Британдық комикс антологиясы "Revolver" тарихы

British comic

Revolver was a British monthly comic anthology published by Fleetway Publications from July 1990 to January 1991. The comic was designed as a monthly companion title to Crisis and was intended to appeal to older readers than other Fleetway titles in order to take advantage of a boom in interest in 'adult' comics. Revolver was not a commercial success, and lasted just seven issues before being cancelled and merged with Crisis.

After a strong start and an alarming dip sales of Fleetway Publications' mature reader anthology Crisis had levelled out at a reasonable level. The title's editor Steve MacManus was also made group editor for the newly defined '2000 AD' group, consisting of the fortnightly Crisis and the long running science fiction weekly 2000 AD, as well as any spin offs. Revolver had initially been conceived as a high quality export title to run alongside Crisis some two years earlier, but internal upheaval had seen the book delayed repeatedly. However, Fleetway scored a major hit by licensing a Teenage Mutant Ninja Turtles weekly just as the franchise hit critical mass, and MacManus was finally given the greenlight to make monthly companion titles for Crisis and 2000 AD (the latter becoming Judge Dredd Megazine) by managing director John Davidge. MacManus picked Peter Hogan, who had primarily been involved in the music industry working for the likes of Rough Trade and IRS Records as well as music magazines, feeling he would have "his finger on the pulse". For his assistant Hogan recruited Frank Wynne, an Irishman with a vast knowledge of European comics and was known to Michael Bennent, who was in turn being groomed to take over as editor of Crisis. An unsuccessful applicant for the assistant editor of Revolver was David Bishop, who nevertheless impressed MacManus and would later find work on Judge Dredd Megazine. With his design work for Crisis having received a positive response, Rian Hughes was assigned to style Revolver. The name was chosen to emphasise the diverse content of the comic and in reference to the name of the acclaimed Beatles album. The format was settled on as 52 pages, in full colour. Unlike the political bent of Crisis, MacManus decided Revolver would have a more eclectic mix of genres more in line with the IPC Magazines anthologies he had begun working on, but aimed at an older readership. He began assembling stories for the comic, with the same improved creator benefits as used for Crisis. A Jimi Hendrix biography by music journalist Charles Shaar Murray (based on his book Crosstown Traffic) had been in the offing since the beginning, and was greenlit with Floyd Hughes (who had contributed some work to Crisis) as artist, aided by the so called Second Summer of Love giving a major spike in interest in psychedelia. Grant Morrison, well known to MacManus from his work on 2000 AD and on good terms with MacManus after he stepped in to publish the controversial "The New Adventures of Hitler" after its original publication Cut folded, approached Fleetway with a plan for a revisionist take on Dan Dare; with the 40th anniversary of the character's debut in Eagle approaching, Morrison began working on the story with Hughes as artist. Hogan commissioned another psychedelic influenced strip in the form of "Rogan Gosh" from Peter Milligan and Brendan McCarthy and "Happenstance and Kismet" from Marvel UK veterans Paul Neary and Steve Parkhouse, as well as recruiting Shaky Kane and Julie Hollings from Deadline to create "Pinhead Nation" and "Dire Streets" respectively. The final strip in each issue would be a rotating one off, a format used by MacManus with some success in the pages of Crisis.

At £1.65 per issue, Revolver was at the time the most expensive regular British comic ever put on sale. A buoyant MacManus announced "I don't think that there's any doubt in anybody's mind that it's going to be a success; the only question is how big it is going to be". A planned update of "Tyranny Rex" by John Smith and John Hicklenton and "Forever England" by Morrison and Paul Grist were both switched over to Crisis, but failed to crystallise before Crisis itself was cancelled in October 1991, while other commissioned material was placed in a pair of specials.

Published: July 1990 to January 1991 Designer Rian Hughes would later opine the title was "too scattergun Hendrix and Dare in one magazine? ", and felt the stories were not all of good quality, though he had positive memories of working with Hogan, MacManus and Davidge.