department for the design and construction of a constant speed sound editing machine Sound Farciot Edouart, C. R. Daily, Hal Corl, H. G. Cartwright, and the Paramount Studio Transparency and Engineering Departments for the first application of a special anti solarizing glass to high intensity background and spot arc projectors Lighting Fred Ponedel of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds Special Photographic Kurt Singer and the RCA Victor Division of Radio Corporation of America for the design and development of a continuously variable band elimination filter Sound James Gibbons of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography Lighting 1948 (21st) Marty Martin, Jack Lannan, Russell Shearman, and the RKO Radio Studio Special Effects Department for the development of a new method of simulating falling snow on motion picture sets Lighting A. J. Moran and the Warner Bros. Studio Electrical Department for a method of remote control for shutters on motion picture arc lighting equipment Stage Operations 1949 (22nd) Loren L. Ryder, Bruce H. Denney, Robert J. Carr, and the Paramount Studio Sound Department for the development and application of the supersonic playback and public address system Special Photographic M. B. Paul for the first successful large area seamless translucent backgrounds Stage Operations Herbert E. Britt for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets Stage Operations André Coutant and Jacques Mathot for the design of the Eclair camerette Camera Charles R. Daily and Stephen Csillag and the Paramount Studio Engineering, Editorial, and Music Departments for a new precision method of computing variable tempo click tracks Editorial The International Projector Corporation for a simplified and self adjusting take up device for projection machines Photography Alexander Velcoff for the application to the production of the infra red photographic evaluator Projection 1950 (23rd) No award —
1930/1931 (4-й) Electrical Research Products, Inc., за движущиеся катушки микрофонов для передачи звука. Sound
RKO Radio Pictures, Inc., за рефлекторный тип микрофонных концентраторов. Sound
RCA Photophone, Inc., за ленточные микрофоны для передачи звука. Sound
+Technical Achievement Award recipients, by year of award (1930–1950) Year Recipient(s) Department 1930/1931 (4th) Electrical Research Products, Inc., for moving coil microphone transmitters Sound RKO Radio Pictures, Inc., for reflex type microphone concentrators Sound RCA Photophone, Inc., for ribbon microphone transmitters Sound 1931/1932 (5th) Eastman Kodak Company for its Type II B Sensitometer Laboratory 1932/1933 (6th) Fox Film Corporation, Fred Jackman and Warner Bros. Pictures, Inc., and Sidney Sanders of RKO Studios, Inc., for their development and effective use of the translucent cellulose screen in composite photography Special Photographic 1934 (7th) Columbia Pictures Corporation for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love Sound Bell and Howell Company for their development of the Bell and Howell Fully Automatic Sound and Picture Printer Laboratory 1935 (8th) Metro Goldwyn Mayer Studio for the development of anti directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company Laboratory William A. Mueller of Warner Bros. First National Studio Sound Department for his method of dubbing, in which the level of the dialogue automatically controls the level of the accompanying music and sound effects Sound Mole Richardson Company for their development of the "Solar spot" spot lamps Lighting Douglas Shearer and Metro Goldwyn Mayer Studio Sound Department for their automatic control system for cameras and sound recording machines and auxiliary stage equipment Stage Operations Electrical Research Products, Inc., for their study and development of equipment to analyze and measure flutter resulting from the travel of the film through the mechanisms used in the recording and reproduction of sound Sound Paramount Productions, Inc., for the design and construction of the Paramount transparency air turbine developing machine Laboratory Nathan Levinson, Director of Sound Recording for Warner Bros. First National Studio, for the method of intercutting variable density and variable area soundtracks to secure an increase in the effective volume range of sound recorded for motion pictures. Sound 1936 (9th) RCA Manufacturing Co., Inc., for their development of a method of recording and printing sound records utilizing a restricted spectrum (known as an ultra violet light recording) Sound Electrical Research Products, Inc., for the ERPI "Type Q" portable recording channel Sound RCA Manufacturing Co., Inc., for furnishing a practical design and specifications for a non slip printer Laboratory United Artists Studio Corp., for the development of a practical, efficient and quiet wind machine. Stage Operations 1937 (10th) John Arnold and the Metro Goldwyn Mayer Studio Camera Department for their improvement of the semi automatic follow focus device and its application to all of the cameras used by the Metro Goldwyn Mayer Studio Photography John Livadary, Director of Sound Recording for Columbia Pictures Corporation, for the application of the bi planar light valve to motion picture sound recording Sound Thomas T. Moulton and the United Artists Studio Sound Department for the application to motion picture sound recording of volume indicators that have peak reading response and linear decibel scales Sound RCA Manufacturing Co., Inc., for the introduction of the modulated high frequency method of determining optimum photographic processing conditions for variable width soundtracks Laboratory Joseph E. Robbins and Paramount Pictures, Inc., for an exceptional application of acoustic principles to the soundproofing of gasoline generators and water pumps Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department for the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer Sound 1938 (11th) John Aalberg and the RKO Radio Studio Sound Department for the application of compression to variable area recording in motion picture production Sound Byron Haskin and the Special Effect Department of Warner Bros. Studio for pioneering the development and for the first practical application to motion picture production of the triple head background projector Special Photographic 1939 (12th) George H. Anderson of Warner Bros. Studio for an improved positive head for sun arcs Lighting John Arnold of Metro Goldwyn Mayer Studio for the M G M mobile camera crane Camera Cranes Thomas T. Moulton, Fred Albin, and the Sound Department of the Samuel Goldwyn Studio for the origination and application of the Delta DB test for sound recording in motion pictures Laboratory Farciot Edouart, Joseph E. Robbins, William Rudolph, and Paramount Pictures, Inc., for the design and construction of a quiet portable treadmill Stage Operations Emery Huse and Ralph B. Atkinson of the Eastman Kodak Company for their specifications for chemical analysis of photographic developers and fixing baths Laboratory Harold Nye of Warner Bros. Studio for a miniature incandescent spot lamp Lighting A. J. Tondreau of Warner Bros. Studio for the design and manufacture of an improved soundtrack printer Laboratory For important contributions in cooperative development of new improved Process Projection Equipment: F. R. Abbott, Haller Belt, Alan Cook, and the Bausch & Lomb Optical Company for faster projection lenses; The Mitchell Camera Company for a new type process projection head; Mole Richardson Company for a new type automatically controlled projection arc lamp; Charles Handley, David Joy and the National Carbon Company for improved and more stable high intensity carbons; Winton Hoch and the Technicolor Motion Picture Corp., for an auxiliary optical system; Don Musgrave and Selznick International Pictures, Inc., for pioneering in the use of coordinated equipment in the production, Gone with the Wind Special Photographic 1940 (13th) Warner Bros. Studio Art Department and Anton Grot for the design and perfection of the Warner Bros. water ripple and wave illusion machine. Stage Operations 1941 (14th) Ray Wilkinson and the Paramount Studio Laboratory for pioneering in the use of and for the first practical application to release printing of fine grain positive stock Film Charles Lootens and the Republic Studio Sound Department for pioneering the use of and for the first practical application to motion picture production of CLASS B push pull variable area recording Sound Wilbur Silvertooth and the Paramount Studio Engineering Department for the design and computation of a relay condenser system applicable to transparency process projection, delivering considerably more usable light Special Photographic Paramount Pictures, Inc., and 20th Century Fox Film Corp., for the development and first practical application to motion picture production of an automatic scene slating device Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department, and to Loren Ryder and the Paramount Studio Sound Department for pioneering the development of fine grain emulsions for variable density original sound recording in studio production Sound 1942 (15th) Robert Henderson and the Paramount Studio Engineering and Transparency Departments for the design and construction of adjustable light bridges and screen frames for transparency process photography Special Photographic Daniel J. Bloomberg and the Republic Studio Sound Department for the design and application to motion picture production of a device for marking action negative for pre selection purposes Laboratory 1943 (16th) Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of an inexpensive method of converting Moviolas to Class B push pull reproduction Sound Charles Galloway Clarke and the 20th Century Fox Studio Camera Department for the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography Photography Farciot Edouart and the Paramount Studio Transparency Department for an automatic electric transparency cueing timer Special Photographic Willard H. Turner and the RKO Radio Studio Sound Department for the design and construction of the phono cue starter Sound 1944 (17th) Linwood Dunn, Cecil Love, and ACME Tool and Manufacturing Company for the design and construction of the Acme Dunn Optical Printer Laboratory Grover Laube and the 20th Century Fox Studio Camera Department for the development of a continuous loop projection device Sound Western Electric Company for the design and construction of the 1126A Limiting Amplifier for variable density sound recording Sound Russell Brown, Ray Hinsdale, and Joseph E. Robbins for the development and production use of the Paramount floating hydraulic boat rocker Stage Operations Gordon Jennings for the design and construction of the Paramount nodal point tripod Photography Radio Corporation of America and the RKO Radio Studio Sound Department for the design and construction of the RKO reverberation chamber Sound Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi interlock selector switch Stage Operations Bernard B. Brown and John P. Livadary for the design and engineering of a separate soloist and chorus recording room Sound Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer Laboratory Paul Lerpae for the design and construction of the Paramount traveling matte projection and photographing device Special Photographic 1945 (18th) Loren L. Ryder, Charles R. Daily, and the Paramount Studio Sound Department for the design, construction, and use of the first dial controlled step by step sound channel line up and test circuit Sound Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain, and Robert C. Stevens of 20th Century Fox Studio and John G. Capstaff of Kodak Company for the 20th Century Eastman Fox film processing machine Laboratory 1946 (19th) Harlan L. Baumbach and the Paramount West Coast Laboratory for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths Laboratory Herbert E. Britt for the development and application of formulas and equipment for producing cloud and smoke effects Stage Operations Burton F. Miller and the Warner Bros. Studio Sound and Electrical Departments for the design and construction of a motion picture arc lighting generator filter Lighting Carl Faulkner of the 20th Century Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvanometer density recording Sound The Mole Richardson Company for the Type 450 super high intensity carbon arc lamp Lighting Arthur F. Blinn, Robert O. Cook, C. O. Slyfield, and the Walt Disney Studio Sound Department for the design and development of an audio finder and track viewer for checking and locating noise in soundtracks Sound Burton F. Miller and the Warner Bros Studio Sound Department for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors Sound Marty Martin and Hal Adkins of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects Stage Operations Harold Nye and the Warner Bros Studio Electrical Department for the development of the electronically controlled fire and gaslight effect Stage Operations 1947 (20th) Nathan Levinson and the Warner Bros. Studio Sound Department for the design and construction of a constant speed sound editing machine Sound Farciot Edouart, C. R. Daily, Hal Corl, H. G. Cartwright, and the Paramount Studio Transparency and Engineering Departments for the first application of a special anti solarizing glass to high intensity background and spot arc projectors Lighting Fred Ponedel of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds Special Photographic Kurt Singer and the RCA Victor Division of Radio Corporation of America for the design and development of a continuously variable band elimination filter Sound James Gibbons of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography Lighting 1948 (21st) Marty Martin, Jack Lannan, Russell Shearman, and the RKO Radio Studio Special Effects Department for the development of a new method of simulating falling snow on motion picture sets Lighting A. J. Moran and the Warner Bros. Studio Electrical Department for a method of remote control for shutters on motion picture arc lighting equipment Stage Operations 1949 (22nd) Loren L. Ryder, Bruce H. Denney, Robert J. Carr, and the Paramount Studio Sound Department for the development and application of the supersonic playback and public address system Special Photographic M. B. Paul for the first successful large area seamless translucent backgrounds Stage Operations Herbert E. Britt for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets Stage Operations André Coutant and Jacques Mathot for the design of the Eclair camerette Camera Charles R. Daily and Stephen Csillag and the Paramount Studio Engineering, Editorial, and Music Departments for a new precision method of computing variable tempo click tracks Editorial The International Projector Corporation for a simplified and self adjusting take up device for projection machines Photography Alexander Velcoff for the application to the production of the infra red photographic evaluator Projection 1950 (23rd) No award —
1931/1932 (5-й) Eastman Kodak Company за Sensitometer типа II B. Laboratory
+Technical Achievement Award recipients, by year of award (1930–1950) Year Recipient(s) Department 1930/1931 (4th) Electrical Research Products, Inc., for moving coil microphone transmitters Sound RKO Radio Pictures, Inc., for reflex type microphone concentrators Sound RCA Photophone, Inc., for ribbon microphone transmitters Sound 1931/1932 (5th) Eastman Kodak Company for its Type II B Sensitometer Laboratory 1932/1933 (6th) Fox Film Corporation, Fred Jackman and Warner Bros. Pictures, Inc., and Sidney Sanders of RKO Studios, Inc., for their development and effective use of the translucent cellulose screen in composite photography Special Photographic 1934 (7th) Columbia Pictures Corporation for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love Sound Bell and Howell Company for their development of the Bell and Howell Fully Automatic Sound and Picture Printer Laboratory 1935 (8th) Metro Goldwyn Mayer Studio for the development of anti directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company Laboratory William A. Mueller of Warner Bros. First National Studio Sound Department for his method of dubbing, in which the level of the dialogue automatically controls the level of the accompanying music and sound effects Sound Mole Richardson Company for their development of the "Solar spot" spot lamps Lighting Douglas Shearer and Metro Goldwyn Mayer Studio Sound Department for their automatic control system for cameras and sound recording machines and auxiliary stage equipment Stage Operations Electrical Research Products, Inc., for their study and development of equipment to analyze and measure flutter resulting from the travel of the film through the mechanisms used in the recording and reproduction of sound Sound Paramount Productions, Inc., for the design and construction of the Paramount transparency air turbine developing machine Laboratory Nathan Levinson, Director of Sound Recording for Warner Bros. First National Studio, for the method of intercutting variable density and variable area soundtracks to secure an increase in the effective volume range of sound recorded for motion pictures. Sound 1936 (9th) RCA Manufacturing Co., Inc., for their development of a method of recording and printing sound records utilizing a restricted spectrum (known as an ultra violet light recording) Sound Electrical Research Products, Inc., for the ERPI "Type Q" portable recording channel Sound RCA Manufacturing Co., Inc., for furnishing a practical design and specifications for a non slip printer Laboratory United Artists Studio Corp., for the development of a practical, efficient and quiet wind machine. Stage Operations 1937 (10th) John Arnold and the Metro Goldwyn Mayer Studio Camera Department for their improvement of the semi automatic follow focus device and its application to all of the cameras used by the Metro Goldwyn Mayer Studio Photography John Livadary, Director of Sound Recording for Columbia Pictures Corporation, for the application of the bi planar light valve to motion picture sound recording Sound Thomas T. Moulton and the United Artists Studio Sound Department for the application to motion picture sound recording of volume indicators that have peak reading response and linear decibel scales Sound RCA Manufacturing Co., Inc., for the introduction of the modulated high frequency method of determining optimum photographic processing conditions for variable width soundtracks Laboratory Joseph E. Robbins and Paramount Pictures, Inc., for an exceptional application of acoustic principles to the soundproofing of gasoline generators and water pumps Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department for the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer Sound 1938 (11th) John Aalberg and the RKO Radio Studio Sound Department for the application of compression to variable area recording in motion picture production Sound Byron Haskin and the Special Effect Department of Warner Bros. Studio for pioneering the development and for the first practical application to motion picture production of the triple head background projector Special Photographic 1939 (12th) George H. Anderson of Warner Bros. Studio for an improved positive head for sun arcs Lighting John Arnold of Metro Goldwyn Mayer Studio for the M G M mobile camera crane Camera Cranes Thomas T. Moulton, Fred Albin, and the Sound Department of the Samuel Goldwyn Studio for the origination and application of the Delta DB test for sound recording in motion pictures Laboratory Farciot Edouart, Joseph E. Robbins, William Rudolph, and Paramount Pictures, Inc., for the design and construction of a quiet portable treadmill Stage Operations Emery Huse and Ralph B. Atkinson of the Eastman Kodak Company for their specifications for chemical analysis of photographic developers and fixing baths Laboratory Harold Nye of Warner Bros. Studio for a miniature incandescent spot lamp Lighting A. J. Tondreau of Warner Bros. Studio for the design and manufacture of an improved soundtrack printer Laboratory For important contributions in cooperative development of new improved Process Projection Equipment: F. R. Abbott, Haller Belt, Alan Cook, and the Bausch & Lomb Optical Company for faster projection lenses; The Mitchell Camera Company for a new type process projection head; Mole Richardson Company for a new type automatically controlled projection arc lamp; Charles Handley, David Joy and the National Carbon Company for improved and more stable high intensity carbons; Winton Hoch and the Technicolor Motion Picture Corp., for an auxiliary optical system; Don Musgrave and Selznick International Pictures, Inc., for pioneering in the use of coordinated equipment in the production, Gone with the Wind Special Photographic 1940 (13th) Warner Bros. Studio Art Department and Anton Grot for the design and perfection of the Warner Bros. water ripple and wave illusion machine. Stage Operations 1941 (14th) Ray Wilkinson and the Paramount Studio Laboratory for pioneering in the use of and for the first practical application to release printing of fine grain positive stock Film Charles Lootens and the Republic Studio Sound Department for pioneering the use of and for the first practical application to motion picture production of CLASS B push pull variable area recording Sound Wilbur Silvertooth and the Paramount Studio Engineering Department for the design and computation of a relay condenser system applicable to transparency process projection, delivering considerably more usable light Special Photographic Paramount Pictures, Inc., and 20th Century Fox Film Corp., for the development and first practical application to motion picture production of an automatic scene slating device Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department, and to Loren Ryder and the Paramount Studio Sound Department for pioneering the development of fine grain emulsions for variable density original sound recording in studio production Sound 1942 (15th) Robert Henderson and the Paramount Studio Engineering and Transparency Departments for the design and construction of adjustable light bridges and screen frames for transparency process photography Special Photographic Daniel J. Bloomberg and the Republic Studio Sound Department for the design and application to motion picture production of a device for marking action negative for pre selection purposes Laboratory 1943 (16th) Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of an inexpensive method of converting Moviolas to Class B push pull reproduction Sound Charles Galloway Clarke and the 20th Century Fox Studio Camera Department for the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography Photography Farciot Edouart and the Paramount Studio Transparency Department for an automatic electric transparency cueing timer Special Photographic Willard H. Turner and the RKO Radio Studio Sound Department for the design and construction of the phono cue starter Sound 1944 (17th) Linwood Dunn, Cecil Love, and ACME Tool and Manufacturing Company for the design and construction of the Acme Dunn Optical Printer Laboratory Grover Laube and the 20th Century Fox Studio Camera Department for the development of a continuous loop projection device Sound Western Electric Company for the design and construction of the 1126A Limiting Amplifier for variable density sound recording Sound Russell Brown, Ray Hinsdale, and Joseph E. Robbins for the development and production use of the Paramount floating hydraulic boat rocker Stage Operations Gordon Jennings for the design and construction of the Paramount nodal point tripod Photography Radio Corporation of America and the RKO Radio Studio Sound Department for the design and construction of the RKO reverberation chamber Sound Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi interlock selector switch Stage Operations Bernard B. Brown and John P. Livadary for the design and engineering of a separate soloist and chorus recording room Sound Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer Laboratory Paul Lerpae for the design and construction of the Paramount traveling matte projection and photographing device Special Photographic 1945 (18th) Loren L. Ryder, Charles R. Daily, and the Paramount Studio Sound Department for the design, construction, and use of the first dial controlled step by step sound channel line up and test circuit Sound Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain, and Robert C. Stevens of 20th Century Fox Studio and John G. Capstaff of Kodak Company for the 20th Century Eastman Fox film processing machine Laboratory 1946 (19th) Harlan L. Baumbach and the Paramount West Coast Laboratory for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths Laboratory Herbert E. Britt for the development and application of formulas and equipment for producing cloud and smoke effects Stage Operations Burton F. Miller and the Warner Bros. Studio Sound and Electrical Departments for the design and construction of a motion picture arc lighting generator filter Lighting Carl Faulkner of the 20th Century Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvanometer density recording Sound The Mole Richardson Company for the Type 450 super high intensity carbon arc lamp Lighting Arthur F. Blinn, Robert O. Cook, C. O. Slyfield, and the Walt Disney Studio Sound Department for the design and development of an audio finder and track viewer for checking and locating noise in soundtracks Sound Burton F. Miller and the Warner Bros Studio Sound Department for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors Sound Marty Martin and Hal Adkins of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects Stage Operations Harold Nye and the Warner Bros Studio Electrical Department for the development of the electronically controlled fire and gaslight effect Stage Operations 1947 (20th) Nathan Levinson and the Warner Bros. Studio Sound Department for the design and construction of a constant speed sound editing machine Sound Farciot Edouart, C. R. Daily, Hal Corl, H. G. Cartwright, and the Paramount Studio Transparency and Engineering Departments for the first application of a special anti solarizing glass to high intensity background and spot arc projectors Lighting Fred Ponedel of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds Special Photographic Kurt Singer and the RCA Victor Division of Radio Corporation of America for the design and development of a continuously variable band elimination filter Sound James Gibbons of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography Lighting 1948 (21st) Marty Martin, Jack Lannan, Russell Shearman, and the RKO Radio Studio Special Effects Department for the development of a new method of simulating falling snow on motion picture sets Lighting A. J. Moran and the Warner Bros. Studio Electrical Department for a method of remote control for shutters on motion picture arc lighting equipment Stage Operations 1949 (22nd) Loren L. Ryder, Bruce H. Denney, Robert J. Carr, and the Paramount Studio Sound Department for the development and application of the supersonic playback and public address system Special Photographic M. B. Paul for the first successful large area seamless translucent backgrounds Stage Operations Herbert E. Britt for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets Stage Operations André Coutant and Jacques Mathot for the design of the Eclair camerette Camera Charles R. Daily and Stephen Csillag and the Paramount Studio Engineering, Editorial, and Music Departments for a new precision method of computing variable tempo click tracks Editorial The International Projector Corporation for a simplified and self adjusting take up device for projection machines Photography Alexander Velcoff for the application to the production of the infra red photographic evaluator Projection 1950 (23rd) No award —
1932/1933 (6-й) Fox Film Corporation, Fred Jackman и Warner Bros. Pictures, Inc., и Sidney Sanders из RKO Studios, Inc., за их разработку и эффективное использование полупрозрачного целлюлозного экрана в композитной съемке. Special Photographic
