Spice: Дебютный альбом Spice Girls

1996 studio album by the Spice Girls

Spice is the debut studio album by English girl group the Spice Girls, released in Japan on 19 September 1996 and in the United Kingdom on 4 November 1996 by Virgin Records. The album was recorded between 1995 and 1996 at Olympic Studios in Barnes, London, and Strongroom Studios in Shoreditch, London, by producers Matt Rowe and Richard Stannard, and the production duo Absolute. Spice is a pop album that incorporates styles such as dance, R&B and hip hop. It is considered to be the record that brought teen pop back, opening the doors for a wave of teen pop artists. Conceptually, the album centered on the idea of Girl Power, and the hype surrounding the group was compared to Beatlemania. A worldwide commercial success, Spice topped the charts in more than 17 countries across the world, and was certified Multi Platinum in 27 countries, Platinum in 14 countries and Gold in three countries, including 10 times Platinum in the United Kingdom and Canada, eight times Platinum in Europe, and seven times Platinum in the United States. It became the world's top selling album of 1997, selling 19 million copies in over a year. The album has sold a total of 23 million copies worldwide, becoming the best selling album in music history by a girl group and one of the best selling albums of all time. Four singles were released from the album. The lead single, "Wannabe", reached number one in 37 countries, becoming one of the best selling singles of all time as of 2010 by selling over six million copies worldwide. The next two singles, "Say You'll Be There" and "2 Become 1", reached number one in 53 countries. "Who Do You Think You Are" was released as the official Comic Relief single in the UK as a double A side with "Mama" and both songs reached the top 20 in charts across Europe, Australia and New Zealand. In the band's native UK, all four singles went to number one on the UK Singles Chart and, on the Billboard Hot 100, the album spawned three top five singles.

In February 1994, Chris and Bob Herbert, who together with financer Chic Murphy traded under the business name of Heart Management, placed an advert in The Stage magazine, which asked the question: "Are you street smart, extrovert, ambitious, and able to sing and dance?". The management received hundreds of replies, but eventually reduced their search down to a final group of five girls: Victoria Beckham, Mel B, Melanie C, Geri Halliwell and Michelle Stephenson. The new band was originally called Touch and moved to a house in Maidenhead. Emma Bunton was the last to join after Stephenson dropped out when her mother became ill. The group felt insecure about the lack of contract and were frustrated by the direction in which Heart Management was steering them. In October 1994, armed with a catalog of demos and dance routines, the group began touring management agencies. They started to meet with producers, musicians and other business executives, among which were composer Tim Hawes, and writers Richard Stannard and Matthew Rowe. Hawes worked with the group and watched the evolution in their singing and writing abilities. Together they composed a song called "Sugar and Spice", which served as the inspiration behind the change of the group's name to "Spice". Eventually the name was changed again to "Spice Girls" due to an American rapper using the name "Spice" at the time. On 3 March 1995, because of the group's frustration at their management's unwillingness to listen to their visions and ideas, they parted from Heart Management. The group stole the master recordings of their discography from the management offices in order to ensure they kept full control of their own work.

