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American actress (born 1958)

Michelle Marie Pfeiffer ('/f//aɪ//f//ər/ FYfər; born April 29, 1958) is an American actress. One of Hollywood's most bankable stars during the 1980s and 1990s, her performances have earned her numerous accolades including a Golden Globe Award and a British Academy Film Award, as well as nominations for three Academy Awards and a Primetime Emmy Award. Pfeiffer began her acting career with minor television and film appearances, and had her first leading role in the critically and commercially unsuccessful Grease 2 (1982). Her breakout role as Elvira Hancock in Scarface (1983) built her mainstream success, which grew with performances in The Witches of Eastwick (1987) and Tequila Sunrise (1988). Pfeiffer received her first of six consecutive Golden Globe Award nominations for Married to the Mob (1988). Her performances in Dangerous Liaisons (1988) and The Fabulous Baker Boys (1989) earned her two consecutive Academy Award nominations, for Best Supporting Actress and Best Actress respectively, winning a Golden Globe Award for the latter. Pfeiffer starred in The Russia House (1990) and Frankie and Johnny (1991). In 1992, she played Catwoman in Batman Returns and received her third Academy Award nomination for Love Field, which were succeeded by performances in The Age of Innocence (1993) and Wolf (1994). She produced several of her own features with her company Via Rosa Productions, including Dangerous Minds (1995). Focusing on her family, Pfeiffer acted sporadically throughout the 2000s, appearing in What Lies Beneath (2000), White Oleander (2002), Hairspray, and Stardust (both 2007). Following another hiatus, Pfeiffer returned to prominence in 2017 with performances in Where Is Kyra?, Mother!, and Murder on the Orient Express, and received her first Primetime Emmy Award nomination for playing Ruth Madoff in The Wizard of Lies. In 2020, she received her eighth Golden Globe Award nomination for French Exit. Pfeiffer has played Janet van Dyne in the Marvel Cinematic Universe since 2018, beginning with Ant Man and the Wasp.

Michelle Marie Pfeiffer was born on April 29, 1958, in Santa Ana, California, the second of four children of Donna Jean (née Taverna), a housewife, and Richard Pfeiffer, an air conditioning contractor. She has an older brother, Rick, and two younger sisters, Dedee and Lori. Her paternal grandfather was of German ancestry and her paternal grandmother was of English, Welsh, French, Irish, and Dutch descent, while her maternal grandfather was of Swiss German Italian descent and her maternal grandmother of Swedish ancestry. The family moved to Midway City, another Orange County community around seven miles (11 km) away, where Pfeiffer spent her early years. Pfeiffer attended Fountain Valley High School, graduating in 1976. where she was a member of Alpha Delta Pi sorority. After a short stint training to be a court stenographer, she pursued an acting career. Pfeiffer won the Miss Orange County beauty pageant in 1978 and finished sixth in the Miss California contest the same year. After her appearances in these pageants, Pfeiffer acquired an agent and began to audition for television and film roles.