+Technical Achievement Award recipients, by year of award (1930–1950) Year Recipient(s) Department 1930/1931 (4th) Electrical Research Products, Inc., for moving coil microphone transmitters Sound RKO Radio Pictures, Inc., for reflex type microphone concentrators Sound RCA Photophone, Inc., for ribbon microphone transmitters Sound 1931/1932 (5th) Eastman Kodak Company for its Type II B Sensitometer Laboratory 1932/1933 (6th) Fox Film Corporation, Fred Jackman and Warner Bros. Pictures, Inc., and Sidney Sanders of RKO Studios, Inc., for their development and effective use of the translucent cellulose screen in composite photography Special Photographic 1934 (7th) Columbia Pictures Corporation for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love Sound Bell and Howell Company for their development of the Bell and Howell Fully Automatic Sound and Picture Printer Laboratory 1935 (8th) Metro Goldwyn Mayer Studio for the development of anti directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company Laboratory William A. Mueller of Warner Bros. First National Studio Sound Department for his method of dubbing, in which the level of the dialogue automatically controls the level of the accompanying music and sound effects Sound Mole Richardson Company for their development of the "Solar spot" spot lamps Lighting Douglas Shearer and Metro Goldwyn Mayer Studio Sound Department for their automatic control system for cameras and sound recording machines and auxiliary stage equipment Stage Operations Electrical Research Products, Inc., for their study and development of equipment to analyze and measure flutter resulting from the travel of the film through the mechanisms used in the recording and reproduction of sound Sound Paramount Productions, Inc., for the design and construction of the Paramount transparency air turbine developing machine Laboratory Nathan Levinson, Director of Sound Recording for Warner Bros. First National Studio, for the method of intercutting variable density and variable area soundtracks to secure an increase in the effective volume range of sound recorded for motion pictures. Sound 1936 (9th) RCA Manufacturing Co., Inc., for their development of a method of recording and printing sound records utilizing a restricted spectrum (known as an ultra violet light recording) Sound Electrical Research Products, Inc., for the ERPI "Type Q" portable recording channel Sound RCA Manufacturing Co., Inc., for furnishing a practical design and specifications for a non slip printer Laboratory United Artists Studio Corp., for the development of a practical, efficient and quiet wind machine. Stage Operations 1937 (10th) John Arnold and the Metro Goldwyn Mayer Studio Camera Department for their improvement of the semi automatic follow focus device and its application to all of the cameras used by the Metro Goldwyn Mayer Studio Photography John Livadary, Director of Sound Recording for Columbia Pictures Corporation, for the application of the bi planar light valve to motion picture sound recording Sound Thomas T. Moulton and the United Artists Studio Sound Department for the application to motion picture sound recording of volume indicators that have peak reading response and linear decibel scales Sound RCA Manufacturing Co., Inc., for the introduction of the modulated high frequency method of determining optimum photographic processing conditions for variable width soundtracks Laboratory Joseph E. Robbins and Paramount Pictures, Inc., for an exceptional application of acoustic principles to the soundproofing of gasoline generators and water pumps Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department for the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer Sound 1938 (11th) John Aalberg and the RKO Radio Studio Sound Department for the application of compression to variable area recording in motion picture production Sound Byron Haskin and the Special Effect Department of Warner Bros. Studio for pioneering the development and for the first practical application to motion picture production of the triple head background projector Special Photographic 1939 (12th) George H. Anderson of Warner Bros. Studio for an improved positive head for sun arcs Lighting John Arnold of Metro Goldwyn Mayer Studio for the M G M mobile camera crane Camera Cranes Thomas T. Moulton, Fred Albin, and the Sound Department of the Samuel Goldwyn Studio for the origination and application of the Delta DB test for sound recording in motion pictures Laboratory Farciot Edouart, Joseph E. Robbins, William Rudolph, and Paramount Pictures, Inc., for the design and construction of a quiet portable treadmill Stage Operations Emery Huse and Ralph B. Atkinson of the Eastman Kodak Company for their specifications for chemical analysis of photographic developers and fixing baths Laboratory Harold Nye of Warner Bros. Studio for a miniature incandescent spot lamp Lighting A. J. Tondreau of Warner Bros. Studio for the design and manufacture of an improved soundtrack printer Laboratory For important contributions in cooperative development of new improved Process Projection Equipment: F. R. Abbott, Haller Belt, Alan Cook, and the Bausch & Lomb Optical Company for faster projection lenses; The Mitchell Camera Company for a new type process projection head; Mole Richardson Company for a new type automatically controlled projection arc lamp; Charles Handley, David Joy and the National Carbon Company for improved and more stable high intensity carbons; Winton Hoch and the Technicolor Motion Picture Corp., for an auxiliary optical system; Don Musgrave and Selznick International Pictures, Inc., for pioneering in the use of coordinated equipment in the production, Gone with the Wind Special Photographic 1940 (13th) Warner Bros. Studio Art Department and Anton Grot for the design and perfection of the Warner Bros. water ripple and wave illusion machine. Stage Operations 1941 (14th) Ray Wilkinson and the Paramount Studio Laboratory for pioneering in the use of and for the first practical application to release printing of fine grain positive stock Film Charles Lootens and the Republic Studio Sound Department for pioneering the use of and for the first practical application to motion picture production of CLASS B push pull variable area recording Sound Wilbur Silvertooth and the Paramount Studio Engineering Department for the design and computation of a relay condenser system applicable to transparency process projection, delivering considerably more usable light Special Photographic Paramount Pictures, Inc., and 20th Century Fox Film Corp., for the development and first practical application to motion picture production of an automatic scene slating device Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department, and to Loren Ryder and the Paramount Studio Sound Department for pioneering the development of fine grain emulsions for variable density original sound recording in studio production Sound 1942 (15th) Robert Henderson and the Paramount Studio Engineering and Transparency Departments for the design and construction of adjustable light bridges and screen frames for transparency process photography Special Photographic Daniel J. Bloomberg and the Republic Studio Sound Department for the design and application to motion picture production of a device for marking action negative for pre selection purposes Laboratory 1943 (16th) Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of an inexpensive method of converting Moviolas to Class B push pull reproduction Sound Charles Galloway Clarke and the 20th Century Fox Studio Camera Department for the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography Photography Farciot Edouart and the Paramount Studio Transparency Department for an automatic electric transparency cueing timer Special Photographic Willard H. Turner and the RKO Radio Studio Sound Department for the design and construction of the phono cue starter Sound 1944 (17th) Linwood Dunn, Cecil Love, and ACME Tool and Manufacturing Company for the design and construction of the Acme Dunn Optical Printer Laboratory Grover Laube and the 20th Century Fox Studio Camera Department for the development of a continuous loop projection device Sound Western Electric Company for the design and construction of the 1126A Limiting Amplifier for variable density sound recording Sound Russell Brown, Ray Hinsdale, and Joseph E. Robbins for the development and production use of the Paramount floating hydraulic boat rocker Stage Operations Gordon Jennings for the design and construction of the Paramount nodal point tripod Photography Radio Corporation of America and the RKO Radio Studio Sound Department for the design and construction of the RKO reverberation chamber Sound Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi interlock selector switch Stage Operations Bernard B. Brown and John P. Livadary for the design and engineering of a separate soloist and chorus recording room Sound Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer Laboratory Paul Lerpae for the design and construction of the Paramount traveling matte projection and photographing device Special Photographic 1945 (18th) Loren L. Ryder, Charles R. Daily, and the Paramount Studio Sound Department for the design, construction, and use of the first dial controlled step by step sound channel line up and test circuit Sound Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain, and Robert C. Stevens of 20th Century Fox Studio and John G. Capstaff of Kodak Company for the 20th Century Eastman Fox film processing machine Laboratory 1946 (19th) Harlan L. Baumbach and the Paramount West Coast Laboratory for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths Laboratory Herbert E. Britt for the development and application of formulas and equipment for producing cloud and smoke effects Stage Operations Burton F. Miller and the Warner Bros. Studio Sound and Electrical Departments for the design and construction of a motion picture arc lighting generator filter Lighting Carl Faulkner of the 20th Century Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvanometer density recording Sound The Mole Richardson Company for the Type 450 super high intensity carbon arc lamp Lighting Arthur F. Blinn, Robert O. Cook, C. O. Slyfield, and the Walt Disney Studio Sound Department for the design and development of an audio finder and track viewer for checking and locating noise in soundtracks Sound Burton F. Miller and the Warner Bros Studio Sound Department for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors Sound Marty Martin and Hal Adkins of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects Stage Operations Harold Nye and the Warner Bros Studio Electrical Department for the development of the electronically controlled fire and gaslight effect Stage Operations 1947 (20th) Nathan Levinson and the Warner Bros. Studio Sound Department for the design and construction of a constant speed sound editing machine Sound Farciot Edouart, C. R. Daily, Hal Corl, H. G. Cartwright, and the Paramount Studio Transparency and Engineering Departments for the first application of a special anti solarizing glass to high intensity background and spot arc projectors Lighting Fred Ponedel of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds Special Photographic Kurt Singer and the RCA Victor Division of Radio Corporation of America for the design and development of a continuously variable band elimination filter Sound James Gibbons of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography Lighting 1948 (21st) Marty Martin, Jack Lannan, Russell Shearman, and the RKO Radio Studio Special Effects Department for the development of a new method of simulating falling snow on motion picture sets Lighting A. J. Moran and the Warner Bros. Studio Electrical Department for a method of remote control for shutters on motion picture arc lighting equipment Stage Operations 1949 (22nd) Loren L. Ryder, Bruce H. Denney, Robert J. Carr, and the Paramount Studio Sound Department for the development and application of the supersonic playback and public address system Special Photographic M. B. Paul for the first successful large area seamless translucent backgrounds Stage Operations Herbert E. Britt for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets Stage Operations André Coutant and Jacques Mathot for the design of the Eclair camerette Camera Charles R. Daily and Stephen Csillag and the Paramount Studio Engineering, Editorial, and Music Departments for a new precision method of computing variable tempo click tracks Editorial The International Projector Corporation for a simplified and self adjusting take up device for projection machines Photography Alexander Velcoff for the application to the production of the infra red photographic evaluator Projection 1950 (23rd) No award —
1934 (7-й) Columbia Pictures Corporation за применение метода вертикальной резки диска (запись "холм и долина") к фактическому студийному производству, с записью звука на пленку "Одна ночь любви". Sound
Bell and Howell Company за разработку полностью автоматического звукового и кинопечатного аппарата Bell and Howell. Laboratory
+Technical Achievement Award recipients, by year of award (1930–1950) Year Recipient(s) Department 1930/1931 (4th) Electrical Research Products, Inc., for moving coil microphone transmitters Sound RKO Radio Pictures, Inc., for reflex type microphone concentrators Sound RCA Photophone, Inc., for ribbon microphone transmitters Sound 1931/1932 (5th) Eastman Kodak Company for its Type II B Sensitometer Laboratory 1932/1933 (6th) Fox Film Corporation, Fred Jackman and Warner Bros. Pictures, Inc., and Sidney Sanders of RKO Studios, Inc., for their development and effective use of the translucent cellulose screen in composite photography Special Photographic 1934 (7th) Columbia Pictures Corporation for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love Sound Bell and Howell Company for their development of the Bell and Howell Fully Automatic Sound and Picture Printer Laboratory 1935 (8th) Metro Goldwyn Mayer Studio for the development of anti directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company Laboratory William A. Mueller of Warner Bros. First National Studio Sound Department for his method of dubbing, in which the level of the dialogue automatically controls the level of the accompanying music and sound effects Sound Mole Richardson Company for their development of the "Solar spot" spot lamps Lighting Douglas Shearer and Metro Goldwyn Mayer Studio Sound Department for their automatic control system for cameras and sound recording machines and auxiliary stage equipment Stage Operations Electrical Research Products, Inc., for their study and development of equipment to analyze and measure flutter resulting from the travel of the film through the mechanisms used in the recording and reproduction of sound Sound Paramount Productions, Inc., for the design and construction of the Paramount transparency air turbine developing machine Laboratory Nathan Levinson, Director of Sound Recording for Warner Bros. First National Studio, for the method of intercutting variable density and variable area soundtracks to secure an increase in the effective volume range of sound recorded for motion pictures. Sound 1936 (9th) RCA Manufacturing Co., Inc., for their development of a method of recording and printing sound records utilizing a restricted spectrum (known as an ultra violet light recording) Sound Electrical Research Products, Inc., for the ERPI "Type Q" portable recording channel Sound RCA Manufacturing Co., Inc., for furnishing a practical design and specifications for a non slip printer Laboratory United Artists Studio Corp., for the development of a practical, efficient and quiet wind machine. Stage Operations 1937 (10th) John Arnold and the Metro Goldwyn Mayer Studio Camera Department for their improvement of the semi automatic follow focus device and its application to all of the cameras used by the Metro Goldwyn Mayer Studio Photography John Livadary, Director of Sound Recording for Columbia Pictures Corporation, for the application of the bi planar light valve to motion picture sound recording Sound Thomas T. Moulton and the United Artists Studio Sound Department for the application to motion picture sound recording of volume indicators that have peak reading response and linear decibel scales Sound RCA Manufacturing Co., Inc., for the introduction of the modulated high frequency method of determining optimum photographic processing conditions for variable width soundtracks Laboratory Joseph E. Robbins and Paramount Pictures, Inc., for an exceptional application of acoustic principles to the soundproofing of gasoline generators and water pumps Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department for the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer Sound 1938 (11th) John Aalberg and the RKO Radio Studio Sound Department for the application of compression to variable area recording in motion picture production Sound Byron Haskin and the Special Effect Department of Warner Bros. Studio for pioneering the development and for the first practical application to motion picture production of the triple head background projector Special Photographic 1939 (12th) George H. Anderson of Warner Bros. Studio for an improved positive head for sun arcs Lighting John Arnold of Metro Goldwyn Mayer Studio for the M G M mobile camera crane Camera Cranes Thomas T. Moulton, Fred Albin, and the Sound Department of the Samuel Goldwyn Studio for the origination and application of the Delta DB test for sound recording in motion pictures Laboratory Farciot Edouart, Joseph E. Robbins, William Rudolph, and Paramount Pictures, Inc., for the design and construction of a quiet portable treadmill Stage Operations Emery Huse and Ralph B. Atkinson of the Eastman Kodak Company for their specifications for chemical analysis of photographic developers and fixing baths Laboratory Harold Nye of Warner Bros. Studio for a miniature incandescent spot lamp Lighting A. J. Tondreau of Warner Bros. Studio for the design and manufacture of an improved soundtrack printer Laboratory For important contributions in cooperative development of new improved Process Projection Equipment: F. R. Abbott, Haller Belt, Alan Cook, and the Bausch & Lomb Optical Company for faster projection lenses; The Mitchell Camera Company for a new type process projection head; Mole Richardson Company for a new type automatically controlled projection arc lamp; Charles Handley, David Joy and the National Carbon Company for improved and more stable high intensity carbons; Winton Hoch and the Technicolor Motion Picture Corp., for an auxiliary optical system; Don Musgrave and Selznick International Pictures, Inc., for pioneering in the use of coordinated equipment in the production, Gone with the Wind Special Photographic 1940 (13th) Warner Bros. Studio Art Department and Anton Grot for the design and perfection of the Warner Bros. water ripple and wave illusion machine. Stage Operations 1941 (14th) Ray Wilkinson and the Paramount Studio Laboratory for pioneering in the use of and for the first practical application to release printing of fine grain positive stock Film Charles Lootens and the Republic Studio Sound Department for pioneering the use of and for the first practical application to motion picture production of CLASS B push pull variable area recording Sound Wilbur Silvertooth and the Paramount Studio Engineering Department for the design and computation of a relay condenser system applicable to transparency process projection, delivering considerably more usable light Special Photographic Paramount Pictures, Inc., and 20th Century Fox Film Corp., for the development and first practical application to motion picture production of an automatic scene slating device Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department, and to Loren Ryder and the Paramount Studio Sound Department for pioneering the development of fine grain emulsions for variable density original sound recording in studio production Sound 1942 (15th) Robert Henderson and the Paramount Studio Engineering and Transparency Departments for the design and construction of adjustable light bridges and screen frames for transparency process photography Special Photographic Daniel J. Bloomberg and the Republic Studio Sound Department for the design and application to motion picture production of a device for marking action negative for pre selection purposes Laboratory 1943 (16th) Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of an inexpensive method of converting Moviolas to Class B push pull reproduction Sound Charles Galloway Clarke and the 20th Century Fox Studio Camera Department for the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography Photography Farciot Edouart and the Paramount Studio Transparency Department for an automatic electric transparency cueing timer Special Photographic Willard H. Turner and the RKO Radio Studio Sound Department for the design and construction of the phono cue starter Sound 1944 (17th) Linwood Dunn, Cecil Love, and ACME Tool and Manufacturing Company for the design and construction of the Acme Dunn Optical Printer Laboratory Grover Laube and the 20th Century Fox Studio Camera Department for the development of a continuous loop projection device Sound Western Electric Company for the design and construction of the 1126A Limiting Amplifier for variable density sound recording Sound Russell Brown, Ray Hinsdale, and Joseph E. Robbins for the development and production use of the Paramount floating hydraulic boat rocker Stage Operations Gordon Jennings for the design and construction of the Paramount nodal point tripod Photography Radio Corporation of America and the RKO Radio Studio Sound Department for the design and construction of the RKO reverberation chamber Sound Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi interlock selector switch Stage Operations Bernard B. Brown and John P. Livadary for the design and engineering of a separate soloist and chorus recording room Sound Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer Laboratory Paul Lerpae for the design and construction of the Paramount traveling matte projection and photographing device Special Photographic 1945 (18th) Loren L. Ryder, Charles R. Daily, and the Paramount Studio Sound Department for the design, construction, and use of the first dial controlled step by step sound channel line up and test circuit Sound Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain, and Robert C. Stevens of 20th Century Fox Studio and John G. Capstaff of Kodak Company for the 20th Century Eastman Fox film processing machine Laboratory 1946 (19th) Harlan L. Baumbach and the Paramount West Coast Laboratory for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths Laboratory Herbert E. Britt for the development and application of formulas and equipment for producing cloud and smoke effects Stage Operations Burton F. Miller and the Warner Bros. Studio Sound and Electrical Departments for the design and construction of a motion picture arc lighting generator filter Lighting Carl Faulkner of the 20th Century Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvanometer density recording Sound The Mole Richardson Company for the Type 450 super high intensity carbon arc lamp Lighting Arthur F. Blinn, Robert O. Cook, C. O. Slyfield, and the Walt Disney Studio Sound Department for the design and development of an audio finder and track viewer for checking and locating noise in soundtracks Sound Burton F. Miller and the Warner Bros Studio Sound Department for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors Sound Marty Martin and Hal Adkins of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects Stage Operations Harold Nye and the Warner Bros Studio Electrical Department for the development of the electronically controlled fire and gaslight effect Stage Operations 1947 (20th) Nathan Levinson and the Warner Bros. Studio Sound Department for the design and construction of a constant speed sound editing machine Sound Farciot Edouart, C. R. Daily, Hal Corl, H. G. Cartwright, and the Paramount Studio Transparency and Engineering Departments for the first application of a special anti solarizing glass to high intensity background and spot arc projectors Lighting Fred Ponedel of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds Special Photographic Kurt Singer and the RCA Victor Division of Radio Corporation of America for the design and development of a continuously variable band elimination filter Sound James Gibbons of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography Lighting 1948 (21st) Marty Martin, Jack Lannan, Russell Shearman, and the RKO Radio Studio Special Effects Department for the development of a new method of simulating falling snow on motion picture sets Lighting A. J. Moran and the Warner Bros. Studio Electrical Department for a method of remote control for shutters on motion picture arc lighting equipment Stage Operations 1949 (22nd) Loren L. Ryder, Bruce H. Denney, Robert J. Carr, and the Paramount Studio Sound Department for the development and application of the supersonic playback and public address system Special Photographic M. B. Paul for the first successful large area seamless translucent backgrounds Stage Operations Herbert E. Britt for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets Stage Operations André Coutant and Jacques Mathot for the design of the Eclair camerette Camera Charles R. Daily and Stephen Csillag and the Paramount Studio Engineering, Editorial, and Music Departments for a new precision method of computing variable tempo click tracks Editorial The International Projector Corporation for a simplified and self adjusting take up device for projection machines Photography Alexander Velcoff for the application to the production of the infra red photographic evaluator Projection 1950 (23rd) No award —
1935 (8-й) Metro Goldwyn Mayer Studio за разработку антидирекциональной позитивной и негативной обработки с помощью струйной турбулентности и применение этого метода ко всей негативной и печатной обработке продукции крупной производственной компании. Laboratory
William A. Mueller из Warner Bros. First National Studio, звуковой отдел, за его метод дубляжа, в котором уровень диалога автоматически контролирует уровень сопровождающей музыки и звуковых эффектов. Sound
Mole Richardson Company за разработку прожекторов "Solar spot". Lighting
Douglas Shearer и звуковой отдел Metro Goldwyn Mayer Studio за автоматическую систему управления камерами и звукозаписывающими машинами и вспомогательным сценическим оборудованием. Stage Operations
Electrical Research Products, Inc., за изучение и разработку оборудования для анализа и измерения флаттера, возникающего при движении пленки через механизмы, используемые для записи и воспроизведения звука. Sound
Paramount Productions, Inc., за проектирование и строительство машины для разработки прозрачности Paramount с воздушной турбиной. Laboratory
Nathan Levinson, директор звукозаписи Warner Bros. First National Studio, за метод склейки звуковых дорожек переменной плотности и переменной площади для увеличения эффективного диапазона громкости записанного звука для кинофильмов. Sound
+Technical Achievement Award recipients, by year of award (1930–1950) Year Recipient(s) Department 1930/1931 (4th) Electrical Research Products, Inc., for moving coil microphone transmitters Sound RKO Radio Pictures, Inc., for reflex type microphone concentrators Sound RCA Photophone, Inc., for ribbon microphone transmitters Sound 1931/1932 (5th) Eastman Kodak Company for its Type II B Sensitometer Laboratory 1932/1933 (6th) Fox Film Corporation, Fred Jackman and Warner Bros. Pictures, Inc., and Sidney Sanders of RKO Studios, Inc., for their development and effective use of the translucent cellulose screen in composite photography Special Photographic 1934 (7th) Columbia Pictures Corporation for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love Sound Bell and Howell Company for their development of the Bell and Howell Fully Automatic Sound and Picture Printer Laboratory 1935 (8th) Metro Goldwyn Mayer Studio for the development of anti directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company Laboratory William A. Mueller of Warner Bros. First National Studio Sound Department for his method of dubbing, in which the level of the dialogue automatically controls the level of the accompanying music and sound effects Sound Mole Richardson Company for their development of the "Solar spot" spot lamps Lighting Douglas Shearer and Metro Goldwyn Mayer Studio Sound Department for their automatic control system for cameras and sound recording machines and auxiliary stage equipment Stage Operations Electrical Research Products, Inc., for their study and development of equipment to analyze and measure flutter resulting from the travel of the film through the mechanisms used in the recording and reproduction of sound Sound Paramount Productions, Inc., for the design and construction of the Paramount transparency air turbine developing machine Laboratory Nathan Levinson, Director of Sound Recording for Warner Bros. First National Studio, for the method of intercutting variable density and variable area soundtracks to secure an increase in the effective volume range of sound recorded for motion pictures. Sound 1936 (9th) RCA Manufacturing Co., Inc., for their development of a method of recording and printing sound records utilizing a restricted spectrum (known as an ultra violet light recording) Sound Electrical Research Products, Inc., for the ERPI "Type Q" portable recording channel Sound RCA Manufacturing Co., Inc., for furnishing a practical design and specifications for a non slip printer Laboratory United Artists Studio Corp., for the development of a practical, efficient and quiet wind machine. Stage Operations 1937 (10th) John Arnold and the Metro Goldwyn Mayer Studio Camera Department for their improvement of the semi automatic follow focus device and its application to all of the cameras used by the Metro Goldwyn Mayer Studio Photography John Livadary, Director of Sound Recording for Columbia Pictures Corporation, for the application of the bi planar light valve to motion picture sound recording Sound Thomas T. Moulton and the United Artists Studio Sound Department for the application to motion picture sound recording of volume indicators that have peak reading response and linear decibel scales Sound RCA Manufacturing Co., Inc., for the introduction of the modulated high frequency method of determining optimum photographic processing conditions for variable width soundtracks Laboratory Joseph E. Robbins and Paramount Pictures, Inc., for an exceptional application of acoustic principles to the soundproofing of gasoline generators and water pumps Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department for the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer Sound 1938 (11th) John Aalberg and the RKO Radio Studio Sound Department for the application of compression to variable area recording in motion picture production Sound Byron Haskin and the Special Effect Department of Warner Bros. Studio for pioneering the development and for the first practical application to motion picture production of the triple head background projector Special Photographic 1939 (12th) George H. Anderson of Warner Bros. Studio for an improved positive head for sun arcs Lighting John Arnold of Metro Goldwyn Mayer Studio for the M G M mobile camera crane Camera Cranes Thomas T. Moulton, Fred Albin, and the Sound Department of the Samuel Goldwyn Studio for the origination and application of the Delta DB test for sound recording in motion pictures Laboratory Farciot Edouart, Joseph E. Robbins, William Rudolph, and Paramount Pictures, Inc., for the design and construction of a quiet portable treadmill Stage Operations Emery Huse and Ralph B. Atkinson of the Eastman Kodak Company for their specifications for chemical analysis of photographic developers and fixing baths Laboratory Harold Nye of Warner Bros. Studio for a miniature incandescent spot lamp Lighting A. J. Tondreau of Warner Bros. Studio for the design and manufacture of an improved soundtrack printer Laboratory For important contributions in cooperative development of new improved Process Projection Equipment: F. R. Abbott, Haller Belt, Alan Cook, and the Bausch & Lomb Optical Company for faster projection lenses; The Mitchell Camera Company for a new type process projection head; Mole Richardson Company for a new type automatically controlled projection arc lamp; Charles Handley, David Joy and the National Carbon Company for improved and more stable high intensity carbons; Winton Hoch and the Technicolor Motion Picture Corp., for an auxiliary optical system; Don Musgrave and Selznick International Pictures, Inc., for pioneering in the use of coordinated equipment in the production, Gone with the Wind Special Photographic 1940 (13th) Warner Bros. Studio Art Department and Anton Grot for the design and perfection of the Warner Bros. water ripple and wave illusion machine. Stage Operations 1941 (14th) Ray Wilkinson and the Paramount Studio Laboratory for pioneering in the use of and for the first practical application to release printing of fine grain positive stock Film Charles Lootens and the Republic Studio Sound Department for pioneering the use of and for the first practical application to motion picture production of CLASS B push pull variable area recording Sound Wilbur Silvertooth and the Paramount Studio Engineering Department for the design and computation of a relay condenser system applicable to transparency process projection, delivering considerably more usable light Special Photographic Paramount Pictures, Inc., and 20th Century Fox Film Corp., for the development and first practical application to motion picture production of an automatic scene slating device Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department, and to Loren Ryder and the Paramount Studio Sound Department for pioneering the development of fine grain emulsions for variable density original sound recording in studio production Sound 1942 (15th) Robert Henderson and the Paramount Studio Engineering and Transparency Departments for the design and construction of adjustable light bridges and screen frames for transparency process photography Special Photographic Daniel J. Bloomberg and the Republic Studio Sound Department for the design and application to motion picture production of a device for marking action negative for pre selection purposes Laboratory 1943 (16th) Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of an inexpensive method of converting Moviolas to Class B push pull reproduction Sound Charles Galloway Clarke and the 20th Century Fox Studio Camera Department for the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography Photography Farciot Edouart and the Paramount Studio Transparency Department for an automatic electric transparency cueing timer Special Photographic Willard H. Turner and the RKO Radio Studio Sound Department for the design and construction of the phono cue starter Sound 1944 (17th) Linwood Dunn, Cecil Love, and ACME Tool and Manufacturing Company for the design and construction of the Acme Dunn Optical Printer Laboratory Grover Laube and the 20th Century Fox Studio Camera Department for the development of a continuous loop projection device Sound Western Electric Company for the design and construction of the 1126A Limiting Amplifier for variable density sound recording Sound Russell Brown, Ray Hinsdale, and Joseph E. Robbins for the development and production use of the Paramount floating hydraulic boat rocker Stage Operations Gordon Jennings for the design and construction of the Paramount nodal point tripod Photography Radio Corporation of America and the RKO Radio Studio Sound Department for the design and construction of the RKO reverberation chamber Sound Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi interlock selector switch Stage Operations Bernard B. Brown and John P. Livadary for the design and engineering of a separate soloist and chorus recording room Sound Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer Laboratory Paul Lerpae for the design and construction of the Paramount traveling matte projection and photographing device Special Photographic 1945 (18th) Loren L. Ryder, Charles R. Daily, and the Paramount Studio Sound Department for the design, construction, and use of the first dial controlled step by step sound channel line up and test circuit Sound Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain, and Robert C. Stevens of 20th Century Fox Studio and John G. Capstaff of Kodak Company for the 20th Century Eastman Fox film processing machine Laboratory 1946 (19th) Harlan L. Baumbach and the Paramount West Coast Laboratory for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths Laboratory Herbert E. Britt for the development and application of formulas and equipment for producing cloud and smoke effects Stage Operations Burton F. Miller and the Warner Bros. Studio Sound and Electrical Departments for the design and construction of a motion picture arc lighting generator filter Lighting Carl Faulkner of the 20th Century Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvanometer density recording Sound The Mole Richardson Company for the Type 450 super high intensity carbon arc lamp Lighting Arthur F. Blinn, Robert O. Cook, C. O. Slyfield, and the Walt Disney Studio Sound Department for the design and development of an audio finder and track viewer for checking and locating noise in soundtracks Sound Burton F. Miller and the Warner Bros Studio Sound Department for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors Sound Marty Martin and Hal Adkins of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects Stage Operations Harold Nye and the Warner Bros Studio Electrical Department for the development of the electronically controlled fire and gaslight effect Stage Operations 1947 (20th) Nathan Levinson and the Warner Bros. Studio Sound Department for the design and construction of a constant speed sound editing machine Sound Farciot Edouart, C. R. Daily, Hal Corl, H. G. Cartwright, and the Paramount Studio Transparency and Engineering Departments for the first application of a special anti solarizing glass to high intensity background and spot arc projectors Lighting Fred Ponedel of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds Special Photographic Kurt Singer and the RCA Victor Division of Radio Corporation of America for the design and development of a continuously variable band elimination filter Sound James Gibbons of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography Lighting 1948 (21st) Marty Martin, Jack Lannan, Russell Shearman, and the RKO Radio Studio Special Effects Department for the development of a new method of simulating falling snow on motion picture sets Lighting A. J. Moran and the Warner Bros. Studio Electrical Department for a method of remote control for shutters on motion picture arc lighting equipment Stage Operations 1949 (22nd) Loren L. Ryder, Bruce H. Denney, Robert J. Carr, and the Paramount Studio Sound Department for the development and application of the supersonic playback and public address system Special Photographic M. B. Paul for the first successful large area seamless translucent backgrounds Stage Operations Herbert E. Britt for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets Stage Operations André Coutant and Jacques Mathot for the design of the Eclair camerette Camera Charles R. Daily and Stephen Csillag and the Paramount Studio Engineering, Editorial, and Music Departments for a new precision method of computing variable tempo click tracks Editorial The International Projector Corporation for a simplified and self adjusting take up device for projection machines Photography Alexander Velcoff for the application to the production of the infra red photographic evaluator Projection 1950 (23rd) No award —
