Манхэттендегі көркемсурет мектебі

Art school in Manhattan, New York

The Art Students League of New York is an art school in the American Fine Arts Society in Manhattan, New York City. The Arts Students League is known for its broad appeal to both amateurs and professional artists. Although artists may study full time, there have never been any degree programs or grades, and this informal attitude pervades the culture of the school. From the 19th century to the present, the League has counted among its attendees and instructors many historically important artists, and contributed to numerous influential schools and movements in the art world. The League also maintains a significant permanent collection of student and faculty work, and publishes an online journal of writing on art related topics, called LINEA. The journal's name refers to the school's motto Nulla Dies Sine Linea or "No Day Without a Line", traditionally attributed to the Greek painter Apelles by the historian Pliny the Elder, who recorded that Apelles would not let a day pass without at least drawing a line to practice his art.

The League's popularity persisted into the 1920s and 1930s under the hand of instructors like painter Thomas Hart Benton, who counted among his students there the young Jackson Pollock and other avant garde artists who would rise to prominence in the 1940s. In 1925 to celebrate their golden jubilee (fifty years), the League organized an exhibition which included the work of members, students and instructors. Gertrude Vanderbilt Whitney gave a reception at which Charles Dana Gibson was toast master. Between 1942 and 1943, many of the League's students joined the armed forces to fight in World War II, and the League's enrollment decreased from 1,000 to 400, putting it in danger of closing in mid 1943. In response, five hundred artists donated $15,000, just enough to keep the League from closing. In the years after World War II, the G. I. Bill played an important role in the continuing history of the League by enabling returning veterans to attend classes. The League continued to be a formative influence on innovative artists, being an early stop in the careers of Abstract expressionists, Pop Artists and scores of others including Lee Bontecou, Helen Frankenthaler, Al Held, Eva Hesse, Roy Lichtenstein, Donald Judd, Knox Martin, Robert Rauschenberg, James Rosenquist, Cy Twombly and many others vitally active in the art world. In 1968, Lisa M. Specht was elected first female president of the League. The League's unique importance in the larger art world dwindled somewhat during the 1960s, partially because of higher academia's emergence as an important presence in contemporary art education, and partially due to a shift in the art world towards minimalism, photography, conceptual art, and a more impersonal and indirect approach to art making.

as of 2010, the League continues to attract a wide variety of young artists, and its focus on art made by hand, both figurative and abstract, remains strong. Its continued significance has largely been in the continuation of its original mission, which is to give access to art classes and studio access to all comers regardless of their means or technical background.

From 1906 until 1922, and again after the end of World War II from 1947 until 1979, the League operated a summer school of painting at Woodstock, New York. In 1995, the League's facilities expanded to include the Vytlacil campus in Sparkill, New York, named after and based upon a gift of the property and studio of former instructor Vaclav Vytlacil.