Механикалық Теледидар: Түрлері мен Тарихы

Television that relies on a scanning device to display images

Mechanical television or mechanical scan television is an obsolete television system that relies on a mechanical scanning device, such as a rotating disk with holes in it or a rotating mirror drum, to scan the scene and generate the video signal, and a similar mechanical device at the receiver to display the picture. This contrasts with vacuum tube electronic television technology, using electron beam scanning methods, for example in cathode ray tube (CRT) televisions. Subsequently, modern solid state liquid crystal displays (LCD) and LED displays are now used to create and display television pictures. Mechanical scanning methods were used in the earliest experimental television systems in the 1920s and 1930s. One of the first experimental wireless television transmissions was by John Logie Baird on October 2, 1925, in London. By 1928 many radio stations were broadcasting experimental television programs using mechanical systems. However the technology never produced images of sufficient quality to become popular with the public. Mechanical scan systems were largely superseded by electronic scan technology in the mid 1930s, which was used in the first commercially successful television broadcasts which began in the late 1930s in Great Britain. In the U. S., experimental stations such as W2XAB in New York City began broadcasting mechanical television programs in 1931 but discontinued operations on February 20, 1933, until returning with an all electronic system in 1939. A mechanical television receiver was also called a televisor.

The first mechanical raster scanning techniques were developed in the 19th century for facsimile, the transmission of still images by wire. Alexander Bain introduced the facsimile machine in 1843 to 1846. Frederick Bakewell demonstrated a working laboratory version in 1851. The first practical facsimile system, working on telegraph lines, was developed and put into service by Giovanni Caselli from 1856 onward. Willoughby Smith discovered the photoconductivity of the element selenium in 1873, laying the groundwork for the selenium cell which was used as a pickup in most mechanical scan systems. In 1885, Henry Sutton in Ballarat, Australia designed what he called a telephane for transmission of images via telegraph wires, based on the Nipkow spinning disk system, selenium photocell, Nicol prisms and Kerr effect cell. Sutton's design was published internationally in 1890. An account of its use to transmit and preserve a still image was published in the Evening Star in Washington in 1896. The first demonstration of the instantaneous transmission of images was made by a German physicist, Ernst Ruhmer, who arranged 25 selenium cells as the picture elements for a television receiver. In late 1909 he successfully demonstrated in Belgium the transmission of simple images over a telephone wire from the Palace of Justice at Brussels to the city of Liege, a distance of This demonstration was described at the time as "the world's first working model of television apparatus". The limited number of elements meant his device was only capable of representing simple geometric shapes, and the cost was very high; at a price of £15 (US$45) per selenium cell, he estimated that a 4,000 cell system would cost £60,000 (US$180,000), and a 10,000 cell mechanism capable of reproducing "a scene or event requiring the background of a landscape" would cost £150,000 (US$450,000). Ruhmer expressed the hope that the 1910 Brussels [[Brussels International 1910 would sponsor the construction of an advanced device with significantly more cells, as a showcase for the exposition. However, the estimated expense of £250,000 (US$750,000) proved to be too high. The publicity generated by Ruhmer's demonstration spurred two French scientists, Georges Rignoux and A. Fournier in Paris, to announce similar research that they had been conducting. A matrix of 64 selenium cells, individually wired to a mechanical commutator, served as an electronic retina. In the receiver, a type of Kerr cell modulated the light and a series of variously angled mirrors attached to the edge of a rotating disc scanned the modulated beam onto the display screen. A separate circuit regulated synchronization. The 8 x 8 pixel resolution in this proof of concept demonstration was just sufficient to clearly transmit individual letters of the alphabet. An updated image was transmitted "several times" each second. In 1911, Boris Rosing and his student Vladimir Zworykin created a system that used a mechanical mirror drum scanner to transmit, in Zworykin's words, "very crude images" over wires to the "Braun tube" (cathode ray tube or "CRT") in the receiver. Moving images were not possible because, in the scanner, "the sensitivity was not enough and the selenium cell was very laggy".

