Жоси және Мысықтар: Жасырын Хабарлар мен Поп-Индустрияның Құпиясы

2001 film by Deborah Kaplan, Harry Elfont

Although the film's soundtrack album was well received, charting at No. 16 on the Billboard 200 and quickly achieving Gold status, the film itself received mixed reviews and was a commercial failure upon its initial release. However, it has enjoyed later success as a cult film.

The members of successful boy band DuJour, signed to the pop music record label MegaRecords, confront Wyatt Frame, an executive with the label, on their private jet, expressing innocent concern about a strange backing track they have discovered on their recent single "DuJour Around the World". After the band members get into a fight, Wyatt and the plane's pilot parachute out of the jet, leaving it to crash with the band still on board, presumably "killing" them. Landing outside the town of Riverdale, Wyatt begins searching for a replacement band for DuJour, eventually discovering struggling local rock band The Pussycats: lead vocalist and guitarist Josie McCoy, drummer Melody Valentine, and bassist and backup vocalist Valerie Brown. The group accepts Wyatt's immediate offer of a major record deal despite its seeming implausibility, and they are soon flown to New York City with their manager Alexander Cabot, his sister Alexandra, and Josie's love interest Alan M. Wyatt renames the band "Josie and the Pussycats" without their permission, making them very uncomfortable. Meanwhile, MegaRecords CEO Fiona, in an underground meeting with world government representatives, details how the United States government has conspired with the music industry to hide subliminal messages in pop music to indoctrinate teenagers into buying consumer products as part of a new trend each week, thus helping to build a robust economy from the money the teenagers earn from minimum wage jobs such as babysitting. Musicians who discover the hidden messages are made to disappear via staged plane crashes, drug overdoses and similar disasters. The band's first single "Pretend to Be Nice" is released and, due to subliminal messaging, instantly becomes successful, soon topping the charts. However, Valerie increasingly resents the attention the label gives Josie rather than the band as a whole, while Melody's uncanny behavioral perception makes her suspicious of Fiona and Wyatt. Fiona orders Wyatt to kill the pair before they uncover the conspiracy; they are sent to a fake appearance on MTV's Total Request Live where Carson Daly and a Carson Daly impersonator (Aries Spears) attempt to kill them with baseball bats, though the girls survive due to their attackers' incompetence. Rather than allow her to attend a gig by Alan M, claiming it was canceled, Wyatt instead gives Josie a copy of the group's latest single "You Don't See Me", which contains a subliminal message track designed to brainwash her into desiring a solo career. After arguing with her bandmates, Josie realizes that the single caused the fight. Her suspicions are confirmed when she uses a mixing board to amplify the subliminal track. However, Fiona catches her unawares. MegaRecords have organized a giant pay per view concert that will be streamed online, wherein they plan to unleash a major subliminal message via themed cat ears headsets that viewers must buy to hear the audio. Fiona and Wyatt plan for Josie to perform solo, but when the band insists on performing together, the pair hold Melody and Valerie hostage, threatening to kill them in a staged car explosion if they do not comply. However, the badly injured members of DuJour arrive and thwart the pair's plan, having survived the plane crash by landing the plane in the middle of a Metallica concert, where they were severely assaulted by fans. The trio fight Fiona, Wyatt and their security guards; during the tussle, Josie accidentally destroys the Megasound 8000, the machine used to generate the messages, revealing the new subliminal message to be one that would make Fiona universally popular. Fiona suffers a breakdown and reveals that her lisp made her a social outcast in high school, while Wyatt reveals that his appearance is a disguise—he went to the same high school as Fiona, but was a persecuted and unpopular albino; the two immediately bond. The government agents colluding with Fiona arrive, but with the conspiracy exposed, they arrest the pair as scapegoats to cover up their involvement in the scheme. They abandon the idea of spreading subliminal messages via music, deciding that movies are far more effective. Josie, Valerie, and Melody perform the concert together. Alan M arrives and confesses his love for Josie, who returns his feelings. The concert audience removes their headsets at Josie's suggestion and, able to judge the band on its own merits for the first time, roar their approval.