Pfeiffer made her acting debut in 1978, in a one episode appearance of Fantasy Island. Other roles on television series followed, including Delta House, CHiPs, Enos and B. A. D. Cats, as well as in the made for CBS film The Solitary Man (1979). Pfeiffer transitioned to film with the comedy The Hollywood Knights (1980), with Tony Danza, appearing as high school sweethearts. She subsequently played supporting roles in Falling in Love Again (1980) with Susannah York and Charlie Chan and the Curse of the Dragon Queen (1981), none of which met with much critical or box office success. She appeared in a television commercial for Lux soap, and took acting lessons at the Beverly Hills Playhouse, before appearing in three 1981 television movies – Callie and Son, with Lindsay Wagner, The Children Nobody Wanted and Splendor in the Grass. Pfeiffer obtained her first starring film role as the female lead in Grease 2 (1982), the sequel to the smash hit musical film Grease (1978). The film was a critical and commercial failure but Pfeiffer's performance was noted as a standout. The New York Times remarked: "[A]lthough she is a relative screen newcomer, Miss Pfeiffer manages to look much more insouciant and comfortable than anyone else in the cast." Despite escaping the critical mauling, her agent later admitted that her association with the film meant that "she couldn't get any jobs. Nobody wanted to hire her." On her early screen roles, she asserted: "I needed to learn how to act in the meantime, I was playing bimbos and cashing in on my looks." The film was considered excessively violent by most critics, but became a commercial hit and gained a large cult following in subsequent years. Pfeiffer received positive reviews for her supporting turn; Richard Corliss of Time Magazine wrote, "most of the large cast is fine: Michelle Pfeiffer is better " while Dominick Dunne, in an article for Vanity Fair titled "Blonde Ambition", wrote, "[s]he is on the verge of stardom. In the parlance of the industry, she is hot." Following Scarface, she played Diana in John Landis' comedy Into the Night (1985), with Jeff Goldblum; Isabeau d'Anjou in Richard Donner's fantasy film Ladyhawke (1985), with Rutger Hauer and Matthew Broderick; Faith Healy in Alan Alda's Sweet Liberty (1986), with Michael Caine; and Brenda Landers in a segment of the 1950s sci fi parody Amazon Women on the Moon (1987), all of which, despite achieving only modest commercial success, helped to establish her as an actress. She finally scored a major box office hit as Sukie Ridgemont in the 1987 adaptation of John Updike's novel The Witches of Eastwick, with Jack Nicholson, Cher, and Susan Sarandon. The film received positive reviews and grossed over $63.7 million domestically, equivalent to $ million in dollars, becoming one of her earliest critical and commercial successes. Praising their comedic timing, Roger Ebert wrote that Pfeiffer and her female co stars each "have a delicious good time with their roles", while the Los Angeles Times film critic Sheila Benson said Pfeiffer makes her character "a warm, irresistible character." Pfeiffer was cast against type, as a murdered gangster's widow, in Jonathan Demme's mafia comedy Married to the Mob (1988), with Matthew Modine, Dean Stockwell and Mercedes Ruehl. For the role of Angela de Marco, she donned a curly brunette wig and a Brooklyn accent, and received her first Golden Globe Award nomination as Best Actress in a Motion Picture Musical or Comedy, beginning a six year streak of consecutive Best Actress nominations at the Golden Globes. Pfeiffer then appeared as chic restaurateuse Jo Ann Vallenari in Tequila Sunrise (1988) with Mel Gibson and Kurt Russell, but experienced creative and personal differences with director Robert Towne, who later described her as the "most difficult" actress he has ever worked with. At Demme's personal recommendation, She won the BAFTA Award for Best Actress in a Supporting Role and received a nomination for the Academy Award for Best Supporting Actress. Pfeiffer then accepted the role of Susie Diamond, a hard edged former call girl turned lounge singer, in The Fabulous Baker Boys (1989), which also starred Jeff Bridges and Beau Bridges as the eponymous Baker Boys. She underwent intense voice training for the role for four months, and performed all of her character's vocals. The film was a modest success, grossing $18.4 million in the US and Canada (equivalent to $ million in dollars ). Her portrayal of Susie, however, drew unanimous acclaim from critics. Critic Roger Ebert compared her to Rita Hayworth in Gilda and to Marilyn Monroe in Some Like It Hot, adding that the film was "one of the movies they will use as a document, years from now, when they begin to trace the steps by which Pfeiffer became a great star". During the 1989–1990 awards season, Pfeiffer won as Best Actress at the Golden Globes, the National Board of Review, the National Society of Film Critics, the New York Film Critics Circle, the Los Angeles Film Critics Association and the Chicago Film Critics Association. Pfeiffer's performance as Susie is considered to be the most critically acclaimed of her career. The scene in which her character seductively performs "Makin' Whoopee" atop a grand piano is considered to be a memorable scene in modern cinema.