The group were supposed to meet with producer Eliot Kennedy the week after they left their former managers, but the meeting was arranged by the Herberts weeks before their departure. But without access to Herbert's address book, they knew nothing of Kennedy's whereabouts other than he lived in Sheffield. Mel B and Halliwell drove to Sheffield the day after the departure from Heart Management and looked for the first phone book they came across; Eliot was the third Kennedy that they called. That evening they went to his house and persuaded him to work with them. The rest of the girls travelled to Sheffield the next day. Kennedy commented about the session: "None of them played instruments, so I was left to do the music and get that vibe together. What I said to them was, 'Look, I've got a chorus—check this out'. Then they were throwing lines at us. 10 minutes later the song was written. Then you go through and refine it. Then later, as you were recording it you might change a few thing here and there. But pretty much it was a real quick process." Four tracks were composed in that session: "Love Thing", "Say You'll Be There", "Step to Me" (which was released later) and "Strong Enough". In the following months the group continued to meet with producers, wrote new songs, prepared demos and searched for a new manager. They met again with the writers Stannard and Rowe. They had previously worked with the girls in January 1995 before their departure from Heart Management; that was the group's first professional songwriting session, held at the Strongroom in Curtain Road, east London. In the first session with Stannard and Rowe, they wrote "Feed Your Love", a slow, soulful song which was eventually recorded and mastered for the album, but not released because it was considered too rude and racy for their target audience. Having completed that session, the girls wanted to write something more uptempo, so they started to write the song that would be the lead of the album, "Wannabe", which was recorded in under an hour—mainly because they had already written parts of the songs beforehand. The next song they recorded was a slow ballad and the third track on and single from the album, "2 Become 1". The song was inspired by the special relationship which had developed between Halliwell and Rowe during the session. "Mama" was written by the Spice Girls with songwriting partners Matt Rowe and Richard Stannard. In an interview about the writing process between the group and the duo, Rowe credits Mel B as the one who came up with the song's concept. During the writing process, each member wrote a small verse in a different corner of the recording studio, while the chorus was finished around the piano with a guitar. Then, the producers added a gospel choir filled with the group's harmonies at the end of the song. They also produced the album's last track "If U Can't Dance". In May 1995, the group was introduced to Paul Wilson and Andy Watkins, the songwriters and production duo known as Absolute. Watkins commented about their first meeting, "They played us a few tracks, which we didn't particularly like. So we thought, this is OK. We can work with this." A songwriting session was booked within the next few days at Absolute's studio located on Tagg's Island near Chertsey, but the musical association between them did not seem to go well at the beginning. Wilson remembered, "When they started to sing it was never quite right: from our point of view. It was very poptastic." Watkins recalled, "After two sessions we phoned our managers and said 'This just ain't happening'." It was at this point that Watkins and Wilson heard "Wannabe" for the first time. When speaking about the song, Wilson said, "We listened to it and we didn't get it at all. It was so different to what we were doing. We thought is this going to work?". The next session was the definite one; either they would continue to work with the group or break up their relationship. Wilson recalled, "Every previous time we'd met up with the girls we had prepared a backing track. This time we had nothing." Watkins also said, "They said they wanted to do something up and a bit of fun, so we just off the top of our heads started to come up with a full on disco backing track, which became 'Who Do You Think You Are'." Wilson said of the song, "The thing is when they wrote it, they were also writing the dance routine, constructing the music video, all at the same time as writing the song. And that's when the penny dropped." The girls went on to write "Something Kinda Funny", "Last Time Lover", "Naked", "Bumper to Bumper", "Take Me Home", "One of These Girls", and "Baby Come Round" with Watkins and Wilson, none of them singles, but all of them tracks which lent a touch of classy R&B feel to the Spice album and singles. Absolute also produced all of these songs as well as the three tracks penned with Eliot Kennedy: "Say You'll Be There" "Love Thing" and later "Step to me" giving the duo a guiding hand in six of the ten tracks that eventually ended up on Spice. The tracks that Absolute produced were recorded for the most part at Olympic Studios in Barnes. At this time in 1995, Auto Tune had not yet come to market and most of the vocals were recorded with few adjustments made afterwards. He showed interest in the group, began a relationship and decided to sign them at 19 Management in March 1995. In September 1995 the group signed a deal with Virgin Records, and continued to write and record tracks for their debut album while touring the west coast of the United States, where they signed a publishing deal with Windswept Pacific in November. The Spice Girls were fully involved in the writing of all the songs. Halliwell in particular was clearly a fund of ideas for songs, arriving at sessions with her book of jottings, notes and miscellaneous scribblings which often produced the starting point of a lyric or a song title or just an agenda for the day's work. Watkins commented, "Geri [Halliwell] would come up with the concept for a song. Typically, she'd sing one line and the girls would pick up on it or we'd pick up on it and construct around it and then [Melanie C] and Emma [Bunton] would be very active. They'd really like to sit and sing melodies and go off and come up with little sections." They "conceptualised" and sang bits of melody and wrote the lyrics. But in musical terms it was not a partnership of equals. Rowe commented: "We had to kind of steer it. It was very different for different tracks really. Some of them were when we were all jamming in the room. We'd just put up some drum sounds and start making things up. On other tracks me and Richard [Stannard] would prepare something beforehand and play it to them. We'd have some lyrics and make them write the second verse." The second thing the Spice Girls established from the outset was a straight 50–50 split between them and their various songwriting collaborators. Here they anticipated one of the key developments in the pop industry since the 1990s, namely the increasing importance of publishing royalties as opposed to royalties payments made for the performance of the song on the record.

"Wannabe", the most emblematic song of the Girl Power philosophy, was chosen as the first track and lead single of the album. It highlights the slogans the group tend to cite like the union and solidarity between friends and the power exercised by women over men. The second single "Say You'll Be There" described the things the group had been through together and how they had always been there for each other. It received mixed reviews; some critics praised it as a catchy song, The third single "2 Become 1" focused upon the bonding of lovers, and how the bond can become so strong that they practically become one entity, through the act of sex; in addition, the lyrics address the importance of contraception. "Love Thing" is the fourth track; it focuses on relationships and how after many disappointments the girls do not want to know anything about love. The song symbolizes the Girl Power philosophy by showing the support between each other and finding the strength to continue. The fifth track, "Last Time Lover", was originally called "First Time Lover" and was about the loss of virginity, Reviewers described the ballad as "glossy" and "corny". It was well received by critics, who thought that the song was one of the group's "strongest and underrated songs" and that it "still feels relevant today". "Something Kinda Funny", the eighth track of the album, is about the "fun" the group experienced together, and how it was fate that they came to know each other. It received mixed reviews from critics; some described it as "soulful and funky as anything by TLC or Brand New Heavies",

Credits adapted from the liner notes of Spice.