Кіріспе
"Йейл рекорды" – Йель университетінің студенттік юмор журналы. 1872 жылы құрылған, ол АҚШ-тағы ең көне юмор журналы болып табылады. Қазіргі уақытта "Рекорд" оқу жылында сегіз рет жарық көреді және Йель университетінің жатақханаларындағы асханаларда, сондай-ақ бүкіл елде жазылым арқылы таратылады. Журналдың мазмұны онлайн режимінде қолжетімді, ал толық нөмірлерін PDF форматында жүктеуге болады.
The Yale Record is the campus humor magazine of Yale University. Founded in 1872, it is the oldest humor magazine in the United States. The Record is currently published eight times during the academic year and is distributed in Yale residential college dining halls and around the nation through subscriptions. Content from the magazine is made available online and entire issues can be downloaded in pdf form. History
The Record began as a weekly newspaper, with its first issue appearing on September 11, 1872. Almost immediately, it became a home to funny writing (often in verse form), and later, when printing technology made it practical, humorous illustrations. The Record thrived immediately, and by the turn of the century had a wide circulation outside of New Haven—at prep schools, other college towns, and even New York City. As Yale became one of the bellwethers of collegiate taste and fashion (especially for the younger universities looking East), so too The Record became a model—F. Scott Fitzgerald referred to the magazine as one of the harbingers of the new, looser morality of collegians of that time. But it wasn't just laughs The Record was serving up—during the 1920s, The Record ran a popular speakeasy in the basement of its building at 254 York Street (designed by Lorenzo Hamilton and completed in 1928). and Judge. In 1914, J. L. Butler of The Yale Record and Richard Sanger of The Harvard Lampoon created the first annual banquet of the College Comics Association, which drew representatives from 14 college humor magazines to New Haven. The college humor style influenced—or in some cases led directly to—the Marx Brothers, The New Yorker, Playboy, Mad magazine, underground comics, National Lampoon, The Second City, and Saturday Night Live. Mid 20th century
From the 1920s to the 1960s, The Record placed special emphasis on cartooning, which led many of its alumni to work at Esquire magazine and especially The New Yorker. Record cartoonists during this time period included Peter Arno, Reginald Marsh, Clarence Day, Julien Dedman, Robert C. Osborn, James Stevenson, William Hamilton and Garry Trudeau. From 1920 through the 1940s, many Record staffers and alums contributed to College Humor, a popular nationally distributed humor magazine. Additionally, comedy first published in The Record was re printed in national humor magazines like Life and College Humor. By the late 1940s, the magazine's ties to The New Yorker were so strong that designers from that magazine consulted on The Record'''s layout and design. By the 1950s, the Record had established the "Cartoonist of the Year" award, which brought people like Walt Kelly, the creator of Pogo, to New Haven to dine and swap stories with the staff. In the early 1960s, cartoons and comic writing from the magazine were regularly re printed in Harvey Kurtzman's Help!, a satirical magazine that helped launch the careers of Monty Python's Terry Gilliam, R. Crumb, Woody Allen, John Cleese, Gloria Steinem and many others. In the late 1960s, the magazine played an integral role in editor in chief Garry Trudeau's creation of his epochal strip Doonesbury. In addition to editing the Record, Trudeau (and Record chairman Tim Bannon, basis of Doonesbury attorney T. F. Bannon of Torts, Tarts & Torque) organized Record'' events such as a successful Annette Funicello film festival, a Tarzan film festival (with guest Johnny Weissmuller) and a Jefferson Airplane concert featuring Sha Na Na.
The Record began as a weekly newspaper, with its first issue appearing on September 11, 1872. Almost immediately, it became a home to funny writing (often in verse form), and later, when printing technology made it practical, humorous illustrations. The Record thrived immediately, and by the turn of the century had a wide circulation outside of New Haven—at prep schools, other college towns, and even New York City. As Yale became one of the bellwethers of collegiate taste and fashion (especially for the younger universities looking East), so too The Record became a model—F. Scott Fitzgerald referred to the magazine as one of the harbingers of the new, looser morality of collegians of that time. But it wasn't just laughs The Record was serving up—during the 1920s, The Record ran a popular speakeasy in the basement of its building at 254 York Street (designed by Lorenzo Hamilton and completed in 1928). and Judge. In 1914, J. L. Butler of The Yale Record and Richard Sanger of The Harvard Lampoon created the first annual banquet of the College Comics Association, which drew representatives from 14 college humor magazines to New Haven. The college humor style influenced—or in some cases led directly to—the Marx Brothers, The New Yorker, Playboy, Mad magazine, underground comics, National Lampoon, The Second City, and Saturday Night Live. Mid 20th century
From the 1920s to the 1960s, The Record placed special emphasis on cartooning, which led many of its alumni to work at Esquire magazine and especially The New Yorker. Record cartoonists during this time period included Peter Arno, Reginald Marsh, Clarence Day, Julien Dedman, Robert C. Osborn, James Stevenson, William Hamilton and Garry Trudeau. From 1920 through the 1940s, many Record staffers and alums contributed to College Humor, a popular nationally distributed humor magazine. Additionally, comedy first published in The Record was re printed in national humor magazines like Life and College Humor. By the late 1940s, the magazine's ties to The New Yorker were so strong that designers from that magazine consulted on The Record'''s layout and design. By the 1950s, the Record had established the "Cartoonist of the Year" award, which brought people like Walt Kelly, the creator of Pogo, to New Haven to dine and swap stories with the staff. In the early 1960s, cartoons and comic writing from the magazine were regularly re printed in Harvey Kurtzman's Help!, a satirical magazine that helped launch the careers of Monty Python's Terry Gilliam, R. Crumb, Woody Allen, John Cleese, Gloria Steinem and many others. In the late 1960s, the magazine played an integral role in editor in chief Garry Trudeau's creation of his epochal strip Doonesbury. In addition to editing the Record, Trudeau (and Record chairman Tim Bannon, basis of Doonesbury attorney T. F. Bannon of Torts, Tarts & Torque) organized Record'' events such as a successful Annette Funicello film festival, a Tarzan film festival (with guest Johnny Weissmuller) and a Jefferson Airplane concert featuring Sha Na Na.