As a 23 year old German university student, Paul Julius Gottlieb Nipkow proposed and patented the Nipkow disk in 1884. This was a spinning disk with a spiral pattern of holes in it, so each hole scanned a line of the image. Although he never built a working model of the system, Nipkow's spinning disk "image rasterizer" was the key mechanism used in most mechanical scan systems, in both the transmitter and receiver. Constantin Perskyi had coined the word television in a paper read to the International Electricity Congress at the International World Fair in Paris on August 24, 1900. Perskyi's paper reviewed the existing electromechanical technologies, mentioning the work of Nipkow and others. However, it was the 1907 invention of the first amplifying vacuum tube, the triode, by Lee de Forest, that made the design practical. Scottish inventor John Logie Baird in 1925 built some of the first prototype video systems, which employed the Nipkow disk. On March 25, 1925, Baird gave the first public demonstration of televised silhouette images in motion, at Selfridge's Department Store in London. Since human faces had inadequate contrast to show up on his primitive system, he televised a ventriloquist's dummy named "Stooky Bill" talking and moving, whose painted face had higher contrast. By January 26, 1926, he demonstrated the transmission of image of a face in motion by radio. This is widely regarded as being the world's first public television demonstration. Baird's system used the Nipkow disk for both scanning the image and displaying it. A brightly illuminated subject was placed in front of a spinning Nipkow disk set with lenses which swept images across a static photocell. The thallium sulphide (Thalofide) cell, developed by Theodore Case in the USA, detected the light reflected from the subject and converted it into a proportional electrical signal. This was transmitted by AM radio waves to a receiver unit, where the video signal was applied to a neon light behind a second Nipkow disk rotating synchronized with the first. The brightness of the neon lamp was varied in proportion to the brightness of each spot on the image. As each hole in the disk passed by, one scan line of the image was reproduced. Baird's disk had 30 holes, producing an image with only 30 scan lines, just enough to recognize a human face. In 1927, Baird transmitted a signal over 438 mile (705 km) of telephone line between London and Glasgow. In 1928, Baird's company (Baird Television Development Company/Cinema Television) broadcast the first transatlantic television signal, between London and New York, and the first shore to ship transmission. In 1929, he became involved in the first experimental mechanical television service in Germany. In November of the same year, Baird and Bernard Natan of Pathé established France's first television company, Télévision Baird Natan. In 1931, he made the first outdoor remote broadcast, of The Derby. In 1932, he demonstrated ultra short wave television. Baird's mechanical system reached a peak of 240 lines of resolution on BBC television broadcasts in 1936 though the mechanical system did not scan the televised scene directly. Instead a 17.5 mm film was shot, rapidly developed and then scanned while the film was still wet. An American inventor, Charles Francis Jenkins also pioneered the television. He published an article on "Motion Pictures by Wireless" in 1913, but it was not until December 1923 that he transmitted moving silhouette images for witnesses, and it was on June 13, 1925, that he publicly demonstrated synchronized transmission of silhouette pictures. In 1925 Jenkins used Nipkow disk and transmitted the silhouette image of a toy windmill in motion, over a distance of 5 mile (8 km) from a naval radio station in Maryland to his laboratory in Washington, D. C., using a lensed disk scanner with a 48 line resolution. He was granted the U. S. patent No. 1,544,156 (Transmitting Pictures over Wireless) on June 30, 1925 (filed March 13, 1922). On December 25, 1925, Kenjiro Takayanagi demonstrated a television system with a 40 line resolution that employed a Nipkow disk scanner and CRT display at Hamamatsu Industrial High School in Japan. This prototype is still on display at the Takayanagi Memorial Museum in Shizuoka University, Hamamatsu Campus. By 1927, he improved the resolution to 100 lines, which was unrivaled until 1931. By 1928, he was the first to transmit human faces in half tones. His work had an influence on the later work of Vladimir K. Zworykin. In Japan he is viewed as the man who completed the first all electronic television. His research in creating a production model was halted by the US after Japan lost World War II. In 1928, General Electric launched their own experimental television station W2XB, broadcasting from the GE plant in Schenectady, New York. The station was popularly known as "WGY Television", named after the GE owned radio station WGY. The station eventually converted to an all electronic system in the 1930s and in 1942, received a commercial license as WRGB. The station is still operating today. Meanwhile, in the Soviet Union, Léon Theremin had been developing a mirror drum based television, starting with 16 lines resolution in 1925, then 32 lines and eventually 64 using interlacing in 1926, and as part of his thesis on May 7, 1926, he electrically transmitted and then projected near simultaneous moving images on a 5 feet (2 m) square screen. A few systems ranging into the 200 line region also went on the air. 180 lines broadcast tests were carried out by the Reichs Rundfunk Gesellschaft in 1935, with a transmitter in Berlin. Transmissions lasted 90 minutes a day, three days a week, with sound/visions frequencies being and
Likewise, a 180 line system that Compagnie des Compteurs (CDC) installed in Paris was tested in 1935, and a 180 line system by Peck Television Corp. started in 1935 at station VE9AK in Montreal, Quebec, Canada.

