Су тамұрығы: Апатты түсірілім және құны қымбат фильм

1995 post apocalyptic action film

which by mid 1994 had swollen to $135 million, with final costs reaching an estimated $175 million, a record sum for a film production at the time. The production was hampered by difficulties in obtaining otherwise simple shots due to poor weather, safety concerns, and the camera crew being pushed out of position by waves. One of the floating sets sank in heavy seas, and had to be repaired. Eventually the production had to be extended by nearly three months, from 96 days to over 150. The state of Hawaii had more than $35 million added to its economy as a result of the colossal film production. The production featured different types of personal watercraft, especially Kawasaki jet skis. Kevin Costner was on the set for 157 days, working six days a week. At one point, he nearly died when he got caught in a squall while tied to the mast of his trimaran. Professional surfer Laird Hamilton was Kevin Costner's stunt double for many water scenes. Hamilton commuted to the set via jet ski. Mark Isham's score, which was not recorded for approximately 25 percent of the film and had only demos completed, was reportedly rejected by Costner because it was "too ethnic and bleak", contrasting with the film's futuristic and adventurous tone; Isham offered to try again but was not given the chance. James Newton Howard was brought in to write the new score. Joss Whedon flew out to the set to do last minute script rewrites and later described it as "seven weeks of hell"; the work boiled down to editing in Costner's ideas without alteration. Inspired by racing trimarans built by Jeanneau Advanced Technologies' multi hull division, Lagoon, a custom yacht was designed by Marc Van Peteghem and Vincent Lauriot Prevost and built in France by Lagoon. Two versions were built, a relatively standard racing trimaran for distance shots, and an effects laden transforming trimaran for closeup shots. The first trimaran was launched on 2 April 1994, and surpassed in September of that year. before being restored for use as a racing trimaran named Loe Real, which was (as of 2012) being offered for sale in San Diego. Kevin Reynolds quit the film before its release, owing to heated battles with Costner over his creative decisions. Reynolds still received full credit as director. Despite their reported clashes, the director and star reunited almost two decades later for the History Channel miniseries Hatfields & McCoys.

Because of the runaway costs of the production and its expensive price tag, some critics dubbed it "Fishtar" and "Kevin's Gate", alluding to the flops Ishtar and Heaven's Gate, although the film debuted at the box office at No. 1. For its first weekend, Waterworld collected a total of $21.6 million. With a budget of $172 million (and a total outlay of $235 million once marketing and distribution costs are factored in), the film grossed $88 million at the North American box office. The film did better overseas, with $176 million at the foreign box office, for a worldwide total of $264 million. However, even though this figure surpasses the total costs spent by the studio, it does not take into account the percentage of box office gross that theaters retain, which is generally up to half;

Contemporary reviews for the film were mixed. Roger Ebert gave Waterworld 2.5 stars out of 4 and said: "The cost controversy aside, Waterworld is a decent futuristic action picture with some great sets, some intriguing ideas, and a few images that will stay with me. It could have been more, it could have been better, and it could have made me care about the characters. It's one of those marginal pictures you're not unhappy to have seen, but can't quite recommend." Owen Gleiberman gave it a B in Entertainment Weekly. He commented that while its massive budget had paid off by genuinely creating the sensation of a world built on water, the film generally came off as a second rate rip off of The Road Warrior, with weaker, slower paced action sequences and less startling villains. He praised Costner's performance, but found the film's environmental message pretentious. James Berardinelli of Reelviews Movie Reviews was one of the film's few supporters, calling it "one of Hollywood's most lavish features to date". He wrote: "Although the storyline isn't all that invigorating, the action is, and that's what saves Waterworld. In the tradition of the old Westerns and Mel Gibson's Mad Max flicks, this film provides good escapist fun. Everyone behind the scenes did their part with aplomb, and the result is a feast for the eyes and ears." Mick LaSalle, reviewing the film the week of its release on home video, argued that it did not deserve some of its more negative reviews, since "despite its confused impulses and occasional slow spots, Waterworld has an elusive, appealing spirit that holds up for more than two hours. It's a genuine vault at greatness that misses the mark but survives." He commented that while the film succeeds at its high ambitions for isolated moments, the clash between its earnest ambition and intrusive flashiness makes it generally fall short of its reach. On Rotten Tomatoes the film holds an approval rating of 47% based on 66 reviews, with an average rating of 5.5/10. The site's critics consensus reads: "Though it suffered from toxic buzz at the time of its release, Waterworld is ultimately an ambitious misfire: an extravagant sci fi flick with some decent moments and a lot of silly ones." Metacritic assigned the film a weighted average score of 56 out of 100, based on 17 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale. In a 2020 retrospective, Ben Child of The Guardian described it as "a perfectly watchable sci fi cult classic" that deserves reappraisal. He acknowledged that much of the plot was illogical and absurd and some of the action set pieces "preposterously ambitious", but argued that both of them offer excitement and B movie charm.

