Оңтүстік Корея жазушысы И Мун Ёль өмірі мен шығармалары

South Korean writer

Yi Mun yol (born May 18, 1948) is a South Korean writer. Yi's given name at birth was Yol; the character, Mun (which translates as "writer"), was added after he took up a writing career. His works include novels, short stories and Korean adaptations of classic Chinese novels as well as political and social commentaries. An informal count has estimated that over 30 million copies of his books have been sold His works have garnered many literary awards and many have been adapted for film and television.

Yi Mun yol's father was a member of Korea's "wealthy elite". He had a 40 room residence and 200 pyeong, or 660 square meters, of land. He studied in Britain and taught agriculture at Seoul National University. But at the outbreak of the Korean War, he joined the communist cause, abandoned his family and moved to North Korea. Yi Mun yol was born in Cheongun dong, a neighborhood in central Seoul, South Korea in 1948, but the outbreak of the Korean War and his father's defection to North Korea forced his family to move about until they settled in Yeongyang County, Gyeongsangbuk do, the ancestral seat of his family. He dropped out of the College of Education of Seoul National University in 1970. He then studied for the Korean bar exam and failed three times. He entered literary contests with little success. The manuscript of Son of Man, which later became his debut novel in book form, was rejected. He married in 1973 and then joined the army to complete his compulsory military service. After he was discharged from the army, he taught school at a private institute.

Yi has written novels, short stories, and Korean adaptations of classic Chinese novels, and Our Twisted Hero ) and between traditionalism and modernism (exemplified by The Golden Phoenix and The Old Hatter). The first aspect of this tendency has been described as an emphasis on the adverse consequences of "reckless faith in ideology, belief or theories which people often cling to in the context of history, religion and academic studies". In addition, some of his novels display a particularly high regard for poetry and art. An analysis of Yi's works by Jae Bok Lee suggested that they encompassed several genres some of which include: "artists novels" (e. g. The Poet, The Golden Phoenix and Bisson), historical depictions (e. g. Age of Heroes and Border), romantic love stories (e. g. Lette's Song and All That Falls Has Wings), characterizations of political views unconsciously internalized in Korean society, especially men in Korea, (e. g. Choice), and, in Jae Bok Lee view, an excessively political novel, Homo Ececutans. One of Yi's best selling novels Son of Man (approximately 2 million copies sold) is simultaneously a detective story and a treatise of his views on Jewish and Christian ideologies derived from a study of comparative religion and mythology. Hail to the Emperor combines a farce with a realistic depiction of the suffering of the Korean people during the Japanese occupation and the Korean War. Ji moon Suh, translator of many of his works, stated that Yi is a master of all fictional forms. He provided short descriptions of a wide selection of Yi's works that support this assertion. Brother Anthony, who translated this work, believes that the work represents criticism of Protestant Christianity in South Korea after the Korean war. At the time, some pastors preyed on the vulnerability of their parishioners for their own economic advantage. He suggested that Yi's views may have been influenced by his upbringing which was steeped in Confucianism.

The Golden Phoenix or Garuda, expresses the conflict between the technical skill of creativity and the art of the cultivation of personality. Brother Antony, a translator of this work, noted that Garuda is a mythical man bird with golden wings which first evolved in Indian mythology. In this story, the vision of Garuda is used to embody the soaring nature of perfected art, seen at last by the dying protagonist after a lifetime of dedication to art.

In The Old Hatter, (translated into English by Brother Anthony) young boys play pranks on the last traditional artisan in their village. The Old Hatter's grandfather had made four hats for kings. It is only after they mature that the boys realize his greatness. The gat, the traditional hat made from horsehair or very fine bamboo strips and worn over a man's top knot, had been outlawed by the Japanese colonial authorities along with the top knot itself. Nevertheless, the gat was still worn by a few men in their out of the way village at the start of the story. In the end, he had no customers for his final masterpiece, so he burns it at the grave of the man he hoped to give it to in life. He himself dies soon after. The Old Hatter, is one of 16 stories in a compilation called You Can't Go Home Again. Associated commentary noted that this compilation written "on the theme of the modern Korean's loss of his home town in the physical, spiritual, and psychological senses, reveals [Yi's] obstinate conservatism but also his genuine and deep regret over the passing not only of a way of life but the frame of mind that created and sustained that way of life."