John Baird's 1928 color television experiments had inspired Goldmark's more advanced field sequential color system. The CBS color television system invented by Peter Goldmark used such technology in 1940. In Goldmark's system, stations transmit color saturation values electronically; however, mechanical methods are also used. At the transmitting camera, a mechanical disc filters hues (colors) from reflected studio lighting. At the receiver, a synchronized disc paints the same hues over the CRT. As the viewer watches pictures through the color disc, the pictures appear in full color. Later, simultaneous color systems superseded the CBS Goldmark system, but mechanical color methods continued to find uses. Early color sets were very expensive: over $1,000 in the money of the time. Inexpensive adapters allowed owners of black and white NTSC television sets to receive color telecasts. The most prominent of these adapters is Col R Tel, a 1955 NTSC to field sequential converter. This system operates at NTSC scanning rates, but uses a disc like the obsolete CBS system had. The disc converts the black and white set to a field sequential set. Meanwhile, Col R Tel electronics recover NTSC color signals and sequence them for disc reproduction. The electronics also synchronize the disc to the NTSC system. In Col R Tel, the electronics provide the saturation values (chroma). These electronics cause chroma values to superimpose over brightness (luminance) changes of the picture. The disc paints the hues (color) over the picture. A few years after Col R Tel, the Apollo Moon missions also adopted field sequential techniques. The lunar color cameras all had color wheels. These Westinghouse and later RCA cameras sent field sequential color television pictures to Earth. The Earth receiving stations included electronic equipment that converted the raw colour video signals into the NTSC standard.

The advancement of vacuum tube electronic television (including image dissectors and other camera tubes and cathode ray tubes for the reproducer) marked the beginning of the end for mechanical systems as the dominant form of television. Mechanical TV usually only produced small images. It was the main type of TV until the 1930s. Vacuum tube television, first demonstrated in September 1927 in San Francisco by Philo Farnsworth, and then publicly by Farnsworth at the Franklin Institute in Philadelphia in 1934, was rapidly overtaking mechanical television. Farnsworth's system was first used for broadcasting in 1936, reaching 400 to more than 600 lines with fast field scan rates, along with competing systems by Philco and DuMont Laboratories. In 1939, RCA paid Farnsworth $1 million for his patents after ten years of litigation, and RCA began demonstrating all electronic television at the 1939 World's Fair in New York City. The last mechanical television broadcasts ended in 1939 at stations run by a handful of public universities in the United States.

Early Cathode Ray Television tube displays were small in size. The 'Scophony' television receiver of 1938, an advanced television receiver that used a mechanical display, was capable of displaying a 405 line picture (compatible with the then 405 line television system used in the United Kingdom) on a display that was 24 inches wide and 20 inches high. A version intended for theater audiences had a 6 feet wide display. It was also capable of being set up for the US 441 line television system. For 405 lines, it used a high speed scanner running at 30,375 r. p. m. and a low speed mirror drum running at around 250 r. p. m., in conjunction with a Jeffree cell to modulate a focused light beam from a mercury lamp. It used 39 vacuum tubes in its electronic circuits, and consumed around 1,000 Watts. Although producing impressive results and reaching the marketplace, the receiver was very expensive, costing around twice as much as a cathode ray television. It was not a commercial success, and television transmissions in the UK were suspended for the duration of the Second World War, sealing its fate. No complete receiver survives, although some components do.