Тарих
The Yale Record is the campus humor magazine of Yale University. Founded in 1872, it is the oldest humor magazine in the United States. The Record is currently published eight times during the academic year and is distributed in Yale residential college dining halls and around the nation through subscriptions. Content from the magazine is made available online and entire issues can be downloaded in pdf form. History
The Record began as a weekly newspaper, with its first issue appearing on September 11, 1872. Almost immediately, it became a home to funny writing (often in verse form), and later, when printing technology made it practical, humorous illustrations. The Record thrived immediately, and by the turn of the century had a wide circulation outside of New Haven—at prep schools, other college towns, and even New York City. As Yale became one of the bellwethers of collegiate taste and fashion (especially for the younger universities looking East), so too The Record became a model—F. Scott Fitzgerald referred to the magazine as one of the harbingers of the new, looser morality of collegians of that time. But it wasn't just laughs The Record was serving up—during the 1920s, The Record ran a popular speakeasy in the basement of its building at 254 York Street (designed by Lorenzo Hamilton and completed in 1928). and Judge. In 1914, J. L. Butler of The Yale Record and Richard Sanger of The Harvard Lampoon created the first annual banquet of the College Comics Association, which drew representatives from 14 college humor magazines to New Haven. The college humor style influenced—or in some cases led directly to—the Marx Brothers, The New Yorker, Playboy, Mad magazine, underground comics, National Lampoon, The Second City, and Saturday Night Live. Mid 20th century
From the 1920s to the 1960s, The Record placed special emphasis on cartooning, which led many of its alumni to work at Esquire magazine and especially The New Yorker. Record cartoonists during this time period included Peter Arno, Reginald Marsh, Clarence Day, Julien Dedman, Robert C. Osborn, James Stevenson, William Hamilton and Garry Trudeau. From 1920 through the 1940s, many Record staffers and alums contributed to College Humor, a popular nationally distributed humor magazine. Additionally, comedy first published in The Record was re printed in national humor magazines like Life and College Humor. By the late 1940s, the magazine's ties to The New Yorker were so strong that designers from that magazine consulted on The Record'''s layout and design. By the 1950s, the Record had established the "Cartoonist of the Year" award, which brought people like Walt Kelly, the creator of Pogo, to New Haven to dine and swap stories with the staff. In the early 1960s, cartoons and comic writing from the magazine were regularly re printed in Harvey Kurtzman's Help!, a satirical magazine that helped launch the careers of Monty Python's Terry Gilliam, R. Crumb, Woody Allen, John Cleese, Gloria Steinem and many others. In the late 1960s, the magazine played an integral role in editor in chief Garry Trudeau's creation of his epochal strip Doonesbury. In addition to editing the Record, Trudeau (and Record chairman Tim Bannon, basis of Doonesbury attorney T. F. Bannon of Torts, Tarts & Torque) organized Record'' events such as a successful Annette Funicello film festival, a Tarzan film festival (with guest Johnny Weissmuller) and a Jefferson Airplane concert featuring Sha Na Na.
The Record began as a weekly newspaper, with its first issue appearing on September 11, 1872. Almost immediately, it became a home to funny writing (often in verse form), and later, when printing technology made it practical, humorous illustrations. The Record thrived immediately, and by the turn of the century had a wide circulation outside of New Haven—at prep schools, other college towns, and even New York City. As Yale became one of the bellwethers of collegiate taste and fashion (especially for the younger universities looking East), so too The Record became a model—F. Scott Fitzgerald referred to the magazine as one of the harbingers of the new, looser morality of collegians of that time. But it wasn't just laughs The Record was serving up—during the 1920s, The Record ran a popular speakeasy in the basement of its building at 254 York Street (designed by Lorenzo Hamilton and completed in 1928). and Judge. In 1914, J. L. Butler of The Yale Record and Richard Sanger of The Harvard Lampoon created the first annual banquet of the College Comics Association, which drew representatives from 14 college humor magazines to New Haven. The college humor style influenced—or in some cases led directly to—the Marx Brothers, The New Yorker, Playboy, Mad magazine, underground comics, National Lampoon, The Second City, and Saturday Night Live. Mid 20th century
From the 1920s to the 1960s, The Record placed special emphasis on cartooning, which led many of its alumni to work at Esquire magazine and especially The New Yorker. Record cartoonists during this time period included Peter Arno, Reginald Marsh, Clarence Day, Julien Dedman, Robert C. Osborn, James Stevenson, William Hamilton and Garry Trudeau. From 1920 through the 1940s, many Record staffers and alums contributed to College Humor, a popular nationally distributed humor magazine. Additionally, comedy first published in The Record was re printed in national humor magazines like Life and College Humor. By the late 1940s, the magazine's ties to The New Yorker were so strong that designers from that magazine consulted on The Record'''s layout and design. By the 1950s, the Record had established the "Cartoonist of the Year" award, which brought people like Walt Kelly, the creator of Pogo, to New Haven to dine and swap stories with the staff. In the early 1960s, cartoons and comic writing from the magazine were regularly re printed in Harvey Kurtzman's Help!, a satirical magazine that helped launch the careers of Monty Python's Terry Gilliam, R. Crumb, Woody Allen, John Cleese, Gloria Steinem and many others. In the late 1960s, the magazine played an integral role in editor in chief Garry Trudeau's creation of his epochal strip Doonesbury. In addition to editing the Record, Trudeau (and Record chairman Tim Bannon, basis of Doonesbury attorney T. F. Bannon of Torts, Tarts & Torque) organized Record'' events such as a successful Annette Funicello film festival, a Tarzan film festival (with guest Johnny Weissmuller) and a Jefferson Airplane concert featuring Sha Na Na.
