"Янкилер мақтанышы: Лу Гериг өмірі"

1942 film by Sam Wood

The Pride of the Yankees is a 1942 American sports drama film produced by Samuel Goldwyn, directed by Sam Wood, and starring Gary Cooper, Teresa Wright, and Walter Brennan. It is a tribute to the legendary New York Yankees first baseman Lou Gehrig, who died a year before its release, at age 37, from amyotrophic lateral sclerosis, which later became known to the lay public as "Lou Gehrig's disease". Though subtitled The Life of Lou Gehrig, the film is less a sports biography than an homage to a heroic and widely loved sports figure whose tragic and premature death touched the entire nation. It emphasizes Gehrig's relationship with his parents (particularly his strong willed mother), his friendships with players and journalists, and his storybook romance with the woman who became his "companion for life," Eleanor Twitchell. Details of his baseball career—which were still fresh in most fans' minds in 1942—are limited to montages of ballparks, pennants, and Cooper swinging bats and running bases, though Gehrig's best known major league record—2,130 consecutive games played—is prominently cited. Yankee teammates Babe Ruth, Bob Meusel, Mark Koenig, and Bill Dickey play themselves, as does sportscaster Bill Stern. The film was adapted by Herman J. Mankiewicz, Jo Swerling, and an uncredited Casey Robinson from a story by Paul Gallico, and received 11 Oscar nominations. It ends with a re enactment of Gehrig's poignant 1939 farewell speech at Yankee Stadium. The film's iconic closing line—"Today, I consider myself the luckiest man on the face of the Earth"—was voted 38th on the American Film Institute's list of 100 greatest movie quotes. The film was also ranked 22nd on AFI's list of most inspiring movies.

Lou Gehrig is a young Columbia University student whose old fashioned mother wants him to study hard and become an engineer, but the young man has a gift for baseball. A sportswriter befriends Gehrig and persuades a scout to come see him play. When his mother gets sick, Gehrig signs with the team he has always revered, the New York Yankees, to pay for the hospital bills. With the help of his father, he endeavors to keep his career change a secret from his mother. Gehrig works his way up through the minor leagues and joins the Yankees. His hero, Babe Ruth, is at first condescending and dismissive of the rookie, but his strong, consistent play wins over Ruth and the rest of the team. Gehrig is unknowingly included by his teammates in playing pranks on Ruth on the team train. During a game at Comiskey Park, Gehrig trips over a stack of bats and is teased by a spectator, Eleanor (the daughter of the ballpark hot dog magnate), who laughingly calls him "tanglefoot". Later, they are properly introduced, leading to a relationship, and then an engagement. Gehrig's mother, who still has not accepted the fact that her son will not be an engineer, does not take this news well; Gehrig finally stands up to her, and marries Eleanor. The Yankees become the dominant team in baseball, and Gehrig becomes a fan favorite. His father and fully converted mother attend games and cheer for him. In a re creation of a famous (and possibly apocryphal) story, Gehrig visits a crippled boy named Billy in a hospital. He promises to hit two home runs in a single World Series game in the boy's honor—then fulfills his promise. Gehrig is now the "Iron Horse", a national hero at the peak of his career with multitudes of fans, many loyal friends, and an adoring wife. Then he begins to notice, with growing alarm, that his strength is slowly ebbing away. Though he continues to play, and extends his consecutive game streak to a seemingly insurmountable record, his physical condition continues its inexorable decline. One day, in Detroit, he tells Yankees manager Joe McCarthy that he has become a detriment to the team and benches himself. After an examination, a doctor gives him the awful news: Gehrig has a rare, incurable disease, and only a short time to live. A short time later, on Lou Gehrig Day at Yankee Stadium, an older Billy finds Gehrig and shows him that he has made a full recovery, inspired by his hero's example and the two homer fulfilled promise. Then, as Eleanor weeps softly in the stands, Gehrig addresses the fans: "People all say that I've had a bad break. But today today, I consider myself the luckiest man on the face of the Earth."

Samuel Goldwyn displayed little interest in Sam Wood's initial proposal to make a movie tribute to Gehrig, as he had no knowledge of or interest in baseball. In addition, conventional Hollywood wisdom dictated that sports pictures were box office poison, as women, who made up more than half the audience and made most movie going decisions, did not like them. After Wood screened newsreel footage of Gehrig's famous "luckiest man" speech, however, Goldwyn—with tears in his eyes—agreed to produce the picture. Although he was ideally suited to the part due to his physical resemblance to Gehrig and the quiet strength and masculine appeal that he projected, Cooper was reluctant to accept it because he, like Goldwyn, had no interest in baseball. By one account, he had never watched a game nor even swung a bat prior to taking the role. have asserted that Cooper, who was right handed, could not master a convincing left handed swing. To remedy the problem, the story went, he was filmed wearing a mirror image uniform and swinging from the right side of the plate, then running to third base instead of first; technicians then purportedly flopped the print of the film. Tom Shieber, Senior Curator at the National Baseball Hall of Fame, has shown, however, that Cooper did indeed learn to bat left handed, and never wore a backwards Yankees uniform nor ran to third base after swinging. Film footage was, in fact, flopped only once, during a brief sequence portraying Gehrig's minor league days at Hartford, in order to make Cooper appear to be throwing left handed — a far more difficult task for a right hander to master. ("[Cooper] threw the ball like an old woman tossing a hot biscuit," said Lefty O'Doul, who tried unsuccessfully to teach him a convincing left handed throw.) Scenes requiring Cooper to throw a ball as a Yankee were filmed using his stand in, the left handed Babe Herman. Scenes purporting to depict Yankee Stadium, Comiskey Park, and other ballparks were all filmed at Wrigley Field in Los Angeles, home of the Los Angeles Angels of the old Pacific Coast League, and a popular venue for baseball movies of the era, as well as the Home Run Derby television series.

