Сурет түсіру аппаратының даму тарихы мен түрлері

Optical device for recording images

A camera is an instrument used to capture and store images and videos, either digitally via an electronic image sensor, or chemically via a light sensitive material such as photographic film. As a pivotal technology in the fields of photography and videography, cameras have played a significant role in the progression of visual arts, media, entertainment, surveillance, and scientific research. The invention of the camera dates back to the 19th century and has since evolved with advancements in technology, leading to a vast array of types and models in the 21st century. Cameras function through a combination of multiple mechanical components and principles. These include exposure control, which regulates the amount of light reaching the sensor or film; the lens, which focuses the light; the viewfinder, which allows the user to preview the scene; and the film or sensor, which captures the image. Several types of cameras exist, each suited to specific uses and offering unique capabilities. Single lens reflex (SLR) cameras provide real time, exact imaging through the lens. Large format and medium format cameras offer higher image resolution and are often used in professional and artistic photography. Compact cameras, known for their portability and simplicity, are popular in consumer photography. Rangefinder cameras, with separate viewing and imaging systems, were historically widely used in photojournalism. Motion picture cameras are specialized for filming cinematic content, while digital cameras, which became prevalent in the late 20th and early 21st century, use electronic sensors to capture and store images. The rapid development of smartphone camera technology in the 21st century has blurred the lines between dedicated cameras and multifunctional devices, profoundly influencing how society creates, shares, and consumes visual content.

Beginning with the use of the camera obscura and transitioning to complex photographic cameras, the evolution of the technology in the 19th century was driven by pioneers like Thomas Wedgwood, Nicéphore Niépce, and Henry Talbot. First using the camera obscura for chemical experiments, they ultimately created cameras specifically for chemical photography, and later reduced the camera's size and optimized lens configurations. The introduction of the daguerreotype process in 1839 facilitated commercial camera manufacturing, with various producers contributing diverse designs. As camera manufacturing became a specialized trade in the 1850s, designs and sizes were standardized. The latter half of the century witnessed the advent of dry plates and roll film, prompting a shift towards smaller and more cost effective cameras, epitomized by the original Kodak camera, first produced in 1888. This period also saw significant advancements in lens technology and the emergence of color photography, leading to a surge in camera ownership.

The first half of the 20th century saw continued miniaturization and the integration of new manufacturing materials. After World War I, Germany took the lead in camera development, spearheading industry consolidation and producing precision made cameras. The industry saw significant product launches such as the Leica camera and the Contax, which were enabled by advancements in film and lens designs. Additionally, there was a marked increase in accessibility to cinematography for amateurs with Eastman Kodak's production of the first 16 mm and 8 mm reversal safety films. The World War II era saw a focus on the development of specialized aerial reconnaissance and instrument recording equipment, even as the overall pace of non military camera innovation slowed. In the second half of the century, Japanese manufacturers in particular advanced camera technology. From the introduction of the affordable Ricohflex III TLR in 1952 to the first 35mm SLR with automatic exposure, the Olympus AutoEye in 1960, new designs and features continuously emerged. Electronics became integral to camera design in the 1970s, evident in models like Polaroid's SX 70 and Canon's AE 1. Transition to digital photography marked the late 20th century, culminating in digital camera sales surpassing film cameras in the United States by 2003. In contrast, the film camera industry in the UK, Western Europe, and the USA declined during this period, while manufacturing continued in the USSR, German Democratic Republic, and China, often mimicking Western designs.

Most cameras capture light from the visible spectrum, while specialized cameras capture other portions of the electromagnetic spectrum, such as infrared. All cameras use the same basic design: light enters an enclosed box through a converging or convex lens and an image is recorded on a light sensitive medium. A shutter mechanism controls the length of time that light enters the camera. Most cameras also have a viewfinder, which shows the scene to be recorded, along with means to adjust various combinations of focus, aperture and shutter speed.

