Слай Данбар: Мастер Регги-Грува и Легендарный Драммер

Drummer

Lowell Fillmore "Sly" Dunbar (born 10 May 1952, Kingston, Jamaica) is a Jamaican drummer, best known as one half of the prolific Jamaican rhythm section and reggae production duo Sly and Robbie.

Dunbar began playing at 15 in a band called The Yardbrooms. His first appearance on a recording was on the Dave and Ansell Collins album Double Barrel. Dunbar joined a band Ansell Collins called Skin, Flesh and Bones. In 1972, Dunbar met and became friends with Robbie Shakespeare, who was then bass guitarist for the Hippy Boys. Shakespeare recommended Dunbar to Bunny Lee as a possible session drummer for the Aggrovators. Dunbar and Shakespeare decided to continue performing together. They worked with Peter Tosh and his band until 1981, recording five albums. According to The Independent, the entire album Right Time was "revolutionary", the breakthrough album of "masters of groove and propulsion" Dunbar and Shakespeare, with "Sly's radical drumming matching the singers' insurrectionary lyrics blow for blow." Dunbar and Shakespeare formed their Taxi Records label in 1980. It has seen releases from many international successful artists, including Black Uhuru, Chaka Demus and Pliers, Ini Kamoze, Beenie Man and Red Dragon. Sly and Robbie also played on Bob Dylan's albums Infidels and Empire Burlesque (using recordings from the Infidels sessions). Other sessions include their appearance on three Grace Jones albums, and work with Herbie Hancock, Joe Cocker, Serge Gainsbourg and the Rolling Stones. Dunbar appeared in the 2011 documentary Reggae Got Soul: The Story of Toots and the Maytals which was featured on the BBC and described as “The untold story of one of the most influential artists ever to come out of Jamaica”. In 1979, Brian Eno remarked of Sly Dunbar: " ( ) So when you buy a reggae record, there's a 90 percent chance the drummer is Sly Dunbar. You get the impression that Sly Dunbar is chained to a studio seat somewhere in Jamaica, but in fact what happens is that his drum tracks are so interesting, they get used again and again."