In 1990, Pfeiffer formed her own film production company, Via Rosa Productions, with business partner Kate Guinzburg, whom she had met on the set of Sweet Liberty (1986). The company was under a picture deal with Touchstone Pictures, a film label of The Walt Disney Studios. That year, Pfeiffer began earning $1 million per film, and took on the part of the Soviet book editor Katya Orlova in the film adaptation of John le Carré's The Russia House, with Sean Connery, a role that required her to adopt a Russian accent. For her efforts, she was rewarded with a Golden Globe nomination for Best Performance by an Actress in a Motion Picture – Drama. Pfeiffer then landed the role of damaged waitress Frankie in Garry Marshall's Frankie and Johnny (1991), a film adaptation of Terrence McNally's Broadway play Frankie and Johnny in the Clair de Lune, which reunited her with her Scarface co star, Al Pacino. The casting was seen as controversial by many, as Pfeiffer was considered far too beautiful to play an "ordinary" waitress; Kathy Bates, the original Frankie on Broadway, also expressed disappointment over the producers' choice. Pfeiffer herself stated that she took the role because it "wasn't what people would expect of [her]". Pfeiffer was once again nominated for a Golden Globe Award for Best Actress – Motion Picture Drama for her performance. Pfeiffer took on the role of Selina Kyle–Catwoman in Tim Burton's superhero film Batman Returns (1992), opposite Michael Keaton and Danny DeVito, after Annette Bening dropped out because of her pregnancy. For the role, she trained in martial arts and kickboxing. Pfeiffer received unanimous critical acclaim for her portrayal, which is often referred to as the greatest performance of Catwoman of all time by critics and fans. Premiere retrospectively stated: "Arguably the outstanding villain of the Tim Burton era, Michelle Pfeiffer's deadly kitten with a whip brought sex to the normally neutered franchise. Her stitched together, black patent leather costume, based on a sketch of Burton's, remains the character's most iconic look. And Michelle Pfeiffer overcomes Batman Returns heavy handed feminist dialogue to deliver a growling, fierce performance." Batman Returns was a big box office success, grossing over US$267 million worldwide. The first film her company produced was the independent drama Love Field, which was released in 1992. Reviewers embraced the film and The New York Times felt that Pfeiffer was "again demonstrating that she is as subtle and surprising as she is beautiful". For her portrayal of an eccentric Dallas, Texas housewife, she earned nominations for the Academy Award for Best Actress and the Golden Globe for Best Actress – Drama and won the Silver Bear for Best Actress at the 43rd Berlin International Film Festival. In Martin Scorsese's period drama The Age of Innocence (1993), a film adaptation of Edith Wharton's 1920 novel, Pfeiffer starred with Daniel Day Lewis and Winona Ryder, portraying a Countess in upper class New York City in the 1870s. For her role, she received the Elvira Notari Prize at the Venice Film Festival, and a Golden Globe nomination for Best Actress – Motion Picture. That year, she was awarded the Women in Film Los Angeles' Crystal Award. Following the formation of her producing company, Via Rosa Productions, Pfeiffer saw a professional expansion as a producer. While she continued to act steadily throughout the decade, she and her producing partner Guinzburg experienced a winning streak of producing back to back films next under their header. She starred with Jack Nicholson in the 1994 horror film Wolf, portraying the sardonic and willful interest of a writer who becomes a wolf man at night after being bitten by a creature. The film was released to a mixed critical reception; The New York Times wrote: "Ms. Pfeiffer's role is underwritten, but her performance is expert enough to make even diffidence compelling." Wolf was a commercial success, grossing US$65 million (equivalent to $ million in ) at the domestic box office and US$131 million worldwide (equivalent to $ million). Pfeiffer's next role was that of high school teacher and former United States Marine LouAnne Johnson in the drama Dangerous Minds (1995), co produced by her company. She appeared as her character in the music video for the soundtrack's lead single, "Gangsta's Paradise" by Coolio, featuring