Light enters the camera through an aperture, an opening adjusted by overlapping plates called the aperture ring. Typically located in the lens, this opening can be widened or narrowed to alter the amount of light that strikes the film or sensor. The light entering the camera is halved with each increasing increment. What is acceptably in focus is determined by the circle of confusion, the photographic technique, the equipment in use and the degree of magnification expected of the final image.

The shutter, along with the aperture, is one of two ways to control the amount of light entering the camera. The shutter determines the duration that the light sensitive surface is exposed to light. The shutter opens, light enters the camera and exposes the film or sensor to light, and then the shutter closes. There are two types of mechanical shutters: the leaf type shutter and the focal plane shutter. The leaf type uses a circular iris diaphragm maintained under spring tension inside or just behind the lens that rapidly opens and closes when the shutter is released. The duration for which the shutter is open is called the shutter speed or exposure time. Typical exposure times can range from one second to 1/1,000 of a second, though longer and shorter durations are not uncommon. In the early stages of photography, exposures were often several minutes long. These long exposure times often resulted in blurry images, as a single object is recorded in multiple places across a single image for the duration of the exposure. To prevent this, shorter exposure times can be used. Very short exposure times can capture fast moving action and eliminate motion blur. Its primary function is to focus light onto a camera's film or digital sensor, thereby producing an image. The focus is adjusted through the focus ring on the lens, which moves the lens elements closer or further from the sensor. Autofocus is a feature included in many lenses, which uses a motor within the lens to adjust the focus quickly and precisely based on the lens's detection of contrast or phase differences. This feature can be enabled or disabled using switches on the lens body. The Asahiflex II, released by Japanese company Asahi (Pentax) in 1954, was the world's first SLR camera with an instant return mirror. In the single lens reflex camera, the photographer sees the scene through the camera lens. This avoids the problem of parallax which occurs when the viewfinder or viewing lens is separated from the taking lens. Single lens reflex cameras have been made in several formats including sheet film 5x7" and 4x5", roll film 220/120 taking 8,10, 12, or 16 photographs on a 120 roll, and twice that number of a 220 film. These correspond to 6x9, 6x7, 6x6, and 6x4.5 respectively (all dimensions in cm). Notable manufacturers of large format and roll film SLR cameras include Bronica, Graflex, Hasselblad, Seagull, Mamiya and Pentax. However, the most common format of SLR cameras has been 35 mm and subsequently the migration to digital SLR cameras, using almost identical sized bodies and sometimes using the same lens systems. Almost all SLR cameras use a front surfaced mirror in the optical path to direct the light from the lens via a viewing screen and pentaprism to the eyepiece. At the time of exposure, the mirror is flipped up out of the light path before the shutter opens. Some early cameras experimented with other methods of providing through the lens viewing, including the use of a semi transparent pellicle as in the Canon Pellix and others with a small periscope such as in the Corfield Periflex series.

The large format camera, taking sheet film, is a direct successor of the early plate cameras and remained in use for high quality photography and technical, architectural, and industrial photography. There are three common types: the view camera, with its monorail and field camera variants, and the press camera. They have extensible bellows with the lens and shutter mounted on a lens plate at the front. Backs taking roll film and later digital backs are available in addition to the standard dark slide back. These cameras have a wide range of movements allowing very close control of focus and perspective. Composition and focusing are done on view cameras by viewing a ground glass screen which is replaced by the film to make the exposure; they are suitable for static subjects only and are slow to use.

The earliest cameras produced in significant numbers were plate cameras, using sensitized glass plates. Light entered a lens mounted on a lens board which was separated from the plate by extendible bellows. There were simple box cameras for glass plates but also single lens reflex cameras with interchangeable lenses and even for color photography (Autochrome Lumière). Many of these cameras had controls to raise, lower, and tilt the lens forwards or backward to control perspective. Focusing of these plate cameras was by the use of a ground glass screen at the point of focus. Because lens design only allowed rather small aperture lenses, the image on the ground glass screen was faint and most photographers had a dark cloth to cover their heads to allow focusing and composition to be carried out more quickly. When focus and composition were satisfactory, the ground glass screen was removed, and a sensitized plate was put in its place protected by a dark slide. To make the exposure, the dark decline was carefully slid out and the shutter opened, and then closed and the dark fall replaced. Glass plates were later replaced by sheet film in a dark slide for sheet film; adapter sleeves were made to allow sheet film to be used in plate holders. In addition to the ground glass, a simple optical viewfinder was often fitted.

