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Fictional character

Clyde Tavernier is a fictional character from the BBC soap opera EastEnders, played by Steven Woodcock. Introduced on 5 July 1990, Clyde featured in prominent storylines including an inter racial relationship with Michelle Fowler (Susan Tully) and being framed for the murder of publican Eddie Royle (Michael Melia). The character was written out in 1993 and was given a happy ending, leaving on 22 July 1993.

Clyde was the first born son to Etta and Celestine Tavernier (Jacqui Gordon Lawrence and Leroy Golding). After his birth in Trinidad in 1968, his family moved to the UK. Growing up in London, Clyde was subject to racism and police harassment, which made him angry and somewhat bitter. In adulthood, Clyde struggled to find direction. He lazed around, did odd jobs, and took up boxing. Clyde met a woman named Abigail Chadwick and they had a child together, a son named Kofi (Marcel Smith),. Clyde and Abigail split up and Kofi was taken to Bristol by his mother to live with his grandparents. When Abigail was killed in a car crash, it was agreed that Kofi would remain living with his maternal grandparents.

Clyde moves to Albert Square in July 1990 with his family. Clyde gets a job working in The Queen Victoria public house. Clyde becomes prime suspect for a series of thefts that were occurring in the pub. Clyde's boss, Eddie Royle (Michael Melia), suspects Clyde is behind the incidents as he is the only black barman. However, Clyde is later cleared of any wrongdoing. Clyde desperately misses his son, Kofi and when he discovers that Kofi's grandparents are planning to take his child to live permanently in Jamaica, he tails them to the airport to stop them. Despite initial uncertainty Clyde is given custody of his son and Kofi moves in with Clyde. Clyde starts a relationship with Michelle Fowler (Susan Tully); their inter racial relationship causes a stir in the community. Clyde resumes boxing, spurred on by Phil (Steve McFadden) and Grant Mitchell (Ross Kemp), who hope to exploit him in the ring by pitting him against a superior fighter and betting against him. However their plan backfires when Clyde manages to win the fight, despite the odds being severely stacked against him. Clyde is later trained to box by Eddie, but animosity between him and Eddie resurfaces when Eddie attempts to get Clyde to throw a fight in a betting scam. Clyde refuses, but his altercations with Eddie come back to haunt him when he becomes the prime suspect in Eddie's murder soon after. Clyde discovers Eddie's bloody body in the square and unwittingly picks up the knife that has been used to kill him. Panicking, Clyde leaves the scene and disposes of the murder weapon, but is seen by the real murderer, Nick Cotton (John Altman), who proceeds to frame Clyde for the deed. With a clear motive and a key witness, Clyde finds it difficult to convince anyone of his innocence. Clyde feels that he was the victim of a racist conspiracy and sensing his imminent arrest he decides to go 'on the run' with Kofi. Michelle sticks by him and she and her daughter Vicki Fowler (Samantha Leigh Martin) leave Walford with Clyde, with the hope of starting a new life together in France. Their bid for freedom is not to be as Clyde is apprehended in Portsmouth before he can leave the country; he is subsequently imprisoned. He only secures release several weeks later when a witness, Joe Wallace (Jason Rush) comes forward and identifies Nick as Eddie's real killer. Upon Clyde's release, his relationship with Michelle abruptly ends when he catches her in bed with another man, Jack Woodman (James Gilbey). The Taverniers are visited by Gidea Thompson (Siân Martin), a friend of Jules' family back in Trinidad. Clyde and Gidea grow close and embark on a relationship, forcing Jules to admit Gidea is his granddaughter from an adulterous affair he had in his 20s, meaning the pair are cousins. Gidea wants to break things off with Clyde, but he persuades her they can still have a relationship. Jules disapproves, but Clyde ignores his protests, and in July 1993 he decides to leave Walford to start a new life with Gidea in Trinidad.

In the latter part of 1989, Michael Ferguson became the new executive producer of EastEnders, taking over from Mike Gibbon. Ferguson had previously been a producer on ITV's The Bill – a hard hitting, gritty and successful police drama, which seemed to be challenging EastEnders in providing a realistic vision of modern life in London. Due to his success on The Bill, Peter Cregeen, the Head of Series at the BBC, poached Ferguson to become the executive producer of EastEnders. Following a relatively unsuccessful inclination towards comic storylines throughout 1989, Ferguson decided to take the soap in a new direction in 1990. Big changes were implemented both off screen and on screen. According to producers Corinne Hollingworth and Pat Sandys, the Taveriner family were especially difficult as four generations of the family were being featured. Hollingworth has commented "The most difficult job we've had was finding six black actors who fitted the bill for the Tavernier family. Here we needed two teenagers who looked around fifteen but were actually older, had left school and had mature attitudes to work. They had to love music, hanging around in tracksuits and most important, they had to look as if they could be twins. And for Clyde, we needed someone who looked as though he'd been a boxer but also seemed thoughtful." Woodcock was a keen boxer, and this was utilised on screen in 1991, when Clyde took up the sport. Brake has nominated one of the episodes focusing on Clyde's attempted police escape as 1991's "pick of the year". Clyde was given a happy ending on screen; he departed after falling in love with a second cousin, and moved to live in Trinidad.

Writer Rupert Smith has suggested that Clyde's purpose was "almost entirely decorative" and that Clyde had little else to do in EastEnders except take his clothes off, other than to "dally improbably with Michelle and to do the odd bit of kidnapping." Robert Clyde Allen has discussed the Tavernier family in his 1995 book To be continued : soap operas around the world. He suggested that black characters in EastEnders were incorporated into the working class culture of the soap as opposed to offering something different from it. He noted that the Taverniers, the focus of black characters in the early 1990s, for a while had the same mixture of generations and attitudes that characterized the Fowlers, one of the soap's core white families who had a dominant position in the series. However he stated that "somewhat typically [ ] the family broke up".