Фотоплей: Первый американский журнал о кинозвездах

American film magazine
the American film magazine

Photoplay was one of the first American film (another name for photoplay) fan magazines. It was founded in Chicago in 1911. Under early editors, Julian Johnson and James R. Quirk, in style and reach it became a pacesetter for fan magazines. In 1921, Photoplay established what is considered the first significant annual movie award. For most of its run, it was published by Macfadden Publications. The magazine ceased publication in 1980.

Photoplay began as a short fiction magazine concerned mostly with the plots and characters of films at the time and was used as a promotional tool for those films. In 1915, Julian Johnson and James R. Quirk became the editors (though Quirk had been vice president of the magazine since its inception), and together they created a format which would set a precedent for almost all celebrity magazines that followed. By 1918 the circulation exceeded 200,000, with the popularity of the magazine fueled by the public's increasing interest in the private lives of celebrities.

Photoplay reached its apex in the 1920s and 1930s, and was considered quite influential within the motion picture industry. The magazine was renowned for its artwork portraits of film stars, by such artists as Earl Christy and Charles Sheldon, on the cover. Macfadden Publications purchased the magazine in 1934. With the advance of color photography, by 1937 the magazine instead began using photographs of the stars. Photoplay published the writings of Lillian Day, Sheilah Graham, Hedda Hopper, Dorothy Kilgallen, Hazel MacDonald, Louella Parsons, Adela Rogers St. Johns, Rob Wagner (later the editor and publisher of Script), and Walter Winchell, among others. The magazine was edited by Quirk until 1932; later editors include Kathryn Dougherty, Ruth Waterbury, and Adele Whiteley Fletcher. It also featured the health and beauty advice of Sylvia of Hollywood, arguably the first fitness guru to the stars. Sidney Skolsky, a nationally syndicated gossip columnist for the New York Daily News and later the New York Daily Mirror, had a regular column in Photoplay called "From A Stool At Schwab's", the Hollywood drugstore he made famous; such was the magazine's popularity.

In 1921 Photoplay established what is considered the first significant annual movie award, the Photoplay Magazine Medal of Honor. An actual medallion produced by Tiffany & Co., it was voted on by the readers of the magazine and given to the producer of the year's best film, chosen with an emphasis on (according to Quirk) "the ideals and motives governing its production the worth of its dramatic message." Though Photoplay only gave the single award for best film, its intentions and standards were influential on the Academy Awards founded later in the decade, and they overlap on Best Picture choices to some extent, though increasingly in the 1930s Photoplays choices reflected its primarily female readership. By 1939 the Medal of Honor had declined in importance, and the award was discontinued that year. From 1944 to 1968, Photoplay awarded a Gold Medal for film of the year based on polling done by George Gallup's Audience Research Inc. through the 1950s, and then voted on by the magazine's readers. It also awarded Most Popular Male Star and Most Popular Female Star based on actors' and actresses' popularity, not their performance. The awards were based on polling through the 1950s, and then on a vote by the readers, similar to the Gold Medal.

Photoplay merged with another fan magazine, Movie Mirror, in 1941; and with TV Radio Mirror in 1977, when the name became Photoplay and TV Mirror. The magazine published its final issue on April 15, 1980. In a sign of changing times, the cover photo featured not movie stars but two television actresses, Victoria Principal and Charlene Tilton. The skeleton staff of six people were all transferred to Us magazine, which Macfadden Publications had recently acquired. The president of Macfadden, Peter J. Callahan, said the decision to cease publication was made "very reluctantly", but also added the bald observation that "the day of the traditional movie magazine is over". A British version of Photoplay debuted in March 1950, and in April 1981 it was rebranded as Photoplay: Movies and Video. It featured an equal mix of American and British films and stars, and ceased publication in 1989.