Nothing Fails

2003 single by Madonna

"Nothing Fails" is a song by American singer songwriter Madonna from her ninth studio album, American Life (2003). Written by Madonna, Guy Sigsworth and Jem Griffiths, and produced by the singer along with Mirwais Ahmadzaï and Mark "Spike" Stent, it was released as the third single from the album on October 27, 2003. Originally demoed as "Silly Thing", "Nothing Fails" is a love song which has acoustic guitar chords and a gospel choir appearance. Lyrically, the song discusses a lover who is the one, and how their meeting was not just chance. A number of remixes of the song were done, with one of them being included on Madonna's remix album Remixed & Revisited (2003). The song received generally positive reviews, with music critics praising it as one of the best tracks from American Life, while others compared it with Madonna's previous single "Like a Prayer" (1989), as both songs feature a gospel choir. "Nothing Fails" was released in the US in hopes of attaining sales from American Life. However, it did not chart on the US Billboard Hot 100, making it the second single from the album to fail to chart in the US. Nevertheless, the song reached number one on the Hot Dance Club Songs and Hot Singles Sales charts. The single also reached number one in Spain and the top ten in Canada and Italy. Although initially reported on the contrary, no music video was filmed for "Nothing Fails". The song was performed during a promotional tour for American Life in 2003, along with other songs from the album and her past hits. One of these performances was shown by MTV in a special named Madonna on Stage & on the Record. It was also performed during Madonna's sixth concert tour, the Re Invention World Tour (2004), with Madonna alone on stage singing the song accompanied by an acoustic guitar. Many reviewers noted that Madonna in the performance was a "solitary figure" as it was herself alone playing the acoustic guitar.

[[File: Guy Sigsworth. jpg|thumb|upright|"Nothing Fails" started out as a demo track titled "Silly Thing," co written by British musician producer Guy Sigworth (pictured above) for his wife. The demo, which was reminiscent of an offbeat folk song, was later played for Madonna, who loved it and changed parts of the song, including the title. In September 2012, Sigsworth leaked the original version of "Nothing Fails", describing it as a "work in progress demo of a song I originally wrote with Jem, and which later became 'Nothing Fails', co written and recorded by Madonna. It's over ten years old". On "Nothing Fails", Griffiths said:

"When I actually heard it I was so shocked, [be]cause it was the first time I believed [my career] was actually going to happen. And to hear Madonna singing it was like, oh my [God], so bizarre. My mom keeps calling me whenever it's on. She'll go to shops in the UK and hold the phone up to the thing and I'm like, 'They're going to arrest you.'" "Nothing Fails" was produced by Madonna and Mirwais Ahmadzaï, with an additional production by Mark "Spike" Stent. The mixing for the track was done by Mark "Spike" Stent at the Westlake Recording Studios at West Hollywood, California, while Tim Young did the mastering of the song at Metropolis Studios in London. The guitar is accompanied by a "light" drum section and low pitched vocals from Madonna and also features a cello in the first part of the song, while gospel music comes in at the later half. According to the sheet music published at Musicnotes. com by Alfred Publishing, "Nothing Fails" is written in the time signature of common time with a moderately slow tempo of 92 beats per minute. Lyrically, the song discusses a lover who is the one, and how their meeting was not just chance, a reference to the "tree of life" is made during the song while Madonna makes denouncements of religion by singing "I'm not religious" but she wishes to pray. The London Community Gospel Choir, led by Nicki Brown, recorded backing vocals for the song. The strings engineer for the choir, Geoff Foster, recalls that the group consisted of "a bunch of great singers giving it loudly, it was impressive." A remix version for the song, "Jackie's In Love In The Club Mix", done by DJ Jackie Christie, was made available as one of the exclusive tracks of the American and European maxi single release of the song. She maintained Madonna's vocals and the gospel choir appearance, commenting that "I was asked to remix 'Nothing Fails' [ ] I wanted it to be a mainfloor mix with a big choir breakdown so you felt the magic of the Madonna and the choir, like church." Peter Rauhofer's remix of the song was added along with the remixes of the follow up single, "Love Profusion". Another version, the "Jason Nevins Mix", was included on Madonna's 2003 remix album Remixed & Revisited. Stephen Thomas Erlewine from Allmusic commented that on this remix, Madonna sounds as if she is out of step with the music of 2003.