"Рекорд" 1872 жылдың 11 қыркүйегінде апталық газет ретінде жарық көрді. Дереу әзілді жазулардың (көбінесе өлең түрінде) отанына айналды, ал кейіннен, баспа технологиясы мүмкіндік бергенде, күлкілі иллюстрациялар да пайда болды. "Рекорд" бірден сәттілікке жетті және ғасыр басында Нью-Хейвеннен тыс жерлерде, басқа колледж қалаларында және тіпті Нью-Йорк қаласында кең таралды. Йель колледждік талғам мен сәннің (әсіресе шығысқа бет бұрған жас университеттер үшін) белгісі болғандықтан, "Рекорд" та үлгіге айналды. Ф. Скотт Фицджеральд журналды сол кездегі студенттердің жаңа, еркін моралінің алға басушысы деп атады. Бірақ "Рекорд" тек күлкі ғана емес, 1920 жылдары ғимаратының жертөлесінде танымал спикизи (жасырын бар) ашты.
The Yale Record is the campus humor magazine of Yale University. Founded in 1872, it is the oldest humor magazine in the United States. The Record is currently published eight times during the academic year and is distributed in Yale residential college dining halls and around the nation through subscriptions. Content from the magazine is made available online and entire issues can be downloaded in pdf form. History
The Record began as a weekly newspaper, with its first issue appearing on September 11, 1872. Almost immediately, it became a home to funny writing (often in verse form), and later, when printing technology made it practical, humorous illustrations. The Record thrived immediately, and by the turn of the century had a wide circulation outside of New Haven—at prep schools, other college towns, and even New York City. As Yale became one of the bellwethers of collegiate taste and fashion (especially for the younger universities looking East), so too The Record became a model—F. Scott Fitzgerald referred to the magazine as one of the harbingers of the new, looser morality of collegians of that time. But it wasn't just laughs The Record was serving up—during the 1920s, The Record ran a popular speakeasy in the basement of its building at 254 York Street (designed by Lorenzo Hamilton and completed in 1928). and Judge. In 1914, J. L. Butler of The Yale Record and Richard Sanger of The Harvard Lampoon created the first annual banquet of the College Comics Association, which drew representatives from 14 college humor magazines to New Haven. The college humor style influenced—or in some cases led directly to—the Marx Brothers, The New Yorker, Playboy, Mad magazine, underground comics, National Lampoon, The Second City, and Saturday Night Live. Mid 20th century
From the 1920s to the 1960s, The Record placed special emphasis on cartooning, which led many of its alumni to work at Esquire magazine and especially The New Yorker. Record cartoonists during this time period included Peter Arno, Reginald Marsh, Clarence Day, Julien Dedman, Robert C. Osborn, James Stevenson, William Hamilton and Garry Trudeau. From 1920 through the 1940s, many Record staffers and alums contributed to College Humor, a popular nationally distributed humor magazine. Additionally, comedy first published in The Record was re printed in national humor magazines like Life and College Humor. By the late 1940s, the magazine's ties to The New Yorker were so strong that designers from that magazine consulted on The Record'''s layout and design. By the 1950s, the Record had established the "Cartoonist of the Year" award, which brought people like Walt Kelly, the creator of Pogo, to New Haven to dine and swap stories with the staff. In the early 1960s, cartoons and comic writing from the magazine were regularly re printed in Harvey Kurtzman's Help!, a satirical magazine that helped launch the careers of Monty Python's Terry Gilliam, R. Crumb, Woody Allen, John Cleese, Gloria Steinem and many others. In the late 1960s, the magazine played an integral role in editor in chief Garry Trudeau's creation of his epochal strip Doonesbury. In addition to editing the Record, Trudeau (and Record chairman Tim Bannon, basis of Doonesbury attorney T. F. Bannon of Torts, Tarts & Torque) organized Record'' events such as a successful Annette Funicello film festival, a Tarzan film festival (with guest Johnny Weissmuller) and a Jefferson Airplane concert featuring Sha Na Na.
