Сан-Францискодағы BDSM және былғары фестивалі

BDSM and leather fair in San Francisco

Folsom Street Fair (FSF) is an annual BDSM and leather subculture street fair, held in September that concludes San Francisco's "Leather Pride Week". The Folsom Street Fair, sometimes referred to simply as "Folsom", takes place on the last Sunday in September, on Folsom Street between 8th and 13th Streets, in San Francisco's South of Market district. The event started in 1984, and is California's third largest single day, outdoor spectator event and the world's largest leather event and showcase for BDSM products and culture. It has grown as a non profit charity, and local and national non profits benefit with all donations at the gates going to charity groups as well as numerous fundraising schemes within the festival including games, beverage booths and even spanking for donations to capitalize on the adult themed exhibitionism.

Although sadomasochism has been practiced for many centuries, the modern gay leather scene in the United States developed beginning in 1945 when thousands of gay servicemen were given blue discharges from service after World War II and came to the major port cities of the United States to live in gay ghettos. In 1953, the Marlon Brando film The Wild One appeared, and some butch gays began to imitate Brando by wearing black leather jackets, a black leather cap, black leather boots and jeans and, if they could afford it, by also riding motorcycles. In the 1950s, the magazine Bizarre familiarized people with sexual fetishism.

The first proto leather bar in San Francisco was the Sailor Boy Tavern, which opened in 1938 near the Embarcadero YMCA and catered to U. S. Navy Sailors looking for same sex sexual encounters. It was made famous by the June 1964 Paul Welch Life article entitled "Homosexuality In America", the first time a national publication reported on gay issues. Lifes photographer was referred to the Tool Box by Hal Call, who had long worked to dispel the myth that all homosexual men were effeminate. The article opened with a two page spread of the mural of life size leathermen in the bar, painted by Chuck Arnett, a patron and employee. The article described San Francisco as "The Gay Capital of America" and inspired many gay leathermen to move there. The "CMC Carnival" was organized by one of the leather motorcycle clubs, the California Motorcycle Club, with the help of other gay motorcycle clubs. The members of these gay motorcycle clubs rode mostly Harley Davidson motorcycles and on periodic weekends rode their motorcycles to outings at picnic grounds in the Sierra Nevada. The first gay motorcycle club in the United States was the Satyrs, founded in Los Angeles in 1954. The first gay motorcycle club in San Francisco was the Warlocks, which was founded in 1960, followed by the California Motorcycle Club, also founded in 1960 later in the year. By the mid 1960s, San Francisco's South of Market district had become the center of the gay motorcycle club scene and was home to motorcycle clubs such as the Barbary Coasters (founded in 1966) and the Constantines and the Cheaters (both founded in 1967). Some leather people of the 1960s and 1970s felt that one was not really a leather person but just a poseur unless one owned an actual motorcycle, preferably a Harley Davidson. Gay motorcycle clubs in San Francisco also organized many benefits for charity at various leather bars. During the 1970s and early 1980s one could see many dozens of motorcycles belonging to people who were members of these clubs parked up and down the length of Folsom Street on the Miracle Mile. The membership of these motorcycle clubs was decimated by the AIDS crisis beginning in 1982. In 1979 the newly formed San Francisco lesbian motorcycle club, Dykes on Bikes, led what was then called the San Francisco Gay Freedom Day Parade for the first time and has done so ever since (since 1994, the event has been called the San Francisco Pride Parade). By the mid 1980s, lesbian motorcycle enthusiasts in other cities began to form motorcycle clubs. The San Francisco South of Market Leather History Alley consists of four works of art along Ringold Alley honoring leather culture; it opened in 2017. The four works of art are: A black granite stone etched with a narrative by Gayle Rubin, an image of the "Leather David" statue by Mike Caffee, and a reproduction of Chuck Arnett's 1962 mural from the Tool Box, a gay leather bar, engraved standing stones that honor community leather institutions including the Folsom Street Fair, leather pride flag pavement markings through which the stones emerge, and metal bootprints along the curb which honor 28 people who were an important part of the leather communities of San Francisco. As these establishments for the leather community were rapidly closing, a coalition of housing activists and community organizers decided to start a street fair. The fair would enhance the visibility of the community, provide a means for much needed fundraising, and create opportunities for members of the leather community to connect to services and vital information (e. g., regarding safer sex) that bathhouses and bars might otherwise have been situated to distribute. Due to the COVID 19 pandemic, there was no fair in 2020.