Hail to the Emperor! deals with the heated competition of imperial world powers around Korea at the end of the 19th century and goes on through the Japanese colonial era, the Korean War and the period of military dictatorial rule, penetrating through the modern history of Korea. With a Don Quixote esque protagonist, the novel adopts a rich traditional style of prose displaying a comprehensive understanding of traditional East Asian literature, and drawing readers into the narrative with powerful descriptions of the turbulent history of Korea. Michelle Tanenbaum, in a review of the influence of Cervantes' Don Quixote on Korean literature concluded that Yi's Hail to the Emperor! was highly successful in capturing the spirit of the original novel. The protagonist, always referred to as the Emperor, "manifests a madness for excessive reading; he seeks out adventures that are directed toward the search for justice; he is accompanied by assistants who are equally mad; he inhabits the world of the past, which of course has vanished; and finally, he repeatedly commits insane acts, transforming the work into a comedy." The Emperor believes that he is ordained by heaven to found a new dynasty to replace the Yi (Joseon) dynasty and that the new Chong dynasty will prosper for 800 years as predicted in the secret prophetic text, Chong kam rok, also known as Jeonggamnok. His dream is to be a ruler who will free the kingdom of foreign domination, both military and cultural. The latter is presented as a seemingly impossible task, a struggle that would require "madness" to sustain over a lifetime. Sol Sun bung, author of the preface to his English translation, noted that although Emperor's dream of becoming a ruler of the people failed in a practical sense, nonetheless at his death, he achieves "greater eminence by transcending all worldly preoccupations". The new teacher not only brutally thrashes the bully but also the boys who let "what was rightfully yours" be taken away. The protagonist is the only student who refuses to denounce him. After the monitor is deposed, an election for a new monitor is held. Prior to the election, the sixth grade teacher hands out copies of U. S. President Kennedy's Profiles in Courage, a symbol of an idealized liberal democratic system. A new more democratic order is imposed, but that leads to bickering and loss in classroom achievement. In a coda, the protagonist looks back on his life. He had graduated from a prominent university, but had declined to work with one of the chaebols, which he viewed as authoritarian, hypocritical and corrupt. He had taken a job in sales, but that job was also dependent on the chaebols. Disillusioned, he had become a private institute (hagwon) lecturer of humble means. At that point, he learns that his fellow students have met with varying levels of success. Some have done quite well, without logical reason. As described in a scholarly review by Jini Kim Watson, he "feels as if 'I had been thrown into a cruel kingdom that ran things as it wished'. What is striking is that this 'cruel kingdom' now no longer refers to [the student monitor's] regime, nor the new teacher's violent reforms, nor even the chaebol businesses. In the coda, corruption, lack of freedom, and the arbitrary rule of hypocrites turn out to better describe the normative conditions of the postcolonial nation under globalized post Fordism." At the end, he chances to see the monitor being arrested as a petty crook. The protagonist cries but is unable to determine why. His confusion also leaves the reader unable to determine the appropriate allegory.

Choice is a novelized biography of Jang Gye hyang, a 17th century ancestor, by marriage, of Yi Mun yol. (She is referred to in the book as Mrs. Jang, her maiden name, which is common practice in Korea.) She was the daughter of Jang Heung hyo, pen name Gyeongdang, a renowned Confucian scholar. She is highly talented in art and poetry which leads her father to lament that she was born a woman. His lament was interpreted as an expression of love but also as a warning of the discord that would occur if she were to insist on realizing her talents. She "chooses" instead to become a devoted wife, daughter in law, and mother. She rationalizes her circumstance with the statement: "there is nothing bigger and more beautiful than maintaining this world as a wife and preparing for a better world in the future as a mother". Mrs. Jang's talent for poetry once again awakened in her old age, after giving it up as a child. This allows her to stand at the peak under a matriarchal system, which is inspired by the patriarchal system. In a literary article, Yi Mun yol defended Mrs. Jang's choice saying it was strange why women's choices excluded achievement at home. On the other hand, a critic noted: "As can be seen by the references to two talented women that Mrs. Jang makes in the book, 'It wasn't because of her poetry that Saimdang was respected' and 'Nanseolheon was not referred to as a literary woman by both families', Mrs. Jang had no choice but to give up her talent and be forced down the [normalized] path of a social woman". A parallel was drawn between Mrs. Jang's life and that of Yi Mun yol. He had to give up his talent and enlist in the military amid conflicts with the system, just like Mrs. Jang's choice to give up academics despite her talent. Moreover, Mrs. Jang subsequently gained authority as a female matriarch after complying with the system, while Yi enjoyed the status of cultural power after his successful incorporation into the system. In a critique of the novel included in the afterword of the bilingual edition (Korean and English), Bak Choel hwa considered the work an allegory depicting the dark side of Korean society and commented that if Hong is the "pig" then the protagonist is "a member of the powerless educated class, a "Pilon" who makes no attempt to stop the madness".

