Филь Коллинз – «Жакетсіз қажеттілік» альбомы

No Jacket Required is the third solo studio album by English drummer and singer songwriter Phil Collins. It was released on 18 February 1985 by Virgin Records in the UK and by Atlantic and WEA internationally. After finishing touring commitments with Genesis and working with Eric Clapton in 1984, Collins resumed his solo career and started work on a new album. He made a conscious decision to write more uptempo and dance oriented songs, as much of his previous material was influenced by matters surrounding his first divorce. The album features Helen Terry, Peter Gabriel, and Sting as guest backing vocalists. Some songs, like "Don't Lose My Number" and "Sussudio", were based around improvisation, and others, like "Long Long Way to Go", had a political message. No Jacket Required was received favourably by the majority of critics and was a huge worldwide commercial success, reaching number one in the UK for five consecutive weeks and for seven non consecutive weeks in the US. It was the second best selling album of 1985 in the UK, behind Dire Straits' Brothers in Arms. "One More Night", "Sussudio", "Don't Lose My Number" and "Take Me Home" were released as singles with corresponding music videos. All four were top ten hits on the Billboard Hot 100 chart, with "Sussudio" and "One More Night" reaching number one. The three singles released in the UK all reached the top 20. Some tracks were featured on the television shows Miami Vice and Cold Case, and "The Man with the Horn" was re written and re recorded for the episode "Phil the Shill". In 2001, No Jacket Required was certified Diamond by the Recording Industry Association of America for selling 12 million copies in the US and amassed worldwide sales of over 25 million copies, making it one of the best selling albums of all time. It won three Grammy Awards, including Album of the Year. The No Jacket Required World Tour saw Collins perform 85 concerts which culminated with a performance at both Live Aid shows in London and Philadelphia. Remixes of six songs from the album were released on the compilation 12"ers (1987). In 2010, it was among ten albums nominated for the best British album of the previous 30 years by the Brit Awards. It ranked No. 74 on the Rock and Roll Hall of Fame's "Definitive 200" list. A remastered deluxe edition with updated artwork and bonus tracks was released in 2016.

After touring commitments with Genesis and completion of work on Eric Clapton's album Behind the Sun in the spring of 1984, Collins turned his attention to his third solo album. Sessions for what would become No Jacket Required produced his conscious attempt to move to a more uptempo sound, as much of his previous material was influenced by his first divorce: "I have a notion of what I want to do: break out of this 'love song' box that I've found myself in. I'll make a dance album. Or, at least, an album with a couple of uptempo tracks." Some of the songs emerged from Collins' improvisations with a drum machine, including "One More Night" and "Sussudio". Collins added that he does not fully understand the meaning of the lyrics, The Phil Collins Big Band played this live on tour. but this is not true. Collins has stated that the song lyrics refer to a patient in a mental institution, and that it is based on the novel One Flew Over the Cuckoo's Nest. The music video (shot during the NJR tour) features Collins in multiple cities around the world, including London, New York City, Tokyo, Moscow, Sydney, Paris, Chicago, St. Louis, Los Angeles (Hollywood), A remix of the song with additional guitars and without an orchestra was released the following year (1986) on the soundtrack for the movie, Playing for Keeps. This remixed version received some radio airplay around the time of the soundtrack's release (which coincided with the No Jacket Required period), though it did not chart. Collins has mused that the song is unfairly classed as a "second class citizen", stating that the song would have been looked at differently if it were added to the album. According to The New York Times reviewer Caryn James, the song is "a straightforward comment on leaving home". "The Man with the Horn" was originally recorded during sessions for Collins' second solo album Hello, I Must Be Going! in 1982. However, the song was not released until it appeared as the B side to "Sussudio" in the UK and as the B side to "One More Night" in the United States. Collins has said that he has "no emotional attachment" to the song.

The album is named after an incident at The Pump Room restaurant in Chicago, Illinois. Collins, entering the restaurant with former Led Zeppelin lead vocalist Robert Plant, was denied admittance because he did not meet the restaurant's dress code of "jacket required" for dinner, while Plant was allowed in. Collins was wearing a jacket and argued about it. The maître d'hôtel argued that the jacket was not "proper". The cover image of No Jacket Required (a continuation of the 'facial close up' theme begun with Face Value) of Collins' face lit by red/orange light was to emphasise the "hot", up tempo nature of the album. Collins stated in his autobiography Not Dead Yet, Both songs had music videos that were shot at a London pub owned by Richard Branson, featuring Collins playing both before and after the building closes. By the end of the month, it had climbed to number one in America as well. Collins had become the 15th British artist to top both the album and single Billboard charts, as "One More Night" was leading the Billboard Hot 100 that same week. The same thing was happening in the UK, where Collins' duet with Philip Bailey, "Easy Lover", was the UK Singles Chart number one. No Jacket Required was number one on the US charts for seven weeks, and on the British chart for five. "Sussudio" was the first track to be released as a single in the UK, and the second to be released in the US. In the UK the song reached number 12 on the UK charts. In the US, the song entered frequent rotation on MTV in May, and by 6 July, both the single and the album had reached number one on their respective US Billboard charts. and the B side of the single was "We Said Hello Goodbye". Collins had difficulty conceptualising a plot for the corresponding music video. He decided to create a gag video based on this difficulty. "Take Me Home" also got a video where Collins sung in various locations around the world. "The Man with the Horn", though not released as a single (nor was it included on the album), charted at number 38 on the Hot Mainstream Rock Tracks. Twenty years after its release, No Jacket Required remains among the 50 highest selling albums in the US. In the UK, the album was certified 6× platinum, selling over 1.8 million copies. It has also sold over 20 million copies worldwide. A video produced by Atlantic Video in 1986 was also released and included the four original music videos of the four released singles and a live performance of "Who Said I Would". Alternate versions of six songs from No Jacket Required were included on the remix album 12"ers, released in January 1988. The album was re released using a flat transfer done by Steve Hoffman for the Audio Fidelity label in 2011. It was reissued as a deluxe edition on CD, vinyl and digital on 15 April 2016, including a new second disc with bonus tracks.