The Record began as a weekly newspaper, with its first issue appearing on September 11, 1872. Almost immediately, it became a home to funny writing (often in verse form), and later, when printing technology made it practical, humorous illustrations. The Record thrived immediately, and by the turn of the century had a wide circulation outside of New Haven—at prep schools, other college towns, and even New York City. As Yale became one of the bellwethers of collegiate taste and fashion (especially for the younger universities looking East), so too The Record became a model—F. Scott Fitzgerald referred to the magazine as one of the harbingers of the new, looser morality of collegians of that time. But it wasn't just laughs The Record was serving up—during the 1920s, The Record ran a popular speakeasy in the basement of its building at 254 York Street (designed by Lorenzo Hamilton and completed in 1928). and Judge. In 1914, J. L. Butler of The Yale Record and Richard Sanger of The Harvard Lampoon created the first annual banquet of the College Comics Association, which drew representatives from 14 college humor magazines to New Haven. The college humor style influenced—or in some cases led directly to—the Marx Brothers, The New Yorker, Playboy, Mad magazine, underground comics, National Lampoon, The Second City, and Saturday Night Live. Mid 20th century
From the 1920s to the 1960s, The Record placed special emphasis on cartooning, which led many of its alumni to work at Esquire magazine and especially The New Yorker. Record cartoonists during this time period included Peter Arno, Reginald Marsh, Clarence Day, Julien Dedman, Robert C. Osborn, James Stevenson, William Hamilton and Garry Trudeau. From 1920 through the 1940s, many Record staffers and alums contributed to College Humor, a popular nationally distributed humor magazine. Additionally, comedy first published in The Record was re printed in national humor magazines like Life and College Humor. By the late 1940s, the magazine's ties to The New Yorker were so strong that designers from that magazine consulted on The Record'''s layout and design. By the 1950s, the Record had established the "Cartoonist of the Year" award, which brought people like Walt Kelly, the creator of Pogo, to New Haven to dine and swap stories with the staff. In the early 1960s, cartoons and comic writing from the magazine were regularly re printed in Harvey Kurtzman's Help!, a satirical magazine that helped launch the careers of Monty Python's Terry Gilliam, R. Crumb, Woody Allen, John Cleese, Gloria Steinem and many others. In the late 1960s, the magazine played an integral role in editor in chief Garry Trudeau's creation of his epochal strip Doonesbury. In addition to editing the Record, Trudeau (and Record chairman Tim Bannon, basis of Doonesbury attorney T. F. Bannon of Torts, Tarts & Torque) organized Record'' events such as a successful Annette Funicello film festival, a Tarzan film festival (with guest Johnny Weissmuller) and a Jefferson Airplane concert featuring Sha Na Na.
1914 жылы "The Yale Record" журналының J.L. Батлер және "The Harvard Lampoon" журналының Ричард Сангер Колледж юмористтері қауымдастығының алғашқы жылдық банкетін ұйымдастырды, ол Нью-Хейвенге 14 колледждің юмор журналдарының өкілдерін шақырды. Колледж юморының стилі Маркс ағайындыларына, "The New Yorker", "Playboy", "Mad" журналына, андеграунд комикстеріне, "National Lampoon", "The Second City" және "Saturday Night Live" сияқтыларға әсер етті немесе тікелей ықпал етті.
The Yale Record is the campus humor magazine of Yale University. Founded in 1872, it is the oldest humor magazine in the United States. The Record is currently published eight times during the academic year and is distributed in Yale residential college dining halls and around the nation through subscriptions. Content from the magazine is made available online and entire issues can be downloaded in pdf form. History
The Record began as a weekly newspaper, with its first issue appearing on September 11, 1872. Almost immediately, it became a home to funny writing (often in verse form), and later, when printing technology made it practical, humorous illustrations. The Record thrived immediately, and by the turn of the century had a wide circulation outside of New Haven—at prep schools, other college towns, and even New York City. As Yale became one of the bellwethers of collegiate taste and fashion (especially for the younger universities looking East), so too The Record became a model—F. Scott Fitzgerald referred to the magazine as one of the harbingers of the new, looser morality of collegians of that time. But it wasn't just laughs The Record was serving up—during the 1920s, The Record ran a popular speakeasy in the basement of its building at 254 York Street (designed by Lorenzo Hamilton and completed in 1928). and Judge. In 1914, J. L. Butler of The Yale Record and Richard Sanger of The Harvard Lampoon created the first annual banquet of the College Comics Association, which drew representatives from 14 college humor magazines to New Haven. The college humor style influenced—or in some cases led directly to—the Marx Brothers, The New Yorker, Playboy, Mad magazine, underground comics, National Lampoon, The Second City, and Saturday Night Live. Mid 20th century
From the 1920s to the 1960s, The Record placed special emphasis on cartooning, which led many of its alumni to work at Esquire magazine and especially The New Yorker. Record cartoonists during this time period included Peter Arno, Reginald Marsh, Clarence Day, Julien Dedman, Robert C. Osborn, James Stevenson, William Hamilton and Garry Trudeau. From 1920 through the 1940s, many Record staffers and alums contributed to College Humor, a popular nationally distributed humor magazine. Additionally, comedy first published in The Record was re printed in national humor magazines like Life and College Humor. By the late 1940s, the magazine's ties to The New Yorker were so strong that designers from that magazine consulted on The Record'''s layout and design. By the 1950s, the Record had established the "Cartoonist of the Year" award, which brought people like Walt Kelly, the creator of Pogo, to New Haven to dine and swap stories with the staff. In the early 1960s, cartoons and comic writing from the magazine were regularly re printed in Harvey Kurtzman's Help!, a satirical magazine that helped launch the careers of Monty Python's Terry Gilliam, R. Crumb, Woody Allen, John Cleese, Gloria Steinem and many others. In the late 1960s, the magazine played an integral role in editor in chief Garry Trudeau's creation of his epochal strip Doonesbury. In addition to editing the Record, Trudeau (and Record chairman Tim Bannon, basis of Doonesbury attorney T. F. Bannon of Torts, Tarts & Torque) organized Record'' events such as a successful Annette Funicello film festival, a Tarzan film festival (with guest Johnny Weissmuller) and a Jefferson Airplane concert featuring Sha Na Na.