L. V.; the song won the 1996 Grammy Award for Best Rap Solo Performance, and the video won the MTV Video Music Award for Best Rap Video. While Dangerous Minds received negative reviews, it was a box office success, grossing US$179.5 million around the globe. In 1996, Pfeiffer portrayed Sally Atwater in the romantic drama Up Close & Personal, with Robert Redford, took on the titular role in the drama To Gillian on Her 37th Birthday, which was adapted by her husband David Kelley from Michael Brady's play of the same name, and served as an executive producer and starred as the divorced single mother architect Melanie Parker in the romantic comedy One Fine Day, with George Clooney. Subsequent performances included Rose Cook Lewis in the film adaptation of Jane Smiley's Pulitzer Prize winning novel A Thousand Acres (1997) with Jessica Lange and Jennifer Jason Leigh; Beth Cappadora in The Deep End of the Ocean (1998) about a married couple who found their son who was kidnapped nine years ago; Titania the Queen of the Fairies in A Midsummer Night's Dream (1999) with Kevin Kline, Rupert Everett and Stanley Tucci; and Katie Jordan in Rob Reiner's comedy drama The Story of Us (1999) with Bruce Willis. A Thousand Acres and The Deep End of the Ocean were also produced by Via Rosa Productions. Pfeiffer voiced Tzipporah, a shepherdess who becomes the wife of Moses (voiced by Val Kilmer), in DreamWorks Animation's The Prince of Egypt (1998), a musical adaptation based on the Book of Exodus. She also recorded the film's theme song "When You Believe", for which songwriter Stephen Schwartz won the Academy Award for Best Original Song. The Prince of Egypt was released to critical and commercial success, but Kenneth Turan found the film's modernization of Pfeiffer's character into a "feisty protofeminist" to be problematic.

Pfeiffer began to dissolve her film production company, Via Rosa Productions, in 1999, and moved into semi retirement to spend more quality time with her children and family. Pfeiffer handed her producing partner Guinzburg one final film to produce under the Via Rosa Productions header. The film was called Original Sin (2001). It was originally intended to star Pfeiffer, who later changed her mind as she was looking to work less for a while. The film was produced by her company, but instead starred Angelina Jolie and Antonio Banderas. In What Lies Beneath (2000), a Hitchcockian thriller directed by Robert Zemeckis, Pfeiffer and Harrison Ford starred as a well to do couple who experience a strange haunting that uncovers secrets about their past. While critical response towards the film was mixed, it opened atop at the box office, and went on to gross US$291 million worldwide. She then accepted the role of Rita Harrison, a highly strung lawyer helping a father with a developmental disability, in the drama I Am Sam (2001), with Sean Penn. Despite grossing $97.8 million worldwide, the film was unfavourably reviewed by critics; Seattle Post Intelligencer wrote: "Pfeiffer, apparently stymied by the bland clichés that prop up her screechy role, delivers her flattest, phoniest performance ever." Meanwhile, SF Gate observed: "In one scene, she breaks down in tears as she unburdens herself to him about her miserable life. It's hard not to cringe, watching this emotionally ready actress fling herself headlong into false material." Pfeiffer took on the role of a murderous artist, named Ingrid Magnussen, in the drama White Oleander (2002), with Alison Lohman (in her film début), Renée Zellweger and Robin Wright. The film was a critical and commercial success in its arthouse release. Stephen Holden of The New York Times wrote that "Ms. Pfeiffer, giving the most complex screen performance of her career, makes her Olympian seductress at once irresistible and diabolical." Kenneth Turan of the Los Angeles Times described her as "incandescent", bringing "power and unshakable will to her role as mother master manipulator" in a "riveting, impeccable performance". She earned Best Supporting Actress Awards from the San Diego Film Critics Society and the Kansas City Film Critics Circle, as well as a Screen Actors Guild Award nomination. In 2003, Pfeiffer lent her voice for the character of goddess of chaos Eris in Sinbad: Legend of the Seven Seas, an animated film featuring Brad Pitt as the voice of Sinbad the Sailor. She had struggles with finding