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1940 Warner Bros. animated short starring Porky Pig and Daffy Duck
the song

You Ought to Be in Pictures is a 1940 Warner Bros. Looney Tunes short film directed by Friz Freleng. The cartoon was released on May 18, 1940, and stars Porky Pig and Daffy Duck. The film combined live action and animation, and features live action appearances by Leon Schlesinger, writer Michael Maltese, animator Gerry Chiniquy and other Schlesinger Productions staff members. The title comes from the popular 1934 song "You Oughta Be in Pictures" by Dana Suesse and Edward Heyman, which plays in the beginning of the film. In 2016, it was shortlisted for the 1941 Retro Hugo Award for Best Dramatic Presentation, Short Form.

Daffy wants to be the top star in the studio. To this end, he persuades Porky to resign from the Schlesinger studios to pursue a career in feature films as Bette Davis' leading man. Porky goes to Leon Schlesinger and asks to have his contract torn up. Schlesinger reluctantly agrees, and wishes Porky the best of luck. "He'll be back!" chuckles Schlesinger after Porky is out of earshot. Porky spends the rest of the film trying to get into the lots and sets of an unnamed studio, with little success. After several failures, from convincing the security guard to let him in to dressing up as Oliver Hardy to gain access, until the guard gives chase, and inadvertently interrupting the shooting of a ballet film, he decides to see if Schlesinger will take him back. He returns to Schlesinger's office after frantically dodging his cartooned car in and out of "actual" Los Angeles traffic, only to see Daffy doing a wild audition to become the new star of Warner Bros. cartoons, openly disparaging Porky. Porky then takes Daffy with him to another room, and proceeds to beat him senseless. After this, he hurriedly runs into Schlesinger's office to beg for his job back. Schlesinger, laughing heartily and saying "I knew you'd be back! ", reveals that he didn't really rip up Porky's contract, and happily tells him to get back to work. Porky gladly thanks him and runs back into the animation paper that he was in when the short started. Daffy, still not quite having learned his lesson after being beaten by Porky, again attempts to persuade Porky to resign and work with Greta Garbo, only to get splattered with a tomato.

Daffy Duck emerges as a markedly self centered figure in You Ought to Be in Pictures, driven by an insatiable desire for wealth and fame, signaling a departure from his traditional role as a mischief making eccentric. This shift in characterization serves as a precursor to the evolution of Daffy's persona in subsequent productions, notably exemplified in Rabbit Fire and onwards, until his eventual return to his original screwball demeanor in the late 2010s. Notably, this film marks Friz Freleng's directorial debut with Daffy Duck upon his return to Warner Bros. Studios following a tenure at MGM's cartoon division. The significance of You Ought to Be in Pictures extends beyond its narrative content, as it features notable cameos from various studio personnel, including Leon Schlesinger, Chuck Jones, Bob Clampett, Michael Maltese, Gerry Chiniquy, Henry Binder, and Paul Marin. Additionally, the film's runtime, spanning nine minutes and 45 seconds, places it among the longest Looney Tunes cartoons of the Golden Age of Animation, with only Horton Hatches the Egg surpassing it in length. To manage production costs, the animation team employed minimal special effects, opting instead to integrate live action footage seamlessly with animation through innovative techniques. Stock footage from the 1936 Western California Mail was repurposed to depict Porky's journey through the studio backlot.