1936 (9-й) RCA Manufacturing Co., Inc., за разработку метода записи и печати звуковых записей с использованием ограниченного спектра (известного как ультрафиолетовая световая запись). Sound
Electrical Research Products, Inc., за портативный записывающий канал ERPI "Type Q". Sound
RCA Manufacturing Co., Inc., за предоставление практического дизайна и спецификаций для печатного аппарата, предотвращающего проскальзывание. Laboratory
United Artists Studio Corp., за разработку практичной, эффективной и тихой ветровой машины. Stage Operations
+Technical Achievement Award recipients, by year of award (1930–1950) Year Recipient(s) Department 1930/1931 (4th) Electrical Research Products, Inc., for moving coil microphone transmitters Sound RKO Radio Pictures, Inc., for reflex type microphone concentrators Sound RCA Photophone, Inc., for ribbon microphone transmitters Sound 1931/1932 (5th) Eastman Kodak Company for its Type II B Sensitometer Laboratory 1932/1933 (6th) Fox Film Corporation, Fred Jackman and Warner Bros. Pictures, Inc., and Sidney Sanders of RKO Studios, Inc., for their development and effective use of the translucent cellulose screen in composite photography Special Photographic 1934 (7th) Columbia Pictures Corporation for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love Sound Bell and Howell Company for their development of the Bell and Howell Fully Automatic Sound and Picture Printer Laboratory 1935 (8th) Metro Goldwyn Mayer Studio for the development of anti directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company Laboratory William A. Mueller of Warner Bros. First National Studio Sound Department for his method of dubbing, in which the level of the dialogue automatically controls the level of the accompanying music and sound effects Sound Mole Richardson Company for their development of the "Solar spot" spot lamps Lighting Douglas Shearer and Metro Goldwyn Mayer Studio Sound Department for their automatic control system for cameras and sound recording machines and auxiliary stage equipment Stage Operations Electrical Research Products, Inc., for their study and development of equipment to analyze and measure flutter resulting from the travel of the film through the mechanisms used in the recording and reproduction of sound Sound Paramount Productions, Inc., for the design and construction of the Paramount transparency air turbine developing machine Laboratory Nathan Levinson, Director of Sound Recording for Warner Bros. First National Studio, for the method of intercutting variable density and variable area soundtracks to secure an increase in the effective volume range of sound recorded for motion pictures. Sound 1936 (9th) RCA Manufacturing Co., Inc., for their development of a method of recording and printing sound records utilizing a restricted spectrum (known as an ultra violet light recording) Sound Electrical Research Products, Inc., for the ERPI "Type Q" portable recording channel Sound RCA Manufacturing Co., Inc., for furnishing a practical design and specifications for a non slip printer Laboratory United Artists Studio Corp., for the development of a practical, efficient and quiet wind machine. Stage Operations 1937 (10th) John Arnold and the Metro Goldwyn Mayer Studio Camera Department for their improvement of the semi automatic follow focus device and its application to all of the cameras used by the Metro Goldwyn Mayer Studio Photography John Livadary, Director of Sound Recording for Columbia Pictures Corporation, for the application of the bi planar light valve to motion picture sound recording Sound Thomas T. Moulton and the United Artists Studio Sound Department for the application to motion picture sound recording of volume indicators that have peak reading response and linear decibel scales Sound RCA Manufacturing Co., Inc., for the introduction of the modulated high frequency method of determining optimum photographic processing conditions for variable width soundtracks Laboratory Joseph E. Robbins and Paramount Pictures, Inc., for an exceptional application of acoustic principles to the soundproofing of gasoline generators and water pumps Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department for the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer Sound 1938 (11th) John Aalberg and the RKO Radio Studio Sound Department for the application of compression to variable area recording in motion picture production Sound Byron Haskin and the Special Effect Department of Warner Bros. Studio for pioneering the development and for the first practical application to motion picture production of the triple head background projector Special Photographic 1939 (12th) George H. Anderson of Warner Bros. Studio for an improved positive head for sun arcs Lighting John Arnold of Metro Goldwyn Mayer Studio for the M G M mobile camera crane Camera Cranes Thomas T. Moulton, Fred Albin, and the Sound Department of the Samuel Goldwyn Studio for the origination and application of the Delta DB test for sound recording in motion pictures Laboratory Farciot Edouart, Joseph E. Robbins, William Rudolph, and Paramount Pictures, Inc., for the design and construction of a quiet portable treadmill Stage Operations Emery Huse and Ralph B. Atkinson of the Eastman Kodak Company for their specifications for chemical analysis of photographic developers and fixing baths Laboratory Harold Nye of Warner Bros. Studio for a miniature incandescent spot lamp Lighting A. J. Tondreau of Warner Bros. Studio for the design and manufacture of an improved soundtrack printer Laboratory For important contributions in cooperative development of new improved Process Projection Equipment: F. R. Abbott, Haller Belt, Alan Cook, and the Bausch & Lomb Optical Company for faster projection lenses; The Mitchell Camera Company for a new type process projection head; Mole Richardson Company for a new type automatically controlled projection arc lamp; Charles Handley, David Joy and the National Carbon Company for improved and more stable high intensity carbons; Winton Hoch and the Technicolor Motion Picture Corp., for an auxiliary optical system; Don Musgrave and Selznick International Pictures, Inc., for pioneering in the use of coordinated equipment in the production, Gone with the Wind Special Photographic 1940 (13th) Warner Bros. Studio Art Department and Anton Grot for the design and perfection of the Warner Bros. water ripple and wave illusion machine. Stage Operations 1941 (14th) Ray Wilkinson and the Paramount Studio Laboratory for pioneering in the use of and for the first practical application to release printing of fine grain positive stock Film Charles Lootens and the Republic Studio Sound Department for pioneering the use of and for the first practical application to motion picture production of CLASS B push pull variable area recording Sound Wilbur Silvertooth and the Paramount Studio Engineering Department for the design and computation of a relay condenser system applicable to transparency process projection, delivering considerably more usable light Special Photographic Paramount Pictures, Inc., and 20th Century Fox Film Corp., for the development and first practical application to motion picture production of an automatic scene slating device Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department, and to Loren Ryder and the Paramount Studio Sound Department for pioneering the development of fine grain emulsions for variable density original sound recording in studio production Sound 1942 (15th) Robert Henderson and the Paramount Studio Engineering and Transparency Departments for the design and construction of adjustable light bridges and screen frames for transparency process photography Special Photographic Daniel J. Bloomberg and the Republic Studio Sound Department for the design and application to motion picture production of a device for marking action negative for pre selection purposes Laboratory 1943 (16th) Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of an inexpensive method of converting Moviolas to Class B push pull reproduction Sound Charles Galloway Clarke and the 20th Century Fox Studio Camera Department for the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography Photography Farciot Edouart and the Paramount Studio Transparency Department for an automatic electric transparency cueing timer Special Photographic Willard H. Turner and the RKO Radio Studio Sound Department for the design and construction of the phono cue starter Sound 1944 (17th) Linwood Dunn, Cecil Love, and ACME Tool and Manufacturing Company for the design and construction of the Acme Dunn Optical Printer Laboratory Grover Laube and the 20th Century Fox Studio Camera Department for the development of a continuous loop projection device Sound Western Electric Company for the design and construction of the 1126A Limiting Amplifier for variable density sound recording Sound Russell Brown, Ray Hinsdale, and Joseph E. Robbins for the development and production use of the Paramount floating hydraulic boat rocker Stage Operations Gordon Jennings for the design and construction of the Paramount nodal point tripod Photography Radio Corporation of America and the RKO Radio Studio Sound Department for the design and construction of the RKO reverberation chamber Sound Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi interlock selector switch Stage Operations Bernard B. Brown and John P. Livadary for the design and engineering of a separate soloist and chorus recording room Sound Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer Laboratory Paul Lerpae for the design and construction of the Paramount traveling matte projection and photographing device Special Photographic 1945 (18th) Loren L. Ryder, Charles R. Daily, and the Paramount Studio Sound Department for the design, construction, and use of the first dial controlled step by step sound channel line up and test circuit Sound Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain, and Robert C. Stevens of 20th Century Fox Studio and John G. Capstaff of Kodak Company for the 20th Century Eastman Fox film processing machine Laboratory 1946 (19th) Harlan L. Baumbach and the Paramount West Coast Laboratory for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths Laboratory Herbert E. Britt for the development and application of formulas and equipment for producing cloud and smoke effects Stage Operations Burton F. Miller and the Warner Bros. Studio Sound and Electrical Departments for the design and construction of a motion picture arc lighting generator filter Lighting Carl Faulkner of the 20th Century Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvanometer density recording Sound The Mole Richardson Company for the Type 450 super high intensity carbon arc lamp Lighting Arthur F. Blinn, Robert O. Cook, C. O. Slyfield, and the Walt Disney Studio Sound Department for the design and development of an audio finder and track viewer for checking and locating noise in soundtracks Sound Burton F. Miller and the Warner Bros Studio Sound Department for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors Sound Marty Martin and Hal Adkins of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects Stage Operations Harold Nye and the Warner Bros Studio Electrical Department for the development of the electronically controlled fire and gaslight effect Stage Operations 1947 (20th) Nathan Levinson and the Warner Bros. Studio Sound Department for the design and construction of a constant speed sound editing machine Sound Farciot Edouart, C. R. Daily, Hal Corl, H. G. Cartwright, and the Paramount Studio Transparency and Engineering Departments for the first application of a special anti solarizing glass to high intensity background and spot arc projectors Lighting Fred Ponedel of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds Special Photographic Kurt Singer and the RCA Victor Division of Radio Corporation of America for the design and development of a continuously variable band elimination filter Sound James Gibbons of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography Lighting 1948 (21st) Marty Martin, Jack Lannan, Russell Shearman, and the RKO Radio Studio Special Effects Department for the development of a new method of simulating falling snow on motion picture sets Lighting A. J. Moran and the Warner Bros. Studio Electrical Department for a method of remote control for shutters on motion picture arc lighting equipment Stage Operations 1949 (22nd) Loren L. Ryder, Bruce H. Denney, Robert J. Carr, and the Paramount Studio Sound Department for the development and application of the supersonic playback and public address system Special Photographic M. B. Paul for the first successful large area seamless translucent backgrounds Stage Operations Herbert E. Britt for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets Stage Operations André Coutant and Jacques Mathot for the design of the Eclair camerette Camera Charles R. Daily and Stephen Csillag and the Paramount Studio Engineering, Editorial, and Music Departments for a new precision method of computing variable tempo click tracks Editorial The International Projector Corporation for a simplified and self adjusting take up device for projection machines Photography Alexander Velcoff for the application to the production of the infra red photographic evaluator Projection 1950 (23rd) No award —
1937 (10-й) John Arnold и отдел камер Metro Goldwyn Mayer Studio за усовершенствование полуавтоматического устройства следящей фокусировки и его применение ко всем камерам, используемым Metro Goldwyn Mayer Studio. Photography
John Livadary, директор звукозаписи Columbia Pictures Corporation, за применение бипланарного светового клапана к звукозаписи кинофильмов. Sound
Thomas T. Moulton и звуковой отдел United Artists Studio за применение индикаторов громкости к звукозаписи кинофильмов, имеющих пиковую характеристику считывания и линейные децибельные шкалы. Sound
RCA Manufacturing Co., Inc., за внедрение модулированного высокочастотного метода определения оптимальных условий фотографической обработки для звуковых дорожек переменной ширины. Laboratory
Joseph E. Robbins и Paramount Pictures, Inc., за исключительное применение акустических принципов к звукоизоляции бензиновых генераторов и водяных насосов. Stage Operations
Douglas Shearer и звуковой отдел Metro Goldwyn Mayer Studio за конструкцию механизма привода пленки, встроенного в репродуктор ERPI 1010. Sound
+Technical Achievement Award recipients, by year of award (1930–1950) Year Recipient(s) Department 1930/1931 (4th) Electrical Research Products, Inc., for moving coil microphone transmitters Sound RKO Radio Pictures, Inc., for reflex type microphone concentrators Sound RCA Photophone, Inc., for ribbon microphone transmitters Sound 1931/1932 (5th) Eastman Kodak Company for its Type II B Sensitometer Laboratory 1932/1933 (6th) Fox Film Corporation, Fred Jackman and Warner Bros. Pictures, Inc., and Sidney Sanders of RKO Studios, Inc., for their development and effective use of the translucent cellulose screen in composite photography Special Photographic 1934 (7th) Columbia Pictures Corporation for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love Sound Bell and Howell Company for their development of the Bell and Howell Fully Automatic Sound and Picture Printer Laboratory 1935 (8th) Metro Goldwyn Mayer Studio for the development of anti directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company Laboratory William A. Mueller of Warner Bros. First National Studio Sound Department for his method of dubbing, in which the level of the dialogue automatically controls the level of the accompanying music and sound effects Sound Mole Richardson Company for their development of the "Solar spot" spot lamps Lighting Douglas Shearer and Metro Goldwyn Mayer Studio Sound Department for their automatic control system for cameras and sound recording machines and auxiliary stage equipment Stage Operations Electrical Research Products, Inc., for their study and development of equipment to analyze and measure flutter resulting from the travel of the film through the mechanisms used in the recording and reproduction of sound Sound Paramount Productions, Inc., for the design and construction of the Paramount transparency air turbine developing machine Laboratory Nathan Levinson, Director of Sound Recording for Warner Bros. First National Studio, for the method of intercutting variable density and variable area soundtracks to secure an increase in the effective volume range of sound recorded for motion pictures. Sound 1936 (9th) RCA Manufacturing Co., Inc., for their development of a method of recording and printing sound records utilizing a restricted spectrum (known as an ultra violet light recording) Sound Electrical Research Products, Inc., for the ERPI "Type Q" portable recording channel Sound RCA Manufacturing Co., Inc., for furnishing a practical design and specifications for a non slip printer Laboratory United Artists Studio Corp., for the development of a practical, efficient and quiet wind machine. Stage Operations 1937 (10th) John Arnold and the Metro Goldwyn Mayer Studio Camera Department for their improvement of the semi automatic follow focus device and its application to all of the cameras used by the Metro Goldwyn Mayer Studio Photography John Livadary, Director of Sound Recording for Columbia Pictures Corporation, for the application of the bi planar light valve to motion picture sound recording Sound Thomas T. Moulton and the United Artists Studio Sound Department for the application to motion picture sound recording of volume indicators that have peak reading response and linear decibel scales Sound RCA Manufacturing Co., Inc., for the introduction of the modulated high frequency method of determining optimum photographic processing conditions for variable width soundtracks Laboratory Joseph E. Robbins and Paramount Pictures, Inc., for an exceptional application of acoustic principles to the soundproofing of gasoline generators and water pumps Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department for the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer Sound 1938 (11th) John Aalberg and the RKO Radio Studio Sound Department for the application of compression to variable area recording in motion picture production Sound Byron Haskin and the Special Effect Department of Warner Bros. Studio for pioneering the development and for the first practical application to motion picture production of the triple head background projector Special Photographic 1939 (12th) George H. Anderson of Warner Bros. Studio for an improved positive head for sun arcs Lighting John Arnold of Metro Goldwyn Mayer Studio for the M G M mobile camera crane Camera Cranes Thomas T. Moulton, Fred Albin, and the Sound Department of the Samuel Goldwyn Studio for the origination and application of the Delta DB test for sound recording in motion pictures Laboratory Farciot Edouart, Joseph E. Robbins, William Rudolph, and Paramount Pictures, Inc., for the design and construction of a quiet portable treadmill Stage Operations Emery Huse and Ralph B. Atkinson of the Eastman Kodak Company for their specifications for chemical analysis of photographic developers and fixing baths Laboratory Harold Nye of Warner Bros. Studio for a miniature incandescent spot lamp Lighting A. J. Tondreau of Warner Bros. Studio for the design and manufacture of an improved soundtrack printer Laboratory For important contributions in cooperative development of new improved Process Projection Equipment: F. R. Abbott, Haller Belt, Alan Cook, and the Bausch & Lomb Optical Company for faster projection lenses; The Mitchell Camera Company for a new type process projection head; Mole Richardson Company for a new type automatically controlled projection arc lamp; Charles Handley, David Joy and the National Carbon Company for improved and more stable high intensity carbons; Winton Hoch and the Technicolor Motion Picture Corp., for an auxiliary optical system; Don Musgrave and Selznick International Pictures, Inc., for pioneering in the use of coordinated equipment in the production, Gone with the Wind Special Photographic 1940 (13th) Warner Bros. Studio Art Department and Anton Grot for the design and perfection of the Warner Bros. water ripple and wave illusion machine. Stage Operations 1941 (14th) Ray Wilkinson and the Paramount Studio Laboratory for pioneering in the use of and for the first practical application to release printing of fine grain positive stock Film Charles Lootens and the Republic Studio Sound Department for pioneering the use of and for the first practical application to motion picture production of CLASS B push pull variable area recording Sound Wilbur Silvertooth and the Paramount Studio Engineering Department for the design and computation of a relay condenser system applicable to transparency process projection, delivering considerably more usable light Special Photographic Paramount Pictures, Inc., and 20th Century Fox Film Corp., for the development and first practical application to motion picture production of an automatic scene slating device Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department, and to Loren Ryder and the Paramount Studio Sound Department for pioneering the development of fine grain emulsions for variable density original sound recording in studio production Sound 1942 (15th) Robert Henderson and the Paramount Studio Engineering and Transparency Departments for the design and construction of adjustable light bridges and screen frames for transparency process photography Special Photographic Daniel J. Bloomberg and the Republic Studio Sound Department for the design and application to motion picture production of a device for marking action negative for pre selection purposes Laboratory 1943 (16th) Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of an inexpensive method of converting Moviolas to Class B push pull reproduction Sound Charles Galloway Clarke and the 20th Century Fox Studio Camera Department for the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography Photography Farciot Edouart and the Paramount Studio Transparency Department for an automatic electric transparency cueing timer Special Photographic Willard H. Turner and the RKO Radio Studio Sound Department for the design and construction of the phono cue starter Sound 1944 (17th) Linwood Dunn, Cecil Love, and ACME Tool and Manufacturing Company for the design and construction of the Acme Dunn Optical Printer Laboratory Grover Laube and the 20th Century Fox Studio Camera Department for the development of a continuous loop projection device Sound Western Electric Company for the design and construction of the 1126A Limiting Amplifier for variable density sound recording Sound Russell Brown, Ray Hinsdale, and Joseph E. Robbins for the development and production use of the Paramount floating hydraulic boat rocker Stage Operations Gordon Jennings for the design and construction of the Paramount nodal point tripod Photography Radio Corporation of America and the RKO Radio Studio Sound Department for the design and construction of the RKO reverberation chamber Sound Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi interlock selector switch Stage Operations Bernard B. Brown and John P. Livadary for the design and engineering of a separate soloist and chorus recording room Sound Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer Laboratory Paul Lerpae for the design and construction of the Paramount traveling matte projection and photographing device Special Photographic 1945 (18th) Loren L. Ryder, Charles R. Daily, and the Paramount Studio Sound Department for the design, construction, and use of the first dial controlled step by step sound channel line up and test circuit Sound Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain, and Robert C. Stevens of 20th Century Fox Studio and John G. Capstaff of Kodak Company for the 20th Century Eastman Fox film processing machine Laboratory 1946 (19th) Harlan L. Baumbach and the Paramount West Coast Laboratory for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths Laboratory Herbert E. Britt for the development and application of formulas and equipment for producing cloud and smoke effects Stage Operations Burton F. Miller and the Warner Bros. Studio Sound and Electrical Departments for the design and construction of a motion picture arc lighting generator filter Lighting Carl Faulkner of the 20th Century Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvanometer density recording Sound The Mole Richardson Company for the Type 450 super high intensity carbon arc lamp Lighting Arthur F. Blinn, Robert O. Cook, C. O. Slyfield, and the Walt Disney Studio Sound Department for the design and development of an audio finder and track viewer for checking and locating noise in soundtracks Sound Burton F. Miller and the Warner Bros Studio Sound Department for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors Sound Marty Martin and Hal Adkins of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects Stage Operations Harold Nye and the Warner Bros Studio Electrical Department for the development of the electronically controlled fire and gaslight effect Stage Operations 1947 (20th) Nathan Levinson and the Warner Bros. Studio Sound Department for the design and construction of a constant speed sound editing machine Sound Farciot Edouart, C. R. Daily, Hal Corl, H. G. Cartwright, and the Paramount Studio Transparency and Engineering Departments for the first application of a special anti solarizing glass to high intensity background and spot arc projectors Lighting Fred Ponedel of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds Special Photographic Kurt Singer and the RCA Victor Division of Radio Corporation of America for the design and development of a continuously variable band elimination filter Sound James Gibbons of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography Lighting 1948 (21st) Marty Martin, Jack Lannan, Russell Shearman, and the RKO Radio Studio Special Effects Department for the development of a new method of simulating falling snow on motion picture sets Lighting A. J. Moran and the Warner Bros. Studio Electrical Department for a method of remote control for shutters on motion picture arc lighting equipment Stage Operations 1949 (22nd) Loren L. Ryder, Bruce H. Denney, Robert J. Carr, and the Paramount Studio Sound Department for the development and application of the supersonic playback and public address system Special Photographic M. B. Paul for the first successful large area seamless translucent backgrounds Stage Operations Herbert E. Britt for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets Stage Operations André Coutant and Jacques Mathot for the design of the Eclair camerette Camera Charles R. Daily and Stephen Csillag and the Paramount Studio Engineering, Editorial, and Music Departments for a new precision method of computing variable tempo click tracks Editorial The International Projector Corporation for a simplified and self adjusting take up device for projection machines Photography Alexander Velcoff for the application to the production of the infra red photographic evaluator Projection 1950 (23rd) No award —
1938 (11-й) John Aalberg и звуковой отдел RKO Radio Studio за применение компрессии к записи переменной площади в кинопроизводстве. Sound
Byron Haskin и отдел спецэффектов Warner Bros. Studio за новаторскую разработку и первое практическое применение в кинопроизводстве проектора с тройной головкой для заднего плана. Special Photographic