As one of the few occasions when sadomasochistic activities are encouraged and performed in public, it attracts a considerable number of sightseers and those who enjoy the attention of onlookers as well as hundreds of photographers and videographers. Although the costumes and activities are frequently transgressive, many people come together at the food court, many attendees find the event "eye opening" and positive. On the other hand, the event has at times drawn public and internal criticism for its bawdy atmosphere and broad tolerance of lewd behavior, and it is a regular target for anti gay organizations such as Americans for Truth about Homosexuality. The fair claims it draws 250,000 visitors annually, Each year, net proceeds from Folsom Street Fair, including gate donations and beverage sales, are given to qualified local charities ("beneficiaries"). These include charities working in public health, human services, and the arts, as well as beverage partners, and the Sisters of Perpetual Indulgence who lead the organizing effort at the gates. The event regularly generates over $300,000 annually for charity. Money raising events also include a charity spanking booth, live BDSM demonstrations and a twister stage. Fair organizers present one or two live stages for alternative bands and artists. Previous headlining live acts have included Austra, Little Boots, Miami Horror, Ladytron (DJ Team), Dragonette, Imperial Teen, Berlin, the Presets, Monarchy, the English Beat, Missing Persons, MNDR, Light Asylum, Shiny Toy Guns, Natalie Portman's Shaved Head, Nitzer Ebb, MEN (featuring JD Samson of Le Tigre), My Life With The Thrill Kill Kult, the Limousines, Ladyhawke, Adult., and Yacht. Over time, the fair is becoming more and more well known as a venue for top notch, international underground musical talent. There are one or two dance areas with DJs and cage dancers, featuring DJ sets from the likes of Tony Moran, Manny Lehman, The Cucarachas featuring Tom Stephan, and Mark Moore of S'Express. In 2006, Folsom Street Fair introduced a women's area, dubbed "Bettie Page's Secret" for the first year, then "Venus' Playground" and as of 2016 the current area is called the Playground. The Playground is open to "women of every kind and all trans and non binary folks." The Playground also hosts the Queer Commons, a space for all genders of queer folks. In 2007, an erotic artists' area was established as well with a performance art stage appearing in 2013 in honor of the 30th fair.

Since 1997, a smaller event called Folsom Street East has been organized in New York City by GMSMA. There is no affiliation between Folsom Street East (NYC) and Folsom Street Events (SF).

Folsom Europe was established in Berlin, Germany, in 2003 in order to bring the non profit leather festival concept pioneered by the Folsom Street Fair in San Francisco to Europe.

The Toronto version of Folsom Street Fair was dubbed Folsom Fair North, FFN or FFNTO, and was held annually in July from 2003 until it was canceled permanently in 2008.

For the 24th annual event held on September 30, 2007, the official poster artwork was a photo featuring well known LGBT and BDSM community members in festive and fetish attire including Sister Roma "as players in an innovative version of the culturally iconographic" The Last Supper by Leonardo da Vinci, complete with a table draped with the Leather Pride flag and "cluttered with sex toys, whips, and various (BDSM) restraints". The image by FredAlert was used on the official event guide and produced as collector's posters that were displayed throughout the city as advertising for the event. Some conservative religious groups criticized the image as anti Christian and blasphemous, although media outlets noted that parodies and homages of the "Last Supper" painting like Renée Cox's Yo Mama's Last Supper are numerous, including ones by The Simpsons, The Sopranos, Phish, That '70s Show, Robert Altman (in the film MASH) and the Boston Red Sox. Chris Glaser, a gay clergyman and interim senior pastor at San Francisco's Metropolitan Community Church opined that "they are just having fun" with both the painting and the notion of 'San Francisco values,' and called the poster "tastefully and cleverly done". The Catholic League, Concerned Women for America and the Family Research Council targeted the largest mainstream sponsor of the event, Miller Brewing Company, threatening to boycott their products for the company's support of the event and allowing its logo to appear in the ad. Miller asked for its logo to be removed from the poster: "we take exception to the poster the organizing committee developed this year. We understand that some individuals may find the imagery offensive." Subsequently, the Catholic League ended the boycott. Nancy Pelosi, congresswoman for San Francisco and then Speaker of the U. S. House of Representatives, opined at a press conference: "I do not believe Christianity has been harmed by the Folsom Street Fair." with images captured by Michael Rababy. The book is a documentary photography monograph that captures San Francisco's Folsom Street Fair. The unguarded images feature people in various states of dress and undress in the rarely photographed street fair food court. The book documents two years shot a decade apart, 2007 and 2017, to demonstrate that although the city of San Francisco has gentrified over time, the Folsom Street Fair seems to maintain its authenticity.