Жанр «приятельского кино» или «фильмы-напарники»

Film genre in which two people of the same sex are non romantically paired
the film genre

The buddy film is a subgenre of romantic comedy, a combination of the romance, adventure and comedy film in which two people, bonded through some kind of affection or love for each other, go on an adventure, mission, or road trip. The two typically are males (platonic love) with contrasting personalities. The contrast is sometimes accentuated by an ethnic difference between the two. The buddy film is commonplace in Western cinema; unlike some other film genres, it endured through the 20th century with different pairings and different themes.

A buddy film portrays the pairing of two people, often the same sex, frequently men. A friendship between the two people is the key relationship in a buddy film. The two people often come from different backgrounds or have different personalities, and they tend to misunderstand one another. Through the events of the buddy film, they gain a stronger friendship and mutual respect. Buddy films often deal with crises of masculinity. American Masculinities: A Historical Encyclopedia explains, "[Buddy films] offer male movie going audiences an opportunity to indulge in a form of male bonding and behavior usually discouraged by social constraints." Ira Konigsberg wrote in The Complete Film Dictionary, "Such films extol the virtues of male comradeship and relegate male–female relationships to a subsidiary position."

A female buddy film is similar to a buddy film except that the main characters are women, and it is centered on their situation. The cast may be mainly female depending on the plot. There are far fewer female buddy films than there are male buddy films; however, notable examples include 1991's Thelma and Louise, which had a popular impact similar to Butch Cassidy and the Sundance Kid and paved the way for onscreen female friendships such as those in Waiting to Exhale, Walking and Talking, and Fried Green Tomatoes.

Buddy films are often hybridized with other film genres, such as road movies, Westerns, comedies, and action films featuring police. The "threats to [the] masculinity" of the male–male relationship depend on the genre: women in comedies, the law in films about outlaw buddies, and criminals in action films about cop buddies. Another example could be 1881's The Prince and the Pauper with Prince Edward and Miles Hendon.

From the 1930s to the 1960s in the United States, male comedy duos often appeared in buddy films. Laurel and Hardy and Abbott and Costello were popular in the 1930s and 1940s. which led to other 1940s buddy films that the Los Angeles Times described as "escapist wartime fantasies".

Throughout the 1960s and the 1970s, the feminist movement and "a widespread questioning" of social institutions influenced buddy films. The films explored male friendships more dramatically and encouraged individualism—particularly to be free from women and society. Philippa Gates wrote, "To punish women for their desire for equality, the buddy film pushes them out of the center of the narrative  By making both protagonists men, the central issue of the film becomes the growth and development of their friendship. Women as potential love interests are thus eliminated from the narrative space." The buddy films of these decades were also hybridized with road movies. which was the highest grossing Indian film of all time. Biracial buddy films emerged in the 1970s and 1980s; Richard Pryor and Gene Wilder initiated the movement with Silver Streak (1976) and Stir Crazy (1980). Eddie Murphy was a key actor in biracial buddy films, starring in 48 Hours (1982) with Nick Nolte and in Trading Places (1983) with Dan Aykroyd. Throughout the 1980s, the individual roles in biracial buddy films are reversed. The "racial other is too civilized" while the white man "is equipped for survival in the urban landscape".

The 1980s was a popular decade for action films, and the genre that "blended masculinity, heroism, and patriotism into an idealized image" was hybridized with buddy films. Following the Civil Rights Movement, black advancement was also reflected in more common biracial pairings.

In the early 1990s, the masculine figure in films became more sensitive, and some buddy films "contemplated a masculinity that required sensitive relations between men". Such films included The Fisher King (1991) and The Shawshank Redemption (1994). The decade also saw new approaches to the genre. The 1991 film Thelma & Louise featured a female pairing of Geena Davis and Susan Sarandon, and the 1993 film The Pelican Brief featured a male–female platonic pairing of Julia Roberts and Denzel Washington. The 1998 film Rush Hour featured a nonwhite male pairing of Jackie Chan and Chris Tucker,

Lethal Weapon was adapted into a television series which ran from 2016 to 2019. The 2021 series The Falcon and the Winter Soldier has many of the features of the buddy film genre, and is influenced by films like 48 Hrs., The Defiant Ones, Lethal Weapon and Rush Hour. Other examples include Hardcastle and McCormick, in which a retired judge and his last defendant follow up on cases that were dismissed due to technicalities; CHiPs, the adventures of two California Highway Patrol motorcycle officers; and Voyagers!, in which a member of a league of time travelers and a boy travel through time repairing errors in world history. In 2018, an original anime production A Place further than the Universe aired. It comprises four girls with contrasting personalities and life background meeting together to go to Antarctica.