Medium format cameras have a film size between the large format cameras and smaller 35 mm cameras. Typically these systems use 120 or 220 roll film. The most common image sizes are 6×4.5 cm, 6×6 cm and 6×7 cm; the older 6×9 cm is rarely used. The designs of this kind of camera show greater variation than their larger brethren, ranging from monorail systems through the classic Hasselblad model with separate backs, to smaller rangefinder cameras. There are even compact amateur cameras available in this format.

Twin lens reflex cameras used a pair of nearly identical lenses: one to form the image and one as a viewfinder. The lenses were arranged with the viewing lens immediately above the taking lens. The viewing lens projects an image onto a viewing screen which can be seen from above. Some manufacturers such as Mamiya also provided a reflex head to attach to the viewing screen to allow the camera to be held to the eye when in use. The advantage of a TLR was that it could be easily focused using the viewing screen and that under most circumstances the view seen on the viewing screen was identical to that recorded on film. At close distances, however, parallax errors were encountered, and some cameras also included an indicator to show what part of the composition would be excluded. Some TLRs had interchangeable lenses, but as these had to be paired lenses, they were relatively heavy and did not provide the range of focal lengths that the SLR could support. Most TLRs used 120 or 220 films; some used the smaller 127 films.

After exposure, every photograph is taken through pinch rollers inside the instant camera. Thereby the developer paste contained in the paper 'sandwich' is distributed on the image. After a minute, the cover sheet just needs to be removed and one gets a single original positive image with a fixed format. With some systems, it was also possible to create an instant image negative, from which then could be made copies in the photo lab. The ultimate development was the SX 70 system of Polaroid, in which a row of ten shots – engine driven – could be made without having to remove any cover sheets from the picture. There were instant cameras for a variety of formats, as well as adapters for instant film use in medium and large format cameras.

Subminiature cameras were first produced in the twentieth century and use film significantly smaller than 35mm. The expensive 8×11mm Minox, the only type of camera produced by the company from 1937 to 1976, became very widely known and was often used for espionage (the Minox company later also produced larger cameras). Later inexpensive subminiatures were made for general use, some using rewound 16 mm cine film. Image quality with these small film sizes was limited.

The introduction of films enabled the existing designs for plate cameras to be made much smaller and for the baseplate to be hinged so that it could be folded up, compressing the bellows. These designs were very compact and small models were dubbed vest pocket cameras. Folding roll film cameras were preceded by folding plate cameras, more compact than other designs.

Box cameras were introduced as budget level cameras and had few if any controls. The original box Brownie models had a small reflex viewfinder mounted on the top of the camera and had no aperture or focusing controls and just a simple shutter. Later models such as the Brownie 127 had larger direct view optical viewfinders together with a curved film path to reduce the impact of deficiencies in the lens.

As camera lens technology developed and wide aperture lenses became more common, rangefinder cameras were introduced to make focusing more precise. Early rangefinders had two separate viewfinder windows, one of which is linked to the focusing mechanisms and moved right or left as the focusing ring is turned. The two separate images are brought together on a ground glass viewing screen. When vertical lines in the object being photographed meet exactly in the combined image, the object is in focus. A normal composition viewfinder is also provided. Later the viewfinder and rangefinder were combined. Many rangefinder cameras had interchangeable lenses, each lens requiring its range and viewfinder linkages. Rangefinder cameras were produced in half and full frame 35 mm and roll film (medium format).

A camcorder is an electronic device combining a video camera and a video recorder. Although marketing materials may use the colloquial term "camcorder", the name on the package and manual is often "video camera recorder". Most devices capable of recording video are camera phones and digital cameras primarily intended for still pictures; the term "camcorder" is used to describe a portable, self contained device, with video capture and recording its primary function.