Variety magazine called the film a "stirring epitaph" and a "sentimental, romantic saga well worth seeing." Time magazine said the film was a "grade A love story" done with "taste and distinction" though it was "somewhat overlong, repetitive, undramatic. Baseball fans who hope to see much baseball played in Pride of the Yankees will be disappointed. Babe Ruth is there, playing himself with fidelity and considerable humor; so are Yankees Bill Dickey, Bob Meusel, Mark Koenig. But baseball is only incidental. The hero does not hit a home run and win the girl. He is just a hardworking, unassuming, highly talented professional. The picture tells the model story of his model life in the special world of professional ballplayers." Bosley Crowther of The New York Times called it a "tender, meticulous and explicitly narrative film" that "inclines to monotony" because of its length and devotion to "genial details." earning $3,332,000 in theater rentals from the United States and Canada and an additional $855,000 from foreign rentals.

As the film opens, Gehrig is depicted belting a home run through a window of the Columbia University athletic building. That building is actually located on the north end of campus, well away from the baseball field; his farthest hits most likely smashed through the windows of a nearby building housing the School of Journalism. In the film, Gehrig hits two home runs in a World Series game against the St. Louis Cardinals where Babe Ruth also homers. This never occurred against the Cardinals, but did happen in Game 3 of the 1932 World Series versus the Cubs. In the film, Gehrig meets Eleanor Twitchell early in his career and marries her shortly after his first World Series. Actually the two met in 1931, well after Gehrig was an established star. They were married in 1933. In the scene where Eleanor looks through Lou's scrapbook, a newspaper clipping about Babe Ruth leaving the Yankees has a September 1935 date. Ruth last played for the Yankees in 1934. He had started the 1935 season as a Boston Brave, but he retired in late May. In one of the film's more memorable scenes, a physician matter of factly informs Gehrig of his tragic diagnosis, dismal prognosis, and brief life expectancy. In fact, Mayo Clinic doctors painted an unrealistically optimistic picture of Gehrig's condition and prospects, reportedly at his wife's request. Among other things he was given "a 50–50 chance of keeping me as I am" for the foreseeable future, and was told that he " may need a cane in 10 or 15 years." Deliberate concealment of bad news from patients, particularly when cancer or an incurable degenerative disease was involved, was a relatively common practice at the time.

There is no known intact film of Gehrig's actual speech at Yankee Stadium on July 4, 1939; a small portion of the newsreel footage, incorporating his first and last remarks, is all that survives. For the movie, the speech was not reproduced verbatim; the script condensed and reorganized Gehrig's actual spontaneous and unprepared remarks, and moved the iconic "luckiest man" line from the beginning to the end for heightened dramatic effect. Gehrig's message remained essentially unchanged. Yankee Stadium Speech "Fans, for the past two weeks you have been reading about a bad break. Yet today I consider myself the luckiest man on the face of the Earth. I have been in ballparks for seventeen years and have never received anything but kindness and encouragement from you fans. "Look at these grand men. Which of you wouldn't consider it the highlight of his career just to associate with them for even one day? Sure, I'm lucky. Who wouldn't consider it an honor to have known Jacob Ruppert? Also, the builder of baseball's greatest empire, Ed Barrow? To have spent six years with that wonderful little fellow, Miller Huggins? Then to have spent the next nine years with that outstanding leader, that smart student of psychology, the best manager in baseball today, Joe McCarthy? Sure, I'm lucky. "When the New York Giants, a team you would give your right arm to beat, and vice versa, sends you a gift that's something. When everybody down to the groundskeepers and those boys in white coats remember you with trophies — that's something. When you have a wonderful mother in law who takes sides with you in squabbles with her own daughter — that's something. When you have a father and a mother who work all their lives so you can have an education and build your body — it's a blessing. When you have a wife who has been a tower of strength and shown more courage than you dreamed existed that's the finest I know. "So I close in saying that I might have been given a bad break, but I've got an awful lot to live for. "Film Speech "I have been walking onto ball fields for sixteen years, and I've never received anything but kindness and encouragement from you fans. I have had the great honor to have played with these great veteran ballplayers on my left Murderers' Row, our championship team of 1927. I have had the further honor of living with and playing with these men on my right the Bronx Bombers, the Yankees of today. "I have been given fame and undeserved praise by the boys up there behind the wire in the press box, my friends, the sportswriters. I have worked under the two greatest managers of all time, Miller Huggins and Joe McCarthy. "I have a mother and father who fought to give me health and a solid background in my youth. I have a wife, a companion for life, who has shown me more courage than I ever knew. "People all say that I've had a bad break. But today today, I consider myself the luckiest man on the face of the Earth."

The Pride of the Yankees was adapted as an hour long radio play on the October 4, 1943 broadcast of Lux Radio Theater with Gary Cooper and Virginia Bruce and a September 30, 1949 broadcast of Screen Director's Playhouse starring Gary Cooper and Lurene Tuttle.