Johnny Depp, Gwen Stefani, Christina Aguilera, Britney Spears and Matt Damon appear as cardboard cut outs during the TRL scene.

Maggie Gyllenhaal and Zooey Deschanel both auditioned for the role of Josie, and while Kaplan and Elfont were enamored with the latter, the studio did not want to cast an unknown. Beyoncé, Aaliyah and Lisa "Left Eye" Lopes auditioned for the role of Valerie. Lopes in particular was very interested in the role and read for it twice. Cook said the producers considered her for the titular lead in Josie after having remembered Cook from her audition for the lead role in Can't Hardly Wait (1998); both films were co written and directed by Kaplan and Elfont. Cook's singing voice in the film was provided by Kay Hanley of the band Letters to Cleo, while backing vocals were provided by Cook, Reid, Dawson, and Bif Naked. The trio went through a "band camp" with the rock band Powder, learning their characters' instruments and rehearsing the songs for several months before filming. In line with its theme of subliminal advertising, the inordinate degree of product placement in the film constitutes a running gag. The album peaked at No. 16 on the Billboard 200. The soundtrack was reissued on vinyl by Mondo in 2017.

The film grossed $14,866,015 at the U. S. box office, less than its production budget, an estimated $22–39 million, resulting in a domestic box office bomb. On Metacritic, the film scores a 47 out of 100, based on 29 critics, indicating "mixed or average reviews". Audiences surveyed by CinemaScore gave the film a B grade on a scale from A to F.

Roger Ebert gave the film one half of a star out of a possible four, commenting that "Josie and the Pussycats are not dumber than the Spice Girls, but they're as dumb as the Spice Girls, which is dumb enough". Ebert had given the British girl group's 1997 feature film Spice World the same rating. Joe Leydon of Variety gave a positive review in which he praised the film's satire, music, and performances. Leydon wrote, "Sensationally exuberant, imaginatively crafted and intoxicatingly clever, Josie and the Pussycats shrewdly recycles a trifling curio of 1970s pop culture kitsch as the linchpin for a freewheeling, candy colored swirl of comicbook adventure, girl power hijinks and prickly satirical barbs." He concluded, "To a degree that recalls the flashy Depression era musicals and the nuclear nightmare horror shows of the '50s, pic vividly conveys key aspects of the zeitgeist without ever stinting on the crowdpleasing fun and games. It's made for the megaplexes, but it's also one for the time capsule." and was planning to release it in the wake of the film. However, these plans never came to fruition.

In the years subsequent to its initial release, Josie and the Pussycats has been reappraised by critics, and has found success as a cult film. The film has been praised for its satirical take on American pop culture, and for its prescience in satirizing product placement and the corporatization of the music industry. A year after the film's release, Kaplan met U2 frontman Bono, who told her he loved the film. Mikael Wood of the Los Angeles Times wrote in 2017 that the film's "sharply satirical vision of the hyper commercial record industry feels only more relevant." On September 26, 2017, to commemorate the first vinyl release of the film's soundtrack, Josie and the Pussycats was screened by Alamo Drafthouse at the Ace Hotel in Los Angeles, followed by a Q&A panel with Kaplan, Elfont, Cook, Reid, and Dawson and a performance of songs from the film by Hanley. Additionally, an oral history on the film was featured in The Fader.

Josie and the Pussycats was released on VHS and DVD by Universal Studios Home Video on August 21, 2001. The film's theatrical PG 13 rating from the MPAA in the United States caused some contention with licenser Archie Comics, and a "Family Friendly" PG rated version was released alongside the theatrical version on home media. The "Family Friendly" version omitted a great deal of profanity and sexual references. The theatrical version was presented in the Widescreen (1.85:1) format while the "Family Friendly" version was presented in the Full Screen (1.33:1) format. The movie was released on home media internationally by MGM Home Entertainment (through 20th Century Fox Home Entertainment) on December 17, 2001. To coincide with the film's 20th anniversary, the film was released on Blu ray for the first time through Mill Creek Entertainment on September 21, 2021, with most of the extras from the DVD release carried over.