+Technical Achievement Award recipients, by year of award (1930–1950) Year Recipient(s) Department 1930/1931 (4th) Electrical Research Products, Inc., for moving coil microphone transmitters Sound RKO Radio Pictures, Inc., for reflex type microphone concentrators Sound RCA Photophone, Inc., for ribbon microphone transmitters Sound 1931/1932 (5th) Eastman Kodak Company for its Type II B Sensitometer Laboratory 1932/1933 (6th) Fox Film Corporation, Fred Jackman and Warner Bros. Pictures, Inc., and Sidney Sanders of RKO Studios, Inc., for their development and effective use of the translucent cellulose screen in composite photography Special Photographic 1934 (7th) Columbia Pictures Corporation for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love Sound Bell and Howell Company for their development of the Bell and Howell Fully Automatic Sound and Picture Printer Laboratory 1935 (8th) Metro Goldwyn Mayer Studio for the development of anti directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company Laboratory William A. Mueller of Warner Bros. First National Studio Sound Department for his method of dubbing, in which the level of the dialogue automatically controls the level of the accompanying music and sound effects Sound Mole Richardson Company for their development of the "Solar spot" spot lamps Lighting Douglas Shearer and Metro Goldwyn Mayer Studio Sound Department for their automatic control system for cameras and sound recording machines and auxiliary stage equipment Stage Operations Electrical Research Products, Inc., for their study and development of equipment to analyze and measure flutter resulting from the travel of the film through the mechanisms used in the recording and reproduction of sound Sound Paramount Productions, Inc., for the design and construction of the Paramount transparency air turbine developing machine Laboratory Nathan Levinson, Director of Sound Recording for Warner Bros. First National Studio, for the method of intercutting variable density and variable area soundtracks to secure an increase in the effective volume range of sound recorded for motion pictures. Sound 1936 (9th) RCA Manufacturing Co., Inc., for their development of a method of recording and printing sound records utilizing a restricted spectrum (known as an ultra violet light recording) Sound Electrical Research Products, Inc., for the ERPI "Type Q" portable recording channel Sound RCA Manufacturing Co., Inc., for furnishing a practical design and specifications for a non slip printer Laboratory United Artists Studio Corp., for the development of a practical, efficient and quiet wind machine. Stage Operations 1937 (10th) John Arnold and the Metro Goldwyn Mayer Studio Camera Department for their improvement of the semi automatic follow focus device and its application to all of the cameras used by the Metro Goldwyn Mayer Studio Photography John Livadary, Director of Sound Recording for Columbia Pictures Corporation, for the application of the bi planar light valve to motion picture sound recording Sound Thomas T. Moulton and the United Artists Studio Sound Department for the application to motion picture sound recording of volume indicators that have peak reading response and linear decibel scales Sound RCA Manufacturing Co., Inc., for the introduction of the modulated high frequency method of determining optimum photographic processing conditions for variable width soundtracks Laboratory Joseph E. Robbins and Paramount Pictures, Inc., for an exceptional application of acoustic principles to the soundproofing of gasoline generators and water pumps Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department for the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer Sound 1938 (11th) John Aalberg and the RKO Radio Studio Sound Department for the application of compression to variable area recording in motion picture production Sound Byron Haskin and the Special Effect Department of Warner Bros. Studio for pioneering the development and for the first practical application to motion picture production of the triple head background projector Special Photographic 1939 (12th) George H. Anderson of Warner Bros. Studio for an improved positive head for sun arcs Lighting John Arnold of Metro Goldwyn Mayer Studio for the M G M mobile camera crane Camera Cranes Thomas T. Moulton, Fred Albin, and the Sound Department of the Samuel Goldwyn Studio for the origination and application of the Delta DB test for sound recording in motion pictures Laboratory Farciot Edouart, Joseph E. Robbins, William Rudolph, and Paramount Pictures, Inc., for the design and construction of a quiet portable treadmill Stage Operations Emery Huse and Ralph B. Atkinson of the Eastman Kodak Company for their specifications for chemical analysis of photographic developers and fixing baths Laboratory Harold Nye of Warner Bros. Studio for a miniature incandescent spot lamp Lighting A. J. Tondreau of Warner Bros. Studio for the design and manufacture of an improved soundtrack printer Laboratory For important contributions in cooperative development of new improved Process Projection Equipment: F. R. Abbott, Haller Belt, Alan Cook, and the Bausch & Lomb Optical Company for faster projection lenses; The Mitchell Camera Company for a new type process projection head; Mole Richardson Company for a new type automatically controlled projection arc lamp; Charles Handley, David Joy and the National Carbon Company for improved and more stable high intensity carbons; Winton Hoch and the Technicolor Motion Picture Corp., for an auxiliary optical system; Don Musgrave and Selznick International Pictures, Inc., for pioneering in the use of coordinated equipment in the production, Gone with the Wind Special Photographic 1940 (13th) Warner Bros. Studio Art Department and Anton Grot for the design and perfection of the Warner Bros. water ripple and wave illusion machine. Stage Operations 1941 (14th) Ray Wilkinson and the Paramount Studio Laboratory for pioneering in the use of and for the first practical application to release printing of fine grain positive stock Film Charles Lootens and the Republic Studio Sound Department for pioneering the use of and for the first practical application to motion picture production of CLASS B push pull variable area recording Sound Wilbur Silvertooth and the Paramount Studio Engineering Department for the design and computation of a relay condenser system applicable to transparency process projection, delivering considerably more usable light Special Photographic Paramount Pictures, Inc., and 20th Century Fox Film Corp., for the development and first practical application to motion picture production of an automatic scene slating device Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department, and to Loren Ryder and the Paramount Studio Sound Department for pioneering the development of fine grain emulsions for variable density original sound recording in studio production Sound 1942 (15th) Robert Henderson and the Paramount Studio Engineering and Transparency Departments for the design and construction of adjustable light bridges and screen frames for transparency process photography Special Photographic Daniel J. Bloomberg and the Republic Studio Sound Department for the design and application to motion picture production of a device for marking action negative for pre selection purposes Laboratory 1943 (16th) Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of an inexpensive method of converting Moviolas to Class B push pull reproduction Sound Charles Galloway Clarke and the 20th Century Fox Studio Camera Department for the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography Photography Farciot Edouart and the Paramount Studio Transparency Department for an automatic electric transparency cueing timer Special Photographic Willard H. Turner and the RKO Radio Studio Sound Department for the design and construction of the phono cue starter Sound 1944 (17th) Linwood Dunn, Cecil Love, and ACME Tool and Manufacturing Company for the design and construction of the Acme Dunn Optical Printer Laboratory Grover Laube and the 20th Century Fox Studio Camera Department for the development of a continuous loop projection device Sound Western Electric Company for the design and construction of the 1126A Limiting Amplifier for variable density sound recording Sound Russell Brown, Ray Hinsdale, and Joseph E. Robbins for the development and production use of the Paramount floating hydraulic boat rocker Stage Operations Gordon Jennings for the design and construction of the Paramount nodal point tripod Photography Radio Corporation of America and the RKO Radio Studio Sound Department for the design and construction of the RKO reverberation chamber Sound Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi interlock selector switch Stage Operations Bernard B. Brown and John P. Livadary for the design and engineering of a separate soloist and chorus recording room Sound Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer Laboratory Paul Lerpae for the design and construction of the Paramount traveling matte projection and photographing device Special Photographic 1945 (18th) Loren L. Ryder, Charles R. Daily, and the Paramount Studio Sound Department for the design, construction, and use of the first dial controlled step by step sound channel line up and test circuit Sound Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain, and Robert C. Stevens of 20th Century Fox Studio and John G. Capstaff of Kodak Company for the 20th Century Eastman Fox film processing machine Laboratory 1946 (19th) Harlan L. Baumbach and the Paramount West Coast Laboratory for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths Laboratory Herbert E. Britt for the development and application of formulas and equipment for producing cloud and smoke effects Stage Operations Burton F. Miller and the Warner Bros. Studio Sound and Electrical Departments for the design and construction of a motion picture arc lighting generator filter Lighting Carl Faulkner of the 20th Century Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvanometer density recording Sound The Mole Richardson Company for the Type 450 super high intensity carbon arc lamp Lighting Arthur F. Blinn, Robert O. Cook, C. O. Slyfield, and the Walt Disney Studio Sound Department for the design and development of an audio finder and track viewer for checking and locating noise in soundtracks Sound Burton F. Miller and the Warner Bros Studio Sound Department for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors Sound Marty Martin and Hal Adkins of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects Stage Operations Harold Nye and the Warner Bros Studio Electrical Department for the development of the electronically controlled fire and gaslight effect Stage Operations 1947 (20th) Nathan Levinson and the Warner Bros. Studio Sound Department for the design and construction of a constant speed sound editing machine Sound Farciot Edouart, C. R. Daily, Hal Corl, H. G. Cartwright, and the Paramount Studio Transparency and Engineering Departments for the first application of a special anti solarizing glass to high intensity background and spot arc projectors Lighting Fred Ponedel of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds Special Photographic Kurt Singer and the RCA Victor Division of Radio Corporation of America for the design and development of a continuously variable band elimination filter Sound James Gibbons of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography Lighting 1948 (21st) Marty Martin, Jack Lannan, Russell Shearman, and the RKO Radio Studio Special Effects Department for the development of a new method of simulating falling snow on motion picture sets Lighting A. J. Moran and the Warner Bros. Studio Electrical Department for a method of remote control for shutters on motion picture arc lighting equipment Stage Operations 1949 (22nd) Loren L. Ryder, Bruce H. Denney, Robert J. Carr, and the Paramount Studio Sound Department for the development and application of the supersonic playback and public address system Special Photographic M. B. Paul for the first successful large area seamless translucent backgrounds Stage Operations Herbert E. Britt for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets Stage Operations André Coutant and Jacques Mathot for the design of the Eclair camerette Camera Charles R. Daily and Stephen Csillag and the Paramount Studio Engineering, Editorial, and Music Departments for a new precision method of computing variable tempo click tracks Editorial The International Projector Corporation for a simplified and self adjusting take up device for projection machines Photography Alexander Velcoff for the application to the production of the infra red photographic evaluator Projection 1950 (23rd) No award —
1939 (12-й) George H. Anderson из Warner Bros. Studio за улучшенную позитивную головку для солнечных дуг. Lighting
John Arnold из Metro Goldwyn Mayer Studio за мобильный кран камеры M G M. Camera Cranes
Thomas T. Moulton, Fred Albin и звуковой отдел Samuel Goldwyn Studio за создание и применение Delta DB теста для звукозаписи в кино. Laboratory
Farciot Edouart, Joseph E. Robbins, William Rudolph и Paramount Pictures, Inc., за проектирование и строительство тихой портативной беговой дорожки. Stage Operations
Emery Huse и Ralph B. Atkinson из Eastman Kodak Company за их спецификации для химического анализа фотопроявителей и фиксирующих растворов. Laboratory
Harold Nye из Warner Bros. Studio за миниатюрную лампу накаливания. Lighting
A. J. Tondreau из Warner Bros. Studio за проектирование и производство улучшенного звукозаписывающего принтера. Laboratory
За важный вклад в совместную разработку нового улучшенного оборудования для процесса проекции: F. R. Abbott, Haller Belt, Alan Cook и Bausch & Lomb Optical Company за более быстрые проекционные линзы; The Mitchell Camera Company за новый тип проекционной головки для процесса; Mole Richardson Company за новый тип автоматически управляемой проекционной лампы; Charles Handley, David Joy и National Carbon Company за улучшенные и более стабильные углероды высокой интенсивности; Winton Hoch и Technicolor Motion Picture Corp., за вспомогательную оптическую систему; Don Musgrave и Selznick International Pictures, Inc., за новаторское использование скоординированного оборудования в производстве фильма "Унесенные ветром". Special Photographic
+Technical Achievement Award recipients, by year of award (1930–1950) Year Recipient(s) Department 1930/1931 (4th) Electrical Research Products, Inc., for moving coil microphone transmitters Sound RKO Radio Pictures, Inc., for reflex type microphone concentrators Sound RCA Photophone, Inc., for ribbon microphone transmitters Sound 1931/1932 (5th) Eastman Kodak Company for its Type II B Sensitometer Laboratory 1932/1933 (6th) Fox Film Corporation, Fred Jackman and Warner Bros. Pictures, Inc., and Sidney Sanders of RKO Studios, Inc., for their development and effective use of the translucent cellulose screen in composite photography Special Photographic 1934 (7th) Columbia Pictures Corporation for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love Sound Bell and Howell Company for their development of the Bell and Howell Fully Automatic Sound and Picture Printer Laboratory 1935 (8th) Metro Goldwyn Mayer Studio for the development of anti directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company Laboratory William A. Mueller of Warner Bros. First National Studio Sound Department for his method of dubbing, in which the level of the dialogue automatically controls the level of the accompanying music and sound effects Sound Mole Richardson Company for their development of the "Solar spot" spot lamps Lighting Douglas Shearer and Metro Goldwyn Mayer Studio Sound Department for their automatic control system for cameras and sound recording machines and auxiliary stage equipment Stage Operations Electrical Research Products, Inc., for their study and development of equipment to analyze and measure flutter resulting from the travel of the film through the mechanisms used in the recording and reproduction of sound Sound Paramount Productions, Inc., for the design and construction of the Paramount transparency air turbine developing machine Laboratory Nathan Levinson, Director of Sound Recording for Warner Bros. First National Studio, for the method of intercutting variable density and variable area soundtracks to secure an increase in the effective volume range of sound recorded for motion pictures. Sound 1936 (9th) RCA Manufacturing Co., Inc., for their development of a method of recording and printing sound records utilizing a restricted spectrum (known as an ultra violet light recording) Sound Electrical Research Products, Inc., for the ERPI "Type Q" portable recording channel Sound RCA Manufacturing Co., Inc., for furnishing a practical design and specifications for a non slip printer Laboratory United Artists Studio Corp., for the development of a practical, efficient and quiet wind machine. Stage Operations 1937 (10th) John Arnold and the Metro Goldwyn Mayer Studio Camera Department for their improvement of the semi automatic follow focus device and its application to all of the cameras used by the Metro Goldwyn Mayer Studio Photography John Livadary, Director of Sound Recording for Columbia Pictures Corporation, for the application of the bi planar light valve to motion picture sound recording Sound Thomas T. Moulton and the United Artists Studio Sound Department for the application to motion picture sound recording of volume indicators that have peak reading response and linear decibel scales Sound RCA Manufacturing Co., Inc., for the introduction of the modulated high frequency method of determining optimum photographic processing conditions for variable width soundtracks Laboratory Joseph E. Robbins and Paramount Pictures, Inc., for an exceptional application of acoustic principles to the soundproofing of gasoline generators and water pumps Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department for the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer Sound 1938 (11th) John Aalberg and the RKO Radio Studio Sound Department for the application of compression to variable area recording in motion picture production Sound Byron Haskin and the Special Effect Department of Warner Bros. Studio for pioneering the development and for the first practical application to motion picture production of the triple head background projector Special Photographic 1939 (12th) George H. Anderson of Warner Bros. Studio for an improved positive head for sun arcs Lighting John Arnold of Metro Goldwyn Mayer Studio for the M G M mobile camera crane Camera Cranes Thomas T. Moulton, Fred Albin, and the Sound Department of the Samuel Goldwyn Studio for the origination and application of the Delta DB test for sound recording in motion pictures Laboratory Farciot Edouart, Joseph E. Robbins, William Rudolph, and Paramount Pictures, Inc., for the design and construction of a quiet portable treadmill Stage Operations Emery Huse and Ralph B. Atkinson of the Eastman Kodak Company for their specifications for chemical analysis of photographic developers and fixing baths Laboratory Harold Nye of Warner Bros. Studio for a miniature incandescent spot lamp Lighting A. J. Tondreau of Warner Bros. Studio for the design and manufacture of an improved soundtrack printer Laboratory For important contributions in cooperative development of new improved Process Projection Equipment: F. R. Abbott, Haller Belt, Alan Cook, and the Bausch & Lomb Optical Company for faster projection lenses; The Mitchell Camera Company for a new type process projection head; Mole Richardson Company for a new type automatically controlled projection arc lamp; Charles Handley, David Joy and the National Carbon Company for improved and more stable high intensity carbons; Winton Hoch and the Technicolor Motion Picture Corp., for an auxiliary optical system; Don Musgrave and Selznick International Pictures, Inc., for pioneering in the use of coordinated equipment in the production, Gone with the Wind Special Photographic 1940 (13th) Warner Bros. Studio Art Department and Anton Grot for the design and perfection of the Warner Bros. water ripple and wave illusion machine. Stage Operations 1941 (14th) Ray Wilkinson and the Paramount Studio Laboratory for pioneering in the use of and for the first practical application to release printing of fine grain positive stock Film Charles Lootens and the Republic Studio Sound Department for pioneering the use of and for the first practical application to motion picture production of CLASS B push pull variable area recording Sound Wilbur Silvertooth and the Paramount Studio Engineering Department for the design and computation of a relay condenser system applicable to transparency process projection, delivering considerably more usable light Special Photographic Paramount Pictures, Inc., and 20th Century Fox Film Corp., for the development and first practical application to motion picture production of an automatic scene slating device Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department, and to Loren Ryder and the Paramount Studio Sound Department for pioneering the development of fine grain emulsions for variable density original sound recording in studio production Sound 1942 (15th) Robert Henderson and the Paramount Studio Engineering and Transparency Departments for the design and construction of adjustable light bridges and screen frames for transparency process photography Special Photographic Daniel J. Bloomberg and the Republic Studio Sound Department for the design and application to motion picture production of a device for marking action negative for pre selection purposes Laboratory 1943 (16th) Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of an inexpensive method of converting Moviolas to Class B push pull reproduction Sound Charles Galloway Clarke and the 20th Century Fox Studio Camera Department for the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography Photography Farciot Edouart and the Paramount Studio Transparency Department for an automatic electric transparency cueing timer Special Photographic Willard H. Turner and the RKO Radio Studio Sound Department for the design and construction of the phono cue starter Sound 1944 (17th) Linwood Dunn, Cecil Love, and ACME Tool and Manufacturing Company for the design and construction of the Acme Dunn Optical Printer Laboratory Grover Laube and the 20th Century Fox Studio Camera Department for the development of a continuous loop projection device Sound Western Electric Company for the design and construction of the 1126A Limiting Amplifier for variable density sound recording Sound Russell Brown, Ray Hinsdale, and Joseph E. Robbins for the development and production use of the Paramount floating hydraulic boat rocker Stage Operations Gordon Jennings for the design and construction of the Paramount nodal point tripod Photography Radio Corporation of America and the RKO Radio Studio Sound Department for the design and construction of the RKO reverberation chamber Sound Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi interlock selector switch Stage Operations Bernard B. Brown and John P. Livadary for the design and engineering of a separate soloist and chorus recording room Sound Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer Laboratory Paul Lerpae for the design and construction of the Paramount traveling matte projection and photographing device Special Photographic 1945 (18th) Loren L. Ryder, Charles R. Daily, and the Paramount Studio Sound Department for the design, construction, and use of the first dial controlled step by step sound channel line up and test circuit Sound Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain, and Robert C. Stevens of 20th Century Fox Studio and John G. Capstaff of Kodak Company for the 20th Century Eastman Fox film processing machine Laboratory 1946 (19th) Harlan L. Baumbach and the Paramount West Coast Laboratory for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths Laboratory Herbert E. Britt for the development and application of formulas and equipment for producing cloud and smoke effects Stage Operations Burton F. Miller and the Warner Bros. Studio Sound and Electrical Departments for the design and construction of a motion picture arc lighting generator filter Lighting Carl Faulkner of the 20th Century Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvanometer density recording Sound The Mole Richardson Company for the Type 450 super high intensity carbon arc lamp Lighting Arthur F. Blinn, Robert O. Cook, C. O. Slyfield, and the Walt Disney Studio Sound Department for the design and development of an audio finder and track viewer for checking and locating noise in soundtracks Sound Burton F. Miller and the Warner Bros Studio Sound Department for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors Sound Marty Martin and Hal Adkins of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects Stage Operations Harold Nye and the Warner Bros Studio Electrical Department for the development of the electronically controlled fire and gaslight effect Stage Operations 1947 (20th) Nathan Levinson and the Warner Bros. Studio Sound Department for the design and construction of a constant speed sound editing machine Sound Farciot Edouart, C. R. Daily, Hal Corl, H. G. Cartwright, and the Paramount Studio Transparency and Engineering Departments for the first application of a special anti solarizing glass to high intensity background and spot arc projectors Lighting Fred Ponedel of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds Special Photographic Kurt Singer and the RCA Victor Division of Radio Corporation of America for the design and development of a continuously variable band elimination filter Sound James Gibbons of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography Lighting 1948 (21st) Marty Martin, Jack Lannan, Russell Shearman, and the RKO Radio Studio Special Effects Department for the development of a new method of simulating falling snow on motion picture sets Lighting A. J. Moran and the Warner Bros. Studio Electrical Department for a method of remote control for shutters on motion picture arc lighting equipment Stage Operations 1949 (22nd) Loren L. Ryder, Bruce H. Denney, Robert J. Carr, and the Paramount Studio Sound Department for the development and application of the supersonic playback and public address system Special Photographic M. B. Paul for the first successful large area seamless translucent backgrounds Stage Operations Herbert E. Britt for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets Stage Operations André Coutant and Jacques Mathot for the design of the Eclair camerette Camera Charles R. Daily and Stephen Csillag and the Paramount Studio Engineering, Editorial, and Music Departments for a new precision method of computing variable tempo click tracks Editorial The International Projector Corporation for a simplified and self adjusting take up device for projection machines Photography Alexander Velcoff for the application to the production of the infra red photographic evaluator Projection 1950 (23rd) No award —
1940 (13-й) Художественный отдел Warner Bros. Studio и Anton Grot за проектирование и совершенствование машины для создания эффекта ряби и волн на воде Warner Bros. Stage Operations
+Technical Achievement Award recipients, by year of award (1930–1950) Year Recipient(s) Department 1930/1931 (4th) Electrical Research Products, Inc., for moving coil microphone transmitters Sound RKO Radio Pictures, Inc., for reflex type microphone concentrators Sound RCA Photophone, Inc., for ribbon microphone transmitters Sound 1931/1932 (5th) Eastman Kodak Company for its Type II B Sensitometer Laboratory 1932/1933 (6th) Fox Film Corporation, Fred Jackman and Warner Bros. Pictures, Inc., and Sidney Sanders of RKO Studios, Inc., for their development and effective use of the translucent cellulose screen in composite photography Special Photographic 1934 (7th) Columbia Pictures Corporation for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love Sound Bell and Howell Company for their development of the Bell and Howell Fully Automatic Sound and Picture Printer Laboratory 1935 (8th) Metro Goldwyn Mayer Studio for the development of anti directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company Laboratory William A. Mueller of Warner Bros. First National Studio Sound Department for his method of dubbing, in which the level of the dialogue automatically controls the level of the accompanying music and sound effects Sound Mole Richardson Company for their development of the "Solar spot" spot lamps Lighting Douglas Shearer and Metro Goldwyn Mayer Studio Sound Department for their automatic control system for cameras and sound recording machines and auxiliary stage equipment Stage Operations Electrical Research Products, Inc., for their study and development of equipment to analyze and measure flutter resulting from the travel of the film through the mechanisms used in the recording and reproduction of sound Sound Paramount Productions, Inc., for the design and construction of the Paramount transparency air turbine developing machine Laboratory Nathan Levinson, Director of Sound Recording for Warner Bros. First National Studio, for the method of intercutting variable density and variable area soundtracks to secure an increase in the effective volume range of sound recorded for motion pictures. Sound 1936 (9th) RCA Manufacturing Co., Inc., for their development of a method of recording and printing sound records utilizing a restricted spectrum (known as an ultra violet light recording) Sound Electrical Research Products, Inc., for the ERPI "Type Q" portable recording channel Sound RCA Manufacturing Co., Inc., for furnishing a practical design and specifications for a non slip printer Laboratory United Artists Studio Corp., for the development of a practical, efficient and quiet wind machine. Stage Operations 1937 (10th) John Arnold and the Metro Goldwyn Mayer Studio Camera Department for their improvement of the semi automatic follow focus device and its application to all of the cameras used by the Metro Goldwyn Mayer Studio Photography John Livadary, Director of Sound Recording for Columbia Pictures Corporation, for the application of the bi planar light valve to motion picture sound recording Sound Thomas T. Moulton and the United Artists Studio Sound Department for the application to motion picture sound recording of volume indicators that have peak reading response and linear decibel scales Sound RCA Manufacturing Co., Inc., for the introduction of the modulated high frequency method of determining optimum photographic processing conditions for variable width soundtracks Laboratory Joseph E. Robbins and Paramount Pictures, Inc., for an exceptional application of acoustic principles to the soundproofing of gasoline generators and water pumps Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department for the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer Sound 1938 (11th) John Aalberg and the RKO Radio Studio Sound Department for the application of compression to variable area recording in motion picture production Sound Byron Haskin and the Special Effect Department of Warner Bros. Studio for pioneering the development and for the first practical application to motion picture production of the triple head background projector Special Photographic 1939 (12th) George H. Anderson of Warner Bros. Studio for an improved positive head for sun arcs Lighting John Arnold of Metro Goldwyn Mayer Studio for the M G M mobile camera crane Camera Cranes Thomas T. Moulton, Fred Albin, and the Sound Department of the Samuel Goldwyn Studio for the origination and application of the Delta DB test for sound recording in motion pictures Laboratory Farciot Edouart, Joseph E. Robbins, William Rudolph, and Paramount Pictures, Inc., for the design and construction of a quiet portable treadmill Stage Operations Emery Huse and Ralph B. Atkinson of the Eastman Kodak Company for their specifications for chemical analysis of photographic developers and fixing baths Laboratory Harold Nye of Warner Bros. Studio for a miniature incandescent spot lamp Lighting A. J. Tondreau of Warner Bros. Studio for the design and manufacture of an improved soundtrack printer Laboratory For important contributions in cooperative development of new improved Process Projection Equipment: F. R. Abbott, Haller Belt, Alan Cook, and the Bausch & Lomb Optical Company for faster projection lenses; The Mitchell Camera Company for a new type process projection head; Mole Richardson Company for a new type automatically controlled projection arc lamp; Charles Handley, David Joy and the National Carbon Company for improved and more stable high intensity carbons; Winton Hoch and the Technicolor Motion Picture Corp., for an auxiliary optical system; Don Musgrave and Selznick International Pictures, Inc., for pioneering in the use of coordinated equipment in the production, Gone with the Wind Special Photographic 1940 (13th) Warner Bros. Studio Art Department and Anton Grot for the design and perfection of the Warner Bros. water ripple and wave illusion machine. Stage Operations 1941 (14th) Ray Wilkinson and the Paramount Studio Laboratory for pioneering in the use of and for the first practical application to release printing of fine grain positive stock Film Charles Lootens and the Republic Studio Sound Department for pioneering the use of and for the first practical application to motion picture production of CLASS B push pull variable area recording Sound Wilbur Silvertooth and the Paramount Studio Engineering Department for the design and computation of a relay condenser system applicable to transparency process projection, delivering considerably more usable light Special Photographic Paramount Pictures, Inc., and 20th Century Fox Film Corp., for the development and first practical application to motion picture production of an automatic scene slating device Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department, and to Loren Ryder and the Paramount Studio Sound Department for pioneering the development of fine grain emulsions for variable density original sound recording in studio production Sound 1942 (15th) Robert Henderson and the Paramount Studio Engineering and Transparency Departments for the design and construction of adjustable light bridges and screen frames for transparency process photography Special Photographic Daniel J. Bloomberg and the Republic Studio Sound Department for the design and application to motion picture production of a device for marking action negative for pre selection purposes Laboratory 1943 (16th) Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of