Ману Чао: Француз-испан музыкантының өмірі мен шығармашылығы

French Spanish musician

Manu Chao (ˈmanu ˈtʃao; born José Manuel Tomás Arturo Chao Ortega on 21 June 1961) is a French Spanish singer. He sings in French, Spanish, English, Italian, Arabic, Catalan, Galician, Portuguese, Greek, and occasionally in other languages. Chao began his musical career in Paris, busking and playing with groups such as Hot Pants and Los Carayos, which combined a variety of languages and musical styles. With friends and his brother Antoine Chao, he founded the band Mano Negra in 1987, achieving considerable success, particularly in Europe. He became a solo artist after its breakup in 1995 and since then tours regularly with his live band, Radio Bemba.

Chao's mother, Felisa Ortega, is from Bilbao, Basque Country, and his father, writer and journalist Ramón Chao, is from Vilalba, Galicia. They emigrated to Paris to avoid Francisco Franco's dictatorship—Manu's grandfather had been sentenced to death. Shortly after Manu's birth, the Chao family moved to the outskirts of Paris, and Manu spent most of his childhood in Boulogne Billancourt and Sèvres. As he grew up he was surrounded by many artists and intellectuals, most of whom were acquaintances of his father. Chao cites much of his childhood experience as inspiration for some songs. As a child, he was a big fan of Cuban singer pianist Bola de Nieve. Chao and other musicians formed the Spanish/English rockabilly group Hot Pants in the mid 1980s. The group released a demo entitled "Mala Vida" in 1984, which received plenty of local critical praise but otherwise gained them little attention. By the time the group released their first album in 1986 the Parisian alternative music scene had taken flight, and Manu, his brother Antoine Chao, and friends such as Alain from Les Wampas formed Los Carayos to incorporate this sound with the rockabilly and punk styles of Hot Pants. Los Carayos remained a side project of the artists for eight years, releasing three albums in the first two years followed by a final album in 1994. In 1987, the Chao brothers and their cousin Santiago Casariego founded the band Mano Negra. Manu Chao said in Alt. Latino in 2011, "Mano Negra started playing in a subway in Paris before the band started to be known and selling records. We started in a subway for a living. This is what made the musicians of Mano Negra. And so the people using the subway in Paris was very eclectic. There were people from a lot of different countries, different cultures. So we have to be able to play all kinds of music to please all the people in a subway. So that was a perfect school to learn a lot of different styles of music." Mano Negra also performed a tour through much of Colombia in a retired train, the "Ice Express". The resulting music differed drastically from Mano Negra; the songs were primarily sung in Spanish with far fewer French tracks and the musical style had shifted from punk and alternative styles to the street vibe Chao was aiming for. The songs were collectively released as Clandestino in 1998, under Manu Chao's own name. Though not an instant success, the album gained a steady following in France with hits such as "Bongo Bong" and "Clandestino", and the album eventually earned the Best World Music Album award in 1999's Victoires de la Musique awards. It sold in excess of 5 million copies. Concert reviews indicate that music from La Radiolina was already being performed live as early as April 2007's Coachella show.

In 2003 he approached Amadou & Mariam and later produced their 2004 album Dimanche à Bamako ("Sunday in Bamako"). His song "Me llaman Calle", written for the 2005 Spanish film Princesas, won a Goya Award for Best Original Song. The song was later included on 2007's La Radiolina. Vocals from the song are included in the Go Lem System song "Calle Go Lem". Time magazine named "Me Llaman Calle" one of The 10 Best Songs of 2007, ranking it at No. 8. Writer Josh Tyrangiel observed: Chao's warm singing over José Manuel Gamboa and Carlos Herrero's leaping Flamenco counter melody creates a direct emotional line to the core of this mid tempo ballad. With its easy melody and universal rhythm Me Llaman Calle walks proudly in the shadow of Bob Marley, the last guy who made world music this disarmingly simple. Manu Chao was featured on the album True Love by Toots and the Maytals, which won the Grammy Award in 2004 for Best Reggae Album, and showcased many notable musicians including Willie Nelson, Eric Clapton, Jeff Beck, Trey Anastasio, Gwen Stefani / No Doubt, Ben Harper, Bonnie Raitt, The Roots, Ryan Adams, Keith Richards, Toots Hibbert, Paul Douglas, Jackie Jackson, Ken Boothe, and The Skatalites. His song "La Vida Tómbola" was featured in the documentary film Maradona by Serbian filmmaker Emir Kusturica.