Yi's award winning The Poet and The Thief was incorporated into a larger novel, The Poet, which is available in an English translation by Brother Anthony. It is the novelized biography of Kim Pyong yon whose grandfather was executed as a traitor. Punishment for such a crime extended over three generations. Kim's death sentence was commuted but he and his remaining family (like Yi's family) lost the privileges of their former high status. In a story well known to Koreans, he had entered a poetry contest without acknowledging (or in other accounts without knowing) his true identity, wrote a poem critical of his grandfather and was declared the winner. However, the guilt of that betrayal led him to eventually take up the life of a wandering poet. As he went from village to village, he exchanged poems for food and shelter. In his travels, he wore a large bamboo hat as protection from sun and rain (or in some accounts as a symbol of his shame). Thus, he became known as Kim SakGat (or Kim Bamboo Hat). As depicted in this narrative, his poems, which often ridiculed the ruling elite, were a work of genius but were somehow lacking in authenticity. A chance encounter with a Taoist poet known as the Old Drunkard leads to a transformation described by Brother Anthony, as a vision that "poetry has nothing at all to do with words, techniques, or themes, but with being". Peter Lee noted that this imagery is recurrent in Korean poetry and represents the highest praise for a poet recluse in a Buddhist or Taoist context.

In Age of Heroes, his protagonist is the eldest son of a prominent Confucian family. Similar to Yi's own father, he has communist sympathies. He takes up the leftist cause only to be disillusioned. Caught up in his idealism, he ignores the danger to his family. His mother and wife are left to save the family. As described in a plot summary by Dong Wook Shin, the protagonist insists the war is "for the people", but when his mother rhetorically asks, "What people are you talking about? I see no such people in the south and don't think there will be any more in the north. [Are they not] something that exists only in your words? And yet for that ghost of yours you dare to sacrifice innocent lives?"

In Appointment with My Brother, Yi Mun yul imagines meeting with his half brother, born to his father and a new wife in North Korea. After the protagonist learns that his father has died after a 40 year separation, he makes an appointment to meet his North Korean half brother and discovers that, despite their ideological differences, they have strong family ties. Their bond is cemented after drinking soju, a strong Korean drink, after a makeshift ceremony to honor their father.

One of Yi's most ambitious works is Frontier Between Two Empires [also known as Border], an epic novel in 12 Volumes. The title symbolizes the United States and the former Soviet Union. It is essentially a sequel to Age of Heroes in describing the lives of a family left behind in South Korea after their father defaults to North Korea. It characterizes the hardships brought about by the Korean War and the imprint of superpower rivalry. In a critique of his own work, he stated the premise of the book was that in order to secure the South Korean border the United States imposed Western capitalism and the South Korean government used absolute authority to enforce it. "As a result, South Korea becomes a society where the only 'freedom' allowed is the pursuit of money; and the dreaming of a better society or individual life is banned. Thus, various entities, which want to be freed from this evil axiom, spring forth. However, their good intentions are soon distorted. They turn antagonistic toward those who do not have faith in their good intentions, while demanding absolute obedience from those who believe in their good intentions."

Lette's Song is a love story/female coming of age story. It takes the form of a woman reading her diary on the day before she is to be married. While reading, she relives her past relationship with an older married man. He is an artist. After a number of chance encounters, she models for him and falls in love. However eventually he breaks the relationship reasoning "Knowing how to stop at the right place is the greatest love I can give. So, just as Heewon [the protagonist] will always remain in my memory as the last blessing given to my youth, so even in Heewon's memory, I always want to survive with a love without shame." The novel was viewed as a deep exploration of the interplay between love and moral norms. The title refers to the Lethe river in Greek mythology, a river of the underworld of Hades. Those who drank from it experienced complete forgetfulness. The artist tells her that a married woman must cross the river, drink from it and forget the past. "Fill your dreams and memories with the rest of your life" he says. An analysis by Jaeun Oh indicated that, in her view, the novel was conceived as a female version of Werther in the novel, The Sorrows of Young Werther by Goethe. However, Heewon is not as destructive as Werther and in the end she decides to get on with her life.

In addition to original works, Yi did large multivolume Korean adaptations of classic Chinese novels including Romance of the Three Kingdoms ,Outlaws of the Marsh and Legends of Chu and Han.

In the early 2000s, Yi wrote newspaper opinion articles which stirred controversy for a political right leaning perspective. His book Homo Executans (2006) included a boiler mechanic, who claimed to be a reincarnation of Jesus, and a Mary Magdalen figure who worshiped him. The boiler mechanic is assassinated by activists who are abolished in turn by his followers. Apparently, it was intended as an analogical representation of left/right tensions in Korean society. It was considered highly political for some of the rhetoric included. Yi was also criticized for perceived anti feminists portrayals of women during the Joseon period in Choice. In 2011, Yi Mun yol was also the first Korean fiction writer to have a story appear in The New Yorker ("An Anonymous Island", translated by Heinz Insu Fenkl). Many of Yi's novels have been adapted for film including: Our Twisted Hero, Portrait of Days of Youth, Our Joyful Young Days, Anonymous Island, Son of Man, Lette's Song, All That Falls Has Wings. His novel, Fox Hunting, was adapted for a musical play, The Last Empress, which depicts the life of Empress Myeongseong, who the Japanese agents referred to as a fox spirit and their operation to assassinate her as fox hunting. The play was performed in Seoul, London and New York.