an inexpensive method of converting Moviolas to Class B push pull reproduction Sound Charles Galloway Clarke and the 20th Century Fox Studio Camera Department for the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography Photography Farciot Edouart and the Paramount Studio Transparency Department for an automatic electric transparency cueing timer Special Photographic Willard H. Turner and the RKO Radio Studio Sound Department for the design and construction of the phono cue starter Sound 1944 (17th) Linwood Dunn, Cecil Love, and ACME Tool and Manufacturing Company for the design and construction of the Acme Dunn Optical Printer Laboratory Grover Laube and the 20th Century Fox Studio Camera Department for the development of a continuous loop projection device Sound Western Electric Company for the design and construction of the 1126A Limiting Amplifier for variable density sound recording Sound Russell Brown, Ray Hinsdale, and Joseph E. Robbins for the development and production use of the Paramount floating hydraulic boat rocker Stage Operations Gordon Jennings for the design and construction of the Paramount nodal point tripod Photography Radio Corporation of America and the RKO Radio Studio Sound Department for the design and construction of the RKO reverberation chamber Sound Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi interlock selector switch Stage Operations Bernard B. Brown and John P. Livadary for the design and engineering of a separate soloist and chorus recording room Sound Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer Laboratory Paul Lerpae for the design and construction of the Paramount traveling matte projection and photographing device Special Photographic 1945 (18th) Loren L. Ryder, Charles R. Daily, and the Paramount Studio Sound Department for the design, construction, and use of the first dial controlled step by step sound channel line up and test circuit Sound Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain, and Robert C. Stevens of 20th Century Fox Studio and John G. Capstaff of Kodak Company for the 20th Century Eastman Fox film processing machine Laboratory 1946 (19th) Harlan L. Baumbach and the Paramount West Coast Laboratory for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths Laboratory Herbert E. Britt for the development and application of formulas and equipment for producing cloud and smoke effects Stage Operations Burton F. Miller and the Warner Bros. Studio Sound and Electrical Departments for the design and construction of a motion picture arc lighting generator filter Lighting Carl Faulkner of the 20th Century Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvanometer density recording Sound The Mole Richardson Company for the Type 450 super high intensity carbon arc lamp Lighting Arthur F. Blinn, Robert O. Cook, C. O. Slyfield, and the Walt Disney Studio Sound Department for the design and development of an audio finder and track viewer for checking and locating noise in soundtracks Sound Burton F. Miller and the Warner Bros Studio Sound Department for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors Sound Marty Martin and Hal Adkins of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects Stage Operations Harold Nye and the Warner Bros Studio Electrical Department for the development of the electronically controlled fire and gaslight effect Stage Operations 1947 (20th) Nathan Levinson and the Warner Bros. Studio Sound Department for the design and construction of a constant speed sound editing machine Sound Farciot Edouart, C. R. Daily, Hal Corl, H. G. Cartwright, and the Paramount Studio Transparency and Engineering Departments for the first application of a special anti solarizing glass to high intensity background and spot arc projectors Lighting Fred Ponedel of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds Special Photographic Kurt Singer and the RCA Victor Division of Radio Corporation of America for the design and development of a continuously variable band elimination filter Sound James Gibbons of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography Lighting 1948 (21st) Marty Martin, Jack Lannan, Russell Shearman, and the RKO Radio Studio Special Effects Department for the development of a new method of simulating falling snow on motion picture sets Lighting A. J. Moran and the Warner Bros. Studio Electrical Department for a method of remote control for shutters on motion picture arc lighting equipment Stage Operations 1949 (22nd) Loren L. Ryder, Bruce H. Denney, Robert J. Carr, and the Paramount Studio Sound Department for the development and application of the supersonic playback and public address system Special Photographic M. B. Paul for the first successful large area seamless translucent backgrounds Stage Operations Herbert E. Britt for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets Stage Operations André Coutant and Jacques Mathot for the design of the Eclair camerette Camera Charles R. Daily and Stephen Csillag and the Paramount Studio Engineering, Editorial, and Music Departments for a new precision method of computing variable tempo click tracks Editorial The International Projector Corporation for a simplified and self adjusting take up device for projection machines Photography Alexander Velcoff for the application to the production of the infra red photographic evaluator Projection 1950 (23rd) No award —
1941 (14-й) Ray Wilkinson и лаборатория Paramount Studio за новаторское использование и первое практическое применение к релизному печатанию позитивной пленки с мелким зерном. Film
Charles Lootens и звуковой отдел Republic Studio за новаторское использование и первое практическое применение в кинопроизводстве записи переменной площади класса B push-pull. Sound
Wilbur Silvertooth и инженерный отдел Paramount Studio за проектирование и расчет релейно-конденсаторной системы, применимой к прозрачной процессу проекции, обеспечивающей значительно больше полезного света. Special Photographic
Paramount Pictures, Inc., и 20th Century Fox Film Corp., за разработку и первое практическое применение в кинопроизводстве автоматического устройства для обозначения сцен. Stage Operations
Douglas Shearer и звуковой отдел Metro Goldwyn Mayer Studio, и Loren Ryder и звуковой отдел Paramount Studio за новаторскую разработку мелкозернистых эмульсий для записи оригинального звука переменной плотности в студийном производстве. Sound
+Technical Achievement Award recipients, by year of award (1930–1950) Year Recipient(s) Department 1930/1931 (4th) Electrical Research Products, Inc., for moving coil microphone transmitters Sound RKO Radio Pictures, Inc., for reflex type microphone concentrators Sound RCA Photophone, Inc., for ribbon microphone transmitters Sound 1931/1932 (5th) Eastman Kodak Company for its Type II B Sensitometer Laboratory 1932/1933 (6th) Fox Film Corporation, Fred Jackman and Warner Bros. Pictures, Inc., and Sidney Sanders of RKO Studios, Inc., for their development and effective use of the translucent cellulose screen in composite photography Special Photographic 1934 (7th) Columbia Pictures Corporation for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love Sound Bell and Howell Company for their development of the Bell and Howell Fully Automatic Sound and Picture Printer Laboratory 1935 (8th) Metro Goldwyn Mayer Studio for the development of anti directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company Laboratory William A. Mueller of Warner Bros. First National Studio Sound Department for his method of dubbing, in which the level of the dialogue automatically controls the level of the accompanying music and sound effects Sound Mole Richardson Company for their development of the "Solar spot" spot lamps Lighting Douglas Shearer and Metro Goldwyn Mayer Studio Sound Department for their automatic control system for cameras and sound recording machines and auxiliary stage equipment Stage Operations Electrical Research Products, Inc., for their study and development of equipment to analyze and measure flutter resulting from the travel of the film through the mechanisms used in the recording and reproduction of sound Sound Paramount Productions, Inc., for the design and construction of the Paramount transparency air turbine developing machine Laboratory Nathan Levinson, Director of Sound Recording for Warner Bros. First National Studio, for the method of intercutting variable density and variable area soundtracks to secure an increase in the effective volume range of sound recorded for motion pictures. Sound 1936 (9th) RCA Manufacturing Co., Inc., for their development of a method of recording and printing sound records utilizing a restricted spectrum (known as an ultra violet light recording) Sound Electrical Research Products, Inc., for the ERPI "Type Q" portable recording channel Sound RCA Manufacturing Co., Inc., for furnishing a practical design and specifications for a non slip printer Laboratory United Artists Studio Corp., for the development of a practical, efficient and quiet wind machine. Stage Operations 1937 (10th) John Arnold and the Metro Goldwyn Mayer Studio Camera Department for their improvement of the semi automatic follow focus device and its application to all of the cameras used by the Metro Goldwyn Mayer Studio Photography John Livadary, Director of Sound Recording for Columbia Pictures Corporation, for the application of the bi planar light valve to motion picture sound recording Sound Thomas T. Moulton and the United Artists Studio Sound Department for the application to motion picture sound recording of volume indicators that have peak reading response and linear decibel scales Sound RCA Manufacturing Co., Inc., for the introduction of the modulated high frequency method of determining optimum photographic processing conditions for variable width soundtracks Laboratory Joseph E. Robbins and Paramount Pictures, Inc., for an exceptional application of acoustic principles to the soundproofing of gasoline generators and water pumps Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department for the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer Sound 1938 (11th) John Aalberg and the RKO Radio Studio Sound Department for the application of compression to variable area recording in motion picture production Sound Byron Haskin and the Special Effect Department of Warner Bros. Studio for pioneering the development and for the first practical application to motion picture production of the triple head background projector Special Photographic 1939 (12th) George H. Anderson of Warner Bros. Studio for an improved positive head for sun arcs Lighting John Arnold of Metro Goldwyn Mayer Studio for the M G M mobile camera crane Camera Cranes Thomas T. Moulton, Fred Albin, and the Sound Department of the Samuel Goldwyn Studio for the origination and application of the Delta DB test for sound recording in motion pictures Laboratory Farciot Edouart, Joseph E. Robbins, William Rudolph, and Paramount Pictures, Inc., for the design and construction of a quiet portable treadmill Stage Operations Emery Huse and Ralph B. Atkinson of the Eastman Kodak Company for their specifications for chemical analysis of photographic developers and fixing baths Laboratory Harold Nye of Warner Bros. Studio for a miniature incandescent spot lamp Lighting A. J. Tondreau of Warner Bros. Studio for the design and manufacture of an improved soundtrack printer Laboratory For important contributions in cooperative development of new improved Process Projection Equipment: F. R. Abbott, Haller Belt, Alan Cook, and the Bausch & Lomb Optical Company for faster projection lenses; The Mitchell Camera Company for a new type process projection head; Mole Richardson Company for a new type automatically controlled projection arc lamp; Charles Handley, David Joy and the National Carbon Company for improved and more stable high intensity carbons; Winton Hoch and the Technicolor Motion Picture Corp., for an auxiliary optical system; Don Musgrave and Selznick International Pictures, Inc., for pioneering in the use of coordinated equipment in the production, Gone with the Wind Special Photographic 1940 (13th) Warner Bros. Studio Art Department and Anton Grot for the design and perfection of the Warner Bros. water ripple and wave illusion machine. Stage Operations 1941 (14th) Ray Wilkinson and the Paramount Studio Laboratory for pioneering in the use of and for the first practical application to release printing of fine grain positive stock Film Charles Lootens and the Republic Studio Sound Department for pioneering the use of and for the first practical application to motion picture production of CLASS B push pull variable area recording Sound Wilbur Silvertooth and the Paramount Studio Engineering Department for the design and computation of a relay condenser system applicable to transparency process projection, delivering considerably more usable light Special Photographic Paramount Pictures, Inc., and 20th Century Fox Film Corp., for the development and first practical application to motion picture production of an automatic scene slating device Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department, and to Loren Ryder and the Paramount Studio Sound Department for pioneering the development of fine grain emulsions for variable density original sound recording in studio production Sound 1942 (15th) Robert Henderson and the Paramount Studio Engineering and Transparency Departments for the design and construction of adjustable light bridges and screen frames for transparency process photography Special Photographic Daniel J. Bloomberg and the Republic Studio Sound Department for the design and application to motion picture production of a device for marking action negative for pre selection purposes Laboratory 1943 (16th) Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of an inexpensive method of converting Moviolas to Class B push pull reproduction Sound Charles Galloway Clarke and the 20th Century Fox Studio Camera Department for the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography Photography Farciot Edouart and the Paramount Studio Transparency Department for an automatic electric transparency cueing timer Special Photographic Willard H. Turner and the RKO Radio Studio Sound Department for the design and construction of the phono cue starter Sound 1944 (17th) Linwood Dunn, Cecil Love, and ACME Tool and Manufacturing Company for the design and construction of the Acme Dunn Optical Printer Laboratory Grover Laube and the 20th Century Fox Studio Camera Department for the development of a continuous loop projection device Sound Western Electric Company for the design and construction of the 1126A Limiting Amplifier for variable density sound recording Sound Russell Brown, Ray Hinsdale, and Joseph E. Robbins for the development and production use of the Paramount floating hydraulic boat rocker Stage Operations Gordon Jennings for the design and construction of the Paramount nodal point tripod Photography Radio Corporation of America and the RKO Radio Studio Sound Department for the design and construction of the RKO reverberation chamber Sound Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi interlock selector switch Stage Operations Bernard B. Brown and John P. Livadary for the design and engineering of a separate soloist and chorus recording room Sound Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer Laboratory Paul Lerpae for the design and construction of the Paramount traveling matte projection and photographing device Special Photographic 1945 (18th) Loren L. Ryder, Charles R. Daily, and the Paramount Studio Sound Department for the design, construction, and use of the first dial controlled step by step sound channel line up and test circuit Sound Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain, and Robert C. Stevens of 20th Century Fox Studio and John G. Capstaff of Kodak Company for the 20th Century Eastman Fox film processing machine Laboratory 1946 (19th) Harlan L. Baumbach and the Paramount West Coast Laboratory for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths Laboratory Herbert E. Britt for the development and application of formulas and equipment for producing cloud and smoke effects Stage Operations Burton F. Miller and the Warner Bros. Studio Sound and Electrical Departments for the design and construction of a motion picture arc lighting generator filter Lighting Carl Faulkner of the 20th Century Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvanometer density recording Sound The Mole Richardson Company for the Type 450 super high intensity carbon arc lamp Lighting Arthur F. Blinn, Robert O. Cook, C. O. Slyfield, and the Walt Disney Studio Sound Department for the design and development of an audio finder and track viewer for checking and locating noise in soundtracks Sound Burton F. Miller and the Warner Bros Studio Sound Department for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors Sound Marty Martin and Hal Adkins of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects Stage Operations Harold Nye and the Warner Bros Studio Electrical Department for the development of the electronically controlled fire and gaslight effect Stage Operations 1947 (20th) Nathan Levinson and the Warner Bros. Studio Sound Department for the design and construction of a constant speed sound editing machine Sound Farciot Edouart, C. R. Daily, Hal Corl, H. G. Cartwright, and the Paramount Studio Transparency and Engineering Departments for the first application of a special anti solarizing glass to high intensity background and spot arc projectors Lighting Fred Ponedel of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds Special Photographic Kurt Singer and the RCA Victor Division of Radio Corporation of America for the design and development of a continuously variable band elimination filter Sound James Gibbons of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography Lighting 1948 (21st) Marty Martin, Jack Lannan, Russell Shearman, and the RKO Radio Studio Special Effects Department for the development of a new method of simulating falling snow on motion picture sets Lighting A. J. Moran and the Warner Bros. Studio Electrical Department for a method of remote control for shutters on motion picture arc lighting equipment Stage Operations 1949 (22nd) Loren L. Ryder, Bruce H. Denney, Robert J. Carr, and the Paramount Studio Sound Department for the development and application of the supersonic playback and public address system Special Photographic M. B. Paul for the first successful large area seamless translucent backgrounds Stage Operations Herbert E. Britt for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets Stage Operations André Coutant and Jacques Mathot for the design of the Eclair camerette Camera Charles R. Daily and Stephen Csillag and the Paramount Studio Engineering, Editorial, and Music Departments for a new precision method of computing variable tempo click tracks Editorial The International Projector Corporation for a simplified and self adjusting take up device for projection machines Photography Alexander Velcoff for the application to the production of the infra red photographic evaluator Projection 1950 (23rd) No award —
1942 (15-й) Robert Henderson и инженерный и прозрачный отделы Paramount Studio за проектирование и строительство регулируемых световых мостов и рам для прозрачной процессуальной фотографии. Special Photographic
Daniel J. Bloomberg и звуковой отдел Republic Studio за проектирование и применение к кинопроизводству устройства для маркировки негатива для предварительного отбора. Laboratory
+Technical Achievement Award recipients, by year of award (1930–1950) Year Recipient(s) Department 1930/1931 (4th) Electrical Research Products, Inc., for moving coil microphone transmitters Sound RKO Radio Pictures, Inc., for reflex type microphone concentrators Sound RCA Photophone, Inc., for ribbon microphone transmitters Sound 1931/1932 (5th) Eastman Kodak Company for its Type II B Sensitometer Laboratory 1932/1933 (6th) Fox Film Corporation, Fred Jackman and Warner Bros. Pictures, Inc., and Sidney Sanders of RKO Studios, Inc., for their development and effective use of the translucent cellulose screen in composite photography Special Photographic 1934 (7th) Columbia Pictures Corporation for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love Sound Bell and Howell Company for their development of the Bell and Howell Fully Automatic Sound and Picture Printer Laboratory 1935 (8th) Metro Goldwyn Mayer Studio for the development of anti directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company Laboratory William A. Mueller of Warner Bros. First National Studio Sound Department for his method of dubbing, in which the level of the dialogue automatically controls the level of the accompanying music and sound effects Sound Mole Richardson Company for their development of the "Solar spot" spot lamps Lighting Douglas Shearer and Metro Goldwyn Mayer Studio Sound Department for their automatic control system for cameras and sound recording machines and auxiliary stage equipment Stage Operations Electrical Research Products, Inc., for their study and development of equipment to analyze and measure flutter resulting from the travel of the film through the mechanisms used in the recording and reproduction of sound Sound Paramount Productions, Inc., for the design and construction of the Paramount transparency air turbine developing machine Laboratory Nathan Levinson, Director of Sound Recording for Warner Bros. First National Studio, for the method of intercutting variable density and variable area soundtracks to secure an increase in the effective volume range of sound recorded for motion pictures. Sound 1936 (9th) RCA Manufacturing Co., Inc., for their development of a method of recording and printing sound records utilizing a restricted spectrum (known as an ultra violet light recording) Sound Electrical Research Products, Inc., for the ERPI "Type Q" portable recording channel Sound RCA Manufacturing Co., Inc., for furnishing a practical design and specifications for a non slip printer Laboratory United Artists Studio Corp., for the development of a practical, efficient and quiet wind machine. Stage Operations 1937 (10th) John Arnold and the Metro Goldwyn Mayer Studio Camera Department for their improvement of the semi automatic follow focus device and its application to all of the cameras used by the Metro Goldwyn Mayer Studio Photography John Livadary, Director of Sound Recording for Columbia Pictures Corporation, for the application of the bi planar light valve to motion picture sound recording Sound Thomas T. Moulton and the United Artists Studio Sound Department for the application to motion picture sound recording of volume indicators that have peak reading response and linear decibel scales Sound RCA Manufacturing Co., Inc., for the introduction of the modulated high frequency method of determining optimum photographic processing conditions for variable width soundtracks Laboratory Joseph E. Robbins and Paramount Pictures, Inc., for an exceptional application of acoustic principles to the soundproofing of gasoline generators and water pumps Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department for the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer Sound 1938 (11th) John Aalberg and the RKO Radio Studio Sound Department for the application of compression to variable area recording in motion picture production Sound Byron Haskin and the Special Effect Department of Warner Bros. Studio for pioneering the development and for the first practical application to motion picture production of the triple head background projector Special Photographic 1939 (12th) George H. Anderson of Warner Bros. Studio for an improved positive head for sun arcs Lighting John Arnold of Metro Goldwyn Mayer Studio for the M G M mobile camera crane Camera Cranes Thomas T. Moulton, Fred Albin, and the Sound Department of the Samuel Goldwyn Studio for the origination and application of the Delta DB test for sound recording in motion pictures Laboratory Farciot Edouart, Joseph E. Robbins, William Rudolph, and Paramount Pictures, Inc., for the design and construction of a quiet portable treadmill Stage Operations Emery Huse and Ralph B. Atkinson of the Eastman Kodak Company for their specifications for chemical analysis of photographic developers and fixing baths Laboratory Harold Nye of Warner Bros. Studio for a miniature incandescent spot lamp Lighting A. J. Tondreau of Warner Bros. Studio for the design and manufacture of an improved soundtrack printer Laboratory For important contributions in cooperative development of new improved Process Projection Equipment: F. R. Abbott, Haller Belt, Alan Cook, and the Bausch & Lomb Optical Company for faster projection lenses; The Mitchell Camera Company for a new type process projection head; Mole Richardson Company for a new type automatically controlled projection arc lamp; Charles Handley, David Joy and the National Carbon Company for improved and more stable high intensity carbons; Winton Hoch and the Technicolor Motion Picture Corp., for an auxiliary optical system; Don Musgrave and Selznick International Pictures, Inc., for pioneering in the use of coordinated equipment in the production, Gone with the Wind Special Photographic 1940 (13th) Warner Bros. Studio Art Department and Anton Grot for the design and perfection of the Warner Bros. water ripple and wave illusion machine. Stage Operations 1941 (14th) Ray Wilkinson and the Paramount Studio Laboratory for pioneering in the use of and for the first practical application to release printing of fine grain positive stock Film Charles Lootens and the Republic Studio Sound Department for pioneering the use of and for the first practical application to motion picture production of CLASS B push pull variable area recording Sound Wilbur Silvertooth and the Paramount Studio Engineering Department for the design and computation of a relay condenser system applicable to transparency process projection, delivering considerably more usable light Special Photographic Paramount Pictures, Inc., and 20th Century Fox Film Corp., for the development and first practical application to motion picture production of an automatic scene slating device Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department, and to Loren Ryder and the Paramount Studio Sound Department for pioneering the development of fine grain emulsions for variable density original sound recording in studio production Sound 1942 (15th) Robert Henderson and the Paramount Studio Engineering and Transparency Departments for the design and construction of adjustable light bridges and screen frames for transparency process photography Special Photographic Daniel J. Bloomberg and the Republic Studio Sound Department for the design and application to motion picture production of a device for marking action negative for pre selection purposes Laboratory 1943 (16th) Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of an inexpensive method of converting Moviolas to Class B push pull reproduction Sound Charles Galloway Clarke and the 20th Century Fox Studio Camera Department for the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography Photography Farciot Edouart and the Paramount Studio Transparency Department for an automatic electric transparency cueing timer Special Photographic Willard H. Turner and the RKO Radio Studio Sound Department for the design and construction of the phono cue starter Sound 1944 (17th) Linwood Dunn, Cecil Love, and ACME Tool and Manufacturing Company for the design and construction of the Acme Dunn Optical Printer Laboratory Grover Laube and the 20th Century Fox Studio Camera Department for the development of a continuous loop projection device Sound Western Electric Company for the design and construction of the 1126A Limiting Amplifier for variable density sound recording Sound Russell Brown, Ray Hinsdale, and Joseph E. Robbins for the development and production use of the Paramount floating hydraulic boat rocker Stage Operations Gordon Jennings for the design and construction of the Paramount nodal point tripod Photography Radio Corporation of America and the RKO Radio Studio Sound Department for the design and construction of the RKO reverberation chamber Sound Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi interlock selector switch Stage Operations Bernard B. Brown and John P. Livadary for the design and engineering of a separate soloist and chorus recording room Sound Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer Laboratory Paul Lerpae for the design and construction of the Paramount traveling matte projection and photographing device Special Photographic 1945 (18th) Loren L. Ryder, Charles R. Daily, and the Paramount Studio Sound Department for the design, construction, and use of the first dial controlled step by step sound channel line up and test circuit Sound Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain, and Robert C. Stevens of 20th Century Fox Studio and John G. Capstaff of Kodak Company for the 20th Century Eastman Fox film processing machine Laboratory 1946 (19th) Harlan L. Baumbach and the Paramount West Coast Laboratory for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths Laboratory Herbert E. Britt for the development and application of formulas and equipment for producing cloud and smoke effects Stage Operations Burton F. Miller and the Warner Bros. Studio Sound and Electrical Departments for the design and construction of a motion picture arc lighting generator filter Lighting Carl Faulkner of the 20th Century Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvanometer density recording Sound The Mole Richardson Company for the Type 450 super high intensity carbon arc lamp Lighting Arthur F. Blinn, Robert O. Cook, C. O. Slyfield, and the Walt Disney Studio Sound Department for the design and development of an audio finder and track viewer for checking and locating noise in soundtracks Sound Burton F. Miller and the Warner Bros Studio Sound Department for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors Sound Marty Martin and Hal Adkins of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects Stage Operations Harold Nye and the Warner Bros Studio Electrical Department for the development of the electronically controlled fire and gaslight effect Stage Operations 1947 (20th) Nathan Levinson and the Warner Bros. Studio Sound Department for the design and construction of a constant speed sound editing machine Sound Farciot Edouart, C. R. Daily, Hal Corl, H. G. Cartwright, and the Paramount Studio Transparency and Engineering Departments for the first application of a special anti solarizing glass to high intensity background and spot arc projectors Lighting Fred Ponedel of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds Special Photographic Kurt Singer and the RCA Victor Division of Radio Corporation of America for the design and development of a continuously variable band elimination filter Sound James Gibbons of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography Lighting 1948 (21st) Marty Martin, Jack Lannan, Russell Shearman, and the RKO Radio Studio Special Effects Department for the development of a new method of simulating falling snow on motion picture sets Lighting A. J. Moran and the Warner Bros. Studio Electrical Department for a method of remote control for shutters on motion picture arc lighting equipment Stage Operations 1949 (22nd) Loren L. Ryder, Bruce H. Denney, Robert J. Carr, and the Paramount Studio Sound Department for the development and application of the supersonic playback and public address system Special Photographic M. B. Paul for the first successful large area seamless translucent backgrounds Stage Operations Herbert E. Britt for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets Stage Operations André Coutant and Jacques Mathot for the design of the Eclair camerette Camera Charles R. Daily and Stephen Csillag and the Paramount Studio Engineering, Editorial, and Music Departments for a new precision method of computing variable tempo click tracks Editorial The International Projector Corporation for a simplified and self adjusting take up device for projection machines Photography Alexander Velcoff for the application to the production of the infra red photographic evaluator Projection 1950 (23rd) No award —
1943 (16-й) Daniel J. Bloomberg и звуковой отдел Republic Studio за проектирование и разработку недорогого метода преобразования Moviola в воспроизведение класса B push-pull. Sound
Charles Galloway Clarke и 20th Century Fox Studio Ca...
