Ramones тоғызыншы альбомы: «Төзуге тым берік»

Too Tough to Die is the eighth studio album by the American punk rock band Ramones. It was released on October 1, 1984, and is the first Ramones record to feature Richie Ramone on drums. With ex member Tommy Ramone producing (credited as T. Erdelyi), the recording process was similar to that of the band's 1976 self titled debut album. Likewise, the record's style—both lyrically and compositionally—saw the band returning to their roots. The photograph on the album cover, which features silhouettes of the band members, resulted from a "lucky accident" after photographer George DuBose's camera malfunctioned. The album's recording process used similar techniques which were used to record their 1976 eponymous album, with Rolling Stones Kurt Loder describing it as "virtually live in the studio". The album's songs were written mainly by bassist Dee Dee Ramone and guitarist Johnny Ramone, while lead singer Joey Ramone did not participate in the process as much as usual because he "wasn't feeling well" prior to recording. Joey did, however, write the songs "No Go" and "Daytime Dilemma (Dangers of Love)" after receiving help with the guitar part for the latter song by Daniel Rey. Johnny Ramone recalled:

Previous Ramones records featured celebrity record producers in an attempt to gain some sort of popularity. Since this method did not yield the results which they were expecting, Sire Records contacted the producers of 1978's Road to Ruin: Ed Stasium and ex band member Tommy Ramone. Too Tough to Die has less production value than previous recordings by the Ramones. Because critics often disapproved of the sound quality on End of the Century and Pleasant Dreams, the band leaned towards a harsher sound. Too Tough to Die was also the first of three studio albums that were licensed from Sire Records to the independent record label Beggars Banquet Records for release in the UK. The deal saw the group's work promoted better and resulted placings on the UK album and singles charts. The group had not charted in the UK since 1980's End of the Century.

The cover photo for the album was taken by photographer George DuBose in a tunnel in Central Park, New York City, near the Central Park Zoo. In the photo, the band members are standing side by side underneath an underpass arch, with their dark silhouettes illuminated in the background with blue lighting and dry ice fog. Johnny wanted the artwork to conceptually refer to the film A Clockwork Orange, released in 1971. DuBose relates: "Johnny wanted a picture that would evoke memories of the gang in A Clockwork Orange."

Just as the recording methods resembled that of the band's 1970s era, the musical style which they produced also favored the band's earlier approach to punk rock. Even though "Howling at the Moon (Sha La La)" featured a synthpop feel, the overall sound leaned more toward heavy metal music rather than pop music, which had been a major focus of the band's writing process throughout the 1980s. Authors Scott Schinder and Andy Schwartz explained:

Stephen Thomas Erlewine of AllMusic wrote that the album uses the "big guitar riffs" featured on Subterranean Jungle and transfigures them to be "shorter and heavier." The lyrics to the song were not included on the initial printing of the album because Sire considered the drug inspired lyrics to be too explicit for potential fans. Too Tough to Die was generally well received by critics. Music critic Robert Christgau suggested that the album's sound was a retreat to their earlier styles "with the cleansing minimalism of their original conception evoked", saying their initial sound was "augmented rather than recycled." Kurt Loder of Rolling Stone concluded his review by saying that "Too Tough to Die is a return to fighting trim by the kings of stripped down rock & roll." In a retrospective review, Stephen Thomas Erlewine of AllMusic called it "the last great record [the Ramones] would ever make" and noted that the use of Tommy Ramone as the album's producer was beneficial since it aided in the group returning "to simple, scathing punk rock." He also stated that the album reads "like a reaction to hardcore punk", while still maintaining their more melodic style in songs. It also peaked at number 49 on the Swedish Sverigetopplistan chart, and in a revival of fortunes spent three weeks on the UK Albums Chart where it peaked at number 63. The only single released from the album, "Howling at the Moon (Sha La La)" (backed with "Wart Hog" in the US and "Chasing the Night" in the UK) peaked at number 85 on the UK Singles Chart, where it spent two weeks. Guitar World magazine placed the album on their list of "New Sensations: 50 Iconic Albums That Defined 1984".