The Record began as a weekly newspaper, with its first issue appearing on September 11, 1872. Almost immediately, it became a home to funny writing (often in verse form), and later, when printing technology made it practical, humorous illustrations. The Record thrived immediately, and by the turn of the century had a wide circulation outside of New Haven—at prep schools, other college towns, and even New York City. As Yale became one of the bellwethers of collegiate taste and fashion (especially for the younger universities looking East), so too The Record became a model—F. Scott Fitzgerald referred to the magazine as one of the harbingers of the new, looser morality of collegians of that time. But it wasn't just laughs The Record was serving up—during the 1920s, The Record ran a popular speakeasy in the basement of its building at 254 York Street (designed by Lorenzo Hamilton and completed in 1928). and Judge. In 1914, J. L. Butler of The Yale Record and Richard Sanger of The Harvard Lampoon created the first annual banquet of the College Comics Association, which drew representatives from 14 college humor magazines to New Haven. The college humor style influenced—or in some cases led directly to—the Marx Brothers, The New Yorker, Playboy, Mad magazine, underground comics, National Lampoon, The Second City, and Saturday Night Live. Mid 20th century
From the 1920s to the 1960s, The Record placed special emphasis on cartooning, which led many of its alumni to work at Esquire magazine and especially The New Yorker. Record cartoonists during this time period included Peter Arno, Reginald Marsh, Clarence Day, Julien Dedman, Robert C. Osborn, James Stevenson, William Hamilton and Garry Trudeau. From 1920 through the 1940s, many Record staffers and alums contributed to College Humor, a popular nationally distributed humor magazine. Additionally, comedy first published in The Record was re printed in national humor magazines like Life and College Humor. By the late 1940s, the magazine's ties to The New Yorker were so strong that designers from that magazine consulted on The Record'''s layout and design. By the 1950s, the Record had established the "Cartoonist of the Year" award, which brought people like Walt Kelly, the creator of Pogo, to New Haven to dine and swap stories with the staff. In the early 1960s, cartoons and comic writing from the magazine were regularly re printed in Harvey Kurtzman's Help!, a satirical magazine that helped launch the careers of Monty Python's Terry Gilliam, R. Crumb, Woody Allen, John Cleese, Gloria Steinem and many others. In the late 1960s, the magazine played an integral role in editor in chief Garry Trudeau's creation of his epochal strip Doonesbury. In addition to editing the Record, Trudeau (and Record chairman Tim Bannon, basis of Doonesbury attorney T. F. Bannon of Torts, Tarts & Torque) organized Record'' events such as a successful Annette Funicello film festival, a Tarzan film festival (with guest Johnny Weissmuller) and a Jefferson Airplane concert featuring Sha Na Na.
20-ғасырдың ортасы
The Yale Record is the campus humor magazine of Yale University. Founded in 1872, it is the oldest humor magazine in the United States. The Record is currently published eight times during the academic year and is distributed in Yale residential college dining halls and around the nation through subscriptions. Content from the magazine is made available online and entire issues can be downloaded in pdf form. History
The Record began as a weekly newspaper, with its first issue appearing on September 11, 1872. Almost immediately, it became a home to funny writing (often in verse form), and later, when printing technology made it practical, humorous illustrations. The Record thrived immediately, and by the turn of the century had a wide circulation outside of New Haven—at prep schools, other college towns, and even New York City. As Yale became one of the bellwethers of collegiate taste and fashion (especially for the younger universities looking East), so too The Record became a model—F. Scott Fitzgerald referred to the magazine as one of the harbingers of the new, looser morality of collegians of that time. But it wasn't just laughs The Record was serving up—during the 1920s, The Record ran a popular speakeasy in the basement of its building at 254 York Street (designed by Lorenzo Hamilton and completed in 1928). and Judge. In 1914, J. L. Butler of The Yale Record and Richard Sanger of The Harvard Lampoon created the first annual banquet of the College Comics Association, which drew representatives from 14 college humor magazines to New Haven. The college humor style influenced—or in some cases led directly to—the Marx Brothers, The New Yorker, Playboy, Mad magazine, underground comics, National Lampoon, The Second City, and Saturday Night Live. Mid 20th century
From the 1920s to the 1960s, The Record placed special emphasis on cartooning, which led many of its alumni to work at Esquire magazine and especially The New Yorker. Record cartoonists during this time period included Peter Arno, Reginald Marsh, Clarence Day, Julien Dedman, Robert C. Osborn, James Stevenson, William Hamilton and Garry Trudeau. From 1920 through the 1940s, many Record staffers and alums contributed to College Humor, a popular nationally distributed humor magazine. Additionally, comedy first published in The Record was re printed in national humor magazines like Life and College Humor. By the late 1940s, the magazine's ties to The New Yorker were so strong that designers from that magazine consulted on The Record'''s layout and design. By the 1950s, the Record had established the "Cartoonist of the Year" award, which brought people like Walt Kelly, the creator of Pogo, to New Haven to dine and swap stories with the staff. In the early 1960s, cartoons and comic writing from the magazine were regularly re printed in Harvey Kurtzman's Help!, a satirical magazine that helped launch the careers of Monty Python's Terry Gilliam, R. Crumb, Woody Allen, John Cleese, Gloria Steinem and many others. In the late 1960s, the magazine played an integral role in editor in chief Garry Trudeau's creation of his epochal strip Doonesbury. In addition to editing the Record, Trudeau (and Record chairman Tim Bannon, basis of Doonesbury attorney T. F. Bannon of Torts, Tarts & Torque) organized Record'' events such as a successful Annette Funicello film festival, a Tarzan film festival (with guest Johnny Weissmuller) and a Jefferson Airplane concert featuring Sha Na Na.
