Killer Instinct 2: Көтеріліс және Жаңа Возможнолықтар

Killer Instinct 2 is a 2.5D fighting game developed by Rare, published by Nintendo and manufactured by Midway for arcades in 1996 as a sequel to Killer Instinct (1994). A modified version of Killer Instinct 2 was published for the Nintendo 64 as Killer Instinct Gold the same year. A Super Nintendo Entertainment System version of Killer Instinct 2 was developed and completed, but never released. A digital port of the game for the Xbox One is bundled with the second season of Killer Instinct (2013), under the title Killer Instinct 2 Classic.

As with most fighting games and indeed its predecessor, two characters square off with the goal of depleting the opponent's life bar. As with the original Killer Instinct, when a character's original life bar is fully depleted, he or she will fall to the ground, and immediately begin on his or her second lifebar. As with the first game, Killer Instinct 2 relies on an automatic combo subsystem in its matches. The matches, as with Killer Instinct, revolve around a three strength system (Quick, Medium and Fierce). However, normal moves have lost a lot of their priority and range, as well as gaining extra recovery time. Throws have been added into the game to deal with blocking characters (as opposed to the top attack in Killer Instinct). Additionally, characters can be knocked down much easier with normal moves than in the first game, ending the possibility of opening with a 'glitch' combo and also weakening the effectiveness of normal moves. Normal special moves no longer are judged on priority, but instead follow a three tiered 'rock, paper, scissors' system, in which a certain special move will always break another certain special move (similar to the three tiered system in Soulcalibur). Additionally, a Super bar has been added to the game (similar to Street Fighter Alpha or The King of Fighters series). This super bar fills as a fighter takes damage or executes an attack that is blocked by the opponent. After the bar reaches a certain point, the player can use a multi hit Super Move which is usually an extended version of a normal special move. The combo system has its roots in the original Killer Instinct. By pressing a certain strength button after an opener move, a player will launch an auto double and initiate the combo system of the game. Unlike the first game, players can now open up combos with new and much less risky moves than before (most notable a close Fierce punch or close Fierce kick). Additionally, Super Moves can be placed into combos, greatly increasing their damage and potency as well as being unbreakable. Additionally combos can be extended using throws, super linkers, manual doubles, and super end specials. As a result of the weakened normal moves and other changes to the system, combos have now become more devastating in Killer Instinct 2. In an apparent effort to help ease this dominance, combo breakers are now easier to perform. Unlike combo breakers in the first game, which also required a three tiered 'rock, paper, scissors' system based on strength to break, combos are now broken depending on the type of attack. Punches break kick doubles, and kicks will break punch doubles. Parry, an advanced new addition, allow an open counter attack after a successful parry block. A player can assume a standing defensive position and cause the attacker to temporarily freeze if the parry is successful, and from there either perform a special stunning technique or a three hit variant of a Special Move. The finishing moves have also been reworked. Now each character can only execute these attacks when the opponent's second life bar flashes red (unlike the first Killer Instinct the opponent falls when he or she loses all of his or her energy bars). Each character has two Ultimate combo moves (one of them can be executed without executing a combo), the Humiliation sequences were dropped, and the Ultra combo feature is still intact. Unlike the Mortal Kombat Fatalities, the Killer Instinct 2s finishing moves do not feature brutality or blood.

Killer Instinct 2 follows on where the first installment left off. Eyedol's death at the hands of Black Orchid accidentally sets off a time warp, transporting some of the combatants back in time and allowing the Demon Lord Gargos (Eyedol's opponent) to escape from Limbo. Now, trapped 2000 years in the past, the warriors that survived Killer Instinct, along with several new faces, fight for the right to face Gargos in combat. Each character that survived the journey from the first game have corresponding backstories, while new characters in this installment are native inhabitants of this past time period. Some fighters, like returning fighter T. J. Combo, just want to get home. Others, like new character Tusk, want to bring an end to Gargos and his reign of evil. This time there is no tournament or prize money, just a fight to the finish with the fate of the future hanging in the balance.

The game features a total roster of 11 characters. Black Orchid, Jago, Sabrewulf, Spinal and T. J. Combo return from the previous title. A new Fulgore Mark II prototype replaces the Fulgore Mark I from the first game while Glacius is replaced by another member of the same species, who assumes the former's name. Eyedol, Chief Thunder, Cinder, and Riptor were omitted from the roster; Gargos, Kim Wu, Maya, and Tusk were introduced in their place. Each character in the game has four or eight different endings. Which ending the player gets depends whether or not the player kills (by using a finishing move instead of simply depleting their health) one or more certain character(s) during the course of the game, as well as destroy certain objects on stages. For example, Jago's endings both involve Fulgore and B. Orchid (if Fulgore does not kill Jago and B. Orchid, they team up and destroy him), as well as Ultratech's destruction (on Fulgore's museum stage). Thus, killing or not killing them, as well as destroying or not destroying Ultratech, over the course of the game alters the outcomes of his endings:
If he kills Fulgore, destroys Ultratech, and spares Orchid, his enjoyment of his enemy's demises is only sweetened by the discovery that Orchid is his older sister, and the two siblings return to the present without Ultratech. If he kills Fulgore, and spares Ultratech and Orchid, the two siblings return to the present to battle the rebuilt Ultratech. If he spares both their lives, but destroys Ultratech, Orchid saves him from Fulgore's attack and they return to the present without Ultratech. If he spares both their lives, as well as Ultratech's, he and Orchid return to the present to battle the rebuilt Ultratech right after destroying Fulgore. If he kills both of them, as well as destroys Ultratech, he relishes his victory over Fulgore, but feels an inexplicable emptiness in his heart which he must live with for the rest of his days. If he kills both of them, but spares Ultratech, he is forced to fight Ultratech alone. If he kills Orchid and destroys Ultratech, but doesn't destroy Fulgore, the cyborg will eventually kill him, but without Ultratech, Fulgore searches for a ancestor of Jago's (as well as Orchid's) to erase his nemesis from existence. If he kills Orchid, but doesn't destroy Fulgore nor Ultratech, the cyborg will eventually kill him, and fulfills Ultratech's original purposes by seizing control of the world.

Development began shortly after the release of its predecessor. This was done by a small team led by Lee Schneuman and Ken Lobb. One of its programmers Martin Hollis left partway as development started to work on Goldeneye 007 (1997). According to Lobb, eliminating excessive defense play "was the absolute highest priority. I felt that this was not a problem for experts, but it hurt beginners. We now reward the aggressor big time". The team used the same hardware from its predecessor. They believed the characters needed redesigns. Kevin Bayliss, who served as designer, redesigned each characters to suit the sequel after its events. The game’s music was primarily composed by Robin Beanland, who had worked with Graeme Norgate on its predecessor and with the other team. Norgate contributed to some tracks, but left partway in development to compose music for Blast Corps (1997) and Goldeneye 007.