+Technical Achievement Award recipients, by year of award (1930–1950) Year Recipient(s) Department 1930/1931 (4th) Electrical Research Products, Inc., for moving coil microphone transmitters Sound RKO Radio Pictures, Inc., for reflex type microphone concentrators Sound RCA Photophone, Inc., for ribbon microphone transmitters Sound 1931/1932 (5th) Eastman Kodak Company for its Type II B Sensitometer Laboratory 1932/1933 (6th) Fox Film Corporation, Fred Jackman and Warner Bros. Pictures, Inc., and Sidney Sanders of RKO Studios, Inc., for their development and effective use of the translucent cellulose screen in composite photography Special Photographic 1934 (7th) Columbia Pictures Corporation for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love Sound Bell and Howell Company for their development of the Bell and Howell Fully Automatic Sound and Picture Printer Laboratory 1935 (8th) Metro Goldwyn Mayer Studio for the development of anti directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company Laboratory William A. Mueller of Warner Bros. First National Studio Sound Department for his method of dubbing, in which the level of the dialogue automatically controls the level of the accompanying music and sound effects Sound Mole Richardson Company for their development of the "Solar spot" spot lamps Lighting Douglas Shearer and Metro Goldwyn Mayer Studio Sound Department for their automatic control system for cameras and sound recording machines and auxiliary stage equipment Stage Operations Electrical Research Products, Inc., for their study and development of equipment to analyze and measure flutter resulting from the travel of the film through the mechanisms used in the recording and reproduction of sound Sound Paramount Productions, Inc., for the design and construction of the Paramount transparency air turbine developing machine Laboratory Nathan Levinson, Director of Sound Recording for Warner Bros. First National Studio, for the method of intercutting variable density and variable area soundtracks to secure an increase in the effective volume range of sound recorded for motion pictures. Sound 1936 (9th) RCA Manufacturing Co., Inc., for their development of a method of recording and printing sound records utilizing a restricted spectrum (known as an ultra violet light recording) Sound Electrical Research Products, Inc., for the ERPI "Type Q" portable recording channel Sound RCA Manufacturing Co., Inc., for furnishing a practical design and specifications for a non slip printer Laboratory United Artists Studio Corp., for the development of a practical, efficient and quiet wind machine. Stage Operations 1937 (10th) John Arnold and the Metro Goldwyn Mayer Studio Camera Department for their improvement of the semi automatic follow focus device and its application to all of the cameras used by the Metro Goldwyn Mayer Studio Photography John Livadary, Director of Sound Recording for Columbia Pictures Corporation, for the application of the bi planar light valve to motion picture sound recording Sound Thomas T. Moulton and the United Artists Studio Sound Department for the application to motion picture sound recording of volume indicators that have peak reading response and linear decibel scales Sound RCA Manufacturing Co., Inc., for the introduction of the modulated high frequency method of determining optimum photographic processing conditions for variable width soundtracks Laboratory Joseph E. Robbins and Paramount Pictures, Inc., for an exceptional application of acoustic principles to the soundproofing of gasoline generators and water pumps Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department for the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer Sound 1938 (11th) John Aalberg and the RKO Radio Studio Sound Department for the application of compression to variable area recording in motion picture production Sound Byron Haskin and the Special Effect Department of Warner Bros. Studio for pioneering the development and for the first practical application to motion picture production of the triple head background projector Special Photographic 1939 (12th) George H. Anderson of Warner Bros. Studio for an improved positive head for sun arcs Lighting John Arnold of Metro Goldwyn Mayer Studio for the M G M mobile camera crane Camera Cranes Thomas T. Moulton, Fred Albin, and the Sound Department of the Samuel Goldwyn Studio for the origination and application of the Delta DB test for sound recording in motion pictures Laboratory Farciot Edouart, Joseph E. Robbins, William Rudolph, and Paramount Pictures, Inc., for the design and construction of a quiet portable treadmill Stage Operations Emery Huse and Ralph B. Atkinson of the Eastman Kodak Company for their specifications for chemical analysis of photographic developers and fixing baths Laboratory Harold Nye of Warner Bros. Studio for a miniature incandescent spot lamp Lighting A. J. Tondreau of Warner Bros. Studio for the design and manufacture of an improved soundtrack printer Laboratory For important contributions in cooperative development of new improved Process Projection Equipment: F. R. Abbott, Haller Belt, Alan Cook, and the Bausch & Lomb Optical Company for faster projection lenses; The Mitchell Camera Company for a new type process projection head; Mole Richardson Company for a new type automatically controlled projection arc lamp; Charles Handley, David Joy and the National Carbon Company for improved and more stable high intensity carbons; Winton Hoch and the Technicolor Motion Picture Corp., for an auxiliary optical system; Don Musgrave and Selznick International Pictures, Inc., for pioneering in the use of coordinated equipment in the production, Gone with the Wind Special Photographic 1940 (13th) Warner Bros. Studio Art Department and Anton Grot for the design and perfection of the Warner Bros. water ripple and wave illusion machine. Stage Operations 1941 (14th) Ray Wilkinson and the Paramount Studio Laboratory for pioneering in the use of and for the first practical application to release printing of fine grain positive stock Film Charles Lootens and the Republic Studio Sound Department for pioneering the use of and for the first practical application to motion picture production of CLASS B push pull variable area recording Sound Wilbur Silvertooth and the Paramount Studio Engineering Department for the design and computation of a relay condenser system applicable to transparency process projection, delivering considerably more usable light Special Photographic Paramount Pictures, Inc., and 20th Century Fox Film Corp., for the development and first practical application to motion picture production of an automatic scene slating device Stage Operations Douglas Shearer and the Metro Goldwyn Mayer Studio Sound Department, and to Loren Ryder and the Paramount Studio Sound Department for pioneering the development of fine grain emulsions for variable density original sound recording in studio production Sound 1942 (15th) Robert Henderson and the Paramount Studio Engineering and Transparency Departments for the design and construction of adjustable light bridges and screen frames for transparency process photography Special Photographic Daniel J. Bloomberg and the Republic Studio Sound Department for the design and application to motion picture production of a device for marking action negative for pre selection purposes Laboratory 1943 (16th) Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of an inexpensive method of converting Moviolas to Class B push pull reproduction Sound Charles Galloway Clarke and the 20th Century Fox Studio Camera Department for the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography Photography Farciot Edouart and the Paramount Studio Transparency Department for an automatic electric transparency cueing timer Special Photographic Willard H. Turner and the RKO Radio Studio Sound Department for the design and construction of the phono cue starter Sound 1944 (17th) Linwood Dunn, Cecil Love, and ACME Tool and Manufacturing Company for the design and construction of the Acme Dunn Optical Printer Laboratory Grover Laube and the 20th Century Fox Studio Camera Department for the development of a continuous loop projection device Sound Western Electric Company for the design and construction of the 1126A Limiting Amplifier for variable density sound recording Sound Russell Brown, Ray Hinsdale, and Joseph E. Robbins for the development and production use of the Paramount floating hydraulic boat rocker Stage Operations Gordon Jennings for the design and construction of the Paramount nodal point tripod Photography Radio Corporation of America and the RKO Radio Studio Sound Department for the design and construction of the RKO reverberation chamber Sound Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi interlock selector switch Stage Operations Bernard B. Brown and John P. Livadary for the design and engineering of a separate soloist and chorus recording room Sound Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer Laboratory Paul Lerpae for the design and construction of the Paramount traveling matte projection and photographing device Special Photographic 1945 (18th) Loren L. Ryder, Charles R. Daily, and the Paramount Studio Sound Department for the design, construction, and use of the first dial controlled step by step sound channel line up and test circuit Sound Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain, and Robert C. Stevens of 20th Century Fox Studio and John G. Capstaff of Kodak Company for the 20th Century Eastman Fox film processing machine Laboratory 1946 (19th) Harlan L. Baumbach and the Paramount West Coast Laboratory for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths Laboratory Herbert E. Britt for the development and application of formulas and equipment for producing cloud and smoke effects Stage Operations Burton F. Miller and the Warner Bros. Studio Sound and Electrical Departments for the design and construction of a motion picture arc lighting generator filter Lighting Carl Faulkner of the 20th Century Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvanometer density recording Sound The Mole Richardson Company for the Type 450 super high intensity carbon arc lamp Lighting Arthur F. Blinn, Robert O. Cook, C. O. Slyfield, and the Walt Disney Studio Sound Department for the design and development of an audio finder and track viewer for checking and locating noise in soundtracks Sound Burton F. Miller and the Warner Bros Studio Sound Department for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors Sound Marty Martin and Hal Adkins of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects Stage Operations Harold Nye and the Warner Bros Studio Electrical Department for the development of the electronically controlled fire and gaslight effect Stage Operations 1947 (20th) Nathan Levinson and the Warner Bros. Studio Sound Department for the design and construction of a constant speed sound editing machine Sound Farciot Edouart, C. R. Daily, Hal Corl, H. G. Cartwright, and the Paramount Studio Transparency and Engineering Departments for the first application of a special anti solarizing glass to high intensity background and spot arc projectors Lighting Fred Ponedel of Warner Bros. Studio for pioneering the fabrication and practical application to motion picture color photography of large translucent photographic backgrounds Special Photographic Kurt Singer and the RCA Victor Division of Radio Corporation of America for the design and development of a continuously variable band elimination filter Sound James Gibbons of Warner Bros. Studio for the development and production of large dyed plastic filters for motion picture photography Lighting 1948 (21st) Marty Martin, Jack Lannan, Russell Shearman, and the RKO Radio Studio Special Effects Department for the development of a new method of simulating falling snow on motion picture sets Lighting A. J. Moran and the Warner Bros. Studio Electrical Department for a method of remote control for shutters on motion picture arc lighting equipment Stage Operations 1949 (22nd) Loren L. Ryder, Bruce H. Denney, Robert J. Carr, and the Paramount Studio Sound Department for the development and application of the supersonic playback and public address system Special Photographic M. B. Paul for the first successful large area seamless translucent backgrounds Stage Operations Herbert E. Britt for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets Stage Operations André Coutant and Jacques Mathot for the design of the Eclair camerette Camera Charles R. Daily and Stephen Csillag and the Paramount Studio Engineering, Editorial, and Music Departments for a new precision method of computing variable tempo click tracks Editorial The International Projector Corporation for a simplified and self adjusting take up device for projection machines Photography Alexander Velcoff for the application to the production of the infra red photographic evaluator Projection 1950 (23rd) No award —
19511970 год
Получатели премии за технические достижения, по годам номинации (1951–1970)
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Год Получатель(и) Отдел
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1951 (24-й) Ричард М. Хафф, Фрэнк П. Хернфельд, Гарланд С. Мизенер и подразделение Ansco Film компании General Aniline & Film Corporation за разработку цветового тестера Ansco
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Лаборатория Фред Понедель, Ральф Айрес и Джордж Браун из Warner Bros. Studio за разработку водомотора, приводимого в действие воздухом, для создания течения, волн и белой воды в морских сценах в кинофильмах
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Сценическая работа Глен Робинсон и Строительный отдел Metro Goldwyn Mayer Studio за разработку нового резака для струнной проволоки и кабеля
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Сценическая работа Джек Гейлорд и Строительный отдел Metro Goldwyn Mayer Studio за разработку искусственного снегопада из бальзы
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Сценическая работа Карлос Ривас из Metro Goldwyn Mayer Studio за разработку автоматического магнитного склейщика пленки
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Редакция
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1952 (25-й) Отделы проекции, фотосъемки и разработки инженерных решений Metro Goldwyn Mayer Studio за усовершенствованный метод проецирования фоновых изображений
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Специальная фотосъемка Джон Г. Фрэйн и Р. Р. Сковилл и Westrex Corporation за метод измерения искажений в звуковоспроизведении
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Звук Photo Research Corporation за создание измерителя цветовой температуры Spectra
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Фотосъемка Густав Жируш за разработку автоматического склейщика пленки Robot
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Редакция Карлос Ривас из Metro Goldwyn Mayer Studio за разработку звукового репродуктора для магнитной пленки
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Звук
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1953 (26-й) Westrex Corporation за разработку и создание нового аппарата для монтажа пленки
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Редакция
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1954 (27-й) Дэвид С. Хорсли и Специальный фотоотдел Universal International Studio за портативное устройство дистанционного управления для проекторов
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Специальная фотосъемка Карл Фрейнд и Фрэнк Кранделл из Photo Research Corporation за разработку и создание прямого измерителя яркости
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Фотосъемка Уэсли С. Миллер, Дж. У. Стаффорд, К. М. Фриерсон и Звуковой отдел Metro Goldwyn Mayer Studio за устройство для электронного сравнения звуковой печати
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Звук Джон П. Ливадари, Ллойд Рассел и Звуковой отдел Columbia Studio за усовершенствованный ограничитель амплитуды, применяемый к устройствам сравнения уровней звука
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Звук Роланд Миллер и Макс Гоеппингер из Magnascope Corporation за разработку и создание устройства для просмотра магнитной звуковой дорожки на основе катодной трубки
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Звук Карлос Ривас, Г. М. Спраг и Звуковой отдел Metro Goldwyn Mayer Studio за разработку аппарата для монтажа магнитного звука
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Звук Фред Уилсон из Звукового отдела Samuel Goldwyn Studio за разработку многополосного эквалайзера с переменным коэффициентом
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Звук П. К. Янг из Проекционного отдела Metro Goldwyn Mayer Studio за практическое применение насадки с переменным фокусным расстоянием к объективам кинопроекторов
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Проекция Фред Кнот и Ориен Эрнст из Технического отдела Universal International Studio за разработку портативной, электрической машины для создания сухого тумана
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Сценическая работа
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1955 (28-й) Киностудия 20th Century Fox и компания Bausch & Lomb Optical за новые комбинационные линзы для CinemaScope
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Линзы и фильтры Уолтер Джолли, Морис Ларсон, Р. Х. Спайс из киностудии 20th Century Fox за процесс распыления, создающий имитацию металлических поверхностей
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Реквизит Стив Криланович за усовершенствованную камерную тележку с многонаправленным рулевым управлением
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Камерные краны Дэйв Андерсон из киностудии 20th Century Fox за усовершенствованный прожектор, способный поддерживать фиксированный круг света с постоянной интенсивностью на разных расстояниях
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Освещение Лорен Л. Райдер, Чарльз Уэст, Генри Фраккер и Paramount Studios за индекс проекционной пленки для установления правильной кадрировки для различных соотношений сторон
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Проекция Фарсиот Эдуар, Хэл Корл и Отдел прозрачности Paramount Studio за усовершенствованный двухстереоскопический проектор фоновых изображений
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Специальная фотосъемка
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1956 (29-й) Ричард Х. Рейнджер из Rangertone, Inc., за разработку синхронной системы записи и воспроизведения для магнитной ленты шириной в четверть дюйма
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Звук Тед Хирш, Карл Хауге и Эдвард Х. Райхард из Consolidated Film Industries за автоматический счетчик сцен для проекционных залов лаборатории
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Лаборатория Технические отделы Paramount Pictures Corp. за проектирование и разработку легкой горизонтально перемещающейся камеры VistaVision
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Камера Рой С. Стюарт и сыновья из Stewart Trans Lux Corp., доктор К. Р. Дэйли и Отдел прозрачности Paramount Pictures Corp. за проектирование и разработку задних проекционных экранов HiTrans и Para HiTrans
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Специальная фотосъемка Строительный отдел Metro Goldwyn Mayer Studio за новую портативную машину для создания тумана
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Сценическая работа Дэниел Дж. Блумберг, Джон Понд, Уильям Уэйд и Инженерный и Камерный отделы Republic Studio за адаптацию Naturama к камере Mitchell
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Фотосъемка
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1957 (30-й) Чарльз Э. Саттер, Уильям Б. Смит из Paramount Pictures Corp. и General Cable Corp. за проектирование и применение в студийных условиях легкого электрического кабеля и разъемов из алюминия
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Сценическая работа
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1958 (31-й) Вилли Борберг из General Precision Laboratory, Inc., за разработку высокоскоростного прерывистого движения для 35-мм кинотеатрального проекционного оборудования
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Проекция Фред Понедель, Джордж Браун и Конрад Бой из Отдела специальных эффектов Warner Bros. за проектирование и изготовление нового быстрострельного мраморного пистолета
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Сценическая работа
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1959 (32-й) Уб Айверкс из Walt Disney Productions за разработку усовершенствованного оптического принтера для специальных эффектов и матовых кадров
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Лаборатория Э. Л. Стоунс, Глен Робинсон, Уинфилд Хаббард и Лютер Ньюман из Строительного отдела Metro Goldwyn Mayer Studio за разработку многокабельной лебедки с дистанционным управлением
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Сценическая работа
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1960 (33-й) Артур Холкомб, Петро Влахос и Камерный отдел Columbia Studio за устройство индикации мерцания камеры
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Фотосъемка Энтони Палья и Механический отдел специальных эффектов 20th Century Fox Studio за проектирование и изготовление миниатюрной зенитной пушки и боеприпасов
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Сценическая работа Карл Хауге, Роберт Грубель и Эдвард Х. Райхард из Consolidated Film Industries за разработку автоматической системы пополнения проявителя
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Лаборатория
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1961 (34-й) Hurletron, Inc., Electric Eye Equipment Division, за автоматическую систему смены освещения для кинопринтеров
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Лаборатория Уодсворт Э. Поль и Technicolor Corp. за интегрированный процесс переноса звука и изображения
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Лаборатория
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1962 (35-й) Electro Voice, Inc., за высоконаправленный динамический линейный микрофон
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Звук Луи Г. Маккензи за селективный звуковой ретранслятор эффектов
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Звук
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1963 (36-й) Дуглас Ширер и А. Арнольд Гиллеспи из Metro Goldwyn Mayer Studios за разработку усовершенствованной системы проекции фонового процесса
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Специальная фотосъемка
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1964 (37-й) Милтон Форман, Ричард Б. Гликман и Дэниел Дж. Перлман из ColorTran Industries за достижения в проектировании и применении в кинофотографии осветительных приборов, использующих лампы с иодистым кварцем
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Освещение Stewart Filmscreen Corporation за бесшовный полупрозрачный синий экран для путешествующей матовой цветной кинематографии
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Специальная фотосъемка Энтони Палья и Механический отдел специальных эффектов 20th Century Fox Studio за усовершенствованный метод создания эффектов взрыва в кинофильмах
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Сценическая работа Эдвард Х. Райхард и Карл В. Хауге из Consolidated Film Industries за разработку детектора приближения и его применение к кинопринтерам
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Лаборатория Эдвард Х. Райхард, Леонард Л. Соколов и Карл В. Хауге из Consolidated Film Industries за разработку и применение в практике кинолаборатории стробоскопического тестера сцен для цветной и черно-белой пленки
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Лаборатория Нельсон Тайлер за разработку и изготовление усовершенствованной системы камеры для вертолета
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
Фотосъемка
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1965 (38-й) Награда не присуждалась
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1966 (39-й) Panavision, Incorporated, за разработку инвертора мощности Panatron и его применение к кинокамерам…
+Technical Achievement Award recipients, by year of nomination (1951–1970) Year Recipient(s) Department 1951 (24th) Richard M. Haff, Frank P. Herrnfeld, Garland C. Misener, and the Ansco Film Division of General Aniline & Film Corporation for the development of the Ansco color scene tester Laboratory Fred Ponedel, Ralph Ayres, and George Brown of Warner Bros. Studio for an air driven water motor to provide flow, wake, and white water for marine sequences in motion pictures Stage Operations Glen Robinson and the Metro Goldwyn Mayer Studio Construction Department for the development of a new music wire and cable cutter Stage Operations Jack Gaylord and the Metro Goldwyn Mayer Studio Construction Department for the development of balsa falling snow Stage Operations Carlos Rivas of Metro Goldwyn Mayer Studio for the development of an automatic magnetic film splicer Editorial 1952 (25th) The Projection, Still Photographic, and Development Engineering Departments of Metro Goldwyn Mayer Studio for an improved method of projecting photographic backgrounds Special Photographic John G. Frayne and R. R. Scoville and Westrex Corporation for a method of measuring distortion in sound reproduction Sound Photo Research Corporation for creating the Spectra color temperature meter Photography Gustav Jirouch for the design of the Robot automatic film splicer Editorial Carlos Rivas of Metro Goldwyn Mayer Studio for the development of a sound reproducer for magnetic film Sound 1953 (26th) Westrex Corporation for the design and construction of a new film editing machine Editorial 1954 (27th) David S. Horsley and the Universal International Studio Special Photographic Department for a portable remote control device for process projectors Special Photographic Karl Freund and Frank Crandell of Photo Research Corporation for the design and development of a direct reading brightness meter Photography Wesley C. Miller, J. W. Stafford, K. M. Frierson, and the Metro Goldwyn Mayer Studio Sound Department for an electronic sound printing comparison device Sound John P. Livadary and Lloyd Russell and the Columbia Studio Sound Department for an improved limiting amplifier as applied to sound level comparison devices Sound Roland Miller and Max Goeppinger of Magnascope Corporation for the design and development of a cathode ray magnetic soundtrack viewer Sound Carlos Rivas, G. M. Sprague, and the Metro Goldwyn Mayer Studio Sound Department for the design of a magnetic sound editing machine Sound Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple band equalizer Sound P. C. Young of the Metro Goldwyn Mayer Studio Projection Department for the practical application of a variable focal length attachment to motion picture projector lenses Projection Fred Knoth and Orien Ernst of the Universal International Studio Technical Department for the development of a hand portable, electric, dry oil fog machine Stage Operations 1955 (28th) 20th Century Fox Studio and the Bausch & Lomb Optical Company for the new combination lenses for CinemaScope Photography Lenses and Filters Walter Jolley, Maurice Larson, R. H. Spies of 20th Century Fox Studio for a spraying process that creates simulated metallic surfaces Props Steve Krilanovich for an improved camera dolly incorporating multi directional steering Camera Cranes Dave Anderson of 20th Century Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances Lighting Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios Projection Farciot Edouart, Hal Corl, and the Paramount Studio Transparency Department for an improved dual stereopticon background projector Special Photographic 1956 (29th) Richard H. Ranger of Rangertone, Inc., for the development of a synchronous recording and reproducing system for quarter inch magnetic tape Sound Ted Hirsch, Carl Hauge, and Edward H. Reichard of Consolidated Film Industries for an automatic scene counter for laboratory projection rooms Laboratory The Technical Departments of Paramount Pictures Corp., for the engineering and development of the Paramount light weight horizontal movement VistaVision camera Camera Roy C. Stewart and sons of Stewart Trans Lux Corp., Dr. C. R. Daily, and the Transparency Department of Paramount Pictures Corp., for the engineering and development of the HiTrans and Para HiTrans rear projection screens Special Photographic The Construction Department of Metro Goldwyn Mayer Studio for a new hand portable fog machine Stage Operations Daniel J. Bloomberg, John Pond, William Wade, and the Engineering and Camera Departments of Republic Studio for the Naturama adaptation to the Mitchell camera Photography 1957 (30th) Charles E. Sutter, William B. Smith of Paramount Pictures Corp., and General Cable Corp., for the engineering and application to studio use of aluminum lightweight electrical cable and connectors. Stage Operations 1958 (31st) Willy Borberg of the General Precision Laboratory, Inc., for the development of a high speed intermittent movement for 35mm motion picture theatre projection equipment Projection Fred Ponedel, George Brown, and Conrad Boye of the Warner Bros. Special Effects Department for the design and fabrication of a new rapid fire marble gun Stage Operations 1959 (32nd) Ub Iwerks of Walt Disney Productions for the design of an improved optical printer for special effects and matte shots Laboratory E. L. Stones, Glen Robinson, Winfield Hubbard, and Luther Newman of the Metro Goldwyn Mayer Studio Construction Department for the design of a multiple cable remote controlled winch Stage Operations 1960 (33rd) Arthur Holcomb, Petro Vlahos, and Columbia Studio Camera Department for a camera flicker indicating device Photography Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for the design and construction of a miniature flak gun and ammunition Stage Operations Carl Hauge, Robert Grubel, and Edward H. Reichard of Consolidated Film Industries for the development of an automatic developer replenisher system Laboratory 1961 (34th) Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers Laboratory Wadsworth E. Pohl and Technicolor Corp., for an integrated sound and picture transfer process Laboratory 1962 (35th) Electro Voice, Inc., for a highly directional dynamic line microphone. Sound Louis G. MacKenzie for a selective sound effects repeater Sound 1963 (36th) Douglas Shearer and A. Arnold Gillespie of Metro Goldwyn Mayer Studios for the engineering of an improved Background Process Projection System. Special Photographic 1964 (37th) Milton Forman, Richard B. Glickman, and Daniel J. Pearlman of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps Lighting Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography Special Photographic Anthony Paglia and the 20th Century Fox Studio Mechanical Effects Department for an improved method of producing Explosion Flash Effects for motion pictures Stage Operations Edward H. Reichard and Carl W. Hauge of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers Laboratory Edward H. Reichard, Leonard L. Sokolow and Carl W. Hauge of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black and white film Laboratory Nelson Tyler for the design and construction of an improved Helicopter Camera System Photography 1965 (38th) No award — 1966 (39th) Panavision, Incorporated, for the design of the Panatron Power Inverter and its application to motion picture camera operation Stage Operations Carroll Knudson for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial Ruby Raksin for the production of a Composer's Manual for Motion Picture Music Synchronization Editorial 1967 (40th) The Electro Optical Division of Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses Lenses and Filters Panavision, Incorporated, for a Variable Speed Motor for Motion Picture Cameras Camera Fred R. Wilson of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper Sound Waldon O. Watson and the Universal City Studio Radio Department for new concepts in the design of a Music Scoring Stage Sound 1968 (41st) Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing machine lamps Laboratory Eastman Kodak Company for a new direct positive film and to Consolidated Film Industries for the application of this film to the making of post production work prints Film 1969 (42nd) Oto Popleka of Magna Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System Sound Fenton Hamilton of Metro Goldwyn Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting Lighting Panavision, Incorporated for the design and development of the Panaspeed Motion Picture Camera Motor Camera Robert M. Flynn and Russell Hessy of Universal City Studios, Inc., for a machine gun modification for motion picture photography Stage Operations 1970 (43rd) Sylvania Electric Products, Inc., for the development and introduction of a series of compact tungsten halogen lamps for motion picture production Lighting B. J. Losmandy for the concept, design, and application of micro miniature solid state amplifier modules used in motion picture recording equipment Sound Eastman Kodak Company and Photo Electronics Corporation for the design and engineering of an improved video color analyzer for motion picture laboratories Laboratory Electro Sound Incorporated for the design and introduction of the Series 8000 Sound System for motion picture theatres Sound
1971 - 1990 годы
Лауреаты премии за технические достижения по годам выдвижения (1971–1990)
Год Лауреат(ы) Отдел
1971 (44-й) Томас Джефферсон Хатчинсон, Джеймс Р. Рочестер и Фентон Гамильтон за разработку и внедрение системы ксеноновых ламп Sunbrute для освещения на съемочной площадке в кинопроизводстве Освещение
Photo Research Corporation, подразделение Kollmorgen Corporation, за разработку и внедрение трехцветного измерителя баланса объектива для киносъемки Фотография
Роберт Д. Огюст и Cinema Products Company за разработку и внедрение нового мотора с кварцевой регулировкой и малым весом для 35-мм кинокамеры Arriflex Камеры
Corporation Producers Service Corporation и Consolidated Film Industries; а также Cinema Research Corporation и Research Products, Inc., за проектирование и внедрение полностью автоматизированных систем выдувания при печати кинофильмов Лаборатория
Cinema Products Company за управляющий мотор для приведения в действие зум-объективов на кинокамерах Камеры
1972 (45-й) Photo Research Corporation, подразделение Kollmorgen Corporation, и PSC Technology Inc., Acme Products Division, за спектральный затвор-измеритель для кинопринтеров Лаборатория
Carter Equipment Company, Inc. и Ramtronics за фотометр светового клапана Ramtronics для кинопринтеров Лаборатория
Дэвид Дегенкольб, Гарри Ларсон, Манфред Михельсон и Фред Скоби из DeLuxe General Incorporated за разработку компьютеризированной системы печати и контроля процессов кинофильмов Лаборатория
Дзиро Мукай и Рюсё Хиросе из Canon, Inc., и Уилтон Р. Холм из AMPTP Motion Picture and Television Research Center за разработку макро-зум-объектива Canon для киносъемки Объективы и фильтры
Филип В. Палмквист из Minnesota Mining and Manufacturing Co., доктор Герберт Мейер из Motion Picture and Television Research Center и Чарльз Д. Стаффелл из Rank Organization за разработку успешной реализации системы рефлексной фоновой проекции для композитной кинематографии Реквизит
Э. Х. Гайсслер и Г. М. Берггрен из Wil Kin Inc. за проектирование системы кинотеатральной проекции Ultra Vision Проекция
1973 (46-й) Rosco Laboratories, Inc., за технические достижения и разработку полной системы материалов для управления освещением в киносъемке Объективы и фильтры
Ричард Х. Веттер из Todd AO Corporation за проектирование улучшенной анаморфной системы фокусировки для киносъемки Объективы и фильтры
1974 (47-й) The Elemack Company, Рим, Италия, за проектирование и разработку камеры-тележки Spyder Камеры-краны
Луи Ами из Universal City Studios за проектирование и строительство платформы для камеры с возвратно-поступательным движением, используемой при съемке специальных визуальных эффектов для кинофильмов Сценические операции
1975 (48-й) Лоуренс В. Батлер и Роджер Бэнкс за концепцию применения электродвигателей с низким моментом инерции и шаговым управлением к системам транспортировки пленки и оптическим принтерам для кинопроизводства Специальная фотография
Дэвид Дегенкольб и Фред Скоби из Deluxe General Incorporated и Джон С. Долан и Ричард Дюбуа из Akwaklame Company за разработку технологии извлечения серебра из сточных вод фотолаборатории с помощью ионного обмена Лаборатория
Джозеф Вестхаймер за разработку устройства для получения затененных титров на кинофильмах Специальная фотография
Carter Equipment Company, Inc. и Ramtronics за проектирование и производство компьютеризированной системы перфорации ленты для программирования печатных машин лаборатории Лаборатория
Hollywood Film Company за проектирование и производство компьютеризированной системы перфорации ленты для программирования печатных машин лаборатории Лаборатория
Bell & Howell за проектирование и производство компьютеризированной системы перфорации ленты для программирования печатных машин лаборатории Лаборатория
Фредрик Шлиттер за проектирование и производство компьютеризированной системы перфорации ленты для программирования печатных машин лаборатории Лаборатория
1976 (49-й) Фред Бартшер из Kollmorgen Corporation и Гленн Берггрен из Schneider Corporation за проектирование и разработку монокулярной лупы для кинопроекционных объективов Объективы и фильтры
Panavision, Incorporated за проектирование и разработку сверхскоростных объективов для киносъемки Объективы и фильтры
Хироси Судзукава из Canon и Уилтон Р. Холм из AMPTP Motion Picture and Television Research Center за проектирование и разработку сверхскоростных объективов для киносъемки Объективы и фильтры
Carl Zeiss Company за проектирование и разработку сверхскоростных объективов для киносъемки Объективы и фильтры
Photo Research Corporation, подразделение Kollmorgen Corporation за проектирование и производство Spectra TriColor Meter Фотография
1977 (50-й) Эрнст Ф. Неттман из Astrovision Division of Continental Camera Systems, Incorporated, за проектирование его перископической воздушной камеры Камеры
EECO (Electronic Engineering Company of California) за разработку метода блокировки неспрокеченной пленки и ленты, используемых в кинопроизводстве Системы
Доктор Бернхард Кюль и Вернер Блок из OSRAM, GmbH, за разработку высокоэффективной газоразрядной лампы HMI для киноосвещения Освещение
Panavision, Incorporated за проектирование Panalite, управляемого осветительного прибора, устанавливаемого на камеру для киносъемки Освещение
Panavision, Incorporated за проектирование головки с шестернями Panahead для кинокамер Сценические операции
Piclear, Inc. за разработку и разработку приспособления к кинопроекторам для улучшения качества изображения на экране Лаборатория
1978 (51-й) Карл Махер и Гленн М. Берггрен из Isco Optische Werke за разработку и внедрение объектива Cinelux ULTRA для 35-мм кинопроекции Объективы и фильтры
Дэвид Дж. Дегенкольб, Артур Л. Форд и Фред Дж. Скоби из DeLuxe General, Incorporated, за разработку метода рециркуляции сточных вод фотолаборатории с помощью ионного обмена Лаборатория
Киичи Секигучи из CINE FI International за разработку автоматической радиосистемы CINE FI для автокинотеатров Системы
Леонард Чапман из Leonard Equipment Company за проектирование и производство небольшой мобильной платформы для кинокамеры, известной как Chapman Hustler Dolly Камеры-краны
Джеймс Л. Фишер из J. L. Fisher, Incorporated, за проектирование и производство небольшой мобильной платформы для кинокамеры, известной как Fisher Model Ten Dolly Камеры-краны
Роберт Стиндт из Production Grip Equipment Company за проектирование и производство небольшой мобильной платформы для кинокамеры, известной как Stindt Dolly Камеры-краны
1979 (52-й) Майкл В. Чуэй, Уолтер Г. Эггерс и Аллен Хехт из M G M Laboratories за разработку системы программирования бумажной ленты с компьютерным управлением и ее применение в кинолаборатории Лаборатория
Ирвин Янг, Пол Кауфман и Фредрик Шлиттер из Du Art Film Laboratories, Incorporated, за разработку системы программирования бумажной ленты с компьютерным управлением и ее применение в кинолаборатории Лаборатория
Джеймс С. Стэнфилд и Пол В. Трестер за разработку и производство устройства для ремонта или защиты перфораций на кинопленке Проекция
Зоран Перишич из Courier Films, Ltd., за устройство специальных оптических эффектов Zoptic для киносъемки Специальная фотография
А. Д. Флауэрс и Логан Р. Фрэзи за разработку устройства для управления траекториями полета миниатюрных самолетов во время киносъемки Сценические операции
Photo Research Corporation, подразделение Kollmorgen Corporation за разработку экспонометра Cine Special Exposure Meter серии Spectra для киносъемки Фотография
Брюс Лайон и Джон Ламб за разработку системы видеоанимации для тестирования последовательностей киноанимации.