Manu Chao sings in Spanish, French, English, Portuguese, Galician, Arabic and Wolof, often mixing several languages in the same song. His music has many influences, such as punk, rock, French chanson, Iberoamerican salsa, reggae, ska, and Algerian raï. These influences were obtained from immigrants in France, his Iberian connections, and foremost his travels in Mesoamerica as a nomad following the disbanding of Mano Negra. While Mano Negra called their style patchanka (literally "patchwork"), Manu Chao speaks of música mestiza (:de:Mestizo Musik), a musical style which may also incorporate elements of rap, flamenco, Afro Cuban music, samba and cumbia. In many of his pieces he layers lyrics, music, and sound recordings over each other. In the short documentary film Infinita tristeza (essentially a video travelogue of Chao's 2001 tour of South America), included within the bonus section of his 2002 live DVD release Babylonia en Guagua, Chao explained that his only recording tool is a small IBM ThinkPad laptop computer, which he carries with him wherever he goes; he has occasionally used conventional recording studios, such as Europa Sonor in Paris, to overdub instruments such as drums, electric guitars and brass, but the vast majority of his material (including all sorts of spoken word samples from radio stations, TV, films, old vinyl records and, on Próxima Estación: Esperanza, announcements from the Madrid Metro) has been recorded by Chao himself exclusively on his laptop. The Spanish credit Grabado en el Estudio Clandestino ("Recorded in Studio Clandestino/Clandestine Studio"), which appears on all of his solo album starting from 1998's Clandestino, actually refers to the laptop. Chao also has a tendency to reuse music or lyrics from previous songs to form new songs. The contemporary hit single in France "Bongo Bong", takes its lyrics from the earlier Mano Negra hit "King of Bongo", which bears a similar style to that of The Clash. The musical backdrop for "Bongo Bong", in turn, was used in several other Chao songs, including "Je Ne T'Aime Plus" from the same album and "Mr. Bobby" and "Homens" from Próxima Estación: Esperanza. (According to a statement by Chao himself in the Próxima Estación CD booklet, "Homens" is the song which the backdrop was originally written and recorded for, and all the others came later.) Also, the tune of "La Primavera", a track from that same album, is used in several other songs featured on the LP, while lyrics for a few songs on Sibérie m'était contéee are repeated several times with different music, leading the lyrics to be interpreted in various ways depending on the mood of the track. Several musical themes and clips from that album also appear on Amadou & Mariam's Chao produced Dimanche à Bamako, which were being produced at approximately the same time. Though Chao is well known in Europe and Latin America, he has not had the same success in the United States, England, or Australia. Tours in the United States with Mano Negra were not as successful as elsewhere. Though his live performances in the U. S. are infrequent, Chao played a handful of dates there in 2006, including a headlining show at Lollapalooza 2006 in Chicago. He was one of the headlining acts at the 2008 Austin City Limits Music Festival and the Outside Lands Music Festival in Golden Gate Park. In January 2012 he was the headline act at the opening night of Sydney Festival, marking his first concert in Australia.

Chao believes that our world lacks spaces for "collective therapy" and describes his concerts as small temporary spaces where people of different backgrounds can come together. Chao's lyrics provoke his audience to think about immigration, love, living in ghettos, drugs, and often carry a left wing message. This reflects Chao's own political leanings—he is very close to the Zapatistas and their public spokesman, Subcomandante Marcos. Chao is a founding member of ATTAC. Punk and reggae historian Vivien Goldman commented of his work, "I was writing about Good Charlotte and The Police. They adopted the trappings of punk. They aren't bad groups, but the punk aspect is more manifested by somebody like Manu Chao. He's one of the punkiest artists out there I can think of. It's an inclusionary spirit that is punk." Since 1991, Chao has been working with La Colifata, which is an NGO made up of a group of patients and ex patients of Hospital Borda, a psychiatric hospital in Buenos Aires, Argentina. Chao uses both a website and a Facebook account to show the work he does with these patients and ex patients. On their Facebook page he explains that the mission of this group is to diminish the stigma that people place on mental illness and to promote the use of services that are meant to help those with mental illnesses.