The Record began as a weekly newspaper, with its first issue appearing on September 11, 1872. Almost immediately, it became a home to funny writing (often in verse form), and later, when printing technology made it practical, humorous illustrations. The Record thrived immediately, and by the turn of the century had a wide circulation outside of New Haven—at prep schools, other college towns, and even New York City. As Yale became one of the bellwethers of collegiate taste and fashion (especially for the younger universities looking East), so too The Record became a model—F. Scott Fitzgerald referred to the magazine as one of the harbingers of the new, looser morality of collegians of that time. But it wasn't just laughs The Record was serving up—during the 1920s, The Record ran a popular speakeasy in the basement of its building at 254 York Street (designed by Lorenzo Hamilton and completed in 1928). and Judge. In 1914, J. L. Butler of The Yale Record and Richard Sanger of The Harvard Lampoon created the first annual banquet of the College Comics Association, which drew representatives from 14 college humor magazines to New Haven. The college humor style influenced—or in some cases led directly to—the Marx Brothers, The New Yorker, Playboy, Mad magazine, underground comics, National Lampoon, The Second City, and Saturday Night Live. Mid 20th century
From the 1920s to the 1960s, The Record placed special emphasis on cartooning, which led many of its alumni to work at Esquire magazine and especially The New Yorker. Record cartoonists during this time period included Peter Arno, Reginald Marsh, Clarence Day, Julien Dedman, Robert C. Osborn, James Stevenson, William Hamilton and Garry Trudeau. From 1920 through the 1940s, many Record staffers and alums contributed to College Humor, a popular nationally distributed humor magazine. Additionally, comedy first published in The Record was re printed in national humor magazines like Life and College Humor. By the late 1940s, the magazine's ties to The New Yorker were so strong that designers from that magazine consulted on The Record'''s layout and design. By the 1950s, the Record had established the "Cartoonist of the Year" award, which brought people like Walt Kelly, the creator of Pogo, to New Haven to dine and swap stories with the staff. In the early 1960s, cartoons and comic writing from the magazine were regularly re printed in Harvey Kurtzman's Help!, a satirical magazine that helped launch the careers of Monty Python's Terry Gilliam, R. Crumb, Woody Allen, John Cleese, Gloria Steinem and many others. In the late 1960s, the magazine played an integral role in editor in chief Garry Trudeau's creation of his epochal strip Doonesbury. In addition to editing the Record, Trudeau (and Record chairman Tim Bannon, basis of Doonesbury attorney T. F. Bannon of Torts, Tarts & Torque) organized Record'' events such as a successful Annette Funicello film festival, a Tarzan film festival (with guest Johnny Weissmuller) and a Jefferson Airplane concert featuring Sha Na Na.
1920 жылдардан 1960 жылдарға дейін "Рекорд" карикатураға ерекше мән берді, бұл көптеген түлектерін "Esquire" журналында және әсіресе "The New Yorker" журналында жұмыс істеуге итерді. Осы кезеңдегі "Рекорд" карикатурашыларының арасында Питер Арно, Реджинальд Марш, Кларенс Дей, Джулиен Дедман, Роберт С. Осборн, Джеймс Стивенсон, Уильям Гамильтон және Гарри Трюдо болды. 1920 жылдан 1940 жылдарға дейін көптеген "Рекорд" қызметкерлері мен түлектері "College Humor" журналына материалдарымен үлес қосты, ол бүкіл елде таралған танымал юмор журналы еді. Сонымен қатар, "Рекордта" алғаш рет жарияланған комедиялық материалдар "Life" және "College Humor" сияқты ұлттық юмор журналдарында қайта басылды. 1940 жылдардың соңына қарай журналдың "The New Yorker" журналымен байланысы соншалықты мықты болды, осы журналдың дизайнерлері "Рекордтың" макеті мен дизайнына кеңес берді. 1950 жылдары "Рекорд" "Жылдың карикатурисі" сыйлығын тағайындады, ол "Пого" туындысының авторы Уолт Келли сияқты адамдарды Нью-Хейвенге шақырып, қызметкерлермен әңгімелесуге мүмкіндік берді. 1960 жылдардың басында журналдан шыққан мультфильмдер мен комикстер Харви Курцманның "Help!" журналында тұрақты түрде жарияланды, бұл сатирикалық журнал Монти Пайтонның Терри Гиллиам, Р. Крамб, Вуди Аллен, Джон Клиз, Глория Штайнем және тағы да көптеген таланттардың мансабын бастауға көмектесті. 1960 жылдардың соңында журнал бас редактор Гарри Трюдоның "Doonesbury" эпостық комиксін жасауда маңызды рөл атқарды. "Рекордты" редакциялаудан басқа, Трюдо (және "Рекордтың" төрағасы Тим Бэннон, "Doonesbury" заңгері Т.Ф. Бэннонның прототипі) "Рекордтың" сәтті Аннетт Фуничелло кинофестивалі, Тарзан кинофестивалі (қонақ ретінде Джонни Вайсмюллер қатысты) және Sha Na Na тобымен бірге Джефферсон Эйрплейн концерті сияқты іс-шараларын ұйымдастырды.
