"Жұлдызды жол: Спок өлсін!"

1970 novel by James Blish

Spock Must Die! is an American science fiction novel written by James Blish, published February 1970 by Bantam Books. It was the first original novel based on the Star Trek television series intended for adult readers. It was preceded by a tie in comic book line published by Gold Key and the novel Mission to Horatius by Mack Reynolds, all intended for younger readers. Blish aimed to kill off a popular character as a way to surprise readers, and during the novel's production chose Spock, with the aid of his wife, J. A. Lawrence. Reviews of the novel have been mixed. Some reviewers have directed criticism at the structure or tone of the novel, while others have expressed no enthusiasm for the work, overall. Spock Must Die! was reprinted numerous times with different cover art, including a cover by Kazuhiko Sano. The novel was collected in an omnibus for the Science Fiction Book Club in 1978. Prior to the release of Spock Must Die!, Blish had written three collections of short stories adapting episodes of the television series. The second collection, Star Trek 2 (February 1968), included an adaptation of the episode "Errand of Mercy", which the novel directly references in the second chapter.

Doctor Leonard McCoy and Engineer Montgomery Scott discuss McCoy's fear of the transporter. McCoy posits that an original person is killed upon dematerialization, and a duplicate is created at the destination. Scotty explains that the technology does not destroy the original object but causes every single particle to undergo a "Dirac jump" to its new location, and that converting a human sized mass to energy would blow up the ship. McCoy is not convinced, and he wonders what happens to the soul in a transporter beam. The conversation is interrupted by the news that the Organians appear to have been destroyed by the Klingon Empire. The Organians had been enforcing a peace treaty between the Empire and the Federation, and the planet's disappearance is a threat to the peace. As the Enterprise is a long way from Organia, Scotty develops a modification of the transporter that uses tachyons to create a copy of a crewman that could be transported to Organia long before the ship can reach the planet. Spock is chosen, but a permanent duplicate is created unexpectedly upon transport, as something at or on Organia has functioned as a perfect, impenetrable, mirror for the tachyon transporter beam. The crew is unable to distinguish between the two Spocks. Kirk arbitrarily designates one as "Spock One" and the other as "Spock Two". Spock Two soon argues that the duplicate will be operating on a pro Klingon agenda, since, being physically reversed, he is also ethically reversed as well, and he states that the duplicate must therefore be killed, "even if it is I". After faking a mental breakdown and barricading himself in sick bay, Spock One escapes in a stolen shuttlecraft which he has adapted to warp drive. This offers strong evidence that he is the duplicate and traitor. The crew find corroboration of this when they discover that Spock One used the Enterprise's science facilities to manufacture chirality reversed amino acids. He had undergone a total left to right inversion down to the atomic level during his creation. To survive, he had to infuse the inverse forms of amino acids into his diet. McCoy explains that such a meager diet would have induced deficiency diseases in a human, but that a Vulcan is able to endure it indefinitely. The Enterprise receives communiques indicating that the war is going badly for the Federation. Upon arriving at Organia, the crew are affected by a powerful mental disturbance centered on the planet. Kirk, Scotty and Spock transport to the surface, but Kirk identifies the Spock with him as the duplicate Spock (Spock One). Realizing the danger to Kirk and Scotty, via their psychic link, Spock Two transports to the planet and kills his duplicate. The landing party discover that the Organians are not dead, but imprisoned. A weapon deployed by the Klingons has restrained their mental abilities, preventing them from expressing their thoughts. As thought creatures, the restraint will ultimately destroy them if it is not disabled. Scotty is able to disable the weapon and the thought screen surrounding the planet, freeing the Organians. In retaliation, the Klingon race is confined to their homeworld, and the Klingon commander, Koloth, is trapped in a bubble of asymptotically slowing time, unaware of his fate. The Enterprise continues on its five year mission of exploration.

For the first original Star Trek novel for adults, Blish wanted to surprise readers by killing a popular character. Unexpectedly, Spock had been the most popular character in the television series—more popular than Captain Kirk. Blish discussed his premise with his wife, J. A. Lawrence, only to discover she preferred Spock to Kirk, as well. Following their discussion, Blish chose to kill Spock. Strother B. Purdy referred to novel's text as a "rather well written" example of the duplication of characters in science fiction, in his study The Hole in the Fabric (March 1977). Purdy was also impressed by novel's play on elements in the vein of Martin Gardner's The Ambidextrous Universe and Lewis Carroll's Through the Looking Glass. Astrobiologist Daniel Glavin was quoted in the 15 May 2010 issue of the New Scientist, saying it was an "intriguing idea" and that Spock Must Die! is "certainly a novel turn in this twistiest of tales: the story of how life came to be left handed". Ellen Kozak reviewed Spock Must Die! as "one of the better original novels written from the series" in the December 1979 issue of Science Fiction and Fantasy Book Review. Encyclopedia of Science Fiction (May 2005), by Don D'Ammassa, synopsizes the novel as "interesting historically, but a mediocre piece of fiction". Ellen Cheeseman Meyer reviewed the novel for Tor. com, in 2012, saying the women aboard Enterprise sexually desiring Spock (Spock One) was "unsettling". And that the novel offers "sex with Spock, the magical half breed", as the "cure for racism that 23rd century women cannot find anywhere else". However, Cheeseman Meyer noted Spock Must Die! was "worth reading as a celebration of the world Star Trek envisioned, however strange that could sometimes be".