Since the 1970s, some amateur radio enthusiasts have experimented with mechanical systems. The early light source of a neon lamp has now been replaced with super bright LEDs. There is some interest in creating these systems for narrow bandwidth television, which would allow a small or large moving image to fit into a channel less than 40 kHz wide (modern TV systems usually have a channel about 6 MHz wide, 150 times larger). Also associated with this is slow scan TV – although that typically used electronic systems utilising the P7 CRT until the 1980s and PCs thereafter. There are three known mechanical monitor forms: two fax printer like monitors made in the 1970s, and in 2013 a small drum monitor with a coating of glow paint where the image is painted on the rotating drum with a UV laser. Digital Light Processing (DLP) projectors use an array of tiny (16 μm2) electrostatically actuated mirrors selectively reflecting a light source to create an image. Many low end DLP systems also use a color wheel to provide a sequential color image, a feature that was common on many early color television systems before the shadow mask CRT provided a practical method for producing a simultaneous color image. Another place where high quality imagery is produced by opto mechanics is the laser printer, where a small rotating mirror is used to deflect a modulated laser beam in one axis while the motion of the photoconductor provides the motion in the other axis. A modification of such a system using high power lasers is used in laser video projectors, with resolutions as high as 1024 lines and each line containing over 1,500 points. Such systems produce, arguably, the best quality video images. They are used, for instance, in planetariums. The long wave infrared cameras used in military applications such as giving fighter pilots night vision. These cameras use a high sensitivity infrared photo receptor (usually cooled to increase sensitivity), but instead of disks of lenses, these systems use rotating prisms to provide a 525 or 625 line standard video output. The optical parts are made from germanium, because glass is opaque at the wavelengths involved. These cameras have found a new role in sporting events where they are able to show (for example) where a ball has struck a bat. Laser lighting display techniques are combined with computer emulation in the LaserMAME project. It is a vector based system, unlike the raster displays thus far described. Laser light reflected from computer controlled mirrors traces out images generated by classic arcade software which is executed by a specially modified version of the MAME emulation software.

A few mechanical TV systems could produce images several feet or meters wide and of comparable quality to the cathode ray tube (CRT) televisions that were to follow. CRT technology at that time was limited to small, low brightness screens. One such system was developed by Ulises Armand Sanabria in Chicago. By 1934, Sanabria demonstrated a projection system which had a 30 feet (9 m) image. Perhaps the best mechanical televisions of the 1930s used the Scophony system, which could produce images of more than 400 lines and display them on screens at least in size (at least a few models of this type were actually produced). The Scophony system used multiple drums rotating at fairly high speed to create the images. One using a 441 line American standard of the day had a small drum rotating at 39,690 rpm (a second slower drum moved at just a few hundred rpm).

Some mechanical equipment scanned lines vertically rather than horizontally, as in modern TVs. An example of this method is the Baird 30 line system. Baird's British system created a picture in the shape of a very narrow, vertical rectangle. This shape created a "portrait" image, instead of the "landscape" orientationthese terms coming from the concepts of portrait and landscape in artthat is common today. The position of a framing mask before the Nipkow disk determines the scan line orientation. Placement of the framing mask at the left or right side of the disk gives vertical scan lines. Placement at the top or bottom of the disk gives horizontal scan lines. Baird's earliest television images had very low definition. These images could only show one person clearly. For this reason, a vertical "portrait" image made more sense to Baird than a horizontal "landscape" image. Baird chose a shape three units wide by seven high. This shape is only about half as wide as a traditional portrait and close in proportion to a typical doorway. Instead of entertainment television, Baird might have had point to point communication in mind. Another television system followed that reasoning. The 1927 system developed by Herbert E. Ives at AT&T's Bell Laboratories was a large screen television system and the most advanced television of its day. The Ives 50 line system also produced a vertical "portrait" picture. Since AT&T intended to use television for telephony, the vertical shape was logical: phone calls are usually conversations between just two people. A picturephone system would depict one person on each side of the line. Meanwhile, in the US, Germany and elsewhere, other inventors planned to use television for entertainment purposes. These inventors began with square or "landscape" pictures. (For example, the television systems of Ernst Alexanderson, Frank Conrad, Charles Francis Jenkins, William Peck and Ulises Armand Sanabria.) These inventors realized that television is about relationships between people. From the very beginning, these inventors allowed picture space for two shots. Soon, images increased to 60 lines or more. The camera could easily photograph several people at once. Then even Baird switched his picture mask to a horizontal image. Baird's "zone television" is an early example of rethinking his extremely narrow screen format. For entertainment and most other purposes, even today, landscape remains the more practical shape.

In the days of commercial mechanical television transmissions, a system of recording images (but not sound) was developed, using a modified gramophone recorder. Marketed as "Phonovision", this system, which was never fully perfected, proved to be complicated to use as well as quite expensive, yet managed to preserve a number of early broadcast images that would otherwise have been lost. Scottish computer engineer Donald F. McLean has painstakingly reconstructed the analogue playback technology required to view these recordings, and has given lectures and presentations on his collection of mechanical television recordings made between 1925 and 1933. Among the discs in Dr. McLean's collection are a number of test recordings made by television pioneer John Logie Baird himself. One disc, dated "28th March 1928" and marked with the title "Miss Pounsford", shows several minutes of a woman's face in what appears to be very animated conversation. In 1993, the woman was identified by relatives as Mabel Pounsford, and her brief appearance on the disc is one of the earliest known television video recordings of a human.