The Prodigy – «Жақсы Емес» (Start the Dance)

1994 single by The Prodigy

"No Good (Start the Dance)" is a song by English electronic music group the Prodigy. Written and produced by group member Liam Howlett, it was released on 16 May 1994 by XL Recordings as the second single from the group's second studio album, Music for the Jilted Generation (1994). Commercially, the track was presented with the slogan, "Hard dance with attitude" and is built around a repeated vocal sample from "You're No Good for Me", a song released by American singer Kelly Charles in 1987. Howlett initially had doubts whether to use the sample because he thought it was too pop for his taste. The song also contains samples from "Funky Nassau" by Bahamian funk group the Beginning of the End. It was certified Gold in Germany for 250,000 sold copies. The music video for the song was directed by Walter Stern and filmed in London. In 2012, NME ranked "No Good (Start the Dance)" at number 33 in their list of "100 Best Songs of the 1990s".

"No Good (Start the Dance)" was quite successful on the singles chart across Europe and also the band's most successful single release up to that point. The song peaked at number one in both Finland and Greece, and was a number two hit in the Netherlands. In the latter, it held that position on the Dutch Top 40 for one week in August 1994, being held off the top spot by 2 Brothers on the 4th Floor's "Dreams (Will Come Alive)". "No Good (Start the Dance)" entered the top 10 also in Austria (6), Belgium (7), Germany (4), Iceland (4), Norway (7), Scotland (7) and the UK. In the latter, it peaked at number four in its fourth week on the UK Singles Chart on June 12, 1994. It spent two more weeks within the top 10, before leaving. On the UK Dance Singles Chart, British Lennox Herald described it as "rough and ready". In his weekly UK chart commentary, James Masterton noted that it "uses a previously successful formula of combining their mix of hardcore rave beats with an annoyingly commercial sampled hook." He added, "The sample in question will annoy me for months". Maria Jimenez from Music & Media declared it an "beatbreaker". Andy Beevers from Music Week gave it four out of five, calling it "another rough and rugged hardcore track. They still have plenty of grassroot support and will continue to outsell other hardcore acts by a big margin." Tommy Udo from NME said, "This is '90s bubblegum pop that will be remembered fondly for decades to come. [ ] This is basically The Chipmunks pitched up to the max, having the same effect as sitting on a washing maching during the spin cycle. Popperstatic." The magazine's Dele Fadele felt the song "show how much a finger on the collective pulse this rave/pop star maintains." In 2012, NME named it one of The Prodigy’s "finest singles", with its "scuzzy euphoria and thumping bass." Brad Beatnik from the Record Mirror Dance Update wrote, "The first Prodigy release for more than a year sees them working up a typically frenetic hard groove with a neat wobbly bassline and standard no good for me vocals." He concluded, "Massive chart action expected". Another editor, James Hamilton, described it as a "typical frantic hardcore 145 2 0bpm [track]". Paul Evans from Rolling Stone said that "with ecstatic vocal snippets, [the song] is as heady an anthem as any in a genre that exults in billboard statements". Gareth Grundy from Select stated that Liam Howlett's "jungle and hardcore roots are still present, but he injects some space and gracious melody between the coruscating rhythm." Richard Proplesch from St. Petersburg Times viewed it as "an energetic remake" of the Kelly Charles' song, that "suffers from an overabundance of nonsensical electronic percussion fills and counter rhythms instead of letting the groove grow naturally."