Kevin Costner said he's very fond of the film: "It stands up as a really exotic, cool movie. I mean, it was flawed — for sure. But, overall, it's a very inventive, cool movie. It's pretty robust." Dennis Hopper also enjoyed it, saying "I thought Waterworld got a bad name for itself in the United States, but it did really well in Europe and Asia. I think the studio sort of shot themselves in the foot by announcing it was so over budget, blah blah blah, it's going to be a failure All this came out before we released it in the States. But I enjoyed it." In retrospect, Director Kevin Reynolds said: "My own personal take on the picture is that I don't think it's any better, any worse than most summer blockbusters, it's somewhere in the middle. I think yeah, it's certainly got its faults, but I think, you know, on another level I think it works quite well compared to some of the other big films. But by the end, people they wanted it to be a disaster."

+Accolades for Waterworld Award Subject Nominee ResultAcademy AwardsBest SoundSteve Maslow, Gregg Landaker and Keith A. WesterBritish Academy Film AwardsBest Special Visual EffectsMichael J. McAlister, Brad Kuehn, Robert Spurlock and Martin BresinGolden Raspberry AwardsWorst PictureCharles Gordon, John Davis, and Kevin CostnerWorst DirectorKevin ReynoldsWorst ActorKevin CostnerWorst Supporting ActorDennis HopperSaturn Awards Best Science Fiction FilmBest CostumeJohn BloomfieldBest DVD or Blu ray Special Edition Release

Waterworld was released on VHS and LaserDisc on January 23, 1996. On September 9, 1997, it debuted on a THX certified widescreen VHS release. The film was then released on DVD on November 1, 1998, on Blu ray on October 20, 2009, and on 4K Blu ray on July 9, 2019.

A novelization was written by Max Allan Collins and published by Arrow Books. It goes into greater detail regarding the world of the film.

A sequel comic book four issue mini series entitled Waterworld: Children of Leviathan, drawn by Kevin Kobasic, was released by Acclaim Comics in 1997. Kevin Costner did not permit his likeness to be used for the comics, so the Mariner looks different. The story reveals some of the Mariner's back story as he gathers clues about where he came from and why he is different. The comic expands on the possible cause of the melting of the polar ice caps and worldwide flood, and introduces a new villain, "Leviathan", who supplied the Deacon's Smoker organization. The comic hints at the possibility that the Mariner's mutation may not be caused by evolution but by genetic engineering and that his origins may be linked to those of the "Sea Eater", the sea monster seen during the fishing scene in the film.

Video games based on the film were released for the Super NES, Game Boy, Virtual Boy, and PC. There was to be a release for the Genesis, but it was canceled and was only available on the Sega Channel. A Sega Saturn version of the game was also planned, and development was completed, but like its Genesis counterpart it was cancelled prior to release. The Super NES and Game Boy releases were only available in the United Kingdom and Australia. While the Super NES and Virtual Boy versions were released by Ocean Software, the PC version was released by Interplay. The Virtual Boy version of the game was the only movie licensed game for the system.

The film was released as a pinball machine in 1995 by Gottlieb Amusements (later Premier, both now defunct).

There are attractions at Universal Studios Hollywood, Universal Studios Japan, and Universal Studios Singapore based on the film. The show's plot takes place after the film, as Helen returns to the Atoll with proof of Dryland, only to find herself followed by the Deacon, who survived the events of the film. The Mariner arrives after him, defeats the Deacon and takes Helen back to Dryland.

In July 2021, it was announced Universal Cable Productions was in early development on a follow up TV series to be directed by Dan Trachtenberg.