+Technical Achievement Award recipients, by year of nomination (1971–1990) Year Recipient(s) Department 1971 (44th) Thomas Jefferson Hutchinson, James R. Rochester, and Fenton Hamilton for the development and introduction of the Sunbrute system of xenon arc lamps for location lighting in motion picture production Lighting Photo Research Corporation, a division of Kollmorgen Corporation, for the development and introduction of the film lens balanced Three Color Meter Photography Robert D. Auguste and Cinema Products Company for the development and introduction of a new crystal controlled lightweight motor for the 35mm motion picture Arriflex camera Camera Producers Service Corporation and Consolidated Film Industries; and to Cinema Research Corporation and Research Products, Inc., for the engineering and implementation of fully automated blow up motion picture printing systems Laboratory Cinema Products Company for a control motor to actuate zoom lenses on motion picture cameras Camera 1972 (45th) Photo Research Corporation, a division of Kollmorgen Corporation, and PSC Technology Inc., Acme Products Division, for the Spectra Film Gate Photometer for motion picture printers Laboratory Carter Equipment Company, Inc. and Ramtronics for the RAMtronics light valve photometer for motion picture printers Laboratory David Degenkolb, Harry Larson, Manfred Michelson, and Fred Scobey of DeLuxe General Incorporated for the development of a computerized motion picture printer and process control system Laboratory Jiro Mukai and Ryusho Hirose of Canon, Inc., and Wilton R. Holm of the AMPTP Motion Picture and Television Research Center for the development of the Canon Macro Zoom Lens for motion picture photography Lenses and Filters Philip V. Palmquist of Minnesota Mining and Manufacturing Co., Dr. Herbert Meyer of the Motion Picture and Television Research Center, and to Charles D. Staffell of the Rank Organization for the development of a successful embodiment of the reflex background projection system for composite cinematography Props E. H. Geissler and G. M. Berggren of Wil Kin Inc., for the engineering of the Ultra Vision Motion Picture Theater Projection System Projection 1973 (46th) Rosco Laboratories, Inc., for the technical advances and the development of a complete system of light control materials for motion picture photography Lenses and Filters Richard H. Vetter of Todd AO Corporation for the design of an improved anamorphic focusing system for motion picture photography Lenses and Filters 1974 (47th) The Elemack Company, Rome, Italy, for the design and development of their Spyder camera dolly Camera Cranes Louis Ami of Universal City Studios for the design and construction of a reciprocating camera platform used when photographing special visual effects for motion pictures Stage Operations 1975 (48th) Lawrence W. Butler and Roger Banks for the concept of applying low inertia and stepping electric motors to film transport systems and optical printers for motion picture production Special Photographic David Degenkolb and Fred Scobey of Deluxe General Incorporated and John C. Dolan and Richard Dubois of the Akwaklame Company for the development of a technique for silver recovery from photographic wash waters by ion exchange Laboratory Joseph Westheimer for the development of a device to obtain shadowed titles on motion picture films Special Photographic Carter Equipment Company, Inc. and Ramtronics for the engineering and manufacture of a computerized tape punching system for programming laboratory printing machines Laboratory Hollywood Film Company for the engineering and manufacture of a computerized tape punching system for programming laboratory printing machines Laboratory Bell & Howell for the engineering and manufacture of a computerized tape punching system for programming laboratory printing machines Laboratory Fredrik Schlyter for the engineering and manufacture of a computerized tape punching system for programming laboratory printing machines Laboratory 1976 (49th) Fred Bartscher of Kollmorgen Corporation and to Glenn Berggren of the Schneider Corporation for the design and development of a single lens magnifier for motion picture projection lenses Lenses and Filters Panavision, Incorporated for the design and development of super speed lenses for motion picture photography Lenses and Filters Hiroshi Suzukawa of Canon and Wilton R. Holm of AMPTP Motion Picture and Television Research Center for the design and development of super speed lenses for motion picture photography Lenses and Filters Carl Zeiss Company for the design and development of super speed lenses for motion picture photography Lenses and Filters Photo Research Corporation, a division of Kollmorgen Corporation for the engineering and manufacture of the Spectra TriColor Meter Photography 1977 (50th) Ernst F. Nettman of the Astrovision Division of Continental Camera Systems, Incorporated, for the engineering of its Periscope Aerial Camera System Camera EECO (Electronic Engineering Company of California) for developing a method for interlocking non sprocketed film and tape media used in motion picture production Systems Dr. Bernhard Kühl and Werner Block of OSRAM, GmbH, for the development of the HMI high efficiency discharge lamp for motion picture lighting Lighting Panavision, Incorporated for the design of Panalite, a camera mounted controllable light for motion picture photography Lighting Panavision, Incorporated for the engineering of the Panahead gearhead for motion picture cameras Stage Operations Piclear, Inc, for originating and developing an attachment to motion picture projectors to improve screen image quality Laboratory 1978 (51st) Karl Macher and Glenn M. Berggren of Isco Optische Werke for the development and introduction of the Cinelux ULTRA Lens for 35mm Motion Picture Projection Lenses and Filters David J. Degenkolb, Arthur L. Forde, and Fred J. Scobey of DeLuxe General, Incorporated, for the development of a Method to Recycle Motion Picture Laboratory Photographic Wash Waters by Ion Exchange Laboratory Kiichi Sekiguchi of CINE FI International for the development of the CINE FI Auto Radio Sound System for Drive In Theaters Systems Leonard Chapman of Leonard Equipment Company, for the design and manufacture of a small, mobile, motion picture camera platform known as the Chapman Hustler Dolly Camera Cranes James L. Fisher of J. L. Fisher, Incorporated, for the design and manufacture of a small, mobile, motion picture camera platform known as the Fisher Model Ten Dolly Camera Cranes Robert Stindt of Production Grip Equipment Company, for the design and manufacture of a small, mobile, motion picture camera platform known as the Stindt Dolly Camera Cranes 1979 (52nd) Michael V. Chewey, Walter G. Eggers, and Allen Hecht of M G M Laboratories for the development of a Computer controlled Paper Tape Programmer System and its applications in the motion picture laboratory Laboratory Irwin Young, Paul Kaufman, and Fredrik Schlyter of Du Art Film Laboratories, Incorporated, for the development of a Computer controlled Paper Tape Programmer System and its applications in the motion picture laboratory Laboratory James S. Stanfield and Paul W. Trester for the development and manufacture of a device for the repair or protection of sprocket holes in motion picture film Projection Zoran Perisic of Courier Films, Ltd., for the Zoptic Special Optical Effects Device for motion picture photography Special Photographic A. D. Flowers and Logan R. Frazee for the development of a device to control flight patterns of miniature airplanes during motion picture photography Stage Operations Photo Research Corporation, a division of Kollmorgen Corporation for the development of the Spectra Series II Cine Special Exposure Meter for motion picture photography Photography Bruce Lyon and John Lamb for the development of a Video Animation System for testing motion picture animation sequences Cartoon Process Ross Lowell of Lowel Light Manufacturing, Incorporated, for the development of compact lighting equipment for motion picture photography Lighting 1980 (53rd) Carter Equipment Company for the development of a continuous contact, total immersion, additive color motion picture printer Laboratory Hollywood Film Company for the development of a continuous contact, total immersion, additive color motion picture printer Laboratory fr: André Debrie for the development of a continuous contact, total immersion, additive color motion picture printer Laboratory Charles Vaughn and Eugene Nottingham of Cinetron Computer Systems, Incorporated, for the development of a versatile general purpose computer system for animation and optical effects motion picture photography Systems John W. Lang, Walter Hrastnik, and Charles J. Watson of Bell and Howell Company for the development and manufacture of a modular continuous contact motion picture film Laboratory Worth Baird of LaVezzi Machine Works, Incorporated, for the advanced design and manufacture of a film sprocket for motion picture projectors Projection Peter Regla and Dan Slater of Elicon for the development of a follow focus system for motion picture optical effects printers and animation stands Photography 1981 (54th) Hal Landaker for the concept and to Alan Landaker for the engineering of the Burbank Studios' Production Sound Department 24 frame color video system Special Photographic Bill Hogan of Ruxton, Ltd., and Richard J. Stumpf and Daniel R. Brewer of Universal City Studios' Production Sound Department, for the engineering of a 24 frame color video system Special Photographic John DeMuth, for the engineering of a 24 frame video system Special Photographic Ernst F. Nettman, of Continental Camera Systems, Inc., for the development of a pitching lens for motion picture photography Camera Bill Taylor of Universal City Studios for the concept and specifications for a Two Format, Rotating Head, Aerial Image Optical Printer Special Photographic Peter D. Parks of Oxford Scientific Films for the development of the OSF microcosmic zoom device for microscopic photography Camera Louis Stankiewicz and H. L. Blachford for the development of Baryfol sound barrier materials Stage Operations Dennis Muren and Stuart Ziff of Industrial Light and Magic, Incorporated for the development of a Motion Picture Figure Mover for animation photography Stage Operations 1982 (55th) Richard W. Deats for the design and manufacture of the "Little Big Crane" for motion picture production Camera Cranes Cons Tresfon and Adriaan De Rooy of Egripment, and to Ed Phillips and Carlos DeMattos of Matthews Studio Equipment, Incorporated, for the design and manufacture of the "Tulip Crane" for motion picture production Camera Cranes Bran Ferren of Associates and Ferren for the design and development of a computerized lightning effect system for motion picture photography Stage Operations Christie Electric Corp. and LaVezzi Machine Works, Inc., for the design and manufacture of the Ultramittent film transport for Christie motion picture projectors Projection 1983 (56th) William G. Krokaugger of Mole Richardson Company for the design and engineering of a portable, 12,000 watt, lighting control dimmer for use in motion picture production Lighting Charles L. Watson, Larry L. Langrehr, and John H. Steiner for the development of the BHP (electro mechanical) fader for use on continuous motion picture contact printers Laboratory Elizabeth D. De La Mare of De La Mare Engineering, Incorporated, for the progressive development and continuous research of special effects pyrotechnics originally designed by Glenn W. De La Mare for motion picture production Stage Operations Douglas Fries, John Lacey, and Michael Sicrist for the design and engineering of a 35mm reflex conversion camera system for special effects photography Camera Jack Cashin of Ultra Stereo Labs, Incorporated, for the engineering and development of a 4 channel, stereophonic, decoding system for optical motion picture soundtrack reproduction Sound David J. Degenkolb for the design and development of an automated device used in the silver recovery process in motion picture laboratories Laboratory 1984 (57th) Nat Tiffen of Tiffen Manufacturing Corporation for the production of high quality, durable, laminated color filters for motion picture photography Lenses and Filters Don Trumbull, Jonathan Erland, Stephen Fog, and Paul Burk of Apogee, Inc., for the design and development of the "Blue Max" high power, blue flux projector for traveling matte composite photography Special Photographic Jonathan Erland and Robert Bealmear of Apogee, Incorporated, for an innovative design for front projection screens and an improved method for their construction Special Photographic Howard J. Preston of Preston Cinema Systems for the design and development of a variable speed control device with automatic exposure compensation for motion picture cameras Camera 1985 (58th) David W. Spencer for the development of an Animation Photo Transfer (APT) process Cartoon Process Harrison & Harrison, Optical Engineers, for the invention and development of Harrison Diffusion filters for motion picture photography Lenses and Filters Larry Barton of Cinematography Electronics, Inc., for a precision speed crystal controlled device for motion picture photography Camera Alan Landaker of The Burbank Studios for the Mark III Camera Drive for motion picture photography Camera 1986 (59th) Lee Electric (Lightning) Ltd., for the design and development of an electronic, flicker free, discharge lamp control system Lighting Peter Parks of Oxford Scientific Films' Image Quest Division for the development of a live aero compositor for special effects photography Special Photographic Matt Sweeney and Lucinda Strub for the development of an automatic capsule gun for simulating bullet hits for motion picture special effects Stage Operations Carl E. Holmes of Carl E. Holmes Company and to Alexander Bryce of The Burbank Studios for the development of a mobile DC power supply unit for motion picture production photography Lighting Bran Ferren of Associates and Ferren for the development of a laser synchro cue system for applications in the motion picture industry Special Photographic John L. Baptista of Metro Goldwyn Mayer Laboratories, Inc., for the development and installation of a computerized silver recovery operation Laboratory David W. Samuelson for the development of programs incorporated into a pocket computer for motion picture cinematographers, and to William B. Pollard for contributing new algorithms on which the programs are based Photography Hal Landaker and Alan Landaker of The Burbank Studios for the development of the Beat System low frequency cue track for motion picture production sound recording Sound 1987 (60th) Ioan Allen of Dolby Laboratories, Inc., for the Cat. 43 playback only noise reduction unit and its practical application to motion picture sound recordings Sound John Eppolito, Wally Gentleman, William Mesa, Les Paul Robley, and Geoffrey H. Williamson for refinements to a dual screen, front projection, and image compositing system Special Photographic Jan Jacobsen for the application of a dual screen, front projection system to motion picture special effects photography Special Photographic Thaine Morris and David Pier for the development of DSC Spark Devices for motion picture special effects Stage Operations Tad Krzanowski of Industrial Light and Magic, Inc., for the development of a Wire Rig Model Support Mechanism use to control the movements of miniatures in special effects Stage Operations Dan C. Norris and Tim Cook of Norris Film Products for the development of a single frame exposure system for motion picture photography Camera 1988 (61st) Grant Loucks of Alan Gordon Enterprises Incorporated for the design concept, and to Geoffrey H. Williamson of Wilcam for the mechanical and electrical engineering, of the Image 300 35mm High Speed Motion Picture Camera Camera Michael V. Chewey III for the development of the motion picture industry's first paper tape reader incorporating microprocessor technology Laboratory BHP, Inc., successor to the Bell & Howell Professional Equipment Division, for the development of a high speed reader incorporating microprocessor technology for motion picture laboratories Laboratory Hollywood Film Company for the development of a high speed reader incorporating microprocessor technology for motion picture laboratories Laboratory Bruce W. Keller and Manfred G. Michelson of Technical Film Systems for the design and development of a high speed light valve controller and constant current power supply for motion picture laboratories Laboratory Dr. Antal Lisziewicz and Glenn M. Berggren of ISCO Optic GmbH for the design and development of the Ultra Star series of motion picture lenses Lenses and Filters James K. Branch of Spectra Cine, Incorporated, and to William L. Blowers and Nasir J. Zaidi for the design and development of the Spectra CineSpot one degree spotmeter for measuring the brightness of motion picture screens Photography Bob Badami, Dick Bernstein, and Bill Bernstein of Offbeat Systems for the design and development of the Streamline Scoring System, Mark IV, for motion picture music editing Editorial Gary Zeller of Zeller International Limited for the development of Zel Jel fire protection barrier for motion picture stunt work Stage Operations Emanual Trilling of Trilling Resources Limited for the development of Stunt Gel fire protection barrier for motion picture stunt work Stage Operations Paul A. Roos for the invention of a method known as Video Assist, whereby a scene being photographed on motion picture film can be viewed on a monitor and/or recorded on videotape Systems 1989 (62nd) Dr. Leo Cattozzo for the design and development of the CIR Catozzo Self Perforating Adhesive Tape Film Splicer Editorial Magna Tech Electronics Company for the introduction of the first remotely controlled Advance/Retard function for magnetic film sound dubbing Sound 1990 (63rd) William L. Blowers of Belco Associates, Incorporated and Thomas F. Denove for developing and manufacturing the Belco/Denove Cinemeter. This digital/analog exposure meter was specifically and uniquely designed for the cinematographer. Photography Iain Neil for optical design; Takuo Miyagishima for the mechanical design; and Panavision, Incorporated for the concept and development of the Primo Series of spherical prime lenses for 35mm cinematography Lenses and Filters Christopher Gilman, Harvey Hubert Jr. of the Diligent Dwarves Effects Lab for the development of the Actor Climate System, consisting of heat transferring undergarments Stage Operations Jim Graves of J&G Enterprises for the development of the Cool Suit System, consisting of heat transferring undergarments Stage Operations Bengt O. Orhall, Kenneth Lund, Bjorn Selin, and Kjell Högberg of AB Film Teknik for developing and manufacturing the Mark IV film subtitling processor, which has increased the speed, simplified the operation, and improved the quality of subtitling Laboratory Richard Mula and Pete Romano of HydroImage, Incorporated, for the development of the SeaPar 1200 watt HMI Underwater Lamp Lighting Dedo Weigert of Dedo Weigert Film GmbH for the development of the Dedolight, a miniature low voltage tungsten halogen lighting fixture Lighting Dr. Fred Kolb Jr. and Paul Preo for the concept and development of a 35mm projection test film Film Peter Baldwin for the design; Dr. Paul Kiankhooy and the Lightmaker Company for the development of the Lightmaker AC/DC HMI Ballast Lighting The All Union Cinema and Photo Research Institute (NIKFI) for continuously improving and providing 3D presentations to Soviet motion picture audiences for the last 25 years Systems
1991 - 1999 гг.
Лауреаты премии за технические достижения, по годам выдвижения (1991–1999)
Год Лауреат(ы) Отдел
1991 (64-й) Роберт В. Стокер-младший, за разработку и создание пушки для паутины, для нанесения нетоксичных эффектов паутины на съемочных площадках с безопасностью и простотой эксплуатации Сценические операции
Джеймс Дойл за разработку и создание Сухого Генератора Тумана, который использует жидкий азот для создания безопасных, плотных, низко висящих эффектов тумана Сценические операции
Дик Кавдек, Стив Хамерски и Otto Nemenz International, Incorporated за оптомеханическую разработку и создание зум-объектива Canon/Nemenz Объективы и фильтры
Кен Робингс и Clairmont Camera за оптомеханическую разработку и создание зум-объектива Canon/Clairmont Camera Объективы и фильтры
Century Precision Optics за оптомеханическую разработку и создание зум-объектива Canon/Century Precision Optics Объективы и фильтры
1992 (65-й) Айра Тифен из Tiffen Manufacturing Corporation за производство серии фильтров Ultra Contrast для киносъемки Объективы и фильтры
Роберт Р. Бертон из Audio Rents, Incorporated, за разработку Model S 27 4 Band Splitter/Combiner Звук
Иэн Нил за оптический дизайн и Кадзу Фудано за механический дизайн объектива Panavision Slant Focus для киносъемки Объективы и фильтры
Том Бингем за первоначальную концепцию и новаторскую работу; и Дуглас Смит и отдел компьютерной графики Industrial Light & Magic за разработку и первое внедрение в полнометражные фильмы системы "MORF" для цифровой метаморфозы изображений высокого разрешения Специальная фотография
1993 (66-й) Уолли Миллс за концепцию; и Гэри Штадлер и Густав Парада за дизайн системы защиты ламп Cinemills Освещение
Гэри Нуцци, Дэвид Джонсруд, Уильям Блетен за разработку и создание системы стробоскопического освещения Unilux H3000 Освещение
Гарри Дж. Бейкер за разработку и создание металлических штативов Ronford Baker для киносъемки Сценические операции
Майкл Дорроу за разработку и создание составного измерителя, известного как Dorrough Audio Level Meter Звук
Дэвид Дегенкольб за разработку системы ионного обмена для регенерации серебра для устранения опасных отходов (ионов серебра) в промывочной воде и повторного использования этой воды Лаборатория
1994 (67-й) Б. Рассел Хесси из Special Effects Spectacular, Inc. и Винсент Т. Келтон за аппаратную разработку, и Джордж Джекман из De La Mare Engineering, Inc., за пиротехническую разработку, которые вместе составляют систему безопасной стрельбы холостыми патронами без использования оружия Сценические операции
Фридер Хоххайм, Гэри Х. Свинк, доктор Джо Чжоу и Дон Нортроп за разработку портативной, без мерцания, высокопроизводительной флуоресцентной системы освещения Kino Flo для освещения съемочных площадок Освещение
Эммануэль Превнейр из Flying Cam за его новаторскую концепцию и разработку крепления кинокамеры на дистанционно управляемый миниатюрный вертолет Фотография
Жак Сакс из Sonosax за разработку и создание портативного аудиомикшера Sonosax SX S Звук
Клей Дэвис и Джон Картер из Todd AO Corporation за новаторские усилия по компьютерному управлению списком управления стилем ADR (Automated Dialogue Replacement) Звук
Стивен В. Поттер, Джон Асман, Чарльз Пелл и Ричард Ларсон из LarTec Systems за усовершенствование и доработку системы ADR (Automated Dialogue Replacement) в стиле управления списками с помощью системы LarTec ADR, которая стала отраслевым стандартом Звук
Audio Tracks, Inc., за разработку и создание системы ADE (Advanced Data Encoding), которая создает закодированный трек временного кода и базу данных во время первоначального переноса производственного звука "dailies" Звук
Колин Брод из CB Electronics за разработку и создание EDL (Edit Decision List) Lister, который создает закодированный трек временного кода и базу данных во время первоначального переноса производственного звука "dailies" Звук
Дитер Штурм из Sturm's Special Effects Int'l за создание и разработку Bio Snow 2 Flake Сценические операции
Дэвид А. Аддлеман и Ллойд А. Аддлеман за разработку 3D-дигитайзера Cyberware 3030 Специальная фотография
Марк Р. Шнайдер, Герберт Р. Джонс, Кристофер Д. Коновер и Джон Р. Б. Браун за разработку системы 3D-дигитализации Polhemus 3 Специальная фотография
Джек Смит, Майкл Крайтон и Эмиль Сафиер за новаторскую компьютеризированную смету и планирование кинопроизводства Редакционная и предпродакционная работа
Стивен Гринфилд и Крис Хантли из Screenplay Systems за разработку программного обеспечения "Scriptor" Редакционная и предпродакционная работа
Арт Фрицен из California Fritzen Propeller Company как дизайнер и единственный производитель восьмилопастных пропеллеров Ritter Stage Operations
Доктор Майк Боудри из Computer Film Company за его новаторскую работу в области сканирования пленки Специальная фотография
1995 (68-й) Паскаль Шедевиль за разработку цифровой звуковой системы L. C. Concept для кинопоказа Звук
Джеймс Деас из Warner Bros. Studio Facility за разработку и последующую разработку автоматической коммутационной панели и системы измерения для передачи и сведения кинозвука Звук
Клей Дэвис и Джон Картер из Todd AO Corporation за их новаторские усилия по созданию автоматической коммутационной панели для передачи и сведения кинозвука Звук
Ал Дженсен, Чак Хедли, Жан Месснер и Хазем Набулси из CEI Technology за создание автономной, без мерцания камеры цветного видеопомощника Камера
Петер Денц из Präzisions Entwicklung Denz за разработку камеры цветного видеопомощника без мерцания Камера
Дэвид Прингл и Ян Чжун Фанг за разработку и создание "Lightning Strikes", гибкой, высокопроизводительной электронной системы молнии Сценические операции
BHP, Incorporated., за их новаторские усилия в разработке цифровых печатающих головок для звука в кино Звук
Джо Финнеган (также известный как Джо Иригойен) за его новаторскую работу в разработке Air Ram для кинотрюков Сценические операции
Гэри Демос, Дэвид Рухофф, Кан Камерон и Мишель Феро за их новаторские усилия в создании системы цифрового композитинга Digital Productions Digital Film Compositing System Специальная фотография
Дуглас Смит, Линкольн Ху, Дуглас С. Кей и Industrial Light and Magic за их новаторские усилия в создании системы цифрового композитинга ILM Digital Film Compositing System Специальная фотография
The Computer Film Company за их новаторские усилия в создании системы цифрового композитинга CFC Digital Film Compositing System Специальная фотография
Institut National Polytechnique de Toulouse за концепцию; Kodak Pathe CTP Cine за прототип; и Eclair Laboratories и Martineau Industries за разработку и дальнейшую реализацию электролитической ячейки для регенерации серебра в Тулузе Лаборатория
1996 (69-й) Перри Киволовитц за основной дизайн и доктора Гарта Дики за разработку алгоритмов для подсистемы искажения и морфинга, управляемой формой, Elastic Reality Special Effects System Специальная фотография
Кен Перлин за разработку шума Перлина, техники, используемой для создания естественно выглядящих текстур на сгенерированных компьютером поверхностях для кино визуальных эффектов Специальная фотография
Нестор Бартник и Марсели Вайн из Национального исследовательского совета Канады за их новаторскую работу в разработке программных методов для компьютерной помощи при ключевом кадрировании для анимации персонажей Мультпроцесс
Грант Лукс за концепцию и спецификации Director's Viewfinder Mark V Фотография
Брайан Кнеп, Крейг Хейс, Рик Сэйр и Томас Уильямс за создание и разработку устройства прямого ввода Специальная фотография
Джеймс Каджия и Тимоти Кей за их новаторскую работу по созданию компьютерной шерсти и волос в кино Специальная фотография
Джеффри Йост, Кристиан Руэ, Дэвид Бенсон и Флориан Кайнц за...
