Б.В. Карант: Үнді кино режиссері және театр қайраткері

Indian filmmaker, theatre personality
2=the 2012 Indian film on him

Babukodi Venkataramana Karanth (Kannada: ಬಾಬುಕೋಡಿ ವೆಂಕಟರಮಣ ಕಾರಂತ) (19 September 1929 – 1 September 2002) widely known as B. V. Karanth was an Indian film director, playwright, actor, screenwriter, composer, and dramatist known for his works in the Kannada theatre, Kannada cinema, and Hindi cinema. One of the pioneers of the Parallel Cinema, Karanth was an alumnus of the National School of Drama (1962) and later, its Director. He received the Sangeet Natak Akademi Award (1976), six National Film Awards, and the civilian honor Padma Shri for his contributions towards the field of art.

Born into a Kannada speaking family of Manchi, a village near Babukodi in Bantwal taluk of Dakshina Kannada district in 1929, Karanth's passion for theatre started at an early age. His first tryst with theatre was when he was in standard III – he acted in Nanna Gopala, a play directed by P. K. Narayana. He then ran away from home and joined the legendary Gubbi Veeranna drama company where he worked alongside Rajkumar who also was starting out then as a novice. Gubbi Veeranna sent Karanth to Banaras to gain a Master of Arts degree, where he also underwent training in Hindustani music under Guru Omkarnath Thakur. He later graduated from the National School of Drama (NSD), New Delhi, in 1962, then headed by Ebrahim Alkazi. Between 1969 and 1972, he worked as a drama instructor at the Sardar Patel Vidyalaya, New Delhi after which the couple returned to Bangalore. Here Karanth dabbled in some cinema as well as music and was involved with the likes of Girish Karnad and U. R. Ananthamurthy in these ventures. In 1989, the Karnataka government invited him to set up a repertory in Mysore, which he named Rangayana and headed until 1995. He was diagnosed with prostate cancer in the late 1990s and died at 8 p. m. (IST) on 1 September 2002 in a private hospital in Bangalore. The innovative use of music was one Karanth's biggest contributions to theatre. One of Karanth's strengths was his ability to draw on classical, traditional and folk forms and fuse them in his compositions. His plays were less famous for design as for their musical content, which became part of the prose of theatre." In 2010, at the 12th Bharat Rang Mahotsav, the annual theatre festival of National School of Drama, Delhi, a tribute exhibition dedicated to life, works and theatre of B. V. Karanth and Habib Tanvir was displayed. Jnanpith awardee Nirmal Verma had once described Karanth as “the authentic desi genius of Indian theatre”.

Karanth directed over a hundred plays, more than half of which were in Kannada with Hindi close behind. He also directed plays in English, Telugu, Malayalam, Tamil, Punjabi, Urdu, Sanskrit and Gujarati. Hayavadana (by Girish Karnad), Kattale Belaku, Huchu Kudure, Evam Indrajit, Oedipus, Sankranti, Jokumara Swami, Sattavara Neralu, Huttava Badidare and Gokula Nirgamana are some of his most popular plays in Kannada. Of the forty or so plays he directed in Hindi, Macbeth (using the traditional Yakshagana dance drama form), King Lear, Chandrahasa, Hayavadana, Ghasiram Kotwal, Mrichha Katika, Mudra Rakshasa, and Malavikagni Mitra are some of the more popular ones. Karanth also revelled in directing children and directed several children plays like Panjara Shale, Neeli Kudure, Heddayana, Alilu Ramayana and The Grateful Man.

In 1974, Karanth started BeNaKa a repertory in Bangalore. Benaka was an acronym for Bengalooru Nagara Kalavidaru. Benaka stages several hugely popular plays like Hayavadana all across Karnataka and even overseas. At Benaka, Karanth also took a special interest in children's theatre and directed several plays with children. This group has been taken care of by Prema Karanth, Karanth's late wife and a noted theatre personality in her own right. She died on 29 10 07.

Karanth was largely responsible for starting the new theatre movement in Madhya Pradesh. As director of the NSD, at the invitation of the Bharat Bhavan in Bhopal, he organized a training cum production camp in 1973. In the 1980s, he returned to set up the Rangmandal repertory in Bharat Bhavan. This was to be the first ever repertory in the state and he became the main creative spirit behind the now legendary Bharat Bhavan. Rangmandal, for the first time, folk professionals were used for training contemporary actors, and the repertory also included folk performers among its members. Apart from Hindi, plays were also produced in dialects such as Bundelkhandi, Malavi and Chhattisgarhi which created huge ticket buying audiences for the Rangmandira.

With the integration of Alarippu and National school of Drama New Delhi, Karanth had contributed three great plays in Telugu. Collaborated with Surabhi theatre of Andhra Pradesh, Karanth conducted three workshops respectively 'Bhishma' in 1996, 'Chandipriya' in 1997 and 'Basthidevatha yadamma'. It is his dedication that Karanth spent his time during the workshops in corner villages of Andhra Pradesh to brought up the dramas.

Karanth directed four feature films and four documentaries, apart from scoring the music for 26 films. He co directed films like Vamsha Vriksha and Tabbaliyu Neenade Magane with Girish Karnad.

In 2012, Films Division produced a 93 minute film on BV Karanth called BV Karanth:Baba. The film bases itself on BV Karanth's autobiography in Kannada called Illiralaare, Allige Hogalaare (I can't stay here, I won't go there) compiled by well known Kannada writer Vaidehi.

''Tughlaq (Hindi), by Girish Karnad. Tr. by B. V. Karanth. Rajkamal Prakashan Pvt Ltd, 2005. .