thumb|upright|Critic Robert Christgau deemed "Nothing Fails" and "Mother and Father" the highlights from American Life. "Nothing Fails" received mostly positive reviews from music critics. O'Brien listed it as a "hymn of devotion" and "the most majestic song on American Life". She complemented the "dramatic, theatrical air" of the song and noted that the addition of the choir made the song revelatory and ecstatic. In a review for the album as a whole, Michael Paoletta from Billboard called it a highlight of American Life, describing the song as "tear inducing". Entertainment Weeklys Ken Tucker called it "lovely" and named it, among other songs from the album "refreshingly – hell, shockingly – earnest". Alexis Petridis from The Guardian praised its choral finale. Slant Magazine's Sal Cinquemani labeled it one of the moments of greatness on the album. Ian Youngs from BBC Music gave a positive review for "Nothing Fails", writing that less is more when it comes to Mirwais' electronic tricks. Johnny Davis from NME commented that "only 'Nothing Fails' and 'Intervention' dip beneath the frenetically poppy, with neither a 'Ray of Light' style glitterball stomper, nor a big ballad to act as a breather". Josh Tyrangiel from Time found Madonna's singing in "Nothing Fails" as relaxed and woeful, consisting of "plenty of soul". A review in the Telegram & Gazette complimented the song for successfully blending between the "spiritual and the sensual". Jon Pareles from The New York Times believed that "Nothing Fails" was able to raise sentiments likened by other people and was prone to introspection, unlike other Madonna tunes. Stephen Thompson of The A. V. Club considered the song "emotionally resonant", but characterized the introduction of a choir as "busy". Instead of praising "Nothing Fails", Chuck Taylor from Billboard said that the song "illustrates everything that makes [American Life] a grind". Ben Ratliff from Rolling Stone compared it negatively to "Like a Prayer" and commented it is much closer to what she's become good at: the idea of transfiguration through love, declaring that the difference in 2003 is she doesn't have the ambition. Stylus Magazine also compared it negatively to "Like a Prayer", calling it "an off hand denouncement of religion" and stating that "the same old song, over 10 years later, just doesn't cut it anymore". Jim DeRogatis of the Chicago Sun Times found the lyric "I'm not religious" to be "confusing and befuddling", as Madonna references Jesus Christ and Satan in other songs on the album. Jude Rogers from The Guardian called it a "quiet, gospel dazzled jewel" from American Life, placing it at number 48 on her ranking of Madonna's singles, in honor of her 60th birthday. Chuck Arnold from Entertainment Weekly listed "Nothing Fails" as the singer's 29th best single, calling it "a triumph creatively not commercially that goes from stripped down earnestness to churched up gloriousness".

Following the commercial disappointment of "American Life" and "Hollywood"—the first two singles from American Life—Maverick sent a radio remix of "Nothing Fails" in hopes of attaining sales. "Nothing Fails" did not chart in the United States; however, it was a commercial success on the dance charts. However, the single sold less than 10,000 units according to Nielsen SoundScan, marking one of the lowest totals at the time for a number one song on the chart. At the year end Hot Dance Singles Sales recap, "Nothing Fails" was at number two position, while "Me Against the Music" and "Love Profusion" was at numbers one and three respectively. Billboard reported that Madonna was the first artist in its chart history to have the top three Dance Sales song. In Australia, Warner Bros. Records released a maxi CD single of "Nothing Fails". The release was considered an album by ARIA due to the number of different tracks; it failed to chart on the ARIA Albums Chart. However, it did appear on the ARIA Dance Albums Chart at number six. The song had commercial success in Italy, reaching the top ten on its singles chart, and also in Spain where it reached the top of the chart. Her then husband Guy Ritchie was also facing difficulty with his project, Revolver, which was rejected by Sony Pictures executives since it contained references to Kabbalah, and they asked Ritchie to re write the script. These reports were later refuted by the artist during an interview with San Francisco radio station Alice 97.3, where she explained that no music video would be shot for the single. Madonna also performed the song at HMV store in Oxford Street, London, to around 500 people. She wore a black beret, polka dot blouse, black trousers and heels. The setlist included "American Life", "Hollywood", "Nothing Fails", "X Static Process" and "Mother and Father" before performing her previous singles "Like a Prayer" and "Don't Tell Me". She also played the acoustic guitar during some songs and played the wrong chords at the beginning of "X Static Process". Bret McCabe from Baltimore City Paper described it as a "warm up" performance. During the concert in Ireland, she wore a black coat and was protected by an umbrella while performing the song during the rain. This occurrence was mentioned in the I'm Going to Tell You a Secret documentary, which chronicled the whole tour.