Жеймс Тейлордың «Sweet Baby James» альбомы

the album

Sweet Baby James is the second studio album by American singer songwriter James Taylor, released on February 1, 1970, by Warner Bros. Records. The album includes two of Taylor's earliest successful singles: "Fire and Rain", and "Country Road", which reached number three and number thirty seven on the Billboard Hot 100, respectively. The album itself reached number three on the Billboard Top LPs & Tapes chart. Sweet Baby James made Taylor one of the main forces of the ascendant singer songwriter movement in the early 1970s and onward. The album was nominated for a Grammy Award for Album of the Year, in 1971, and was listed at number 104 on Rolling Stones 500 Greatest Albums of All Time. In 2000 it was voted number 228 in Colin Larkin's All Time Top 1000 Albums. In 2002 the album was inducted into the Grammy Hall of Fame.

The album, produced by Peter Asher, was recorded at Sunset Sound, Los Angeles, California, between December 8 and 17, 1969, at a cost of only $7,600 (US$ in dollars) out of a budget of $20,000. Taylor was "essentially homeless" at the time the album was recorded, either staying in Asher's home or sleeping on a couch at the house of guitarist Danny Kortchmar or anyone else who would have him. The album produced two charting singles: "Fire and Rain", backed by "Anywhere Like Heaven", which peaked at number three on the Billboard Hot 100 on October 31, 1970, and "Country Road", backed by "Sunny Skies", which peaked at number 37 on March 20, 1971. An additional single, "Sweet Baby James", backed by "Suite for 20 G", did not chart.

Reviewing for Rolling Stone in 1970, Gary von Tersch observed in the music "echoes of the Band, the Byrds, country Dylan and folksified Dion", which Taylor manages to negotiate into a "very listenable record that is all his own". Village Voice critic Robert Christgau was harsher in his appraisal of the album, saying that "Taylor's vehement following bewilders me; as near as I can discern, he is just another poetizing simp. Even the production is conventional. For true believers only." In a retrospective review, AllMusic's William Ruhlmann was more receptive to "Taylor's sense of wounded hopelessness", believing it reflected "the pessimism and desperation of the 1960s hangover that was the early '70s" and "struck a chord with music fans, especially because of its attractive mixture of folk, country, gospel, and blues elements, all of them carefully understated and distanced." In 2003, the album was ranked number 104 on Rolling Stone magazine's list of 500 Greatest Albums of All Time, dropping to number 182 in a 2020 revised list.