Sheldon Moldoff

American cartoonist

Sheldon "Shelly" Moldoff ('/m//oʊ//l//d//ɒ//f/; April 14, 1920 – February 29, 2012) was an American comics artist best known for his early work on the DC Comics characters Hawkman and Hawkgirl, and as one of Bob Kane's primary "ghost artists" (uncredited collaborators) on the superhero Batman. He co created the Batman supervillains Poison Ivy, Mr. Freeze, the second Clayface, and Bat Mite, as well as the original heroes Bat Girl, Batwoman, and Ace the Bat Hound. Moldoff is the sole creator of the Black Pirate. Moldoff is not to be confused with fellow Golden Age comics professional Sheldon Mayer.

Born in Manhattan, New York City but mostly raised in The Bronx, he was introduced to cartooning by future comics artist Bernard Baily, who lived in the same apartment house as Moldoff. "I was drawing in chalk on the sidewalk—Popeye and Betty Boop and other popular cartoons of the day—and he came by and looked at it and said, 'Hey, do you want to learn how to draw cartoons?' I said, 'Yes!' He said, 'Come on, I'll show you how to draw.'" Moldoff sold his first cartoon drawing at age 17. "My first work in comic books was doing filler pages for Vincent Sullivan, who was the editor at National Periodicals", one of the three companies, with Detective Comics Inc. and All American Publications, that eventually merged to form the modern day DC Comics. Moldoff's debut was a sports filler that appeared on the inside back cover of the landmark Action Comics #1 (June 1938), the comic book that introduced Superman.

During the late 1930s and 1940s Golden Age of comic books, Moldoff became a prolific cover artist for the future DC Comics. His work includes the first cover of the Golden Age Green Lantern, on issue #16 (July 1940) of All American's flagship title All American Comics, featuring the debut of that character created by artist Martin Nodell. based on Neville's Hawkman costume design. Beginning with Flash Comics #4 (April 1940), Moldoff became the regular Hawkman artist, following Neville's departure from the feature the issue before. Moldoff recalled in 2000 that All American publisher Max Gaines
blockquote| took a shine to me. He's the one who said, 'We're going to put you on "Hawkman", and do whatever you want with it. Do a good job; I know you can do it." And that was it! But when I looked at 'Hawkman' and read a couple of stories, I said to myself, 'This has to be done in a[n Alex] Raymond style.' I could just feel it I [had] saved [Raymond Flash Gordon] Sunday [comic strip] pages and the daily papers for years! [Gaines] liked my style; he liked the realism. We were competing with the newspapers. When he picked up the Sunday papers, he saw Flash Gordon, Prince Valiant, Terry and the Pirates. When he picked up a comic book, there was a tremendous difference in the quality of the art. And then, all of a sudden, he saw me—an 18 year old coming around, and I'm almost a student of Raymond, and by God, the stuff looks good—it looks like Raymond! We all leaned on these guys to learn—and we were very lucky, because while we were learning, we were selling the product I spent a lot of time on it. I had books on anatomy and shadows and wrinkles; I studied, and I worked very hard on it, and I think it showed. When superhero comics went out of fashion in the postwar era, Moldoff became an early pioneer in horror comics, packaging two such ready to print titles in 1948. He recalled in 2000 that, "I had shown This Magazine Is Haunted and Tales of the Supernatural to [Fawcett Comics'] Will Lieberson before I showed them to [EC Comics'] Bill Gaines, because I trusted Will Lieberson much more. He showed it to the big guys at Fawcett, and he said, 'Shelly, Fawcett doesn't want to get into horror now; they don't want to touch that'". Moldoff then did approach Gaines with the package, signing a contract stipulating that he would be paid a royalty percentage if the books were successful. Several months later, when EC's Tales From the Crypt hit the newsstands, Gaines reneged on the deal, Moldoff recalled in 2000, with EC attorney Dave Alterbaum threatening to blacklist Moldoff if he took legal action. Ace the Bat Hound, the original Batwoman, the Calendar Man, Mr. Freeze, Bat Mite, the original Bat Girl, and the second Clayface. Most of these characters were phased out in 1964 after a change in editors. Gardner Fox and Moldoff revived the Riddler in Batman #171 (May 1965). Other Batman foes introduced by Moldoff include Poison Ivy and the Spellbinder. Moldoff was let go by DC in 1967, along with many other prominent writers and artists who had made demands for health and retirement benefits. His final Batman stories were published in Batman #199 and Detective Comics #372 (both cover dated February 1968). restaurant and fast food chains, as well as through the Atlanta Braves Major League Baseball team. His family included sons Richard Moldoff and Kenneth Moldoff and daughter Ellen Moldoff Stein.

Sheldon Moldoff received an Inkpot Award in 1991.