The Yale Record is the campus humor magazine of Yale University. Founded in 1872, it is the oldest humor magazine in the United States. The Record is currently published eight times during the academic year and is distributed in Yale residential college dining halls and around the nation through subscriptions. Content from the magazine is made available online and entire issues can be downloaded in pdf form. History
The Record began as a weekly newspaper, with its first issue appearing on September 11, 1872. Almost immediately, it became a home to funny writing (often in verse form), and later, when printing technology made it practical, humorous illustrations. The Record thrived immediately, and by the turn of the century had a wide circulation outside of New Haven—at prep schools, other college towns, and even New York City. As Yale became one of the bellwethers of collegiate taste and fashion (especially for the younger universities looking East), so too The Record became a model—F. Scott Fitzgerald referred to the magazine as one of the harbingers of the new, looser morality of collegians of that time. But it wasn't just laughs The Record was serving up—during the 1920s, The Record ran a popular speakeasy in the basement of its building at 254 York Street (designed by Lorenzo Hamilton and completed in 1928). and Judge. In 1914, J. L. Butler of The Yale Record and Richard Sanger of The Harvard Lampoon created the first annual banquet of the College Comics Association, which drew representatives from 14 college humor magazines to New Haven. The college humor style influenced—or in some cases led directly to—the Marx Brothers, The New Yorker, Playboy, Mad magazine, underground comics, National Lampoon, The Second City, and Saturday Night Live. Mid 20th century
From the 1920s to the 1960s, The Record placed special emphasis on cartooning, which led many of its alumni to work at Esquire magazine and especially The New Yorker. Record cartoonists during this time period included Peter Arno, Reginald Marsh, Clarence Day, Julien Dedman, Robert C. Osborn, James Stevenson, William Hamilton and Garry Trudeau. From 1920 through the 1940s, many Record staffers and alums contributed to College Humor, a popular nationally distributed humor magazine. Additionally, comedy first published in The Record was re printed in national humor magazines like Life and College Humor. By the late 1940s, the magazine's ties to The New Yorker were so strong that designers from that magazine consulted on The Record'''s layout and design. By the 1950s, the Record had established the "Cartoonist of the Year" award, which brought people like Walt Kelly, the creator of Pogo, to New Haven to dine and swap stories with the staff. In the early 1960s, cartoons and comic writing from the magazine were regularly re printed in Harvey Kurtzman's Help!, a satirical magazine that helped launch the careers of Monty Python's Terry Gilliam, R. Crumb, Woody Allen, John Cleese, Gloria Steinem and many others. In the late 1960s, the magazine played an integral role in editor in chief Garry Trudeau's creation of his epochal strip Doonesbury. In addition to editing the Record, Trudeau (and Record chairman Tim Bannon, basis of Doonesbury attorney T. F. Bannon of Torts, Tarts & Torque) organized Record'' events such as a successful Annette Funicello film festival, a Tarzan film festival (with guest Johnny Weissmuller) and a Jefferson Airplane concert featuring Sha Na Na.
The Record began as a weekly newspaper, with its first issue appearing on September 11, 1872. Almost immediately, it became a home to funny writing (often in verse form), and later, when printing technology made it practical, humorous illustrations. The Record thrived immediately, and by the turn of the century had a wide circulation outside of New Haven—at prep schools, other college towns, and even New York City. As Yale became one of the bellwethers of collegiate taste and fashion (especially for the younger universities looking East), so too The Record became a model—F. Scott Fitzgerald referred to the magazine as one of the harbingers of the new, looser morality of collegians of that time. But it wasn't just laughs The Record was serving up—during the 1920s, The Record ran a popular speakeasy in the basement of its building at 254 York Street (designed by Lorenzo Hamilton and completed in 1928). and Judge. In 1914, J. L. Butler of The Yale Record and Richard Sanger of The Harvard Lampoon created the first annual banquet of the College Comics Association, which drew representatives from 14 college humor magazines to New Haven. The college humor style influenced—or in some cases led directly to—the Marx Brothers, The New Yorker, Playboy, Mad magazine, underground comics, National Lampoon, The Second City, and Saturday Night Live. Mid 20th century
From the 1920s to the 1960s, The Record placed special emphasis on cartooning, which led many of its alumni to work at Esquire magazine and especially The New Yorker. Record cartoonists during this time period included Peter Arno, Reginald Marsh, Clarence Day, Julien Dedman, Robert C. Osborn, James Stevenson, William Hamilton and Garry Trudeau. From 1920 through the 1940s, many Record staffers and alums contributed to College Humor, a popular nationally distributed humor magazine. Additionally, comedy first published in The Record was re printed in national humor magazines like Life and College Humor. By the late 1940s, the magazine's ties to The New Yorker were so strong that designers from that magazine consulted on The Record'''s layout and design. By the 1950s, the Record had established the "Cartoonist of the Year" award, which brought people like Walt Kelly, the creator of Pogo, to New Haven to dine and swap stories with the staff. In the early 1960s, cartoons and comic writing from the magazine were regularly re printed in Harvey Kurtzman's Help!, a satirical magazine that helped launch the careers of Monty Python's Terry Gilliam, R. Crumb, Woody Allen, John Cleese, Gloria Steinem and many others. In the late 1960s, the magazine played an integral role in editor in chief Garry Trudeau's creation of his epochal strip Doonesbury. In addition to editing the Record, Trudeau (and Record chairman Tim Bannon, basis of Doonesbury attorney T. F. Bannon of Torts, Tarts & Torque) organized Record'' events such as a successful Annette Funicello film festival, a Tarzan film festival (with guest Johnny Weissmuller) and a Jefferson Airplane concert featuring Sha Na Na.