+Technical Achievement Award recipients, by year of nomination (1991–1999) Year Recipient(s) Department 1991 (64th) Robert W. Stoker Jr., for the design and development of a cobweb gun, for applying non toxic cobweb effects on motion picture sets with both safety and ease of operation Stage Operations James Doyle for the design and development of the Dry Fogger, which uses liquid nitrogen to produce safe, dense, low hanging fog effects Stage Operations Dick Cavdek, Steve Hamerski, and Otto Nemenz International, Incorporated for the optomechanical design and development of the Canon/Nemenz Zoom Lens Lenses and Filters Ken Robings and Clairmont Camera for the optomechanical design and development of the Canon/Clairmont Camera Zoom Lens Lenses and Filters Century Precision Optics for the optomechanical design and development of the Canon/Century Precision Optics Zoom Lens Lenses and Filters 1992 (65th) Ira Tiffen of the Tiffen Manufacturing Corporation for the production of the Ultra Contrast Filter Series for motion picture photography Lenses and Filters Robert R. Burton of Audio Rents, Incorporated, for the development of the Model S 27 4 Band Splitter/Combiner Sound Iain Neil for the optical design and Kaz Fudano for the mechanical design of the Panavision Slant Focus Lens for motion picture photography Lenses and Filters Tom Bingham for the original concept and pioneering work; and Douglas Smythe and the Computer Graphics Department of Industrial Light & Magic for the development and the first implementation in feature motion pictures of the "MORF" system for digital metamorphosis of high resolution images Special Photographic 1993 (66th) Wally Mills for the concept; and Gary Stadler and Gustave Parada for the design of the Cinemills Lamp Protection System Lighting Gary Nuzzi, David Johnsrud, William Blethen for the design and development of the Unilux H3000 Strobe Lighting System Lighting Harry J. Baker for the design and development of the Ronford Baker Metal Tripods for motion picture photography Stage Operations Michael Dorrough for the design and development of the compound meter known as the Dorrough Audio Level Meter Sound David Degenkolb for the development of a Silver Recovery Ion Exchange System to eliminate hazardous waste (silver ion) in wash water and allow recycling of this water Laboratory 1994 (67th) B. Russell Hessey of Special Effects Spectacular, Inc. and Vincent T. Kelton for the hardware design, and George Jackman of De La Mare Engineering, Inc., for the pyrotechnic development which together comprises the non gun safety blank firing system Stage Operations Frieder Hochheim, Gary H. Swink, Dr. Joe Zhou, and Don Northrop for the development of the Kino Flo Portable, Flicker Free, High Output Fluorescent Lighting System for motion picture set illumination Lighting Emmanuel Previnaire of Flying Cam for his pioneering concept and for the development of mounting a motion picture camera on a remotely controlled miniature helicopter Photography Jacques Sax of Sonosax for the design and development of the Sonosax SX S portable audio mixer Sound Clay Davis and John Carter of Todd AO Corporation for the pioneering effort of computer controlled list management style ADR (Automated Dialogue Replacement) Sound Stephen W. Potter, John Asman, Charles Pell, and Richard Larson of LarTec Systems for the advancement and refinement of the computer controlled list management style ADR (Automated Dialogue Replacement) system via the LarTec ADR System that has established itself as a standard of the industry Sound Audio Tracks, Inc., for the design and development of the ADE (Advanced Data Encoding) System which creates an encoded timecode track and database during the initial transfer of the production sound "dailies" Sound Colin Broad of CB Electronics for the design and development of the EDL (Edit Decision List) Lister which creates an encoded timecode track and database during the initial transfer of the production sound "dailies" Sound Dieter Sturm of Sturm's Special Effects Int'l for the creation and development of the Bio Snow 2 Flake Stage Operations David A. Addleman and Lloyd A. Addleman for the development of the Cyberware 3030 3D Digitizer Special Photographic Mark R. Schneider, Herbert R. Jones, Christopher D. Conover, and John R. B. Brown for the development of the Polhemus 3 Space Digitizing System Special Photographic Jack Smith, Michael Crichton, and Emil Safier for pioneering computerized motion picture budgeting and scheduling Editorial and Pre production Stephen Greenfield and Chris Huntley of Screenplay Systems for the development of the "Scriptor" software Editorial and Pre production Art Fritzen of the California Fritzen Propeller Company as the designer and sole manufacturer of the Eight Bladed Ritter Fan Propellers Stage Operations Dr. Mike Boudry of the Computer Film Company for his pioneering work in the field of film input scanning Special Photographic 1995 (68th) Pascal Chedeville for the design of the L. C. Concept Digital Sound System for motion picture exhibition Sound James Deas of the Warner Bros. Studio Facility for the design and subsequent development of an Automated Patchbay and Metering System for motion picture sound transfer and dubbing operations Sound Clay Davis and John Carter of Todd AO Corporation for their pioneering efforts in creating an Automated Patchbay System for motion picture sound transfer and dubbing operations Sound Al Jensen, Chuck Headley, Jean Messner, and Hazem Nabulsi of CEI Technology for producing a self contained, flicker free Color Video Assist Camera Camera Peter Denz of Präzisions Entwicklung Denz for developing a flicker free Color Video Assist Camera Camera David Pringle and Yan Zhong Fang for the design and development of "Lightning Strikes," a flexible, high performance electronic lightning effect system Stage Operations BHP, Incorporated., for their pioneering efforts in developing Digital Sound Printing Heads for motion pictures Sound Joe Finnegan (a. k. a. Joe Yrigoyen) for his pioneering work in developing the Air Ram for motion picture stunt effects Stage Operations Gary Demos, David Ruhoff, Can Cameron, and Michelle Feraud for their pioneering efforts in the creation of the Digital Productions Digital Film Compositing System Special Photographic Douglas Smythe, Lincoln Hu, Douglas S. Kay, and Industrial Light and Magic for their pioneering efforts in the creation of the ILM Digital Film Compositing System Special Photographic The Computer Film Company for their pioneering efforts in the creation of the CFC Digital Film Compositing System Special Photographic Institut National Polytechnique de Toulouse for the concept; Kodak Pathe CTP Cine for the prototype; and Eclair Laboratories and Martineau Industries for the development and further implementation of the Toulouse Electrolytic Silver Recovery Cell Laboratory 1996 (69th) Perry Kivolowitz for the primary design, and Dr. Garth Dickie for the development of the algorithms, for the shape driven warping and morphing subsystem of the Elastic Reality Special Effects System Special Photographic Ken Perlin for the development of Perlin Noise, a technique used to produce natural appearing textures on computer generated surfaces for motion picture visual effects Special Photographic Nestor Burtnyk and Marceli Wein of the National Research Council of Canada for their pioneering work in the development of software techniques for Computer Assisted Key Framing for Character Animation Cartoon Process Grant Loucks for the concept and specifications of the Mark V Director's Viewfinder Photography Brian Knep, Craig Hayes, Rick Sayre, and Thomas Williams for the creation and development of the Direct Input Device Special Photographic James Kajiya and Timothy Kay for their pioneering work in producing computer generated fur and hair in motion pictures Special Photographic Jeffery Yost, Christian Rouet, David Benson, and Florian Kainz for the development of a system to create and control computer generated fur and hair in motion pictures Special Photographic Richard A. Prey and William N. Masten for the design and development of the Nite Sun II lighting crane and camera platform Camera Cranes 1997 (70th) Clark F. Crites for the design and development of the Christie ELF 1 C Endless Loop Film Transport and Storage System Projection Dan Leimeter and Bob Weitz for the development and implementation of a Portable Adjustment Tool for T Style Slit Lens Assemblies Sound Philip C. Cory for the design and development of the Special Effects Spark Generator Stage Operations James M. Reilly, Douglas W. Nishimura, and Monique C. Fisher of the Rochester Institute of Technology for the creation of A D Strips, a diagnostic tool for the detection of the presence of vinegar syndrome in processed acetate based motion picture film Laboratory Jim Frazier, for the design concept, and Iain Neil and Rick Gelbard for the further design and development of the Panavision/Frazier Lens System for motion picture photography Lenses and Filters James F. Foley, Charles Converse and F. Edward Gardner (of UCISCO); and to Robert W. Stoker, Jr. and Matt Sweeney for the development and realization of Liquid Synthetic Air Stage Operations Jack Cashin, Roger Hibbard, and y Jacobson for the design, development, and implementation of a projection system analyzer Projection Richard Chuang, Glenn Entis and Carl Rosendahl for the concept and architecture of the Pacific Data Images (PDI) Animation System Special Photographic Greg Hermanovic, Kim Davidson, Mark Elendt, and Paul Breslin for the development of the procedural modeling and animation components of the Prisms software package Special Photographic James J. Keating, Michael Wahrman, and Richard E. Hollander for their contributions that led to the Wavefront Advanced Visualizer computer graphics system Special Photographic 1998 (71st) Garrett Brown and Jerry Holway, for the creation of the Skyman flying platform for Steadicam operators. This cable driven, manned camera platform allows the operator to spin 360 degrees for unimpeded pans while controlling the downhill speed via brakes. As a device for achieving otherwise impossible shots, Skyman has had a definite influence on later cable suspended camera systems. Camera Cranes Jim Rodnunsky, Jim Webber, and Bob Webber of Cablecam Systems, and Trou Bayliss, for the design and engineering of Cablecam. This radio controlled, cable driven camera platform with its ultra smooth synthetic cables and powerful hydraulic motors, enables runs in excess of 3000 feet with a quick return to start. Operating unmanned, it can function at speeds and through perils that would be unsafe for onboard operators. Camera Cranes David DiFrancesco, N. Balasubramanian, and Tom Noggle, for their pioneering efforts in the development of laser film recording technology. This pioneering laser film recorder, designed and used for motion pictures, demonstrated the potential of this technology for recording digital data onto intermediate film stock. Special Photographic Mike MacKenzie, Mike Bolles, Udo Pampel, Joseph Fulmer of Industrial Light & Magic for their pioneering work in motion controlled, silent camera dollies. This silent, high speed motion control modification of a Panther dolly makes it possible to film moving camera composite shots of actors while recording live dialogue. Camera Cranes Barry Walton, Bill Schultz, Chris Barker, and David Cornelius of Sony Pictures Imageworks, for the creation of an advanced motion controlled, silent camera dolly. This extensive modification to the Panther dolly allows high speed moves to be silent, smooth, and stable. Camera Cranes Bruce Wilton and Carlos Icinkoff of Mechanical Concepts, for their modular system of motion control rotators and movers for use in motion control. These components have become the de facto industry standard for use in precision motion control equipment. Camera Cranes Remy Smith for the software and electronic design and development; and James K. Branch and Nasir J. Zaidi, for the design and development of the Spectra Professional IV A digital exposure meter. The design and execution of the Spectra Professional IV A meter have resulted in a practical and successful tool for the film production community. Photography Ivan Kruglak for his commitment to the development of a wireless transmission system for video assisted images for the motion picture industry. Through years of persistent effort, Mr. Kruglak has commercialized and popularized a technique of great utility for motion picture camera operations. By introducing diversity antennas and a time code insertion accessory, he has optimized camera wireless video assist components. Camera Dr. Douglas R. Roble for his contribution to tracking technology and for the design and implementation of the TRACK system for camera position calculation and scene reconstruction. The TRACK system is an integrated software tool that uses computer vision techniques to extract critical 2D and the camera used to film it. Special Photographic Thaddeus Beier for the design and implementation of ras track, a system for 2D tracking, stabilization, and 3D camera and object tracking. Ras track allows the user to determine the position and location of the camera and objects in a scene by tracking points in a scanned sequence. Special Photographic Manfred N. Klemme and Donald E. Wetzel for the design and development of the K Tek Microphone Boom Pole and accessories for on set motion picture sound recording. The K TEK series microphone boom pole provides production recording personnel with a self lubricated, light weight, sturdy pole with multiple accessories. Sound Nick Foster for his software development in the field of water simulation systems. This software technique provides an efficient and flexible method for the creation of flowing streams, oceans, tidal waves, and turbulence for motion picture visual effects. Special Photographic Cary Phillips for the design and development of the "Caricature" Animation System at Industrial Light & Magic. By integrating existing tools into a powerful interactive system, and adding an expressive multi target shape interpolation based freeform animation system, the "Caricature" system provides a degree of subtlety and refinement not possible with other systems. Special Photographic Dr. Mitchell J. Bogdanowicz of the Eastman Kodak Company, and Jim Meyer and Stan Miller of Rosco Laboratories, Inc., for the design of the CalColor Calibrated Color Effects Filters. Designed to correspond to the spectral sensitivity of color negative film stocks, these filters provide for improved color control in motion picture lighting. Lenses and Filters Dr. A. Tulsi Ram, Richard C. Sehlin, Dr. Carl F. Holtz, and David F. Kopperl of the Eastman Kodak Company, for the research and development of the concept of molecular sieves applied to improve the archival properties of processed photographic film. The use of zeolite crystals as molecular sieves to absorb moisture, acetic acid, methylene chloride, and a variety of solvents created an effective deterrent to the effects of vinegar syndrome in stored film stock. Laboratory Takuo Miyagishima and Albert K. Saiki of Panavision, Incorporated, for the design and development of the Eyepiece Leveler. This leveler keeps the camera eyepiece at the same level, regardless of whether the camera position is tilted up or down, enabling the camera operator to concentrate on the composition of the image. Camera Edmund Di Giulio and James Bartell of Cinema Products, for the design of the KeyKode Sync Reader. The KeyKode Sync Reader provides a fast, accurate, and user friendly means of utilizing the KeyKode information on film, thereby expediting the editorial and post production processes. Laboratory To Ivan Kruglak, for his pioneering concept and the development of the Coherent Time Code Slate. Time code slates have had a significant impact on the filmmaking process by simplifying post production. This development makes the synchronization process faster and more precise, particularly when multiple cameras are used. Editorial and Pre production Mike Denecke, for refining and further developing electronic time code slates. Due to their features and simplified operational procedures, the Denecke slates have had a significant impact on the motion picture industry and have become the standard for electronic time code slates. Editorial and Pre production Ed Zwaneveld and Frederick Gasoi of the National Film Board of Canada, and Mike Lazaridis and Dale Brubacher Cressman of Research in Motion, for the design and development of the DigiSync Film KeyKode Reader. The DigiSync Film KeyKode Reader provides a fast, accurate, and user friendly means of utilizing the KeyKode information on film, expediting the editorial and post production processes. Laboratory 1999 (72nd) Vivienne Dyer and Chris Woolf, for the design and development of the Rycote Microphone Windshield Modular System. Designed to eliminate physical acoustical rumble and to mask a microphone's high sensitivity to wind and other unwanted noises, the lightweight and rugged Rycote Microphone Windshields accomplish these tasks without altering or impairing the original frequency response of the microphone. Sound Leslie Drever, for the design and development of the LightWave microphone windscreens and isolation mounts from LightWave Systems. Designed to eliminate physical acoustical rumble and to cover a microphone's high sensitivity to wind and other unwanted noises, the LightWave Systems line of shock mounts and windscreens accomplish these tasks without altering or impairing the original frequency response of the microphone. Sound Richard C. Sehlin, for the concept, and Dr. Mitchell J. Bogdanowicz and Mary L. Schmoeger of the Eastman Kodak Company, for the design and development of the Eastman Lamphouse Modification Filters. The ELM Filters enable a laboratory to achieve additive printer contrast and color reproduction using a subtractive lamphouse. Lenses and Filters Hoyt Yeatman, Jr. of Dream Quest Images and John C. Brewer of the Eastman Kodak Company, for the identification and diagnosis leading to the elimination of the "red fringe" artifact in traveling matte composite photography. The elimination of the "red fringe" artifact in traveling matte composite photography obviates expensive additional computerized image processing thus reducing the time involved in producing a seamless and convincing composite shot. Laboratory
20002009 год
Получатели премии за технические достижения, по годам номинации (2000–2009) Год Получатель(и) Отдел 2000 (73-е) Леонарду Пинкусу, Ашоту Налбандяну, Джорджу Джонсону, Томасу Конгу и Дэвиду Принглу за разработку и создание источников света с длинной дугой ксенона низкого давления SoftSun, их блоков питания и комплектующих. Благодаря возможности диммирования этих мощных источников света практически при постоянной цветовой температуре и без мерцания, они обеспечивают яркий и равномерный свет для общего освещения съемочной площадки. Наличие источников большой мощности позволяет продлить рабочее время, когда съемочная группа в противном случае "потеряла бы свет". За усовершенствование и внедрение в киноиндустрии системы управляемого спуска Fan Descender для точной и безопасной остановки каскадеров при высоких свободных падениях. Считающаяся отраслевым стандартом, система Fan Descender обеспечивает значительное повышение безопасности при выполнении трюков с высоты. Система позволяет совершать падения с контролируемым замедлением и с точно предсказуемой точкой остановки, не ограничивая углы обзора камеры. Сценические работы Филиппу Гринстриту из Rosco Laboratories за концепцию и разработку фонового экрана Roscolight Day/Night Backdrop. Этот уникальный фотохроматический фон позволяет плавно переходить от дневной к ночной съемке, используя только один экран. Фоновые экраны Roscolight предоставляют кинематографистам новый важный творческий инструмент, экономя время, деньги и пространство на съемочной площадке. Сценические работы Удо Шауссу, Хильдегард Эббесмайер и Карлу Ленхардту за оптический дизайн, а также Ральфу Линну и Норберту Бринкеру за механический дизайн объективов Schneider Super Cinelux для кинопроекции. Эти проекционные объективы обеспечивают значительное улучшение качества просмотра кинофильмов. Объективы и фильтры Гленну М. Берггрену за концепцию, Хорсту Линге за исследования и разработки, и Вольфгангу Рейнеке за оптический дизайн объективов ISCO Ultra Star Plus для кинопроекции. Уникальная оптическая конструкция проекционных объективов Ultra Star Plus обеспечивает беспрецедентную равномерность освещения по всему полю зрения в сочетании со значительным увеличением яркости экрана, что значительно улучшает качество просмотра кинофильмов. Объективы и фильтры Биллу Тондроу из Kuper Systems, Алваху Дж. Миллеру и Полу Джонсону из Lynx Robotics, и Дэвиду Стампу из Visual Effects Rental Services за разработку систем захвата данных, обеспечивающих высокую точность, эффективность и экономичность при создании композитных изображений. Эти системы цифровым способом записывают данные о движении камеры и осей в реальном времени, практически не влияя на производственный процесс, что позволяет ускорить и удешевить создание визуальных эффектов. Системы Венкату Кришнамурти за создание программного обеспечения Paraform для разработки трехмерных цифровых моделей. Эта система упрощает создание трехмерной компьютерной графики, позволяя художникам преобразовывать данные из автоматически отсканированных физических моделей в конфигурацию патчей, оптимальную для использования в компьютерных приложениях. Специальная фотография Джорджу Боршукову, Киму Либрери и Дэну Пипони за разработку системы рендеринга на основе изображений, позволяющей создавать хореографированные движения камеры в компьютерно-реконструированных декорациях. Этот компонент системы виртуальной кинематографии Manex Visual Effects обеспечивает виртуальные декорации театрального качества. Специальная фотография Джону П. Питлаку за разработку системы Laboratory Aim Density (LAD). Система LAD стала стандартным методом, используемым кинолабораториями и цифровыми кинозаписывающими комплексами для эффективного и равномерного контроля цвета и экспозиции в негативах, интерпозитивах и дублированных негативах. Лаборатория 2001 (74-е) Питу Романо за разработку Remote AquaCam, системы подводного корпуса камеры для использования в кино. Remote AquaCam предлагает индустрии корпус подводной камеры, специально разработанный для удаленного управления и высокоскоростной съемки. Его гидродинамическая форма облегчает работу при съемке с рук на поверхности, а возможности удаленного управления позволяют снимать в ограниченных пространствах или в ситуациях, когда оператор не может находиться рядом с камерой. Фотография Джордану Клейну за его новаторские усилия в разработке и применении подводных корпусов камер для кино. Имея более чем 50-летний опыт в разработке подводных корпусов камер, Джордан Клейн оказал значительное влияние на область подводной фотографии. Фотография Бернарду Вернеру и Уильяму Гелоу за разработку и проектирование фильтрованных линейных массивов и компенсации рассеивания звука в кинотеатральных акустических системах. Используя технологии с коническим и фильтрованным линейным массивом, а также уникальные пассивные и активные фильтры, их работа с кинотеатральными акустическими системами была инновационной и специально адаптирована для киноприменений. Звук Томлинсону Холману за исследования и системную интеграцию, приведшие к улучшению кинотеатральных акустических систем. Более 20 лет Тоmlinсон Холман занимался исследованиями и интеграцией кинотеатральных акустических систем с постоянной направленностью и прямым излучением басов. Звук Джеффу Джексону и Роджеру Вудберну за их камерный мотор DMS 120S. Этот хорошо спроектированный камерный мотор оснащен встроенной программируемой функцией таймлапса и полезен в широком спектре приложений, включая съемку без звука, высокоскоростную съемку, анимацию и управление движением камеры. Камеры Томасу Мэйору Баррону за общую концепцию и дизайн, Чарльзу Смиту за конструкторскую инженерию и Гордону Зейтцу за механическую инженерию крана для управления движением камеры Bulldog Motion Control Camera Crane. Этот кран для управления движением камеры представляет собой беспрецедентное сочетание большого вылета, высокой скорости и нового подхода к транспортировке, что позволяет очень быстро устанавливать его на локации. Каранные системы Джону Андерсону, Джиму Хурихану, Кэри Филлипсу и Себастьяну Марино за разработку системы динамики существ ILM Creature Dynamics System. Эта система делает симуляцию волос, одежды, кожи, плоти и мышц управляемой и интегрированной в среду анимации и оснастки персонажей. Технологии цифрового изображения Доктору Стиву Салливану и Эрику Шаферу за разработку системы восстановления движения и структуры ILM Motion and Structure Recovery System (MARS). Система MARS обеспечивает анализ движения камеры и объектов, а также их размеров. Она использует богатый набор инструментов пользовательского интерфейса и сложные алгоритмы. Технологии цифрового изображения Карлу Людвигу и Джону Константину-младшему за их вклад в продукты цифровых кинозаписывающих устройств CELCO Digital Film Recorder. Продукты CELCO оказали значительное влияние на индустрию благодаря постоянному совершенствованию их технологий. Специальная фотография Биллу Шпицаку, Полу Ван Кампу, Джонатану Эгстаду и Прайсу Петелу за их новаторские усилия по разработке программного обеспечения для 2D-композитинга NUKE 2D Compositing Software. Программное обеспечение для 2D-композитинга Nuke позволяет создавать сложные интерактивные цифровые композиты, используя относительно скромное компьютерное оборудование. Технологии цифрового изображения Лэнсу Уильямсу за его новаторское влияние в области компьютерной анимации и спецэффектов для кино. Продолжающееся влияние Лэнса Уильямса иллюстрируется его тремя основополагающими работами "Casting Shadows on Curved Surfaces", "Pyramidal Parametrics" и "View Interpolation for Image Synthesis". Технологии цифрового изображения Доктору Уве Сассенбергу и Рольфу Шнайдеру за разработку "3D Equalizer", продвинутой и надежной системы сопоставления движения камеры и объектов. Эта доминирующая коммерческая система отслеживания обеспечивает отслеживание "без обследования", что значительно снижает необходимость в кропотливых и подверженных ошибкам измерениях на съемочной площадке. Технологии цифрового изображения Гарланду Стерну за концепцию и реализацию программного обеспечения Cel Paint Software Sy...
+Technical Achievement Award recipients, by year of nomination (2000–2009) Year Recipient(s) Department 2000 (73rd) To Leonard Pincus, Ashot Nalbandyan, George Johnson, Thomas Kong, and David Pringle for the design and development of the SoftSun low pressure xenon long arc light sources, their power supplies and fixtures. With the ability to dim these very high powered lights at essentially constant Kelvin temperature and without flicker, these units produce a bright and even light source for general set lighting. The availability of very high wattage units allows production to extend the hours of work past the time when the crew would otherwise have "lost the light". Lighting To Vic Armstrong for the refinement and application to the film industry of the Fan Descender for accurately and safely arresting the descent of stunt persons in high freefalls. Considered a standard of the industry, the Fan Descender provides a means for significantly increasing the safety of very high stunt falls. The system permits falls to be made under controlled deceleration and with a highly predictable stopping point without limitation of camera angles. Stage Operations To Philip Greenstreet of Rosco Laboratories for the concept and development of the Roscolight Day/Night Backdrop. This unique photographic scenic backing allows a smooth transition from day to night views with a single backing. The Roscolight backings provide an important new creative tool to filmmakers, saving time, money and stage space. Stage Operations To Udo Schauss, Hildegard Ebbesmeier and Karl Lenhardt for the optical design, and Ralf Linn and Norbert Brinker for the mechanical design of the Schneider Super Cinelux lenses for motion picture projection. These projection lenses provide a significant improvement in the quality of the cinema viewing experience. Lenses and Filters To Glenn M. Berggren for the concept, Horst Linge for research and development, and Wolfgang Reinecke for the optical design of the ISCO Ultra Star Plus lenses for motion picture projection. The unique optical design of the Ultra Star Plus projection lenses achieves unprecedented edge to edge uniformity of illumination, combined with a significant increase in screen brightness, thus providing a substantial improvement in the cinema viewing experience. Lenses and Filters To Bill Tondreau of Kuper Systems, Alvah J. Miller and Paul Johnson of Lynx Robotics, and David Stump of Visual Effects Rental Services for the conception, design and development of data capture systems that enable superior accuracy, efficiency and economy in the creation of composite imagery. These systems digitally record live action camera and axis data with practically no impact on the live action production process, allowing compositing for visual effects to become faster and more cost effective. Systems To Venkat Krishnamurthy for the creation of the Paraform Software for 3D Digital Form Development. This system streamlines the creation of 3D computer graphics models by allowing artists to convert the data from automatically scanned physical models into a user specified configuration of patches well suited for use in computer applications. Special Photographic To George Borshukov, Kim Libreri and Dan Piponi for the development of a system for image based rendering allowing choreographed camera movements through computer graphic reconstructed sets. This component of the Manex Visual Effects Virtual Cinematography System provides theatrical quality virtual settings. Special Photographic To John P. Pytlak for the development of the Laboratory Aim Density (LAD) system. The LAD system has become the standard method used by film laboratories and digital film recording facilities for the efficient and uniform control of color and exposure in camera negatives, interpositives and duplicate negatives. Laboratory 2001 (74th)To Pete Romano for the design and development of the Remote AquaCam, an underwater camera housing system for use in motion pictures. The Remote AquaCam brings to the industry an underwater camera housing specifically designed for remote and high speed operation. Its hydro dynamic shape facilitates ease of operation for surface hand held filming, and its remote capabilities allow it to film in confined areas or in situations where an operator cannot be near the camera. PhotographyTo Jordan Klein for his pioneering efforts in the development and application of underwater camera housings for motion pictures. With over 50 years of involvement in the design and development of underwater camera housings, Jordan Klein has had significant influence in the field of underwater photography. PhotographyTo Bernard Werner and William Gelow for the engineering and design of filtered line arrays and screen spreading compensation as applied to motion picture loudspeaker systems. Employing both tapered line array and filtered line array technologies and unique passive and active filter networks, their work with cinema loudspeakers was both innovative and dedicated specifically to cinema applications. SoundTo Tomlinson Holman for the research and systems integration resulting in the improvement of motion picture loudspeaker systems. For over 20 years Tomlinson Holman has been involved in the research and integration of the constant directivity, direct radiator bass type of cinema loudspeaker systems. SoundTo Geoff Jackson and Roger Woodburn for their DMS 120S Camera Motor. This well engineered camera motor features built in time lapse programmability and is useful in an unusually wide range of applications, including MOS production filming, high speed photography, animation and motion control. CameraTo Thomas Major Barron for the overall concept and design; Charles Smith for the structural engineering; and Gordon Seitz for the mechanical engineering of the Bulldog Motion Control Camera Crane. This motion control camera crane represents an unprecedented combination of long reach, high speed and a novel approach to its transport, which allows a very rapid setup on location. Camera CranesTo John Anderson, Jim Hourihan, Cary Phillips and Sebastian Marino for the development of the ILM Creature Dynamics System. This system makes hair, clothing, skin, flesh and muscle simulation both directable and integrated within a character animation and rigging environment. Digital Imaging TechnologyTo Dr. Steve Sullivan and Eric Schafer for the development of the ILM Motion and Structure Recovery System (MARS.) The MARS system provides analysis of camera motion and object motion, and their dimensions. It employs a rich set of user interface tools and sophisticated algorithms. Digital Imaging TechnologyTo Carl Ludwig and John Constantine, Jr. for their contributions to CELCO Digital Film Recorder products. CELCO recorder products have had a significant impact on the industry through continual improvements in their technology. Special PhotographicTo Bill Spitzak, Paul Van Camp, Jonathan Egstad and Price Pethel for their pioneering effort on the NUKE 2D Compositing Software. The Nuke 2D compositing software allows for the creation of complex interactive digital composites using relatively modest computing hardware. Digital Imaging TechnologyTo Lance Williams for his pioneering influence in the field of computer generated animation and effects for motion pictures. The ongoing influence of Lance Williams is exemplified in his three seminal papers "Casting Shadows on Curved Surfaces," "Pyramidal Parametrics" and "View Interpolation for Image Synthesis." Digital Imaging TechnologyTo Dr. Uwe Sassenberg and Rolf Schneider for the development of "3D Equalizer," an advanced and robust camera and object match moving system. This dominant commercial tracking system provides "survey free" tracking, which significantly reduces the need for painstaking, error prone measurements on sets. Digital Imaging TechnologyTo Garland Stern for the concept and implementation of the Cel Paint Software System. All current cel painting applications in the motion picture industry can be traced back to the original idea and pioneering implementation of Garland Stern. Digital Imaging TechnologyTo Mic Rodgers and Matt Sweeney for the concept, design and realization of the "Mic Rig." Stage Operations 2002 (75th)To Dick Walsh for the development of the PDI/ Dreamworks Facial Animation System. This effective software simulation system is used to create and control natural, expressive, highly nuanced facial animation on a wide range of computer generated characters. Digital Imaging TechnologyTo Thomas Driemeyer and to the Team of Mathematicians, Physicists and Software Engineers of Mental Images for their contributions to the Mental Ray rendering software for motion pictures. Mental Ray is a highly programmable computer graphics renderer incorporating ray tracing and global illumination to realistically simulate the behavior of light in computer generated imagery. Mental Ray is a highly programmable computer graphics renderer incorporating ray tracing and global illumination to realistically simulate the behavior of light in computer generated imagery. Digital Imaging TechnologyTo Eric Daniels, George Katanics, Tasso Lappas and Chris Springfield for the development of the Deep Canvas rendering software. The Deep Canvas software program captures the original brush strokes of the traditional background artist to render elements in three dimensions for animated films. Digital Imaging TechnologyTo Jim Songer for his contributions to the technical development of video assist in the motion picture industry. The work of Jim Songer from 1968 through 1973 led directly to the more widespread acceptance of video assist in the motion picture industry. SystemsTo Pierre Chabert of Airstar for the introduction of balloons with internal light sources to provide set lighting for the motion picture industry. These helium filled balloons with internal arrangements for tungsten halogen and HMI light sources are usable indoors or out, quick to set up, require essentially no rigging and provide a soft light that can cover a very large area. LightingTo Rawdon Hayne and Robert W. Jeffs of Leelium Tubelite for their contributions to the development of internally lit balloons for motion picture lighting. Lighting