Многоканальное телевещание: Стандарт кодирования звука MTS

Television audio encoding standard
an American analog television standard for sound multiplex

Multichannel Television Sound (MTS) is the method of encoding three additional audio channels into analog 4.5 MHz audio carriers on System M and System N. It was developed by the Broadcast Television Systems Committee, an industry group, and sometimes known as BTSC as a result. MTS worked by adding additional audio signals in otherwise empty portions of the television signal. MTS allowed up to a total of four audio channels. Normally two were broadcast to produce the left and right stereo channels. An additional second audio program (SAP), could be used to broadcast other languages or entirely different audio like weather alerts that could be accessed by the user, typically through a button on their remote control. The fourth channel, PRO, was only used by the broadcasters.

Initial work on design and testing of a stereophonic audio system began in 1975 when Telesonics approached Chicago public television station WTTW. WTTW was producing a music show titled Soundstage at that time, and was simulcasting the stereo audio mix on local FM stations. Telesonics offered a way to send the same stereo audio over the existing television signals, thereby removing the need for the FM simulcast. Telesonics and WTTW formed a working relationship and began developing the system which was similar to FM stereo modulation. Twelve WTTW studio and transmitter engineers added the needed broadcast experience to the relationship. The Telesonics system was tested and refined using the WTTW transmitter facilities on the Sears Tower. In 1979, WTTW had installed a stereo Grass Valley master control switcher and had added a second audio channel to the microwave STL (Studio Transmitter Link). By that time, WTTW engineers had further developed stereo audio on videotape recorders in their plant, using split audio track heads manufactured to their specifications, outboard record electronics, and Dolby noise reduction that allowed Soundstage to be recorded and electronically edited. In addition, an Ampex MM1100, 24 track audio recorder was also used for music production and mixing. PBS member stations who wished to deliver Soundstage in stereo were provided with a four track (left, right, vertical drive, and time code) audiotape that could be synced with the video machines in those cities. During the FCC approval process, several manufacturers applied to the FCC for consideration. Most notably the Electronic Industries Alliance (EIA) and Japanese EIA asked to be included in order to represent their members in the testing and specification phases of the approval process. WTTW engineers helped set standards for frequency response, separation, and other uses of the spectrum. They also provided program source material used for the testing and maintained the broadcast chain. A 3M 24 track audio recorder was used to allow the selection of 12 different stereo programs for testing. The Matsushita Quasar TV manufacturing plant and laboratory, just west of Chicago, was used as the source for all testing of the competing systems. Following the testing, several questions were raised about the validity of some of the tests, and a second round of testing began. WTTW installed a Broadcast Electronics prototype stereo modulator in October 1983 and began full time broadcasting in stereo at that time using the Telesonics system prior to Federal Communications Commission (FCC) rule making on the BTSC system. MTS was officially adopted by the FCC on 23 April 1984. Following EIA and FCC recommendations, the BE modulator was modified to meet BTSC specifications, and by August 1984 was in full time use on WTTW. Sporadic network transmission of stereo audio began on NBC on July 26, 1984, with The Tonight Show Starring Johnny Carson, although at the time only the network's New York City flagship station, WNBC, had stereo broadcast capability; regular stereo transmission of NBC programs began during early 1985. ABC and CBS followed suit in 1986 and 1987, respectively. FOX was the last network to join in 1987, with the four networks having their entire prime time schedules in stereo by late 1994 (The WB and UPN launched the following season with their entire line ups in stereo). One of the first television receiving systems to include BTSC capability was the RCA Dimensia, released in 1984. From 1985 to 2000, the networks would display the disclaimer "in stereo (where available)" at the beginning of stereo programming, sometimes using marketing tags such as CBS's "StereoSound" to describe their institution of stereo service. Networks in Canada and Mexico, which also used the NTSC video standard, utilized MTS sound when made available.

As a component of the NTSC standard, MTS is no longer being used in U. S. full power television broadcasting after the June 12, 2009 DTV transition in the United States. It remains in use in LPTV and in analogue cable television. All coupon eligible converter boxes (CECBs) are required to output stereo sound via RCA connectors, but MTS is merely optional for the RF modulator that every CECB contains. NTIA has stated that MTS was made optional for cost reasons; this may have been due to a belief that MTS still required royalty payments to THAT Corporation, which is no longer true except for some digital implementations. THAT has created consumer pages on the DTV transition and how it affects MTS. The site describes the situation by stating that most consumers with CECBs will end up with monaural TV sound, since RF only connections are common and MTS is optional (and rare) for CECBs.

The original North American television standards provided a significant amount of bandwidth for the audio signal, 0.5 MHz, although the audio signal itself was defined to extend from 50 Hz to 15,000 Hz. This was centered on the audio carrier signal 4.5 MHz above the video signal, and given 25 kHz on either side of the carrier, using only 15 kHz of it. This meant the lower and upper 0.2475 MHz of the audio channel was unused. Due to the nature of the NTSC color signals added in the 1950s, the upper parts of the color signal pushed into the lower audio sideband. With the audio signal centered within the 0.5 MHz channel, and the lower 0.25 MHz being partially infringed on by leftover video signal, the upper 0.25 MHz was left largely empty. Though THAT now owns some patents related to digital implementations of MTS, a letter from THAT to the National Telecommunications and Information Administration in 2007 confirms that no license is required from THAT for all analog and some digital implementations of MTS.

Several nations outside North America using the NTSC standard adopted the MTS format for their analog systems, including Chile, Colombia, Taiwan and the Philippines. Japan adopted their own EIAJ MTS standard, within their own domestic NTSC variant. Two countries, Brazil and Argentina, used the MTS standard with alternate PAL standards.