Соңғы жылдары
1970 және 1980 жылдар «Рекорд» редакторының қызметкерлері арасында «Қараңғы дәуір» деп белгілі. Нью-Хейвендегі экономикалық жағдай өте қиын болды және әсерлі тарихына қарамастан, «Рекорд» осы кезеңде бірнеше рет өзін-өзі жойды, қайта жаңғырды. 1971, 1981, 1983 және 1987 жылдары кеңестер шақырылып, журнал эпизодтық түрде жарық көрді. 1989 жылы Йель студенттері Майкл Гербер мен Джонатан Шварц «Рекордты» қайта іске қосты. Олардың «Рекордтың» ашық, конвенцияға қарсы нұсқасы танымал болды, ал қысқа ғұмырлы спорт газеті «Нэшнлдың» пародиасы ұлттық бұқаралық ақпарат құралдарының назарын аударды. Гербер сондай-ақ «Рекорд» түлектері мен достарынан, оның ішінде Марк О’Доннелл, Гарри Трюдо, Роберт Гроссман, Харви Курцман, Арнольд Рот, Иан Фрейзер, Сэм Джонсон және Крис Марсилден тұратын арнайы кеңесшілер кеңесін құрды. 1992 жылдың күзінде «Рекордқа» үлес қосушы Райан Крейг танымал Йель таблоиді «Rumpus»-ты құрды. «Рекорд» қағаз түрінде шығарыла беруде, ал журнал 2001 жылдың 1 сәуірінен бастап интернетте мақалалар жариялай бастады.
The 1970s and 1980s are known as the "Dark Ages" amongst Record staffers. Economic conditions in New Haven were abysmal and despite its impressive pedigree, The Record sputtered along, self destructed and was revived numerous times throughout this period. Boards were convened and issues were published intermittently in 1971 1981, 1983, and 1987. Then in 1989, Yale students Michael Gerber and Jonathan Schwarz relaunched The Record for good. Their more informal, iconoclastic version of The Record proved popular, and a parody of the short lived sports newspaper The National garnered national media attention. Gerber also created an ad hoc advisory board from Record alumni and friends, including Mark O'Donnell, Garry Trudeau, Robert Grossman, Harvey Kurtzman, Arnold Roth, Ian Frazier, Sam Johnson and Chris Marcil. In the fall of 1992, Record contributor Ryan Craig founded popular Yale tabloid the Rumpus. While The Record continues to publish paper issues, the magazine began publishing web content on April 1, 2001.
Тақырыптық мәселелер
Осы журналдың әр саны белгілі бір тақырыпқа арналған. Журналдың құрамында:
Snews – Тақырыптар түріндегі қысқа хабарлар.
Пошта жәшігі – Редакцияға, тарихи тұлғаларға немесе тірі емес заттарға жазылған әзілді хаттар.
Редакторлық мақала – Журналдың бас редакторы әр санның мазмұны мен дайындалуын қысқаша баяндайтын мақаласы.
Карикатуралар – "Нью-Йоркер стиліндегі" суреттер, журналдың алғашқы жылдарына сілтеме жасайды.
Тізімдер мен мақалалар – Журнал тақырыбына қатысты қызметкерлер жасаған материалдар.
Each issue of the current magazine features a particular theme. Aspects of the magazine include:
Snews One liners in the form of headlines. Mailbags Humorous letters to the editor, historical figures, or inanimate objects. The Editorial Written by the editor in chief of the magazine each issue, giving a brief overview of the contents and making of the issue. Cartoons Captioned, "New Yorker style" cartoons that hail back to the magazine's early beginnings. Lists and Features Staff generated content pertinent to the magazine's theme.
Snews One liners in the form of headlines. Mailbags Humorous letters to the editor, historical figures, or inanimate objects. The Editorial Written by the editor in chief of the magazine each issue, giving a brief overview of the contents and making of the issue. Cartoons Captioned, "New Yorker style" cartoons that hail back to the magazine's early beginnings. Lists and Features Staff generated content pertinent to the magazine's theme.