the character's villainies. Initially the character was "too sexual", then she lacked fun. After the third rewrite, Pfeiffer called producer Jeffrey Katzenberg and told him "You know, you really can fire me," but he assured her that this was just part of the process. Following the release of the film, she took a four year hiatus from acting, during which she remained largely out of the public eye to devote time to her husband and children. Pfeiffer returned to cinemas in 2007 with villainous roles in two summer blockbusters, Hairspray and Stardust, which was hailed as a successful comeback by the media. In the former, a film adaptation of the Broadway musical of the same name, she starred alongside John Travolta, Christopher Walken and Queen Latifah as Velma Von Tussle, the racist manager of a television station. Although a fan of Pfeiffer's work in the musicals Grease 2 and The Fabulous Baker Boys, director Adam Shankman cast Pfeiffer largely based on her performance in Batman Returns, claiming she was his first and only choice for Velma. Although she had fun with the part, Pfeiffer described Velma as the most difficult role she had played at the time, because of her character's racism; but she was drawn to the film's important message of anti bigotry, accepting that "in order to do a movie about racism, somebody has got to be the racist". Pfeiffer's performance was also critically acclaimed, with film critic David Edelstein of NPR calling her "sublime". The cast of Hairspray was nominated for the Screen Actors Guild Award for Best Cast in a Motion Picture, and won the Broadcast Film Critics Association Award for Best Cast, the Hollywood Film Festival Award for Ensemble of the Year, and the Palm Springs International Film Festival Award for Ensemble Cast. In the fantasy adventure Stardust, Pfeiffer plays Lamia, an ancient witch who hunts a fallen star (Claire Danes) in search of eternal youth. The film received mostly positive reviews but performed moderately at the box office, earning $135.5 million globally. The New York Times film critic Stephen Holden described Pfeiffer as "as deliciously evil a witch as the movies have ever invented", writing that she "goes for broke with the relish of a star who figures she has nothing to lose." Pfeiffer starred in Amy Heckerling's romantic comedy I Could Never Be Your Woman (2007), with Paul Rudd and Saoirse Ronan, portraying Rosie, a 40 year old divorced mother working as a scriptwriter and producer for a television show who falls in love with a much younger man (Rudd). Her reported salary was US$1 million, with an advance on 15 percent of the gross. However, the film was only distributed on home video markets domestically. Reviews for I Could Never Be Your Woman were moderately positive, with critic James Berardinelli finding Pfeiffer and Rudd to "have adequate chemistry to pull off the romance," in what he described as an "enjoyable romantic comedy that has enough going for it to make it worth a recommendation." Pfeiffer starred in Personal Effects, with Ashton Kutcher, playing two grieving people coping with the pain and frustration of their loss whose bond spawns an unlikely romance. The drama premiered at Iowa City's Englert Theatre in December 2008. Her next film, an adaptation of Colette's Chéri, reunited her with the director (Stephen Frears) and screenwriter (Christopher Hampton) of Dangerous Liaisons (1988). Pfeiffer played the role of aging retired courtesan Léa de Lonval, with Rupert Friend in the title role, with Kathy Bates as his mother. Chéri premiered at the 2009 Berlin International Film Festival, where it received a nomination for the Golden Bear award. The Times of London reviewed the film favorably, describing Hampton's screenplay as a "steady flow of dry quips and acerbic one liners" and Pfeiffer's performance as "magnetic and subtle, her worldly nonchalance a mask for vulnerability and heartache". Roger Ebert in the Chicago Sun Times wrote that it was "fascinating to observe how Pfeiffer controls her face and voice during times of painful hurt". Kenneth Turan in the Los Angeles Times praised the "wordless scenes that catch Léa unawares, with the camera alone seeing the despair and regret that she hides from the world. It's the kind of refined, delicate acting Pfeiffer does so well, and it's a further reminder of how much we've missed her since she's been away."