In 1985 Collins also released a home video called No Jacket Required EP consisting of the music videos "Sussudio", "One More Night", "Who Said I Would", "Don't Lose My Number" and "Take Me Home". It was originally available on Video Home System (VHS) and LaserDisc (LD).

The reception for the album was mostly positive. Geoff Orens of AllMusic, in a retrospective review, said that while some of the songs are "dated", the album contains "standout tracks". He describes "Long Long Way to Go" as "one of Collins' most effective ballads" and "Take Me Home" as "pulsating". Orens went on to say "It's not a completely satisfying recording, but it is the best example of one of the most dominating and influential styles of the 1980s." Stephen Holden of The New York Times said that the album was "refreshing" and that Collins was "adept" at setting a suspenseful or menacing mood. Holden described "Only You Know and I Know" as an "angry love song" that had some sampling of Motown style music mixed in. Rolling Stone reviewer David Fricke said "Phil Collins' sudden transformation from the balding bantam drummer for a prosperous British art rock group into a mainstream pop heartthrob might seem one of the Eighties' most improbable success stories. But judging from the sly craft and warm, low key humour of his solo records and his successful productions for Philip Bailey and Frida, Collins' newfound fame was inevitable." but later praised the song, saying that "Collins' soulful but polite vocal style is also capable of capturing the pain of going through yet one more night without her." The Dallas Morning News writer Lennox Samuels said that "No Jacket Required (Atlantic) is what fans have come to expect from Phil Collins—lots of horns and syncopation, heavy rhythm." Even those who were not normally fans of Collins' work liked the album. Michael R. Smith of The Daily Vault wrote "Anomaly or not, it is indeed the album that Phil deserves to be remembered for." Stephen Williams of Newsday said that the album was "loaded with musical hooks and textured arrangements it also lacks the tense edge that was part of Collins' work with Genesis." Hamilton says that "One More Night" was the worst song on the album, saying that "The album's introspective slow jam wallows in self pity." Racine also added that the album makes the listener feel a little "cold", but admired that the singer was "playing the game as well as anyone". In 2013, music critic Tom Service of The Guardian was similarly scathing, saying the album had not stood the test of time and was "unlistenable to today", singling out "Sussudio" for particular criticism, arguing: "the production, the drum machine, the inane sincerity of the lyrics; there's no colder or more superficial sound in popular music, precisely because it takes itself so seriously." He also compared it unfavourably with the enduring appeal of Collins' 1980s contemporaries such as the Human League and—in particular—the Pet Shop Boys, saying the latter were "geniuses by comparison". At the 28th Annual Grammy Awards, Collins was nominated in five categories. The album won the award for Album of the Year, and Collins won Best Pop Vocal Performance, Male. Collins shared the Producer of the Year (Non Classical) award with co producer of the album, Hugh Padgham. The home video No Jacket Required EP received a nomination for Best Music Video, Short Form. In 1986 the album received two American Music Award nominations for Favorite Pop/Rock Album and Favorite Pop/Rock Male Artist. At the Brit Awards in 1986 the album received two awards for British Album and British Male Artist, while co producer Hugh Padgham was nominated for British Producer.

At the Brit Awards in 2010, the album was one of ten nominees for Brits Album of 30 Years in a poll of BBC Radio 2 listeners; the winner was (What's the Story) Morning Glory? by Oasis. In the book and film adaptation of American Psycho, main character Patrick Bateman briefly discusses it, amongst other work by Collins. The synthesiser riff was heavily criticised for sounding too much like Prince's 1982 song "1999", a similarity that Collins does not deny, citing that he is a big fan of Prince's work. Three songs recorded during the No Jacket Required sessions aired on episodes of the television show Miami Vice. "Take Me Home" appeared in "The Prodigal Son", the premiere of the second season. "Long Long Way to Go" was played in the closing scene of the season 2 finale "Sons and Lovers", during the funeral for Ricardo Tubbs' girlfriend and son. "The Man with the Horn" was re written for an episode of Vice in which Collins guest starred as a con artist who gets in trouble with cocaine distributors. The re written version was titled "Life Is a Rat Race". In 2003, the hip hop group Bone Thugs n Harmony based their song "Home" on this single. That version of the song featured the original song's chorus and hit number 19 on the UK charts.

The album was followed by a concert tour in 1985 named The No Jacket Required World Tour. For the tour, Collins retained his usual cast of musicians, including Chester Thompson, Leland Sklar and Daryl Stuermer. The band was nicknamed the "Hot Tub Club". A television special was recorded in Dallas and aired on HBO, titled "No Jacket Required Sold Out". Another television special was recorded for Cinemax for a show titled "Album Flash", taped in London, England at the Royal Albert Hall. Reception for the tour was positive as well. Rick Kogan of the Chicago Tribune said that "After hearing and observing Collins' eminently satisfying and frequently spectacular two hour performance, one is left not with a series of niggling questions about his popularity but rather with renewed admiration for the forcefulness of well crafted songs played in a straightforward manner." In interviews during the tour, it was remarked by interviewers that the singer appeared similar to actors Bob Hoskins and Danny DeVito. Collins joked that all three of them could play the Three Bears from the story Goldilocks and the Three Bears. DeVito heard the idea and contacted Collins and Hoskins about making a film. However, problems arose (mostly involving the script), and all three actors abandoned the film. In the US, the song went to number one on the Billboard Hot 100,